Fear The Walking Dead: The Reports In Four States And Vermont Teaser!


PCAS

Here’s the 2nd promo for AMC’s upcoming Fear the Walking Dead!  This promo still doesn’t feature any walkers and that’s probably for the best.  After all, we already know that this is a show about zombies.  Instead, in this promo, we actually get to listen to people talk.  On the characters claims that there have been reported outbreaks “in five different states!”

(He may be making the mistake of thinking that Vermont is a state.  It happens.)

Personally, I like the enigmatic approach that AMC is taking with the Fear The Walking Dead promos.  If nothing else, both this and the previous promo capture the atmosphere of impending doom that one would associate with a zombie apocalypse.

4 Shots From 4 Films: Deadly Blessing, The Journey of Natty Gann, The New World, Cristiada


James Horner

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Tonight, the film community is in shock following the news of the passing of award-winning composer James Horner.  Our latest installment of 4 Shots From 4 Films is dedicated to to the memory of this talented artist.

The four shots below all come from films that feature a score composed by the great James Horner.

Deadly Blessing (1981, dir by Wes Craven)

Deadly Blessing (1981, dir by Wes Craven)

The Journey of Natty Gann (1985, dir by Jeremy Kagan)

The Journey of Natty Gann (1985, dir by Jeremy Kagan)

The New World (2005, dir by Terrence Malick)

The New World (2005, dir by Terrence Malick)

Cristiada, also known as For Greater Glory (2012, dir by Dean Wright)

Cristiada, also known as For Greater Glory (2012, dir by Dean Wright)

 

Yes, A Deadly Adoption Was A Comedy…


deadly-adoption

Last night, an article appeared on Mashable in which I was declared to be one of the  “20 people who totally get the ridiculousness of Will Ferrell and Kristen Wiig’s ‘A Deadly Adoption.”  At the time, I was incredibly flattered but also somewhat incredulous.  If I was one of the 20 people who understood that the latest Lifetime film, A Deadly Adoption, was meant to be a drier than dry comedy then that meant that there were presumably people out there who did not get the joke.

And how could that be!? I wondered.

In case you missed it, on April 1st, a story was leaked that Will Ferrell and Kristen Wiig were secretly making a film for Lifetime.  The title of that film was A Deadly Adoption and early reports indicated that it was going to be a serious Lifetime film.  Because the story came out on April Fools Day, a lot of us assumed it was a joke.

However, then Will Ferrell announced that no, it was not a joke.  But now that news of the film had been leaked, he was prepared to close down production and make sure that the film never saw the light of day.  Now, whether Will was being serious in his anger or not is debatable.  (It’s easier to imagine Ron Burgundy having that reaction than Will Ferrell.)  But, regardless, cooler heads prevailed and soon, Lifetime viewers like me were enjoying commercials that featured Jessica Lowndes pointing a gun at a very grim and bearded Will Ferrell.

deadly-adoption-trailer

As the premiere approached, critics and viewers alike wondered if A Deadly Adoption was meant to be a serious film or if it was going to be a comedy.  Those who felt that the film was meant to be serious pointed out that the commercials for the film contained absolutely no hint that it might be a comedy.  Those who thought it was a comedy simply said, “Will Ferrell and Kristen Wiig.”

As for me, I pretty much knew what A Deadly Adoption was going to be from the minute that I discover it was being produced by the same people behind Spoils of Babylon.  And, when I watched the film last night, my suspicions were confirmed.  A Deadly Adoption is a drier-than-dry satire, a film that mashes together every single Lifetime movie trope in order to create the ultimate Lifetime experience.  A Deadly Adoption gets its laughs by refusing to openly acknowledge that it’s gone totally over-the-top.  Will Ferrell and Kristen Wiig both give extremely serious performances, with the humor coming from the fact that they are, with extremely straight faces, delivering dialogue and dealing with situations that are both ludicrous and yet very familiar to anyone who has ever spent a weekend binging on Lifetime.  The end result is that A Deadly Adoption both satirizes and pays tribute to everything that we love about a good Lifetime film.

(Does that make A Deadly Adoption the Sharknado of Lifetime movies?  Technically, yes.  But let’s not say that too loudly because Mia Farrow might hear and decide to live tweet the next showing.)

