Enjoy!
Enjoy!
Today’s selection in our on-going tribute to the memory of Ennio Morricone comes to us from the score for Sergio Sollima’s 1966 film, The Big Gundown.
Even though Morricone may be best known for his work with Sergo Leone, he provided scores for several different Spaghetti western directors. The epic grandeur of the Italian westerns has as much to do with Morricone’s music as it does with any individual director or even any individual star. For many, Morricone was the composer of the mythological old west.
Here is La Resa:
Previous Entries In Our Tribute To Morricone:
Does it never occur to anyone in a Lifetime movie to not let a stranger move into their house?
That was my main thought as, earlier today, I watched Deadly Daughter Switch. Deadly Daughter Switch, which I DVR’d off of the Lifetime Movie Network back in April, tells the story of two families. One family is rich and lives in a really nice house and sends their daughter to a really nice school. The other family is not rich, which means that they live in a slightly smaller house and the mother has to work at a coffee shop.
When Brooke (Lindsay Hartley) and Carter Jenkins (Matthew Pohlkamp) discover that their teenage daughter, Hailey (Tu Morrow), is not actually their daughter, they take their story to the media. They ask that anyone who was born on the same night and at the same hospital as Hailey take a DNA test. It turns out that Hailey is actually the daughter of Alexis (Hannah Barefoot) and that Alexis has been raising Brooke’s biological daughter, Breanne (Jane Widdop)!
If that’s not complicated enough, a counselor at the hospital comes up with the bright idea that Hailey should spend time with Alexis while Breanne should spend time with Brooke and then the girls can decide by whom they ultimately want to be raised. Alexis points out, quite reasonably in my honest opinion, that Brooke obviously has more money than her and that she probably lives in a better school district and that the end result of this experiment will probably be Brooke having two daughters and Alexis having no one. Still, they all agree to take the counselor’s advice because I guess the counselor is the voice of God or something and you have to do what she says even if it doesn’t make any sense.
Anyway, it turns out that Alexis was right about Breanne wanting to get away from her. However, it’s not just that Alexis has less money than Brooke and Carter. It’s also that Alexis is a little bit insane. Alexis loses her job at the coffee shop after she kills her boss. Then Alexis kills the volleyball coach who she claims is Breanne’s biological father. Then Alexis kills her alcoholic, white trash boyfriend. Alexis, of course, manages to make all of these deaths look like accidents because Alexis may be poor-ish and she may be dangerously unstable but she’s not stupid.
Anyway, seeing as how everyone in her life is dead, the Carters invite Alexis to come stay with them. “Do you think we trust Alexis too much?” Brooke asks Carter. Gee, Brooke, why would you ask that? Is it because Alexis is obviously plotting to murder you?
Anyway, if it sounds like I’m being critical of Deadly Daughter Switch, I’m not. I actually rather enjoyed it. A part of loving Lifetime films is that you come to accept all of the strange premises and the melodramatic plot twists. You don’t ask why. You don’t question logic. You just accept it and follow it to its conclusion. These films are meant to be the cinematic equivalent of a paperback novel that read over the course of an afternoon. Hence, the more melodramatic the better. Hannah Barefoot was an energetic killer and the Carter house was really big and nice and it looked like it would be a fun place to live. And really, isn’t that all you need?
Seriously, though, don’t invite just anyone to come live with you. You never know what they might be secretly plotting.
Usually, when it’s time for the Emmy nominations to be announced, I’ll post what I personally would have nominated. I didn’t do it this year because, for whatever reason, I didn’t watch as much TV last season as I have in the past so I felt like, if I had done a Lisa Has All The Power post for the Emmy nominations, I would have ended up just nominating a bunch of shows that I hadn’t actually watched and that would just be wrong.
I will say that I was hoping to see nominations for Bad Education and Unbelievable. Both did receive nominations, though not as much as they should have. Bad Education was nominated for Best TV Movie and Hugh Jackman received a nomination but it deserved so much more. (It’s the best film that I’ve seen so far this year and it bugs the Hell out of me that it was sold to HBO and not Netflix because Bad Education is the type of movie that should get Oscar recognition.) Unbelievable was nominated for Best Limited Series but Kaitlyn Dever and Merritt Weaver deserved nominations as well. I was also disappointed that neither Aaron Paul nor Robert Forster were nominated for El Camino. I’m also upset that my favorite comedy series — Medical Police — was totally snubbed but I’m not really surprised. Medical Police is hilarious but it’s not self-important enough for the Emmys. Still, considering that Curb Your Enthusiasm was kind of terrible this year, it’s a shame that Medical Police couldn’t sneak in there.
