20 Films For The Week (10/19/25)


A Few Classics

The original The Omen (1976) can currently be viewed on Tubi.  The Omen is still the best of all of the 1970s apocalypse movies.  Whereas later Omen films would increasingly get bogged down with overly elaborate death scenes, the first Omen still holds up as a genuinely scary movie.  The scene with David Warner and that plate of glass …. agck!  Damien Thorne was never creepier than he was in The Omen, perhaps because little Harvey Stephens didn’t know that he was playing a villain.  Unfortunately, it doesn’t appear that the sequels are available to stream for free.  I have a soft spot for the mess that is Damien: Omen II.  The Omen can be viewed here.

Of the many film that were inspired by The Omen, my favorite remains The Visitor (1979).  John Huston — yes, the director — plays a Polish angel who lives on a plant far away.  Huston is sent to Earth to rescue 8 year-old Katy, who has psychic powers and who has apparently been picked to mate with her half-brother and give birth to the Antichrist.  Lance Henriksen plays a Satanist who also owns a basketball team.  Mel Ferrer, Shelley Winters, Glenn Ford, and director Sam Peckinpah all have small roles.  Franco Nero plays Jesus!  This is a visually stunning and narratively berserk film.  The Visitor is on Tubi.

The Changeling (1980) is an absolutely brilliant horror film that should definitely be seen by more people.  After a family tragedy, widower George C. Scott moves into a mansion that turns out to be haunted.  It all links back to potential scandal involving a U.S. Senator, played by Melvyn Douglas.  Well-acted, this film has tons of atmosphere and one of the best seance scenes that I’ve ever seen.  The Changeling is on Tubi.

If The Changeling is an unusually intelligent haunted house film, Burnt Offerings (1976) is perhaps the opposite.  It’s a remarkably dumb film but thanks to the performances of Karen Black and Oliver Reed and the no-holds barred direction of Dan Curtis, it’s still a pretty scary movie.  Poor Bette Davis is wasted in one of her final roles.  You’ll cheer when the chimney collapses.  Burnt Offerings is on Tubi.

John Saxon later said that making Cannibal Apocalypse (1980) was one of the most depressing experiences of his career, just because he wasn’t prepared for how gory the film would get and he wasn’t particularly happy about the idea of playing a veteran-turned-cannibal.  That feeling certainly comes through in his performance, which ironically is so authentic that it elevates Cannibal Apocalypse above the typical Italian zombie/cannibal film.  Giovanni Lombardo Radice and Tony King give excellent performances as Saxon’s fellow cannibals and the entire film is far more emotionally effective than it has any right to be.  Cannibal Apocalypse can be viewed on Tubi.

The Black Cat (1981) never gets as much attention as it deserves but it’s probably one of Lucio Fulci’s more accessible films.  An adaptation of the Edgar Allan Poe short story, it features David Warbeck at his most likable, Patrick Magee at his most demented, and a killer cat with more than 9 lives.  The Black Cat can be viewed on Shudder.

I, Madman (1989) is a personal favorite of mine, largely because I relate to the main character played by Jenny Wright.  Wright plays an aspiring actress and bookstore employee who becomes obsessed with the horror novels of an obscure pulp fiction writer named Malcolm Brand.  Suddenly, murders start to occur that seem to match the murders in the books.  Both Jenny Wright and Clayton Rohner give likable performances in this film and Randall William Cook’s disfigured surgeon is a wonderful villain.  I, Madman can be viewed on Tubi.

Time After Time (1979) provides viewers with the rare chance to see Malcolm McDowell play a gentle soul.  McDowell plays H.G. Wells, whose time machine is used by Jack the Ripper (David Warner) to escape into the modern age.  Wells pursues him.  Time After Time is as much a love story as it is a thriller.  (McDowell married his co-star Mary Steenburgen.)  McDowell, Warner, and Steenburgen all give excellent performances.  Time after Time is on Tubi.

Malcolm McDowell is far more sinister in Paul Schrader’s 1982 film, Cat People.  Cat People was made at a time when cocaine was very popular in Hollywood and the film has all the excessive hallmarks of a production that was under the influence.  It’s about thirty minutes too long, the plot makes little sense, and Schrader sometimes seems to be struggling with determining what it is he’s trying to say.  That said, it’s also an atmospheric and stylish film and it has a killer soundtrack.  The sequence where Annette O’Toole is menaced while jogging and then swimming still creeps me out.  Cat People can be viewed on Prime.