As for the film itself, it tells the story of Robert (Will Ferrell) and his wife, Sarah (Kristen Wiig).  Robert is a financial author who is also a recovering alcoholic with anger management issues.  (Significantly, everyone always talks about how angry Robert is, despite the fact that we never actually see him lose his temper.)  We know that Robert is a writer because he skypes with his agent and tells her stuff like, “Let’s cut chapter four.”  Sarah, meanwhile, has a typical Lifetime movie career.  She sells organic food at the local farmer’s market.  And, like all Lifetime movie heroines, she has a token and obviously doomed gay best friend named Charlie (Bryan Safi).

Years ago, as the result of an accident on a dock, a pregnant Sarah nearly drowned and lost her baby.  As a result, Robert is incredibly protective of their other daughter, Sully (Aylvvia Alyn Lind). (As part of the A Deadly Adoption drinking game, take a drink every time Will Ferrell says, “She needs her medicine!”)  Robert is also now scared of going out on the water so you better believe that the film’s conclusion is going to involve Robert in a tiny boat.

Anyway, Robert and Sarah want to adopt the unborn child of Bridget (Jessica Lowndes) but what they don’t know is that Bridget has plans of her own.  Upon accepting their offer to live with them until she gives birth, Bridget starts to subtly disrupt the lives of Robert and Sarah.  That right, she’s obsessed!  And, of course, she’s got a redneck boyfriend (Jake Weary) who drives a pickup truck and has a lot of “dangerous” tattoos.  And…

Well, I could actually devote a few thousand words to telling you the plot of A Deadly Adoption.  A lot of stuff happens.  In fact, every single plot point from every single Lifetime film ever made gets used at some point.  Everything about this film — from the acting to the direction to the tasteful decor of Robert and Sarah’s house to the almost obsessive focus on Jessica Lowndes’s cleavage — is designed to make this film look like a typical Lifetime film.

The brilliance of it comes from the fact that Ferrell, Wiig, Lowndes, and Weary all deliver their increasingly ludicrous lines with such intense commitment and low-key seriousness.  (Kristen Wiig, in particular, is great.)  With the exception of one line about lighter fluid and a dance party at the end of the film, there’s nothing in A Deadly Adoption that plays for obvious laughs.  Instead, the film is a two-hour inside joke and, if you get the joke, you’re one of the cool kids.

Unfortunately, there are a lot of uncool kids out there and a lot of them did not get the joke.  If you check out the comments left on the film’s imdb page, you’ll discover that there’s still a lot of people out there who are wondering whether this was meant to be a serious film or not.

*Sigh*

To quote Ron Burgundy, “GREAT ODIN’S RAZOR!”

(Did he say that?  Sounds like something he would say.)

Anyway, to answer those who still do not know — yes, A Deadly Adoption was a comedy.

And it was a brilliant one at that!

This is what I feel like doing when people say they don't know if A Deadly Adoption was supposed to be funny.

This is what I feel like doing whenever people say they don’t know if A Deadly Adoption was supposed to be funny.

Here’s The First Look Promo For Fear The Walking Dead!


This promo for AMC’s upcoming Fear The Walking Dead is entitled Nick’s Escape.  It really doesn’t tell us anything about the show, beyond the fact that there’s a guy named Nick who can run.  It’s too early to say whether or not Nick is hot, largely because he’s running here and he’s too scared to do any hot guy facial expressions.

Still, the music is effective.

Fear The Walking Dead will premiere this August.

 

Zombeavers Is The Best Zombie Beaver Film Ever!!!!


ZombeaversOf the many deliberately ludicrous and over-the-top nature-gone-made films to be released in the wake of Sharknado, Zombeavers is one of the most impressive.  Certainly, it’s probably the best film that will ever made about zombie beavers.

The film takes place in one of those isolated areas of rural America where cell phones don’t work, everyone drives a pickup truck, and nobody would dare be seen without a shotgun in his hands.  Of course, if you’ve ever seen a horror movie before than you know that any area this isolated is going to inevitably be ground zero in a mutant beaver attack.

Perhaps not surprisingly, it’s all John Mayer’s fault.  Yes, that’s right, John “Your Body Is A Wonderland” Mayer.  He makes his feature film acting debut here, playing a dumbass trucker who, after his truck collides with a deer, ends up losing a barrel of toxic waste.  That barrel rolls into a nearby lake where it turns the local beaver population into zombeavers!

(Whenever I watch anything on Netflix, I always turn on the closed captioning.  One of the joys of watching Zombeavers came from getting to read sentences like “Zombeavers growl,” at the bottom of the screen.)