(This year still isn’t as bad as the year that Twin Peaks: The Return was snubbed in all the major categories.)
Anyway, here are the major nominees. At least The Mandalorian got some recognition. GO BABY YODA!
Drama Series
“Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“Killing Eve” (BBC America/AMC)
“The Mandalorian” (Disney Plus)
“Ozark” (Netflix)
“Stranger Things” (Netflix)
“Succession” (HBO)
Comedy Series
“Curb Your Enthusiasm” (HBO)
“Dead to Me” (Netflix)
“The Good Place” (NBC)
“Insecure” (HBO)
“The Kominsky Method” (Netflix)
“The Marvelous Mrs. Maisel” (Amazon Prime Video)
“Schitt’s Creek” (Pop TV)
“What We Do in the Shadows” (FX)
Limited Series
“Little Fires Everywhere” (Hulu)
“Mrs. America” (Hulu)
“Unbelievable” (Netflix)
“Unorthodox” (Netflix)
“Watchmen” (HBO)
Televison Movie
“American Son” (Netflix)
“Bad Education” (HBO)
“Dolly Parton’s Heartstrings: These Old Bones” (Netflix)
“El Camino: A Breaking Bad Movie” (Netflix)
Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend (Netflix)
Lead Actor in a Drama Series
Jason Bateman (“Ozark”)
Sterling K. Brown (“This Is Us”)
Steve Carell (“The Morning Show”)
Brian Cox (“Succession”)
Billy Porter (“Pose”)
Jeremy Strong (“Succession”)
Lead Actress in a Drama Series
Jennifer Aniston (“The Morning Show”)
Olivia Colman (“The Crown”)
Jodie Comer (“Killing Eve”)
Laura Linney (“Ozark”)
Sandra Oh (“Killing Eve”)
Zendaya (“Euphoria”)
Lead Actor in a Comedy Series
Anthony Anderson (“Black-ish”)
Don Cheadle (“Black Monday”)
Ted Danson (“The Good Place”)
Michael Douglas (“The Kominsky Method”)
Eugene Levy (“Schitt’s Creek”)
Ramy Youssef (“Ramy”)
Lead Actress in a Comedy Series
Christina Applegate (“Dead to Me”)
Rachel Brosnahan (“The Marvelous Mrs. Maisel”)
Linda Cardellini (“Dead to Me”)
Catherine O’Hara (“Schitt’s Creek”)
Issa Rae (“Insecure”)
Tracee Ellis Ross (“Black-ish”)
Lead Actor in a Limited Series or Movie
Jeremy Irons (“Watchmen”)
Hugh Jackman (“Bad Education”)
Paul Mescal (“Normal People”)
Jeremy Pope (“Hollywood”)
Mark Ruffalo (“I Know This Much Is True”)
Lead Actress in a Limited Series or Movie
Cate Blanchett (“Mrs. America”)
Shira Haas (“Unorthodox”)
Regina King (“Watchmen”)
Octavia Spencer (“Self Made”)
Kerry Washington (“Little Fires Everywhere”)
Supporting Actor in a Drama Series
Giancarlo Esposito (“Better Call Saul”)
Bradley Whitford (“The Handmaid’s Tale”)
Billy Crudup (“The Morning Show”)
Mark Duplass (“The Morning Show”)
Nicholas Braun (“Succession”)
Kieran Culkin (“Succession”)
Matthew Macfadyen (“Succession”)
Jeffrey Wright (“Westworld”)
Supporting Actress in a Drama Series
Laura Dern (“Big Little Lies”)
Meryl Streep (“Big Little Lies”)
Helena Bonham Carter (“The Crown”)
Samira Wiley (“The Handmaid’s Tale”)
Fiona Shaw (“Killing Eve”)
Julia Garner (“Ozark”)
Sarah Snook (“Succession”)
Thandie Newton (“Westworld”)
Supporting Actor in a Comedy Series
Andre Braugher (“Brooklyn Nine-Nine”)
William Jackson Harper (“The Good Place”)
Alan Arkin (“The Kominsky Method”)
Sterling K. Brown (“The Marvelous Mrs. Maisel”)
Tony Shalhoub (“The Marvelous Mrs. Maisel”)
Mahershala Ali (“Ramy”)
