This scene is from 1975’s Tommy and was directed by Ken Russell.
Tina Turner, R.I.P.
This scene is from 1975’s Tommy and was directed by Ken Russell.
Tina Turner, R.I.P.
In 1985, After The Fire was a minor hit for The Who’s lead singer, Roger Daltrey. It appeared on Daltrey’s sixth solo album, Under A Raging Moon, and it was helped, on its way up the charts, by a music video that was put into heavy rotation on MTV.
After The Fire was written by Pete Townshend and it was originally meant to be a Who song. The plan was originally to debut After The Fire at Live Aid but, because of a scheduling mishap, the band did not get a chance to rehearse the new song before performing and so After The Fire was dropped from the band’s set list. It was instead given to Daltrey, who included it on his solo album.
This is perhaps the only song to name drop both Dom DeLuise and Matt Dillon. Judging from the lyrics about Dillon riding “his brother’s motorcycle” in black-and-white, the lyrics were probably referring to his performance in Rumble Fish. The reference to Dom DeLuise is a little more cryptic. Was Pete Townshend a fan of The Cannonball Run? Or was he watching The Best Little Whorehouse in Texas while writing the song? We may never know.
Enjoy!
On March 1st, 1959, a 15 year-old student at Acton County Grammar School brought an air gun to school. Years later, the student would write about how he and a friend were “in the changing room, mucking about after football,” when someone fired the gun. The pellet ricocheted off a wall and struck another student in the eye.
The student who brought the air gun was taken down to see Mr. Kibblewhite, the headmaster. Mr. Kibblewhite announced, “We can’t control you, Daltrey. You’re out.” As the now-expelled student left the office, Mr. Kibblewhite added, “You’ll never make anything out of your life, Daltrey.”
Roger Daltrey, of course, went on to become the lead singer of The Who and is considered to be the epitome of a charismatic rock and roll frontman. As for Mr. Kibblewhite, he went on to lend his name to the title of Daltrey’s autobiography.
As befits someone who, has a reputation for being one of the most down-to-Earth people in rock and roll, Thanks A Lot, Mr. Kibblewhite is a short and straight-forward account of Roger Daltrey’s life, from his youth in war-scarred London to his time as the frontman for one of the loudest bands in rock and roll to his current life as one of rock’s elder statesmen. If it’s not as salacious as some other rock-and-roll tell-alls, that’s because Daltrey never gave into the excessive behavior that proved to be the downfall of many of his contemporaries (including, of course, his former Who bandmates, Keith Moon and Jon Entwistle). As Daltrey tells it, he avoided hard drugs to such an extent that he was briefly kicked out of the band for flushing Moon’s stash of pills.
As is true with The Who’s best albums, the heart of Thanks A Lot, Mr. Kibblewhite is found in Daltrey’s close but often difficult collaboration with Pete Townshend. Even after performing with Townshend for over fifty years, Daltrey still seems to be struggling with how he feels about his legendary bandmate. Daltrey’s admiration for Townshend’s talent is obvious but he also writes that Townshend could be like “a scorpion with a good heart.” Daltrey recounts not only the numerous times that Townshend was dismissive of the rest of the band in the press but he also tells the full story of the infamous fist fight in which Daltrey knocked Townshend out with one punch. And yet, when Townshend is falsely accused of downloading child pornography, Daltrey is just as passionate about explaining how he knew his bandmate was innocent.
Daltrey also writes extensively about Keith Moon. In Daltrey’s telling, Moon comes across as a unique, one-of-a-kind talent who was ultimately destroyed by his need to keep up with his own wild reputation. Daltrey is open about often becoming exasperated with Moon but he also writes that, for him, The Who ceased to be The Who after Moon died. Without Moon, Daltrey writes that The Who’s anthems were “now just songs.”
Thanks A Lot, Mr. Kibblewhite is a short book and Daltrey is such a straight-forward and no frills storyteller that it makes for good airport and airplane reading. For fans of The Who, this book is essential.
Before MTV ever hit the airwaves, there was TOMMY, Ken Russell’s stylized cinematic vision of The Who’s 1969 ‘rock opera’. It was a match made in heaven, teaming Britain’s Wild Man of Cinema with the anarchic rock and roll of Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon (not to mention England’s own enfant terrible,Oliver Reed ). Russell both captures the spirit of Townsend’s hard rock opus and expands on it visually with an all-out assault-on-the-senses musical featuring an all-star cast that includes an Oscar-nominated performance by Ann-Margret as the mother of “that deaf, dumb, and blind kid” who “sure plays a mean pinball”!
The Who’s original album cover
Townshend, the group’s primary songwriter, had been experimenting with long-form rock’n’roll since the beginning, notably the nine minute suite “A Quick One While He’s Away” on their second album A QUICK ONE (retitled in America HAPPY JACK). TOMMY was…
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So right now, if you wanted to, you could go down to your local theater and you could watch Dracula Untold and maybe learn about the origin of Count Dracula.
Or you could just sit here and watch the 2000 film Dark Prince: The True Story of Dracula below! As directed by Joe Chappelle, this film is definitely low-budget but undeniably effective. Rudolph Martin does a good job playing the title character and it’s always fun to see Peter Weller in a film like this.