Does it never occur to anyone in a Lifetime movie to not let a stranger move into their house?
That was my main thought as, earlier today, I watched Deadly Daughter Switch. Deadly Daughter Switch, which I DVR’d off of the Lifetime Movie Network back in April, tells the story of two families. One family is rich and lives in a really nice house and sends their daughter to a really nice school. The other family is not rich, which means that they live in a slightly smaller house and the mother has to work at a coffee shop.
When Brooke (Lindsay Hartley) and Carter Jenkins (Matthew Pohlkamp) discover that their teenage daughter, Hailey (Tu Morrow), is not actually their daughter, they take their story to the media. They ask that anyone who was born on the same night and at the same hospital as Hailey take a DNA test. It turns out that Hailey is actually the daughter of Alexis (Hannah Barefoot) and that Alexis has been raising Brooke’s biological daughter, Breanne (Jane Widdop)!
If that’s not complicated enough, a counselor at the hospital comes up with the bright idea that Hailey should spend time with Alexis while Breanne should spend time with Brooke and then the girls can decide by whom they ultimately want to be raised. Alexis points out, quite reasonably in my honest opinion, that Brooke obviously has more money than her and that she probably lives in a better school district and that the end result of this experiment will probably be Brooke having two daughters and Alexis having no one. Still, they all agree to take the counselor’s advice because I guess the counselor is the voice of God or something and you have to do what she says even if it doesn’t make any sense.
Anyway, it turns out that Alexis was right about Breanne wanting to get away from her. However, it’s not just that Alexis has less money than Brooke and Carter. It’s also that Alexis is a little bit insane. Alexis loses her job at the coffee shop after she kills her boss. Then Alexis kills the volleyball coach who she claims is Breanne’s biological father. Then Alexis kills her alcoholic, white trash boyfriend. Alexis, of course, manages to make all of these deaths look like accidents because Alexis may be poor-ish and she may be dangerously unstable but she’s not stupid.
Anyway, seeing as how everyone in her life is dead, the Carters invite Alexis to come stay with them. “Do you think we trust Alexis too much?” Brooke asks Carter. Gee, Brooke, why would you ask that? Is it because Alexis is obviously plotting to murder you?
Anyway, if it sounds like I’m being critical of Deadly Daughter Switch, I’m not. I actually rather enjoyed it. A part of loving Lifetime films is that you come to accept all of the strange premises and the melodramatic plot twists. You don’t ask why. You don’t question logic. You just accept it and follow it to its conclusion. These films are meant to be the cinematic equivalent of a paperback novel that read over the course of an afternoon. Hence, the more melodramatic the better. Hannah Barefoot was an energetic killer and the Carter house was really big and nice and it looked like it would be a fun place to live. And really, isn’t that all you need?
Seriously, though, don’t invite just anyone to come live with you. You never know what they might be secretly plotting.