Song of the Day: Light My Fire (The Doors)


Alright, let’s talk about Light My Fire. You’ve probably heard it a million times on the radio, but trust me, you’ve been missing the point. The short version you hear is just a tease, a little taste. If you want to understand what The Doors are really about, you have to dive into the full album version. It’s a seven-minute trip, and the journey it takes you on is all about the instrumental break in the middle. It’s not just a pop song; it’s a full-blown experience that defined an era, blending psychedelic rock with a dark, bluesy undertow that still sounds fresh today. And here’s the kicker—the guy who wrote and composed this entire masterpiece, Robby Krieger, was only 18 years old when he came up with it. Eighteen. Let that sink in.

Now, the engine of this whole thing is Krieger’s guitar. It’s easy to get hypnotized by Ray Manzarek’s carnival-like organ solo that comes first—it’s a wild ride on its own—but when that ends, Krieger steps in and things get seriously real. This is where the song truly catches fire. His style is so unique; he wasn’t just playing rock and roll riffs. He was pulling from flamenco and jazz, bending notes and creating a sound that was both aggressive and almost conversational. He’s not just showing off; he’s telling a story with his guitar, and it’s absolutely hypnotic. Remember, this is a teenager crafting this—not some seasoned pro in his thirties. It’s mind-blowing.

You really need to pay close attention to when the guitar solo kicks in at 3:18. This isn’t a quick, tidy solo you’d hear on a standard pop track. It goes for over two minutes, and it builds and builds into this incredible peak. It’s crazy to think that at a time when most pop songs were winding down, The Doors were just getting started, stretching the boundaries of what a “hit song” could even be. It’s a serious statement from a band that wasn’t afraid to be different, and it’s why the radio edit is often seen as a crime against music. That an 18-year-old kid had the vision and the guts to push for something this ambitious just makes it even more legendary.

So, do yourself a favor. The next time you’re in the mood for something that’s more than just background noise, put on the full version of Light My Fire. Crank up the volume, close your eyes, and wait for that 3:18 mark. Let that searing guitar solo wash over you, and think about the fact that a teenager was behind it all. It’s raw, it’s poetic, and it’s the kind of pure, unfiltered musical magic that you just don’t hear anymore. Honestly, once you experience it in its full glory, you’ll never want to hear the short version again.

Light My Fire

You know that it would be untrue
You know that I would be a liar
If I was to say to you
Girl, we couldn’t get much higher

Come on baby light my fire
Come on baby light my fire
Try to set the night on, fire

The time to hesitate is through
No time to wallow in the mire
Try now we can only lose
And our love become a funeral pyre

Come on baby light my fire
Come on baby light my fire
Try to set the night on, fire yeah

[guitar solo @3:18]

The time to hesitate is through
No time to wallow in the mire
Try now we can only lose
And our love become a funeral pyre

Come on baby light my fire
Come on baby light my fire
Try to set the night on, fire yeah

You know that it would be untrue
You know that I would be a liar
If I was to say to you
Girl, we couldn’t get much higher

Come on baby light my fire
Come on baby light my fire
Try to set the night on fire
Try to set the night on fire
Try to set the night on fire
Try to set the night on fire

Great Guitar Solos Series

Song of the Day: Main Theme From Zombi 2 by Fabio Frizzi


Zombi 2 (1979, dir. Lucio Fulci, DP: Sergio Salvati)

For today’s song of the day, we celebrate the birthday of Lucio Fulci with Fabio Frizzi’s main theme from 1979’s Zombi 2.  If you’ve ever seen the film, it’s impossible to hear this piece of music without imagining hundreds of zombies walking across the Brooklyn Bridge.

Song of the Day: Any Way You Want It (by Journey)


Okay, so you’ve probably heard Any Way You Want It by Journey at a sports game, a movie, or blasting from someone’s car with the windows down. And yeah, it’s a classic rock anthem, but let me tell you why you need to actually listen to it like it’s your new favorite song. First off, that opening riff? Pure adrenaline. It kicks in with this chugging, joyful energy that doesn’t let up. Steve Perry’s vocals are famously sky-high and smooth, but the real secret weapon here is how the whole band locks into this unstoppable groove. It’s not complicated—it’s just fun. If you’re in a bad mood, hit play. I guarantee you’ll be tapping your steering wheel by the ten-second mark.

