Late Night Retro Television Review: CHiPs 6.3 “Spaceman”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, CHiPs jumps the proverbial shark.

Episode 6.3 “The Spaceman Made Me Do It”

(Dir by Winrich Kolbe, originally aired on October 24th, 1983)

There’s three storylines in this week’s episode.  Let’s start with the two that make sense.

In the episodes comedic storyline, the members of the Highway Patrol all receive a chain letter.  Some continue the chain and have good luck.  Others — like Ponch — do not continue the chain and wait for their bad luck.  Grossie mails his letter and then gets an $800 refund from the IRS.  However, at the end of the episode, it’s revealed that the Highway Patrol’s secretary failed to mail the chain letters and the IRS informs Grossie that his refund was a mistake.  Everyone laughs at Grossie.  Poor guy.

The B-plot features Grossie and new officer Kathy (Tina Gayle) tracking down some thieves who are robbing Japanese tourists.  This was a traditional CHiPs story and it was actually kind of nice of the show to acknowledge that Ponch isn’t the only person fighting crime in California.

But then there’s the main plot.  Ponch and Bobby have been assigned to night patrol.  They catch a preadolescent girl named Jodi (Kyle Richards) breaking into a jewelry store.  She says that an E.T. (and yes, she says “E.T.’) ordered her to break into the store because it need the diamonds to fix its spaceship.  Ponch and Bobby take Jodi to the station and Ponch volunteers to serve as Jodi’s legal guardian until her parents can be found.  Dr. Joyce Brothers appears as herself, talking to Jodi and announcing the Jodi is not crazy.

Having watched five seasons of CHiPs, I found myself waiting for the inevitable moment in which it would be revealed that Jodi was being manipulated by a master criminal.  When Jodi ran away to meet up with the UFO, I expected that Ponch and Bobby would track her down and arrest the actual villain.

Instead, when Ponch and Bobby tracked down Jodi, I got a scene of a light shining down from the sky, Jodi being pulled towards the unseen UFO, and Ponch grabbing her and yelling that the aliens can’t have her.  Ponch’s words apparently have the right effect because the lights disappear as the never-seen UFO returns to its own planet.

“What was that?” Bobby asks.

“Whatever you want it to be,” Ponch replies.

No, guys.  I’m sorry.  This is CHiPs.  It’s a show about cops on motorcycles.  It’s not a show about UFOs.  You can’t just introduce an alien on this show and then have everyone shrug it off once they hear that Grossie won’t be getting his tax refund.  This just isn’t the show to try that sort of thing.  (Yes, Force Seven did get pretty weird but that was a backdoor pilot for a different series and Ponch and Jon didn’t actually get involved in any of the mad scientist/karate action.)

I’m going to guess this episode was an attempt to shake things up.  Maybe there was a feeling that, since new star Tom Reilly lacked all credibility as a cop, the show should abandon the straight-forward approach that it used during the Larry Wilcox years.  I’m sure the show had its reasons but this episode just doesn’t feel right.

Of course, some thing never change.  The aliens may have been a surprise but it’s not a surprise that Ponch was the one who (somehow) made them go away.  Aliens or not, this is still….

Retro Television Review: Crime Story 1.14 “Fatal Crossroads”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988.  The entire show can be found on Tubi!

This week, guess who screws up?

Episode 1.14 “Fatal Crossroads”

(Dir by Gary Sinise, originally aired on January 9th, 1987)

As much as I want to like David Abrams — and I did like him for the first few episodes — he’s just dumb.  Offended by the fact that Luca is using his legal advice to try to beat his indictment, David starts this episode out by approaching Luca in public and announcing that he’s not only quit the public defenders office but that he’s also decided to join the D.A.’s office, specifically so he can take guys like Luca down.  Then, later on in the episode, David approaches Luca again and, this time, he brings along his father (Nathan Davis).  David’s father, a former low-level gangster, brags about how smart David is and how he’s going to take Luca down.

So, of course, Luca has someone put a bomb underneath David’s car.

And, of course, it’s David’s father who decides to borrow the car to go to the store and who ends up getting blown up.