Tombs of the Blind Dead (1972) was the first and the most effective of several Spanish horror films to feature Templar zombies wrecking havoc on the countryside.  This film is atmospheric and creepy and features some of the most convincing zombies to ever appear in a movie.  This film also actually manages to effectively use slow motion.  The Blind Dead are pure nightmare fuel.  Tombs of the Blind Dead can be viewed on Tubi.

Hack and Slash

Directed by Bill Rebane, Blood Harvest (1989) tells the story of a young woman who returns to her family home, just to discover that her parents are missing and the house has been vandalized.  As the bodies are strung up in a nearby barn, viewers are left to try to figure out who the killer is.  Is it the handsome and hunky Gary?  Or is it his brother, Mervo?  Mervo, who deals with stress by putting on clown makeup, is played by Tiny Tim, a notably eccentric singer.  This is one of those odd films that everyone simply has to see once.  It can be viewed on Tubi.

Directed by Joseph Zito, The Prowler (1981) is a notably gruesome but undeniably effective slasher film.  The gore effects were provided by Tom Savini.  Zito keeps the action moving, the cast is filled with actors who are likable enough to make up for the fact that none of the characters are written to have much depth, and the killer is truly frightening.  The Prowler can be viewed on Tubi.

Terror Train (1980) is another classic slasher film that is perfect for Halloween viewing, as all of the victims are in costume and the killer is a master of disguise.  The train makes for a wonderfully claustrophobic setting and the film owes as much to the Italian giallo genre as it does to the typical American slasher film.  Jamie Lee Curtis, Hart Bochner, and Timothy Webber are amongst those being stalked.  Ben Johnson is wonderful as a conductor.  Even magician David Copperfield is put to good use.  Terror Train can be viewed on Tubi.

Prom Night (1980) is another Canadian classic.  This is film the mixes disco with slasher thrills.  Jamie Lee Curtis rallies the school with her dance moves.  Leslie Nielsen gives one of his final “serious” performances at the principal of the school.  The kills are genuinely frightening and, given that most of the victims are either likable or determined to live, genuinely sad.  The twist ending works a hundred times better than it should.  Prom Night!  Everything is alright!  I love this movie.  It can be viewed on Tubi.

The House on Sorority Row (1982) is a diabolically clever little slasher film about a prank gone wrong.  One minute, you’re accidentally causing your house mother to have a heart attack after you pull a gun on her.  The next minute, you’re getting tossed in a shallow grave.  The main lesson here is don’t try anything like this when you’ve also got a big, end-of-the-year college bash to put together.  Director Mark Rosman comes up with some truly inspired visuals.  Eileen Davidson gives a great performance as the sorority sister who can’t believe how difficult it is to cover up a murder.  It can be viewed on Tubi.

Finally, Mountaintop Motel Massacre (1983) is not as well-known as some of the other films that I’ve mentioned but it features a memorably isolated location and a few effective scares.  It’s a good example of the rural slasher.  It can be viewed on Tubi.

Odds and Ends

Zombie Nightmare (1987) features a long-haired zombie, an early performance from Tia Carrere, and an oddly serious performance from Adam West.  The zombie is played a heavy metal musician named Jon-Mikl Thor.  It’s a film so ludicrous that it becomes entertaining.  It can be viewed on Tubi.

Ghost Story (1981) features a dead woman whose ghost returns, seeking vengeance on a group of elderly men who, decades before, covered up her death.  Fred Astaire, John Houseman, Melvyn Douglas, and Douglas Fairbanks Jr. play the four men.  Alice Krige is the ghost.  Patricia Neal is Astaire’s wife.  Craig Wasson plays twins.  It’s a bit of an uneven film but it still has its moments.  It can be viewed on Prime.

Night Terror (1977), which is also known as Night Drive, features Valerie Harper as a woman trying to drive from Phoenix to Denver over the course of the night and finding herself pursued by a mute psycho played by Richard Romanus.  Clocking in at 74 minutes, Night Terror is suspenseful and features good performances from both Harper and Romanus.  It can be viewed on Prime.

Finally, The Little Girl Who Lives Down The Lane (1977) is a creepy little film starring Jodie Foster as a child who will stop at nothing to keep people from figuring out that she’s living on her own.  The true monster in this film is played, quite memorably, by Martin Sheen.  It can be viewed on Prime.