Kenan Thompson (“Saturday Night Live”)
Dan Levy (“Schitt’s Creek”)
Supporting Actress in a Comedy Series
Betty Gilpin (“GLOW”)
D’Arcy Carden (“The Good Place”)
Yvonne Orji (“Insecure”)
Alex Borstein (“The Marvelous Mrs. Maisel”)
Marin Hinkle (“The Marvelous Mrs. Maisel”)
Kate McKinnon (“Saturday Night Live”)
Cecily Strong (“Saturday Night Live”)
Annie Murphy (“Schitt’s Creek”)
Supporting Actor in a Limited Series or Movie
Dylan McDermott (“Hollywood”)
Jim Parsons (“Hollywood”)
Tituss Burgess (“Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend”)
Yahya Abdul-Mateen II (“Watchmen”)
Jovan Adepo (“Watchmen”)
Louis Gossett Jr. (“Watchmen”)
Supporting Actress in a Limited Series or Movie
Holland Taylor (“Hollywood”)
Uzo Aduba (“Mrs. America”)
Margo Martindale (“Mrs. America”)
Tracey Ullman (“Mrs. America”)
Toni Collette (“Unbelievable”)
Jean Smart (“Watchmen”)
Reality Competition
“The Masked Singer” (FOX)
“Nailed It” (Netflix)
“RuPaul’s Drag Race” (VH1)
“Top Chef” (Bravo)
“The Voice” (NBC)
Variety Sketch Series
“A Black Lady Sketch Show” (HBO)
“Drunk History” (Comedy Central)
“Saturday Night Live” (NBC)
Variety Talk Series
“Daily Show with Trevor Noah” (Comedy Central)
“Full Frontal with Samantha Bee” (TBS)
“Jimmy Kimmel Live” (ABC)
“Last Week Tonight with John Oliver” (HBO)
“Late Show with Stephen Colbert” (CBS)
Enjoy!
Today’s song of the day is one of Ennio Morricone’s most popular compositions, Chi Mai. Chi Mai has actually appeared in several different productions, including 1971’s Maddelana, 1981’s The Professional, 1978’s An Englishman’s Castle, and 1981’s The Life and Times of David Lloyd George.
From Ennio Morricone, here is Chi Mai:
Previous Entries In Our Tribute To Morricone:
Last night, I turned over to Lifetime and I watched Her Deadly Groom!
Why Was I Watching It?
How couldn’t I watch it? It was on Lifetime.
Last night, I realized that it had bee forever since I last watched and live tweeted a Lifetime film. Some of that was due to some changes in my schedule. On Saturday night, I now co-host the Scary Social live tweet, which means that I usually have to DVR and watch Saturday’s Lifetime movie at a later date. And, admittedly, some of my absence from the Lifetime front just had to do with just pure exhaustion at the state of the world. When you spend 7 days straight hearing about how the world is going to end, you often just want to spend Sunday meditating or sleeping or, at the very least, dancing.
But, regardless of what else may be happening, I love Lifetime movies and I always have. Last night, I was determined to watch Her Deadly Groom and I’m glad that I did.
What Was It About?
Allison (Kate Watson) is divorced from George (Eric Roberts), an alcoholic and a serial philanderer. She now lives with her daughter Nicky (Elyse Cantor) and Nicky’s boyfriend, Jake (Jacob Michael) and she has a nice specialty peanut butter business going with her friend Brenna (Kelly Erin Decker). One thing that Allison says she doesn’t need in her life right now is another man. Brenna, however, disagrees and creates an account for Allison on a dating site.
