Live Tweet Alert: Join #FridayNightFlix For Gamera: The Invincible!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix presents Gamera: The Invincible!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Gamera is available on Prime and Tubi!  See you there!

Quickie Review: The Monkey (dir. by Osgood Perkins)


Yes, dying is quite fucked up and Osgood Perkins follow-up to his 2024 horror cult-hit Longlegs points and shows this to the audience in spades (and buckets of blood).

The Monkey, based on the Stephen King short story of the same name, tells the story of a drum-playing toy monkey which happens to cause the the deaths of random individuals when it stops playing the drums. Right from the start we see that The Monkey veers away from Perkins usual moody and atmospheric horror language and goes for the absurdist take on the genre.

Anyone who has seen the supernatural horror series Final Destination will recognize the Rube Goldberg-esque ways each kills in that series has become its signature will appreciate how truly absurd some of the kills in The Monkey turns out. To say more would be too much of a spoiler and should be experience by anyone willing to watch this film.

Osgood Perkins still brings to the table his own brand of horror comedy by exploring the ideas and themes of death’s inevitability and randomness, but also childhood trauma and how it impacts the lives of those children even to their adulthood. Where some films would be more subtle in exploring these themes, Perkins decides on drumming it on thickly which, at time, does come off as cringe.

Yet, despite the heavy-handedness of Perkins’ screenplay (he also wrote the screenplay adaptation of King’s tale), The Monkey still succeeds in delivering an early horror hit for 2025 that should be seen with a crowd. this is a film that is actually better when seen as part of a collective experience rather than with a small group.

Twice In A Lifetime (1985, dir by Bud Yorkin)


Today, for obvious and tragic reasons, people everywhere have been thinking about their favorite Gene Hackman performances.  Hackman was an actor who always brought his all, even when he was appearing in a lesser film.  I think you could ask five different people for their five favorite Hackman performances and they would all give five different answers.  His performance as Lex Luthor in Superman and Superman II has always been one of my favorites.  Others will undoubtedly cite his award-winning performance as Popeye Doyle in The French Connection or his great work as Norman Dale in Hoosiers or his work in classic neo-noirs like The Conversation and Night Moves.  Let’s not forget his most unexpectedly great turn, as the blind man in Young Frankenstein.  Hackman gave so many great performances that some of them were for films that are not even remembered today.

Twice In A Lifetime is one of those forgotten films but I think it features one of Hackman’s best performances.  He plays Harry Mackenzie, a steelworker who is married to Kate (Ellen Burstyn, made up to look frumpy) and who has two daughters (Amy Madigan and Ally Sheedy).  Harry is the type of everyman that Hackman excelled at playing.  He’s a hard worker, a good family man, and a good friend.  What no one, not even Harry realizes, is that he’s also having a midlife crisis.  On his 50th birthday, he goes out to the neighborhood bar with his buddies and falls for the new barmaid, Audrey (Ann-Margaret).  Harry ends up leaving his wife for Audrey, pursuing the spark that his marriage no longer gives him.  The movie follows Harry and Kate and their daughters as they adjust to their new lives and they plan for the younger daughter’s wedding.

Twice In A Lifetime was one of many 80s films that dealt with divorce and it has the same flaws that afflicted many of them.  These films, which were often made by middle-aged directors who had just gone through their own divorces, rarely played fair when it came to depicting why the marriage failed.  Twice In A Lifetime stacks the odds in Harry’s favor just by suggesting that Ann-Margaret would end up working at a bar frequented by steelworkers.  Harry has to choose between his plain and boring wife and Ann-Margaret.  That’s going to be a difficult choice!  The twist that Harry’s decision was ultimately the right thing for Kate doesn’t feel earned.

But damn if Gene Hackman isn’t great in this film.  Even though he was one of the most recognizable actors in the movie, Hackman is totally believable as both a steelworker and a man who worries that he’s destroyed his family.  It’s not just one moment or scene that makes this a great performance.  It’s the entire performance as a whole, with Hackman portraying all of Harry’s conflicted emotions both before and after leaving his family.  Hackman gives a performance that is more honest than the film’s script or direction.  The movie believes Harry did the right thing but Hackman shows us that Harry himself isn’t so sure.  Hackman captures the middle-aged malaise of a man wondering if his life is as good as it gets.  When the movie works, it is almost totally due to the emotional authenticity of Hackman’s performance.  Twice in a Lifetime may be a forgotten film but it’s also proof of how great an actor Gene Hackman really was.  There will never be another one like him.

