Brad’s “Song of the Day” – CHARLIE’S COAL by Val McCallum!


It was such an honor getting to meet Val McCallum this summer in Vermont. He wrote this beautiful song about Charles Bronson called “Charlie’s Coal” that he included on his 2019 album Chateauguay. It’s a moving tribute to his dad. I still can’t believe that I had the good fortune to be able hear him perform this live at the Skunk Hollow Tavern. His cousin Lindsay told me later that he wasn’t going to sing that night but decided to when he met me and my wife and found out we were visiting the area there to pay tribute to Bronson. What a great guy!

I thought I would share it with you today! I hope you enjoy!

Charlie’s Coal

Follow the highway, follow the heart, to the green hills of ScoopTown, where my daddy grew up. Working down in the darkness, hauling out the coal. Stays on your skin, never leaves your soul.

Digging coal, black coal, from down in that hole. Digging coal, black coal, makes the engines roll.

He dreamed of a woman, so blonde and so fair. So, he had to go find her, climbing up out of there. Together they handled, any twist in the road. It strengthens your life, when you share the load.

When daddy wasn’t well, she knew just what to do. Held him in her arms, ‘til the night turned blue. Made a fire in the fireplace from some of his coal. Power from so long ago.

I live by the ocean, California dream. He lives under the earth now, what he left isn’t seen. He gave me my first guitar. I still remember that day. I still see him smile, every time I play. It gets into your heart, never goes away.

Digging coal, black coal, down in that hole. Digging coal, pure gold, makes the engines roll. Daddy’s coal, pure gold. May the cameras roll.

Song of the Day: Gimme All Your Lovin by ZZ Top (RIP, Frank Beard)


In memory of Frank Beard, here’s another classic from ZZ Top.

I got to have a shot
Of what you got is, oh, so sweet
You gotta make it hot
Like a boomerang, I need a repeat
Gimme all your lovin’
All your hugs and kisses too
Gimme all your lovin’
Don’t let up until we’re through
You gotta whip it up
And hit me like a ton of lead
If I blow my top
Will you let it go to your head?
Gimme all your lovin’
All your hugs and kisses too
Gimme all your lovin’
Don’t let up until we’re through
You gotta move it up
And use it like a screwball would
You gotta pack it up
Work it like a new boy should
Gimme all your lovin’
All your hugs and kisses too
Gimme all your lovin’
Don’t let up until we’re through

 

Song of the Day: Colors (by Ice-T)


Ice-T’s “Colors” feels like one of those records where West Coast hip-hop stops sounding like a regional offshoot and starts speaking with its own unmistakable voice. Released for Dennis Hopper’s 1988 film of the same name, it does not romanticize Los Angeles gang life so much as report from inside its atmosphere: territorial, tense, and tragically routine. Ice-T’s narrator is not offering a neat moral lesson or trying to turn the street into a fantasy; he is laying out a social reality in plain, hard language. That documentary quality is a major reason the song still lands so forcefully.

What makes “Colors” especially important is how natural Ice-T makes its perspective sound. The flow is controlled and conversational, almost like somebody walking you through the rules of a place where the wrong glance, neighborhood, or color can carry consequences. That approach helped define a West Coast identity built around local detail, storytelling, and lived environment. The song’s world is specifically Los Angeles—not a generic “inner city”—and its focus on the Bloods-and-Crips color divide gave rap listeners outside California a stark picture of how geography and identity could become inseparable.

That was a crucial foundation for what gangsta rap would become. Before the genre hardened into a marketable label—and, later, into endless caricature—“Colors” showed that street-centered rap could be vivid social observation. Ice-T was already a major West Coast presence, and the song helped establish the template that artists such as N.W.A. would push further: police pressure, neighborhood politics, danger, survival, and anger described with little interest in making outsiders comfortable. The song is confrontational, but its real power comes from its clarity; it makes a listener feel how a culture of affiliation can become a trap.

It also helped distinguish the West Coast from the East Coast tradition that had shaped hip-hop’s earliest public identity. New York rap was often treated as the genre’s center of gravity, with its own emphasis on DJ culture, battle skills, dense rhyme patterns, and sample-driven production. “Colors” did not reject lyricism—it is a sharply written record—but it put place and narration ahead of verbal acrobatics. The West Coast voice that grew around songs like this left more room for a direct, cinematic account of life in Los Angeles. That difference should not be flattened into a simplistic coast-versus-coast rivalry, but “Colors” made clear that California hip-hop had its own stories, rhythms, and stakes—and would not need New York’s approval to matter.

Colors

I am a nightmare walking, psychopath talking
King of my jungle, just a gangster stalking
Living life like a firecracker, quick is my fuse
Then dead as a death pack, the colors I choose

Red or blue ‘cuss or blood
It just don’t matter
Sucker die for your life when my shotgun scatters
We gangs of L.A. will never die, just multiply

Colors

You don’t know me, fool, you disown me, cool
I don’t need your assistance, social persistence
Any problem I got I just put my fist in
My life is violent, but violent is life

Peace is a dream, reality is a knife
My colors my honor my colors my all
With my colors upon me one soldier stands tall
Tell me what have you left me

What have I got
Last night in cold blood my young brother got shot
My homeboy got jacked, my mother’s on crack
My sister can’t work ’cause her arms show tax

Madness insanity, live in profanity
Then some punk claiming’ they understanding’ me
Give me a break, what world do you live in
Death is my sect, guess my religion

Colors

My pants are sagging’ braided hair
Suckers stare but I don’t care
My game ain’t knowledge, my game’s fear
I’ve no remorse so squares beware

But my true mission is just revenge
You ain’t in my sect, you ain’t my friend
Wear the wrong color, your life could end
Homicide’s my favorite venue

Colors

So I’ll just walk like a giant, police defiant
You’ll say to stop but I’ll say that I can’t
My gangs my family, it’s all that I have
I’m a star on the wall’s my autograph

You don’t like it, so you know where you can go
‘Cause the streets are my stage and terror’s my show
Psycho-analyze try and diagnose me, why?
It wasn’t your brother that brutally died

But it was mine, so let me define my territory don’t cross the line
Don’t try to act crazy ’cause the shit don’t faze me
If you ran like a punk, it wouldn’t amaze me
‘Cause my colors death, though we all want peace
But our war won’t end till all wars cease

Colors