Horror Song of the Day: Electronic Battle Weapon 7 (Acid Children) by The Chemical Brothers


“You are all my children now.”

Hey, does that voice sound familiar?  Who would have thought you could dance to Freddy Krueger?

Some people have told me that they find the clown in this video to even scarier than Freddy.

4 Shots From 4 Horror Films: The 1970s Part Two


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we continue with the 70s!

4 Shots From 4 Horror Films

The Texas Chainsaw Massacre (1974, dir by Tobe Hooper)

The Texas Chainsaw Massacre (1974, dir by Tobe Hooper)

Jaws (1975, dir by Steven Spielberg)

Jaws (1975, dir by Steven Spielberg)

Carrie (1976, dir by Brian DePalma)

Carrie (1976, dir by Brian DePalma)

The Omen (1976, dir by Richard Donner)

The Omen (1976, dir by Richard Donner)

Bonus Horror On The Lens: The Beast of Yucca Flats (dir by Coleman Francis)


Since today would have Tor Johnson’s birthday, it only seems appropriate to share a bonus Horror On The Lens.  This is the one film in which Tor Johnson starred, 1961’s The Beast Of Yucca Flats.

The Beast of Yucca Flats is a thoroughly inept film that makes next to no sense and has massive continuity errors.  It’s a film that also features Tor Johnson as a Russian scientist who gets mutated by radiation and becomes a monster, but not before taking off almost all of his clothes while walking through the desert.  For that matter, it’s also a film about a family that comes together though adversity — namely, being shot at by the police after the family patriarch is somehow mistaken for Tor Johnson.  And finally, it’s the story of how a dying monster can find comfort from a rabbit and that’s actually kind of a sweet message.

Here’s the thing — yes, The Beast of Yucca Flats is bad but you still owe it to yourself to watch it because you will literally never see anything else like it.  Plus, maybe you’ll be able to figure out what the whole point of the opening scene is.

Because I’ve watched this film a few times and I still have no idea!

Enjoy!

Horror On The Lens: Kingdom of the Spider (dir by John “Bud” Cardos)


Agck!  I hate spiders and today’s movie has got a lot of them!

Fortunately, it also has William Shatner and some lovely Southwestern scenery.

Still, if you have a thing about spiders, this film will probably scare the Hell out of you, which makes it perfect for October.  Fortunately, William Shatner gives a very William Shatenerish performance and therefore provides some relief from all of the tarantula horror.

Here is 1977’s Kingdom of the Spiders!

 

Don’t Look Behind You|Pale Lady Short Film


This short film was not on IMDB; so, I used a graph from my amazing post on Alien Earth. Wasn’t that a great review? The math was perfect!
This another AI short film, but you have to dig around to determine that a robot made it. I gotta say, it looks good. Maybe this will be how films are going to be made from now on?

A pale lady is walking down a hallway and then the wall starts bleeding…. motor oil? Maybe, they’ll ask me to drill a well there? I WOULD! The motor oil starts rippling and the pale lady is about to put her hand in it… for some reason. Then, a hand reaches from the motor oil puddle. She runs to an …. apartment? I can’t tell what is going on. Without any lead up, a monster appears out of nowhere and nothing happens.

This is NOT good. I have no idea what is going on and I don’t care. Maybe AI will takeover, but that doesn’t mean you don’t have to have a story. You will still need a story or your short will be terrible. What else can I say about this short?

Music Video of the Day: Bed of Nails by Alice Cooper (1989, directed by Nigel Dick)


Bed of Nails is from Alice Cooper’s 11th studio album, Trash.  It was the album’s second most successful single, despite not even being released as a single in the U.S.  Maybe some of that success was due to this music video, in which Alice the singer performs over and in a bed of nails while women in leather walk through the studio and play the cello.

This video was directed by Nigel Dick, who directed videos for anyone who was anyone.  If Nigel Dick has not done a video for you, you are not really a rock star.

Enjoy!