Meanwhile, three sorority sisters are spending the weekend at a nearby cabin.  Jenn (Lexi Atkins) is depressed because she caught her boyfriend cheating on her.  Zoe (Cortney Palm) is sarcastic, uses “bitch” as a term of affection, and owns a puppy named Gosling.  (I related to Zoe, despite being a cat person.)  Mary (Rachel Melvin) owns the cabin and is determined to have the perfect girls weekend.  Unfortunately, those plans are ruined by both the surprise arrival of their boyfriends and a sudden zombeaver attack…

Fortunately, there is a potentially crazy but helpful hunter wandering around the woods.  His name is Smyth (“Smyth with a y,” he says upon introducing himself) and he’s played by veteran character actor Rex Linn.  Linn doesn’t get much dialogue but he still manages to make every line memorable as he gives a performance that strikes a perfect balance between drama and parody.  At one point, Linn delivers a monologue about how, in the 1970s, everyone in the county got “beaver fever.”  It’s  ludicrous and the joke is so obvious but Linn bring so much commitment to the monologue and to his performance that he sells it.

And really, the same can be said for Zombeavers as a movie.  It’s ludicrous.  It’s silly.  There’s not a single beaver joke that doesn’t, at some point, get made.  And yet, the film works.  It’s a parody that somehow manages to remain credible.  Yes, the zombeavers are intentionally designed to look fake but you still would not necessarily want to come across one at the foot of your bed in the middle of the night.  Yes, the characters say a lot of silly things but the cast delivers those lines with both a straight face and a lot of conviction.  (In fact, all three of the lead actresses are totally natural and convincing in their roles.)  Everyone involved with the film — from the cast to crew — is so committed to the material that it works even when it shouldn’t.

Zombeavers is currently available on Netflix and should be watched by anyone who loves insane monster movies.  It’s the best movie about zombie beavers ever made.

Pixar Does It Again With Inside Out


Inside_Out_(2015_film)_posterInside Out is the latest brilliant film from Pixar’s Pete Docter and it will remind you why you fell in love with Pixar in the first place.

There are no talking cars or lovable monsters in Inside Out.  Instead, it’s the story of a very normal 12 year-old girl named Riley (voiced by Kaitlyn Dias).  Or rather, it’s the story of what goes on in her head.  For most of the movie, Riley deals with experiences to which we can all relate: she moves to a new city, she struggles to relate to her well-meaning parents (voiced by Kyle MacLachlan and Diane Lane), and she tries to fit in at a new school.  Inside Out is a film about the small moments of life and how they all add up to create a bigger picture.

What sets Inside Out apart is the way that it tells its deceptively simple story.  Inside Out takes place almost entirely inside of Riley’s brain.  And it turns out that her mind is gigantic wonderland, one that is so big and complex that not even the characters who live there quite understand how it all works.  Bing Bong (Richard Kind), a pink half-elephant, half-cat, half-dolphin creature, spends his time wandering through the halls of memory and mournfully thinking back to when he was Riley’s imaginary friend.  Whenever Riley goes to sleep, the actors and directors at Dream Productions film a different nightly movie.  Meanwhile, Imagination Land is a fun place to visit but not a good place in which to live and past childhood traumass — like a gigantic stalk of broccoli and a terrifying birthday clown — are locked away deep in Riley’s subconscious, where they are guarded by officious policemen.   Zigzagging through this mental landscape is the literal Train of Thought.

And then, above it all, there’s Headquarters.  This is where five different emotions take turns “steering” Riley through life.  Fear (Bill Hader) is always nervous but, at the same time, keeps Riley safe.  Disgust (Mindy Kaling) prevents Riley from eating broccoli and hanging out with the wrong crowd.  Sadness, meanwhile, hasn’t had much to do over the past 12 years and, as a result, she spends most of her time standing in a corner and feeling … well, sad.  Sadness is voiced by Phyllis Smith, best known for playing Meredith on The Office.  Smith proves herself here to be a strong and empathetic voice artist.

Their unquestioned leader is Joy (Amy Poehler).  As befits her name and job, Joy is always positive, always upbeat, and always optimistic.  For 12 years, Joy has been in charge of steering Riley’s life but that all changes when Riley and her family move to San Francisco.  Suddenly, Joy finds it more difficult to keep Riley permanently happy.  Memories that were formerly color-coded yellow for happy start to turn blue.

When both Joy and Sadness are accidentally expelled from the Headquarters, it’s up to the three remaining emotions to try to keep Riley well-balanced until they can return.  However, the journey back up to the Headquarters is a long and dangerous one, full of some of the most imaginative (and metaphorical) imagery in Pixar’s history.  Joy and Sadness will have to work together to make it.