Billy Bob Thornton in A SIMPLE PLAN (1998) – The great performances! 


Sam Raimi directed A SIMPLE PLAN, a movie about two brothers and a friend who find a crashed plane on a nature reserve that just happens to have a bag of cash containing $4.4 million. What starts out as the potential answer to all of their problems turns out the biggest problem they’ll ever have to deal with. 

Bill Paxton, Billy Bob Thornton & Brent Briscoe play the guys who find the money and come up with a plan to keep it. As you can imagine, it all goes to hell, with one thing leading to another thing that leads to another thing, and none of it good. The performances in this film are uniformly excellent, with Thornton as the standout. He completely disappears into his character and received an Oscar nomination for his work. It’s a great film, but it’s not exactly a fun film as we watch these characters’ lives turn into a slowly unfolding bus wreck. I watched it recently for the first time since I saw it in the theaters in 1998. Although I highly recommend it, I’m probably good for another couple of decades.

This scene with Paxton and Thornton is pretty sad and a pretty strong indicator of why money ultimately can never bring true happiness. 

Song of the Day: Theme From The French Connection by Don Ellis


On Monday, when I watched The Seven-Ups with Jeff, Leonard, Bradley, and his wife Sierra (as well as one of our favorite TSL commenters, Dougie Cooper), I was struck by the fact that the film’s score sounded a lot like the score for The French Connection.  At first, I figured that it was just a sign of how influential The French Connection was but later, I learned both score were composed by the same man, Don Ellis.

I’ve been thinking about The French Connection a lot since I first heard that Gene Hackman had passed away.  A few years ago, I was lucky enough to attend a secret showing of The French Connection at the Alamo Drafthouse.  The film worked wonderfully on the big screen, with that car chase leaving me totally breathless.  Gene Hackman’s performance as Popeye Doyle was undeniably powerful, his hyperactive and self-destructive pursuit of Charnier filling the entire theater with both dread and excitement.  Even though we knew how the film would end, those of us in the audience still couldn’t look away.

Anyway, this is all my rambling way to brag about going to a secret screening of The French …. no wait, wait.  Actually, this is my rambling way of introducing today’s song of the day.  Here is Don Ellis’s Theme From The French Connection.

A Note From Lisa To You Regarding Retro Television Reviews


So, some may have noticed a lack of retro television reviews this week.  I wish I had a better excuse than me being sick to give you but seriously, I’ve just been under the weather big time this week.  I went from 9 degree temperatures at Lake Texoma to 67 degree temperatures back home in Dallas and my asthma has basically just been kicking my ass for a week and a half now.  Plus …. well, I won’t go into the gory details but let’s just say this is not my week when it comes to feeling well.

I was going to try to get caught up on my television reviews today but then I realized that would essentially mean writing and posting 9 television reviews in one day and it would also mean that I would inevitably have to rush to get them all completed.  That, along with me being tired and ill, would probably lead to some badly written reviews on my part.  Add to that, the Oscars are approaching this weekend and Oscar Sunday is a big tradition around these parts.  It’s a tradition that also requires a bit of focus from me.

Long story short: I’m bowing to reality.  I’m sick and the world’s not going to end if there’s a week’s delay in reviewing the next episode of Malibu, CA.  I’m accepting that what Erin always tells me about taking care myself is true and that I need to perhaps get a little rest so I can get back to being 100% healthy and alert.  Retro Television Reviews will return on March 3rd with Miami Vice!  Thank you for your understanding and patience!

4 Shots From 4 Films: Special Elizabeth Taylor Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of one of the greatest films stars ever, Elizabeth Taylor!  And you know what that means.  It’s time for….

4 Shots From 4 Elizabeth Taylor Films

A Place in the Sun (1951, dir by George Stevens, DP: William C. Mellor)

Suddenly, Last Summer (1959, dir by Joseph L. Mankiewicz, DP: Jack Hildyard)

Cleopatra (1963, dir by Joseph L. Mankiewicz, DP: Leon Shamroy )

Boom! (1968, dir by Joseph Losey, DP: Douglas Slocombe)