Lisa Marie’s Week In Television: 10/12/25 — 10/18/25


Abbott Elementary (Wednesday Night, ABC)

The Abbott teachers go to a baseball game!  As our readers may have noticed, my sister loves baseball so I made sure to have her watch this episode with me.  She enjoyed it, which made me happy.  Myself, I found myself wondering why so many shows — like Abbott with Philadelphia or Dick Wolf’s Chicago shows — take place in cities that most American hate.  Like, if I was ever told that I had to pick between Philadelphia or prison, I’d probably pick prison because at least there wouldn’t be as many people yelling.  Yet, Abbott is often a rather charming show and I usually love It’s Always Sunny In Philadelphia.  It’s just weird how these things work.

Hell’s Kitchen (Thursday Night, Fox)

Ugh, this episode made me physically ill.  I don’t think I could ever be a professional chef, not if it means having to clean every inch of a fishing boat.  (I cleaned my kitchen before watching this episode and my back was killing me by the time I was finished.)  As for this episode and this season, it doesn’t seem like a single chef should be trusted to cook food for anyone.  Chef Ramsay is doing a lot of yelling and I agree with him.

Law and Order (Thursday Night, NBC)

This week, yet another millionaire was murdered in New York City and there was yet another crazy defense that, for whatever reason, Maroun seemed to have sympathy for.  As much as I usually like the “Law” half of these shows, the “Order” part often verges on self-parody.  Between Nolan Price’s wimpy summations and Maroun’s eagerness to protect the criminals, I’m surprised they ever get a conviction.

Night Flight (NightFlight Plus)

On Saturday morning, I watched a video profile of KISS, a band that I really didn’t know much about.  I enjoyed the juxtaposition between the fearsome makeup and their not-at-all fearsome music.

Snub TV (NightFlight Plus)

On Friday night. Jeff and I watched an episode of this 80s music show with our friends, Patrick and Dani.  It was good music.  You could dance to it.

Special Forces: World’s Toughest Test (Thursday Night, Fox)

This show is just not that interesting without Jussie Smollett crying about how nobody will accept that “I just want to move on” from filing a false police report.  If it was really the world’s toughest test, I don’t think a bunch of out-of-shape reality show participants would be doing as well as they are.

Twilight Zone (Prime)

This week, I watched a few classic episodes — To Serve Man, The Monsters Are Due On Maple Street, Twenty-Two (“Room for one more, honey!”), Will The Real Martian Please Stand Up, Nick of Time, and Nightmare at 20,000 Feet.  If the Twilight Zone is not a part of your October viewing, you’re doing Halloween wrong!

The Vanishing Ray (NightFlight Plus)

I checked in with this 1930s serial on Friday night.  The bad guys were still after the vanishing ray and the good guys were still trying to protect it.  As always, this chapter ended with a cliffhanger and an invitation to return to theater next week for the next installment.

I Watched In Fear (2013, Dir. by Jeremy Lovering)


In Fear is a movie about two people who get lost while trying to drive to a festival in Ireland.  Tom (Iain De Caestecker) and Lucy (Alice Englert) have only been dating for two weeks and Tom is already inviting her to a festival and going behind her back to make reservations at a hotel.  Tom says, “It’s our two-week anniversary,” and that should have been red flag city.  Two weeks is only 14 days.  That’s a lifetime for some creatures but not humans.

Tom and Lucy drive up and down a country road, trying to find the hotel but they keep on ending up back at the same location, sitting in front of run-down fence with a sign that says “KEEP OUT” sitting on it.  Lucy thinks that she sees someone following the car but Tom isn’t so sure until someone actually tries to grab Lucy.  They meet a bloody man named Max (Allen Leech), who says that there are a group of madmen who are stalking Tom and Lucy because of an earlier altercation at a pub.

In Fear was scary for the first half and then, during the second half, there were some things that happened that didn’t really make much sense to me.  Some of the twists felt half-baked and sometimes, the characters behaved in ways that didn’t make much sense.  Of course, speaking of making sense, I wouldn’t go on a road trip with someone who I had only been dating for two weeks.  Road trips are the ultimate relationship test so you better make sure that you and your partner are really compatible before you even attempt one!  Tom and Lucy were sweet together but they should have waited before going to the country together.  And Tom definitely shouldn’t have made hotel reservations without talking to Lucy first.  A lot of trouble could have been avoided if Tom hadn’t been so eager to celebrate that two-week anniversary.

Despite those inconsistencies, In Fear was scary enough to make me jump.  It’s the type of horror movie that you should not watch in the dark.  I locked all the doors as soon as it was over.