Soon, Allison has met Vincent Black (Michael DeVorzon), who is handsome, charming, and psychotic. Fear not, that’s not a spoiler. You know that Vincent is dangerous from the minute you first see him because 1) he pushes his previous girlfriend off a cliff and 2) this is a Lifetime movie. Anyway, Vincent is soon dating Allison and it looks like they’ll soon be married. What Allison doesn’t know is that Vincent has taken out a huge life insurance policy on her….
What Worked?
Eric Roberts was in this film! Admittedly, he had a small role but still, he’s Eric Roberts and he’s always a lot of fun to watch. Plus, in this film, there was a neat little twist involving his character and Roberts did a great job playing it.
One thing I liked about this film is that Vincent may have been charming and lucky but he wasn’t always the most clever con artist around. He wasn’t one of those super villains who you occasionally come across in a film like this. Instead, he was just a con man who knew how to manipulate people but who also understood that he would only be able to successfully fool people for a limited amount of time. As a result, he didn’t waste any time when it came to putting his plans into action and that created some suspense. We knew he wasn’t going to wait forever to make his move. Vincent was a wonderfully hissable villain.
The mother-daughter relationship between Nicky and Allison felt real and both Kate Watson and Elyse Cantor did a good job of bringing their characters to life. I appreciated the fact that, even though Allison may have been naive when it came to Vincent, she wasn’t stupid. She was just someone who got legitimately conned by a sociopath.
Finally, this was a Lifetime film so all of the house were to die for. Seriously, never underestimate the importance of a big house in a Lifetime film.
What Did Not Work?
It all worked. This was a fun Lifetime movie.
“Oh my God! Just Like Me” Moments
I related to Brenna, mostly because we’ve both fallen down a flight of stairs. Of course, nobody had to push me. I’m just a klutz when it comes to stairs.
Lessons Learned
If something seems too good to be true, it probably is. Oh! And always check to see if your man has taken out a life insurance policy on you.
Enjoy!
It’s difficult, isn’t it? The constant onslaught of bad news can be hard take, especially when you know that it’s being pushed by people who have an incentive when it comes to keeping everyone depressed. I’ve always said that one of the secrets to good mental health is to get away from social media and to go out and enjoy yourself. Unfortunately, so many things have come together this year to take away that option for a lot of people. When I do go out and talk to people, I discover that things aren’t as bad as you might think. But when I stay inside and just look at twitter or the news, it’s easy to feel like the entire world is falling apart.
I was really looking forward to 2020. This is the 10 year anniversary of this site and I had a lot planned. Unfortunately, I’ve had to put a lot of those plans on hold. For instance, it’s hard to do a series of reviews about the Olympics or Cannes when both of those events have been delayed. It’s hard to review a series of political films when neither the Democratic nor the Republican convention is going to be occurring (at least not in their usual way) this year. It’s difficult to review new films when all of the theaters are closed and all of the big films are being pushed to the side. The same is true when it comes to reviewing TV shows. The world’s on hold right now. I’m not whining about it or playing the poor me game. I’m just acknowledging the truth of the situation as far as my 2020 plans are concerned.
So, what do I do? Do I give up, as so many others have? Do I say, “Well, I’m just going to sit around and be miserable?” Or do I simply put those plans on hold, secure in the knowledge that I will get a chance to do them eventually? Me, I’m going with the latter. As of right now, it looks like our 10 year anniversary celebrations are going to extend into 2021 because 2020 just doesn’t count. Then again, perhaps we should make every day a celebration whether it’s an anniversary or not.
I was going to start work on a bunch of back to school reviews next month but now it looks schools might not be reopening. So, we’ll put those reviews off until 2021. I’ll just concentrate on getting my reviews for the October horrorthon prepared. The important thing is to never ever give up.
Here’s what I did this week!
Films I Watched:
Television Shows I Watched:
Books I Read:
Music To Which I Listened:
Our Continuing Tribute To Morricone:
News From Last Week:
Links From The Site:
More From Us:
Today’s song of the day comes from a 1972 Italian film called D’amore si muore. I haven’t seen this film and I really don’t know much about it. As far as I can tell, it appears that it might not even be available here in the U.S. If anything, the film appears to be best-known for Ennio Morricone’s theme music.
From Morricone, here is a beautiful composition called For Love One Can Die:
Previous Entries In Our Tribute To Morricone: