What Lisa Watched Last Night #193: House of Darkness: New Blood (dir by Patrick DeLuca)


Last night, I watched the latest Lifetime Movie Network premiere, House of Darkness: New Blood!

Why Was I Watching It?

The main reason I was watching it was because it was on Lifetime.

That said, I was also intrigued by the fact that Lifetime was premiering a horror film.  In the past, horror has been one of the few genres that Lifetime has usually avoided.  It’s only been rather recently that Lifetime started to show movies that could even be considered a part of the horror genre and, as a horror aficionado, I’m curious to see what this development will lead to.

Of course, another big reason why I was watching it was because it’s been raining nonstop since Thursday so, for once, I actually spent a Friday night at home.  There’s nothing like watching a horror movie while surrounded by rain, thunder, and lightning!

What Was It About?

Judd (Liam McNeill) has asked Brooke (Kate Stone) to marry him!  Yay!

There’s only a few problems.  For one, Brooke’s creepy son, Dylan (Jake T. Getman), doesn’t seem to like Judd that much.  Secondly, Brooke has yet to meet Judd’s mother, Elaine (Hilary Momberger-Powers).  Elaine, it turns out, lives in a big house out in the country, a house that’s full of secrets and — you guessed it — darkness!  When Judd takes Brooke and Dylan out to the house, Elaine doesn’t seem to be happy to see any of them.  Judd says that it’s just a symptom of Elaine’s dementia but is that all there is to it?

Soon, Brooke is hearing weird noises, seeing dark shadows, and having terrible nightmares.  Judd says that it’s probably just a side effect of the sleep aid that she’s taking but Brooke isn’t too sure.  Is it all in Brooke’s head or has she truly discovered …. A HOUSE OF DARKNESS!?

What Worked?

There were a few effectively creepy moments.  The house was big and spooky and full of ominous atmosphere and Hilary Momberger-Powers did a good job as Elaine.  She kept you guessing and off-balance.

What Did Not Work?

House of Darkness ran into the same problem that’s haunted a lot of made-for-TV horror films.  It’s difficult to maintain suspense when you the story has to come to a stop every 15-to-20 minutes for a commercial break.  Every time that I found myself starting to get invested in the storyline, it was suddenly time for that Humira commercial where that guy meets his girlfriend’s parents for the first time.

The fact that it was on television also meant that the horror often had to be a bit low-key.  There was one hanging scene that was effectively horrific but otherwise, the film often felt a bit too restrained to be fully effective.

“Oh my God!  Just like me!” Moments

I know that it’s usually said that people are stupid for not just leaving an obviously haunted house but, to be honest, I’d probably stay even longer than Brooke did.  I mean, it’s not every day you get to deal with the paranormal.

Lessons Learned

Always check the lights before moving into a new house.

Music Video of the Day: A Different Way by DJ Snake featuring Lauv (2017, dir by Colin Triley)


When this video started, I was a bit worried that the kid was going to end up getting dragged into the sewers by Pennywise but, instead, things worked out pretty well.  That’s good.  This is a fun video.

Enjoy!

Lisa’s Early Oscar Predictions for September


It’s that time again!

It’s time for my somewhat random Oscar predictions!

Judging from the reactions at Venice Film Festival, Bradley Cooper’s A Star is Born would appear to be the current Oscar front runner.  At the very least, it seems destined to be nominated.  Personally, I still wonder if a remake of A Star is Born is going to have enough political cachet in a year that, so far, has been dominated by Hollywood virtue signaling.

Anyway, it’s a bit of a cliché to say the Oscar race is wide open but, despite all of the buzz around A Star is Born, it still feels as if it is.  That said, it’s also becoming a bit more clear.  Former front runners like Mary, Queen of Scots have fallen off the radar.  It seems likely the Martin Scorsese’s The Irishman will not be released until next year.  There are rumors that Clint Eastwood’s The Mule might get a December qualifying run but, for now, those are just rumors.

Below are my predictions for this month.  The usual caveats about wishful thinking and wild guesses apply.  To be honest, we won’t know anything for sure until the critics and the guilds make their voices heard in December and January.

Be sure to check out my predictions for January, February, March, April, May, June, July, and August!

Best Picture

Beautiful Boy

BlackKklansman

Black Panther

Crazy Rich Asians

The Favourite

First Man

Green Book

If Beale Street Could Talk

Roma

A Star is Born

Best Director

Damien Chazelle for First Man

Jon M. Chu for Crazy Rich Asians

Bradley Cooper for A Star is Born

Alfonso Cuaron for Roma

Spike Lee for BlackKklansman

Best Actor

Steve Carell in Beautiful Boy

Bradley Cooper in A Star is Born

Ryan Gosling in First Man

Rami Malek in Bohemian Rhapsody

Robert Redford in Old Man and the Gun

Best Actress

Glenn Close in The Wife

Olivia Colman in The Favourite

Nicole Kidman in Destroyer

Melissa McCarthy in Can You Ever Forgive Me?

Julia Roberts in Ben Is Back

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Sam Elliott in A Star is Born

Ben Foster in Leave No Trace

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Regina King in If Beale Street Could Talk

Sissy Spacek in Old Man and the Gun

Rachel Weisz in The Favourite

Michelle Yeoh in Crazy Rich Asians

Barry and Oscar

What Lisa Watched Last Night #192: His Perfect Obsession (dir by Alexandre Carrière)


Last night, I watched the latest Lifetime premiere, His Perfect Obsession!

Why Was I Watching It?

Because it was on Lifetime, of course!

Plus, I was kinda hoping that it would be like a special Labor Day movie.  Since I’m still not sure what Labor Day is actually supposed to celebrate, I thought maybe His Perfect Obsession would provide some clues.  (Unfortunately, it did not.)

 What Was It About?

Bart (Brendan Murray) is an accountant with a problem.  He’s obsessed with both his client, Allison (Arianne Zucker), and her blind teenage daughter Abigail (Ali Skovbye).  However, Allison doesn’t want to date him and Abigail doesn’t really seem to like him that much either.  Even after Bart murders Allison’s creep of an ex, Allison still doesn’t want to go out with him.  She’d rather go out with a sleazy real estate agent.

What is a crazy sociopath like Bart to do?  He tries drinking at the local bar but the bartender keeps getting in his business.  He tries murdering his mother but that really doesn’t do much for him, either.  Finally, Bart remembers that he does have that remote cabin that hardly anyone knows about…

What Worked?

His Perfect Obsession was filmed in Canada and, visually, it made good use of the snowy landscape.  I especially liked a scene at the start of the film where Bart approached Abigail outside of her house and they had an awkward conversation while the frozen ground glowed in the night behind them.

The performances were all excellent.  Brendan Murray was wonderfully creepy as Bart and Arianne Zucker and Ali Skovbye were both perfectly cast as the mother and daughter.

A lot of us watching online especially liked the character of Ben (Scott Gibson), the world’s most heroic bartender.  If Captain America got a job working in a bar, he’d be a lot like Ben.

Finally, there was a character named Lance Lancaster (Seann Gallagher), who everyone liked because his name was Lance Lancaster.  That’s like one of the greatest names ever!

What Did Not Work?

In general, I’m not a fan of any movie where the final half of the film is taken up with scenes of people being held hostage.  A hostage situation always seems to stall whatever narrative momentum the film has been building up and that’s what happened with His Perfect Obsession.

The scene where Bart murders his mother was so drawn out that the scene itself almost became extremely unpleasant and rather icky to watch.  I know that might sound strange coming from a self-confessed horror fanatic like me but the scene was just way too sadistic for a Lifetime film.  As of late, Lifetime seems to be trying to be a bit more edgy as far as violence is concerned but that’s really not why people watch Lifetime.  Lifetime melodrama should be fun, not traumatic.

“Oh my God!  Just like me!” Moments

I’ve never actually worked with a professional accountant.  My sisters do my taxes for me and, when it comes to money, I find that it’s better to spend it now and hold off on worrying until later.  So, I really couldn’t relate to that part of the movie.

What I did relate to was the relationship between Allison and Abigail, which felt very real and was well-played by both actresses.  It reminded me of the type of relationship that I had with my mom.

Lessons Learned

Use TurboTax.