And yes, it’s a terrible thing that David’s father got blown up.  BUT WHAT DID DAVID THINK WAS GOING TO HAPPEN!?  He knows who Luca is!  He knows that Luca will kill people without a second thought.  So why the Hell is David walking up to Luca and basically daring him to try to kill him?  I mean, David’s father was in the rackets!  David should have known better and, for that matter, David’s father should have known better.

I’m sorry but David Abrams is a moron.

For some reason, Luca also tries to take a hit out on Torello, despite the fact that Luca’s entire legal strategy depends on Torello denying Homan’s claims that Torello is crooked.  Fortunately, Torello is somehow brilliant enough to realize that Luca is going to take a hit out on him and the members of the Crime Squad are smart enough to take a look at a building and somehow figure out exactly which room a sniper would be hiding in.  If only David Abrams was as smart!

This episode featured a few too many coincidences and a bit too much of David Abrams suddenly acting like an idiot.  It was directed by Gary Sinise, who is one of my favorite people.  Sinise does a good job of capturing the drizzly gangster movie atmosphere but the script could have used a bit more work.

Scenes That I Love: Billy Jack


Today would have been the 95th birthday of Tom Laughlin, the independent film pioneer who gave the world Billy Jack.

In honor of the day of his birth, here’s a scene that I love from 1971’s Billy Jack.  The townspeople think that they can get away with humiliating the students from the Freedom School.  Well, Billy Jack’s got something to say about that.

Who is Billy Jack?  He’s just a person who protects children and other living things.

4 Shots From 4 Films: Special Tom Laughlin Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the man who gave us Billy Jack.  It’s time for….

4 Shots From 4 Tom Laughlin Films

Born Losers (1967, dir by Tom Laughlin)

Billy Jack (1971, dir by Tom Laughlin)

The Trial of Bully Jack (1974, dir by Tom Laughlin)

Billy Jack Goes To Washington (1977, dir by Tom Laughlin)

Monday Live Tweet Alert: Join Us for Animal Protector!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Animal Protector!

If you want to join this watch party, just hop onto Mastodon, pull up Animal Protector on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Lisa Marie’s Week In Review: 8/3/26 — 8/9/26


 

I hope everyone’s had a good week.  Down here, the Texas Branch of the TSL has been busy getting ready for our annual October horrorthon!  It’s the greatest time of the year and I’m looking forward to it!

Here’s what I watched this week:

Films I Watched:

  1. Apocalypse Road (2016)
  2. Deadly Manor (1990)
  3. Devious Nanny (2018)
  4. Dirty Dancing (1987)
  5. The Ghostmaker (2011)
  6. Hudson Hawk (1991)
  7. Judge Dredd (1995)
  8. The Perfect Boss (2013)
  9. She Made Them Do It (2012)
  10. Sleepaway Camp II: Unhappy Campers (1988)

Television Shows I Watched:

  1. America 2100
  2. Baywatch
  3. Big Brother
  4. Cheaters
  5. CHiPs
  6. Crime Story
  7. Degrassi
  8. Diff’rent Strokes
  9. Freddy’s Nightmares
  10. Election Coverage
  11. 1st & Ten
  12. Flight of the Conchords
  13. Homicide: Life on the Street
  14. Hunter
  15. The Love Boat
  16. Mad TV
  17. The Office
  18. Pacific Blue
  19. Saved By The Bell
  20. Saved By The Bell: The New Class
  21. St. Elsewhere
  22. Sixty Minutes
  23. Survivor

Live Tweets:

  1. Hudson Hawk
  2. Devious Nanny
  3. Dirty Dancing
  4. Judge Dredd
  5. Sleepaway Camp 2: Unhappy Campers

4 Shots From 4 Films:

  1. Robert Aldrich
  2. 1978
  3. Nicholas Ray
  4. Andy Warhol
  5. John Huston
  6. Billy Bob Thornton
  7. Martin Sheen

Scenes That I Love:

  1. Road House
  2. The Graduate
  3. Rebel Without A Cause
  4. Out of the Past
  5. Stakeout
  6. Treasure of the Sierra Madre
  7. Damsels in Distress
  8. Apocalypse Now

Songs of the Day;

