The Bad Man (1941, directed by Richard Thorpe)


Gil Jones (Ronald Reagan) lives on a ranch with his cantankerous uncle, Henry (Lionel Barrymore).  After their cattle are stolen by the notorious bandit Pancho Lopez (Wallace Beery), Gil and Henry are faced with the prospect of losing their ranch.  Banker Jasper Hardy (Henry Travers) wants to foreclose on Henry and take over the ranch but a businessman named Morgan Pell (Tom Conway) shows up and offers to pay the then-huge sum of $20,000 for the land.  Accompanying Morgan is his wife, Lucia (Laraine Day).  Lucia was Gil’s childhood love and Morgan fears that Lucia still loves Gil more than him.  Also in the mix is Gil’s comic relief best friend (Chill Wills), who has a crush on Hardy’s daughter (Nydia Westman).  Negotiations are interrupted when the flamboyant Lopez and his men return to the ranch and take everyone, but Gil, hostage.

This sepia-toned film is based on a stage play, one that had already been filmed twice.  It was Ronald Reagan’s first film for MGM and, when Reagan was running for President, he quipped that if he could survive acting opposite Wallace Beery and Lionel Barrymore than he could survive negotiating with Leonid Brezhnev.  The role of Gil is a typical Ronald Reagan role.  He’s good-natured and dependable and a little boring.  Because he once saved Lopez’s life, Lopez is willing to help him out with his problems.  Reagan is not bad in the role but he is overshadowed by Barrymore and Beery, two veteran actors who chew the scenery with gusto here.  Berry speaks in an exaggerated and not at all convincing Mexican accent while Barrymore bellows all of his lines.  Gil has so many different people yelling at him that it’s impossible not to feel sorry for him.  Morgan has ulterior motives for offering to buy the land and Tom Conway is a convincing villain.  Lopez helps out Gil and her uncle, saving not only their land but also plotting to bring Gil and Lucia back together.  It’s a stage bound mix of drama and comedy that doesn’t really work, though Beery and Barrymore are amusing and Ronald Reagan shows why he was cast in so many best friend roles.

Whether you’ll enjoy it will probably depend on how you feel about the cast because they’re really the only reason to watch.  If you’re a fan of Barrymore, Beery, or Reagan the film might work for you.  If you’re not, this stagey 70-minute western is probably not for you.

Artwork of the Day: The Two Horses


by Erin Nicole

I saw that today is National Horse Lover Day and I immediately thought of this picture that I took a few years ago.  One of the neighbors has these two horse figurines sitting atop his fence, both looking as if they’re sizing each other up.  I’ve always appreciated this image.  It’s very Texas and it’s also very much the neighborhood.  I feel good whenever I walk by and see them up there.

Music Video of the Day: Spooky Girl by Lips Speak Louder (2025, dir by Lips Speak Louder)


Woo hoo!  This video made me dance!

It also made me nostalgic for the day when my best friend Evelyn and I would joke about starting a band.  It never happened, mostly because I’m a dancer, not a singer.  I can dance to a tune but I can’t carry one to save my life.  Still, it’s always fun to play What If? and listen to good music.

Enjoy!

Charles Bronson’s badass introduction in THE MAGNIFICENT SEVEN (1960)! Happy Weekend!


In a movie full of amazing actors, Charles Bronson’s introduction in THE MAGNIFICENT SEVEN is as badass as it gets. He exudes the power and charisma that would make him an international superstar a few years later. 

I hope your weekend is just as awesome!! Enjoy this amazing scene with Bronson, Yul Brynner, and Steve McQueen. 

Scenes That I Love: Meet The Mother Of Tears from Dario Argento’s Inferno


Today’s scene that I love comes from Dario Argento’s 1980 masterpiece, Inferno.  In this music scene, a music student in Rome finds himself suddenly being watched by the legendary Mother of Tears (played by Ania Pieroni)Inferno is one of Agento’s best films and this is one the film’s best scenes.

4 Shots From 4 Films: Special Ania Pieroni Edition


Today is the birthday of Italian actress Ania Pieroni.

You may not recognize the name but, if you’re a fan of Italian horror, chances are that you’ve seen Ania Pieroni at least once.  Even though she only has 11 credits listed on the imdb and apparently made her last film over 30 years ago, Ania Pieroni achieved screen immortality by playing key roles in three of the greatest Italian films ever made.

In Dario Argento’s Inferno, she was the first actress to play the mysterious Mother of Tears.

In Lucio Fulci’s The House By The Cemetery, she played the mysterious housekeeper and nanny who, in one of the film’s most memorable scenes, nonchalantly mops up a huge pool of blood before subsequently losing her head in the house’s basement.

And then, in Argento’s Tenebrae, she played the unfortunate shoplifter who pays a steep price for not paying for Peter Neal’s latest novel.

Today, the Shattered Lens wishes a happy birthday to Ania Pieroni with….

4 Shots From 4 Ania Pieroni Films

Inferno (1980, dir by Dario Argento)

The House By The Cemetery (1981, dir by Lucio Fulci)

Tenebrae (1982, dir by Dario Argento)

Fracchia vs Dracula (1985, dir by Neri Parenti)

Billy The Kid’s Range War (1941, directed by Sam Newfield)


Billy the Kid was a big damn hero.

At least that’s the claim of Billy The Kid’s Range War, in which Billy (played by middle-aged Bob Steele) is a do-gooder with a comedic sidekick named Fuzzy (Al St. John) and a hankering to help Ellen Gorman (Joan Barclay) bring a new stagecoach line to town.  Williams (Karl Hackett) does want to the Gorman family to success so he hires Buck (Rex Lease) to dress up like Billy the Kid and ride a horse that looks like Billy the Kid’s and commit crimes, like killing Ellen’s father.  Framed for all those crimes that he didn’t commit and with his best friend (Carleton Young) ordered to arrest him, Billy decides to go under cover so that he can clear his good name.  Someone pretending to be Billy the Kid got him into this mess.  Now, Billy’s going to get out of it by pretending to be someone else.

The action is pretty standard for a B-western.  Mostly, it’s interesting to see a movie where Billy the Kid is actually a nice guy who gets framed.  No wonder a whole generation grew up with no idea about true history of the American frontier.  Sam Newfield directed a handful of Billy the Kid films and the capable Bob Steele starred in most of them but this is the only one that I’ve sat down and watched and it actually left me missing the production values of the Johnny Mack Brown films.  For fans of these type of westerns, there’s the promise of seeing familiar actors like George Cheseboro and Ted Adams doing there thing.  Even the outstanding character actor Milton Kibbee makes an appearance.  For those who do not like westerns, this film is not going to change their minds.

Despite the promise of the title, there is no range war in this movie.  There’s just Billy the Kid, trying to clear his good name.

Live Tweet Alert: Join #FridayNightFlix For Gamera: The Invincible!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix presents Gamera: The Invincible!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Gamera is available on Prime and Tubi!  See you there!