Lisa’s Week In Review: 8/27/18 — 9/2/18


Inferno (1980, dir by Dario Argento)

Movies I Watched

  1. Deadly Shores (2018)
  2. Her Worst Nightmare (2018)
  3. Inferno (1980)
  4. The Last Movie Star (2018)
  5. Lethal Soccer Mom (2018)
  6. Pacific Rim: Uprising (2018)
  7. Rear Window (1954)
  8. The Strange Case of Dr. Rx (1942)
  9. Trog (1970)
  10. You Were Never Really Here (2018)

Television Shows I Watched

  1. The Avengers
  2. Bachelor in Paradise
  3. Bar Rescue
  4. Big Brother 20
  5. Big Brother After Dark
  6. City Confidential
  7. Crime Stories
  8. Crime Watch Daily With Chris Henson
  9. Doctor Phil
  10. Dominick Dunne’s Power, Privilege, and Justice
  11. FBI: Criminal Pursuit
  12. House of Cards (BBC)
  13. It’s Always Sunny in Philadelphia
  14. King of the Hill
  15. Kitchen Nightmares
  16. Masterchef
  17. The Office
  18. Orange in the New Black
  19. Shipping Wars
  20. So You Think You Can Dance
  21. Southern Fried Homicide
  22. To Play the King
  23. Young Sheldon

Books I Read

  1. Rapture (1987) by Thomas Tessier

Music To Which I Listened

  1. Benny Banassi
  2. Big Data
  3. David Guetta
  4. DJ Snake
  5. Elle King
  6. Emma Bunton
  7. Gloria Trevi
  8. Hardwell
  9. Interpol
  10. Lindsey Stirling
  11. Muse
  12. Neon Indian

Links From Last Week

  1. My beloved Vanessa Marquez
  2. From Heath Battles to ‘Blacklisted’ Claims: A Look Back at ER Actress Vanessa Marquez’s Life
  3. Wil Wheaton has a listening problem
  4. Twitter Rival Mastodon isn’t safe from online mobs either.
  5. NBC threatened Ronan Farrow If He Kept Reporting on Harvey Weinstein 
  6. The Other Side of the Wind premiere coverage and first reviews
  7. Kickin’ The Willy Bobo With … Raymond Embrack
  8. From my Dream Journal: Last Night’s Cleaning Dream
  9. From my sister’s photography site: Church Behind The Trees, Highland Park Church, Church in The Rain, Be Prepared To Stop, Road to Fall, Clouds, and The Door is Locked.
  10. On my music site, I shared songs from Hardwell, Benny Banassi, Lindsey Stirling, Emma Bunton, Elle King, DJ Snake, and Fiona Apple.

Links From The Site

  1. Erin profiled Art Sussman and shared work from Harry Schaare, Mitchell Hooks, Robert McGinnis, Norman Saunders, an unknown artist, and Ray Quigley.  She also shared a beautiful picture of her own!
  2. Gary reviewed Genius at Work, A Funny Thing Happened On The Way To The Forum, The Odd Couple, and Sabata!
  3. Jeff reviewed The Quest, shared his weekly trailer round-up, and also gifted us with music videos from Toy-Box, Love and Rockets, and John Mellencamp!
  4. I reviewed Her Worst Nightmare!  I shared music videos from David Guetta, Interpol, Big Data, and Big Data again!  I shared the trailers for The Other Side of the Wind and the Front Runner!  I shared a scene that I loved!  I offered up a preview of October!  I reviewed both Lethal Soccer Mom and Deadly Shores!
  5. Patrick reviewed Ghoul!
  6. Ryan reviewed Tintering, Lawns, The House on Mansfield Street, and Generous Bosom and also shared his weekly reading round-up!
  7. Arleigh reviewed The Hunt For Red October, selected an AMV of the Day, and offered up sneak peeks of both Suspiria and The Predator!

(Want to see what I did last week?  Click here!)

Rest in peace, Vanessa Marquez.

Music Video of the Day: Dangerous by Big Data (2014, dir by ????)


For today’s music video of the day, we have one final video for the greatest song of the ’10s, Dangerous by Big Data.  In this video, Big Data performs the song  on the ALT98.7 FM Penthouse rooftop at the Historic Hollywood Tower.