Now, let’s talk about the guitar solo, because that’s where Neal Schon earns his legend status. It starts at 1:34, right after the second chorus when the song pulls back just for a breath. And then—bam. Schon doesn’t waste time with flashy nonsense. He comes in with this biting, melodic line that feels like a conversation. It’s not about showing off speed (though he’s got plenty); it’s about attitude. The solo builds with these perfect bends and a little wah pedal flavor, then climbs higher and higher until it just explodes into a fiery run that hands the energy right back to Perry for the final chorus. From 1:34 to about 2:00, it’s pure rock and roll perfection.

What I love most is how the solo doesn’t overpower the song—it serves it. So many guitar heroes try to steal the spotlight, but Schon is playing like he’s part of a team. You can hear him weaving in and out of the rhythm section, almost dancing with the bass and drums. And that tone? Crisp, a little overdriven, but never muddy. It’s the sound of someone who knows exactly when to let a note ring out and when to smash into the next one. If you’ve ever thought Journey was just a “ballads band,” this solo will change your mind fast.

Bottom line: Any Way You Want It is a shot of pure joy, and the guitar solo from 1:34 to 1:45 is the heart of the whole thing. Put on headphones, crank the volume, and just focus on how Schon makes his guitar sing, shout, and then whisper all in under thirty seconds. Then hit replay, because I promise you’ll miss something the first time. Give it two listens—one for the vocals, one for the solo—and you’ll wonder how you ever slept on this track. It’s not deep, it’s not complicated. It’s just perfect. Any way you want it, that’s the way you’ll need it. Trust me.

Any Way You Want It

Any way you want it
That’s the way you need it
Any way you want it

She loves to laugh
She loves to sing
She does everything
She loves to move
She loves to groove
She loves the lovin’ things

Ooh, all night, all night
Oh, every night
So hold tight, hold tight
Ooh baby, hold tight

Oh, she said
Any way you want it
That’s the way you need it
Any way you want it
She said, any way you want it
That’s the way you need it
Any way you want it

I was alone
I never knew
What good love could do
Ooh, then we touched
Then we sang
About the lovin’ things

Ooh, all night, all night
Oh, every night
So hold tight, hold tight
Ooh baby, hold tight

Oh, she said
Any way you want it
That’s the way you need it
Any way you want it
I said, any way you want it
That’s the way you need it
Any way you want it

[guitar solo]

She said ohh, hold on, hold on, hold on
Oh, she said any way you want it
That’s the way you need it
Any way you want it

Any way you want it
That’s the way you need it
Any way you want it

She said any way you want it
That’s the way you need it
Any way you want it

Any way you want it
That’s the way you need it
Any way you want it

Any way you want it
That’s the way you need it
Any way you want it

Any way you want it
That’s the way you need it
Any way you want it

Any way you want it
That’s the way you need it
Any way you want it

Any way you want it
That’s the way you need it
Any way you want it

Any way you want it
That’s the way you need it
Any way you want it

Any way you want it
That’s the way you need it

Great Guitar Solos Series

Song of the Day: Title Music From A Clockwork Orange by Wendy Carlos


Seeing as how today is Malcolm McDowell’s birthday, it only seems right that today’s song of the day should be one that was used in his best-known film.

The Title Music For A Clockwork Orange was, of course, adapted from Music For The Funeral of Queen Mary, composed by Henry Purcell.

 

 

Song of the Day: Superman March by John Williams


Since today is Superman Day, it only makes sense that today’s song of the day should John Williams’s rousing Superman March from 1978’s Superman.  In this video from 2023, John Williams conducts the Saito Kinen Orchestra.

Song of the Day: Last Breath (from Heavy Rain) by Normand Corbeil


This is from the haunting soundtrack to the Quantic Dream video game, Heavy Rain.  This short piece of music captures the sad feel of the game and the madness of the Origami Killer.  This score was compared by the late Normand Corbeil, who also worked in film and television.  He’s probably best remembered for scoring the 2009 reboot of V.

I’ve lost track of how many times I’ve played Heavy Rain.  I’ve gotten the good ending but really, it’s the bad endings that stick with you.