  1. Jeff Healey Band
  2. Keith Carradine
  3. Miklos Rosza
  4. David Bowie
  5. Adolph Deutsch
  6. Blondie
  7. Led Zeppelin

Artworks of the Day:

  1. Scarlet Adventures
  2. A Woman’s Need
  3. High Heel Magazine
  4. Future Science Fiction
  5. The Paper Pistol Contract
  6. Argosy
  7. After Hours

Music Videos of the Day:

  1. Bryan Ferry
  2. Richard Marx
  3. Stakka Bo
  4. Accept
  5. Survivor
  6. Def Leppard
  7. Ramones

Villain of the Day;

  1. Matthew Hopkins

Links From Last Week:

  1. Happy Caturday! (8.8.2026)
  2. Who Was “Mr. Moonlight?” The Man Behind The Beatles! Terrific New Brian Epstein Book!
  3. The Man Who Would Be Dorleac
  4. Inside the Coked-Fueled Rise and Fall of Vice

News From Last Week:

  1. Actor and Congressman Ben Jones Dies At 84
  2. Actress Tedde Moore Dies At 79

Links From The Site:

  1. Arleigh reviewed Final Fantasy X,  Enter The Wu-Tang, Zulu, It’s Dark and Hell Is Hot, Scarface, and A Fistful of Dollars!

Retro Television Review: Homicide: Life On The Street 5.20 “Narcissus”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week’s episode was written by none other than Yaphet Kotto!

Episode 5.20 “Narcissus”

(Dir by Jean de Segonzac, originally aired on May 2nd, 1997)

A shooting at four in the morning leads to a group of white patrolmen chasing a black suspect across West Baltimore until he ducks into a building that they’ve been told not to enter.  The building is the headquarters of the African Revival Moment, a militant group that is led by a former cop who goes by the name of Burundi Robinson (Roger Robinson).  Robinson is one of the most powerful men in West Baltimore, a hero to the community and also someone who has connections to Baltimore’s police commissioner, James Harris.

As Robinson explains to Lt. Giardello, he and Harris were once partners.  When he and Harris busted a heroin dealer, Harris sold the drugs back to the dealer for $10,000.  When it was discovered that the drugs were missing from the evidence lock-up, Harris and Robinson flipped a coin with the understanding that the loser would resign from the force and take the fall.  Robinson lost the coin toss.  Robinson went on to start ARM and Harris became the police commissioner.

At first, Harris (who doesn’t appear in this episode but instead is simply a background figure of menace) protects Robinson and sends Col. Barnfather to the scene to order Detectives Pembleton and Munch to back off.  However, when a member of ARM comes forward to say that Robinson ordered the shooting because the victim was going to expose Robinson’s history of taking sexual improprieties with his followers, Harris suddenly starts ordering the police to get more aggressive with Robinson and ARM.  Harris does this with the full knowledge that the police raiding ARM headquarters and attempting to arrest Robinson will lead to a violent confrontation.  When the police eventually do bust into the headquarters, they discover that Robinson and all of his followers have committed suicide.  Giardello understands that was Harris’s hope all along.  He was willing to risk a riot just to silence the one man who could prove his corruption.

This episode was written by Yaphet Kotto and, not surprisingly, Giardello is at the center of the action.  The lengthy scene where he meets with Robinson is the highlight of the episode as both Giardello and Robinson have a unique understanding of how things work in Baltimore.  Giardello has had first-hand experience with Harris’s corruption and he’s not in the least bit surprised by either Robinson’s story or Harris’s heavy-handed attempts to control the investigation.  In a bit of wonderful irony, when Harris initially tries to protect the African Revival Moment, he uses the racist Captain Gaffney to interfere with Munch and Pembleton’s investigation.  Gaffney, one of the most loathsome characters on the show, is suddenly the one who is telling a suspect to demand a lawyer and leaking the name of the informant to Robinson.

This episode was a strong one all the way around, with Kotto, Andre Braugher, and Roger Robinson all playing proud men who each had their own unique view on how to best deal with the issue of race in Baltimore.  (One thing that sets Homicide apart from so many other shows is not just the diversity of the cast but also the diversity of personalities and opinions.)  The ending carries a punch.  When Giardello says that there will be Hell to pay, you believe him.