Enjoy!

Previous Dangerous Videos:

  1. SCANTRON and Greg Yagolnitzer version
  2. Brandon LaGanke and John Carlucci version
  3. The Big Kitty Version
  4. Live from KROQ Red Bull Sound Stage

Cleaning Out The DVR: Deadly Shores (dir by Fred Olen Ray)


(I recorded Deadly Shores off of the Lifetime Movie Network on August 24th!)

Oh my God, isn’t life just perfect!?

That’s what Anna (Carly Schroeder) should be asking herself.  After a whirlwind courtship and engagement, Anna has just married Richard Palmer (Phillip P. Keene), a famous mystery novelist!  Not only is she a newlywed and it appears that she might soon also be newly rich.  Her parents died mysteriously years ago and she stands to come into a lot of money!

Of course, nothing is ever as perfect as it seems.  Her psychiatrist seems to be concerned about Anna acting too impulsively and he worries that she’s marrying Richard without even knowing him.  When Anna arrives at her new home, she is struck by how coldly she’s treated by the housekeeper.  Anna soon starts to feel that everyone is comparing her unfavorably to Richard’s previous wife, the one who died mysteriously at the lighthouse.   And when Anna discovers that Richard has apparently incorporated his first wife’s death into his latest book, she is not amused.  Even worse is how Richard reacts when Anna dares to wear a necklace that once belonged to dead wife.

And then there’s Beth (Kristin Minter), who seems friendly enough except that she’s awfully close to Richard.  Of course, their closeness could have something to do with the fact that she’s Richard’s mistress.  You know what they say: Just because you’re paranoid doesn’t mean that they’re not out to get you.

And, make no mistake about it, people are out to get Anna.  However, what no one realizes is that Anna has got secrets and shadows in her past as well…

With all of the gothic scenery and the insecure wife and the hostile housekeeper, I was expecting Deadly Shores to just be another version of Rebecca.  And, certainly, the first hour or so has much in common with that classic film.  However, in the best grindhouse tradition, there’s a big twist that occurs during the final seven minutes of the film, one that totally turns the entire movie upside down.  I won’t ruin the twist but I will say that it was a hugely satisfying one.  In the end, Deadly Shores reminded me of one of those strange movies that Joan Crawford and Olivia de Havilland would have made for William Castle or Robert Aldrich back in the 1960s.

Deadly Shores is one of the many movies to have been directed by the prolific Fred Olen Ray.  What his films often lack in budget, Ray makes up for in pure entertainment.  Ray does a pretty good job directing this one, playing up the ominous atmosphere and giving Carly Schroeder enough room to go enjoyably over-the-top in the role of Anna.

All in all, Deadly Shores is an entertaining Lifetime film and one to keep an eye out for.

What Lisa Watched This Morning #192: Lethal Soccer Mom (dir by Max McGuire)


This morning, I watched the latest Lifetime premiere movie, Lethal Soccer Mom!

Why Was I Watching It?

Seriously, how could anyone resist a movie with a title like Lethal Soccer Mom?

Actually, according to the imdb, this film was originally titled Sidelined so I’m going to guess that Lifetime changed the title so it could fit in with their “lethal” series of films.  Personally, I think Lifetime probably made the right choice here.  Sidelined isn’t bad but Lethal Soccer Mom just demands to be watched.

For the record, the film itself actually premiered on Friday night but since I was out, I set the DVR to record it.

What Was It About?

Kate (Tanya Clarke) and her teenage daughter, Cameron (Sarah Grey) have just moved into a new home and Cameron is starting at a new school.  Cameron can’t wait to join her school’s soccer team but she soon discovers that the team’s star player, Hailey (Hannah Vandenbygaart) views her as being a rival.  Complicating things is the fact that Hailey’s mother, Rhonda (Christina Cox), is the coach of the team and worries that Cameron might overshadow her daughter.

As messy as that sounds, it gets even messier when it turns out that Rhonda is willing to do anything make her daughter a star.  Soon, Cameron is being pushed down stairs, getting beaten up at practice, and even her grades are being tampered with!  How far is Rhonda willing to go to keep Cameron off the team?