And really, that’s what makes Inside Out so special.  It’s the rare family film that acknowledges that allowing ourselves to feel sad is often as important as being happy.

Inside Out is a brilliant coming-of-age story and one of the best films of the year.  It’s a film that will make you laugh and cry and will remind you of why you fell in love with Pixar in the first place.  Kids will love the humor and adults … well, adults will probably be trying to hold back the tears.

What a great film!

Thank you, Pixar.

4 Shots From 4 Films: Special Daria Nicolodi Edition!


Daria Nicolodi in Tenebra (1982, dir by Dario Argento)

Daria Nicolodi in Tenebrae (1982, dir by Dario Argento)

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

I have to admit that I’m breaking the rules here.  When Arleigh first suggested 4 Shots From 4 Films as a feature here on Through the Shattered Lens, I promised myself that I would pace myself and, at most, only contribute once on a weekly basis.

But then, after Arleigh posted the first entry in 4 Shots From 4 Films, I realized that it was Lucio Fulci’s birthday and, being the lover of Italian horror that I am, there was no way that I could pass up the chance to post a Fulci-themed 4 Shots From 4 Films.  And now, less than 24 hours later, I find myself posting yet another 4 Shots From 4 Films.

But can you blame me?  It’s Daria Nicolodi’s birthday and, if you love Italian horror, then you know just how important an actress Nicolodi is.  Not only did Daria Nicolodi serve as the inspiration for what is arguably Dario Argento’s best film, Suspiria, but she also appeared in Mario Bava’s classic Shock.  The combination of her undeniable talent and her outspoken and eccentric style — there is no such thing as a boring Daria Nicolodi interview — has made Daria Nicolodi into an icon of horror cinema.

And, on top of all that, she’s Asia Argento’s mother!

So, indulge me because, as a lover of Italian horror, there is no way that I could pass up a chance to present our readers with 4 Shots From 4 Films: The Special Daria Nicolodi Edition!

Deep Red (1975, dir by Dario Argento)

Deep Red (1975, dir by Dario Argento)

Shock (1977, dir by Mario Bava)

Shock (1977, dir by Mario Bava)

Inferno (1980, dir by Dario Argento)

Inferno (1980, dir by Dario Argento)

Delirium (1987, directed by Lamberto Bava)

Delirium (1987, directed by Lamberto Bava)

 

 

Here’s the Trailer for Boulevard, Robin Williams’s Final Film


I made out my latest Oscar predictions before I saw the trailer for Boulevard.  Filmed shortly before Robin Williams’s suicide, Boulevard features his final dramatic performance.  Could Robin Williams receive a posthumous nomination for his role here?  We’ll find out later this year.

Lisa Marie’s Too Early Oscar Predictions For June


oscar trailer kitties

It’s time for our monthly edition of Lisa’s Too Early Oscar predictions!

This is our first entry since the Cannes Film Festival.  As a result of Cannes, former contenders like The Sea of Trees have been dropped from the predictions.  Meanwhile, new contenders like Michael Caine and Sicario have emerged.  I have also added Pixar’s Inside Out to my list of predictions because a 98% rating on Rotten Tomatoes demands the consideration.

(Unfortunately, adding Inside Out meant dropping The Good Dinosaur.  Though it could happen, I find it hard to imagine two animated films receiving best picture nominations.)

If you want to see how my feelings on the race have developed, be sure to check out my predictions for January, February, March, April, and May!

And without further ado, here are Lisa’s Too Early Oscar Predictions for June!

Best Picture

Black Mass

Brooklyn

Carol

The Danish Girl

In the Heart of the Sea

Inside Out

MacBeth

Sicario

Suffragette

The Walk

Best Actor

Johnny Depp in Black Mass

Michael Caine in Youth

Michael Fassebender in Steve Jobs

Eddie Redmanye in The Danish Girl

Jason Segel in The End of the Tour

Best Actress

Cate Blanchett in Carol

Marion Cotillard in MacBeth

Jennifer Lawrence in Joy

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Albert Brooks in Concussion

Benicio Del Toro in Sicario

Joel Edgerton in Black Mass

Idris Elba in Beasts of No Nation

Kurt Russell in The Hateful Eight

Best Supporting Actress

Joan Allen in Room

Jennifer Jason Leigh in The Hateful Eight

Rooney Mara in Carol

Meryl Streep in Suffragette

Julie Walters in Brooklyn

Best Director

John Crowley for Brooklyn

Todd Haynes for Carol

Ron Howard for In The Heart of the Sea

Denis Villeneuve for Sicario

Robert Zemeckis for The Walk