Well, the title of the movie is Lethal Soccer Mom…

What Worked?

When your movie has a title like Lethal Soccer Mom, you’re being promised a certain amount of melodramatic excess and this film certainly delivered on that promise.  Tanya Clarke, Christina Cox, Sarah Grey, and Hannah Vandenbygaart delivered a quartet of fine performances.  Christina Cox, in particular, really seemed to be having a lot of fun as she did everything from seducing her daughter’s boyfriend to chasing her daughter’s rival around the high school with a bat.  A Lifetime film is usually only as good as its villain and Cox turned the coach into a great one!

Lethal Soccer Mom also did a good job of suggesting that, under different circumstances, both Kate and Cameron could probably be just as obsessive and dangerous as Rhonda.  In fact, the only person who didn’t seem to be way too obsessed with soccer was Hailey.

What Did Not Work?

It all worked!  This is the type of Lifetime films that I love: outrageous, melodramatic, over the top, a little bit silly, and consistently entertaining.

“Oh my God!  Just like me!” Moments

I never played soccer, both because of my asthma and also because it always seemed like everyone I knew was playing soccer and, even at a young age, I always had to be different.  Two of my sisters did play but, when we were growing up, my family moved around too much for any of us to ever get caught up in too much team drama.  Fortunately, my mom never had to become a full-fledged soccer mom.  However, because I was in love with dancing, my mom did spend several years dealing with other dance moms.  Let me tell you, crazy soccer moms have got nothing on crazy dance moms.

Lessons Learned

Soccer makes people crazy.  Of course, we all already knew that…

Music Video Of The Day: Dangerous by Big Data (2014, dir by ????)


With each passing day, I became more and more convinced that Big Data’s Dangerous is the most important song of the 2010s.  No other song quite captures our paranoid times like this one:

How could you know, how could you know
That those were my eyes?
Peepin’ through the floor, it’s like they know
It’s like they know I’m looking from the outside
And creepin’ to the door, it’s like they know
And now they’re coming, yeah, now they’re coming
Out from the shadows
To take me to the court because they know
Gotta shut this down
‘Cause they been watching all my windows
They gathered up the warrant ’cause they

You understand, I got a plan for us
I bet you didn’t know that I was dangerous
It must be fate, I found a place for us
I bet you didn’t know someone could love you this much

How could they know, how could they know
What I’ve been thinking?
Like they’re right inside my head because they know
Because they know, what I’ve been hiding
They’re right under my bed, they’re on patrol
Here they come, yeah, here they come
Out of the shadows
To take me to the court because they know
Gotta shut this down
‘Cause they’ve been watching all my windows
They gathered up the warrant ’cause they

You understand, I got a plan for us
I bet you didn’t know that I was dangerous
It must be fate, I found a place for us
I bet you didn’t know someone could love you this much

Nobody’s listening when we’re alone
Nobody’s listening, there’s nobody listening
No one can hear us when we’re alone
No one can hear us, no, no one can hear us

I’ve gotta get out of here
Sink down, into the dark
Keep on runnin’
And I’ve gotta get out of here
Keep on runnin’
Sink down, into the dark

You understand, I got a plan for us
I bet you didn’t know that I was dangerous
It must be fate, I found a place for us
I bet you didn’t know someone could love you this much

Valerie already shared two other videos for Dangerous.  Here’s another one of Big Data performing at Los Angeles’s KROQ Red Bull Sound Space.  While the studio version features Joywave’s Daniel Armbruster performing the vocals, this live version is performed by Alan Wilkis and Liz Ryan.

Enjoy!

4 Shots From 4 October Films: Vampire Circus, The Beyond, The Living Dead Girl, I Madman


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Only one more month to go and it’ll be time for TSL’s annual horrorthon!  I’m already working on my October reviews.  Here’s four shots from 4 films that I’m planning on reviewing in October!

4 Shots From 4 October Films

Vampire Circus (1972, dir by Robert Young)

The Beyond (1981, dir by Lucio Fulci)

The Living Dead Girl (1982, dir by Jean Rollin)

I, Madman (1989, dir by Tibor Takacs)

Don’t worry.  It’s almost October!