Sundance Film Review: Blue Caprice (dir by Alexandre Moors)


(The Sundance Film Festival is currently taking place in Utah.  This week, I am reviewing films that premiered at and/or received a prize at Sundance.  Tonight, I take a look at the 2013 film, Blue Caprice.)

When we first meet Lee (Tequan Richmond), he is fifteen years old and living in poverty in Antigua.  One morning, he watches as his mother gets in a car with a strange man.  Before she goes, she tells Lee that she has no choice but to leave and that she will return.  Lee says nothing as his mother is driven away.

Lee’s mother doesn’t return.  Lee spends his time sitting in an empty house.  He wanders through the nearby woods.  Sometimes, he goes to a nearby town and walks around aimlessly.  It’s in that town where he first sees John (Isaiah Washington).  John is an American who is living on the island with his three children.  John spots Lee watching him and soon, Lee is eating dinner at John’s house.  John’s children ask if Lee is going to be living with them.  John says that he doesn’t know.  They ask if they can see their mother.  John explains that, if they see their mother, they’ll no longer be able to spend time with him.

Months later, John and Lee are in Tacoma, Washington.  The children are back with their mother.  John tells Lee that America is full of lies.  He says that all women lie.  He says that the army lied to him.  John says that he just wants to get his children back.  John tells everyone that they meet that Lee is his son.  John says that he loves Lee but, when John visits an old girlfriend, he has no hesitation about telling Lee to go walk around for a while.  Lee ends up staring at the speaker at a fast food drive-through in amazement.  “Do you have cheap burgers?” he asks.

John and Lee keep moving and eventually end up living with an old army friend of John’s.  Ray (Tim Blake Nelson) is a good-natured redneck.  He enjoys playing video games, smoking weed, and shooting guns.  When Lee shoots one of Ray’s guns, Ray declares Lee to be a natural.  John stares at the gun in Lee’s hand.

When he’s not trying to track down his ex-wife and children, John trains Lee.  He ties Lee up and abandons him in the woods, forcing Lee to figure out how to escape.  (“DAD!” Lee shouts as John walks away from him.)  He gives Lee a sniper manual to study.  He explains to Lee that the first step to destroying society is to make people panic.  He says that it’s important to kill random people.  After killing a man, they’ll kill a woman.  After killing a woman, they’ll kill a child.  No one will feel safe.  When Lee shows reluctance about John’s plans, John demands to know if Lee loves him…

Blue Caprice is based on a true story.  In 2002, John Muhammad and Lee Malvo shot 27 people in Maryland, Virginia, and Washington, D.C., killing 17 of them.  The title of the film comes from the car that Muhammad and Malvo lived in during their shooting spree.  Significantly, throughout the film, John and Lee are referred to only by their first names. Though the film may have been inspired by their actual crimes, Blue Caprice never claims to be an exact recreation of what happened.  Instead, the film speculates about how John was able to turn a directionless teenager into a killer.

It makes for a chilling film.  Isaiah Washington plays John as being a chameleon, a man who is so empty on the inside that he’s become very good at fooling people into believing that he’s whatever they want him to be.  John is the type who can spend the morning plotting to overthrow the government, the afternoon trying to fool a school principal into telling him where his children are now living, and the evening grilling burgers and laughing with the neighbors.  The film leaves no doubt to John’s evil but it’s attitude towards Lee is more ambiguous.  Tequan Richmond captures the transformation of Lee from being a withdrawn teenager to a cold-blooded killer.  Was Lee capable of being a killer before he met John or was he transformed by the older man?  That’s the question that both the film and the audience struggles with.

Blue Caprice got good reviews when it played at the 2013 Sundance Film Festival, thought it was ultimately overshadowed by Fruitvale Station.  It’s a disturbing film and not an optimistic one, which is perhaps why, post-Sundance, it never received quite as much attention as it deserved.  It may not be a pleasant film to watch but it is one that definitely leaves an impression.

Previous Sundance Film Reviews:

  1. Blood Simple
  2. I Don’t Feel At Home In This World Anymore
  3. Circle of Power
  4. Old Enough

What If Lisa Picked The Oscar Nominees: 2017 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 201620152014201320122011, and 2010!)

Best Picture

Baby Driver

The Big Sick

The Disaster Artist

*A Ghost Story*

It

Kedi

Lady Bird

The Meyerowitz Stories

Three Billboards Outside Ebbing, Missouri

Wonder Woman

Best Director

Greta Gerwig for Lady Bird

Patty Jenkins for Wonder Woman

*David Lowery for A Ghost Story*

Martin McDonagh for Three Billboard Outside Ebbing, Missouri

Andy Muschietti for It

Edgar Wright for Baby Driver

Best Actor

*Sam Elliott in The Hero*

James Franco in The Disaster Artist

Jake Gyllenhaal in Stronger

Daniel Kaluuya in Get Out

James McAvoy in Split

Robert Pattinson in Good Time

Best Actress

Gal Gadot in Wonder Woman

Sally Hawkins in Maudie

Frances McDormand in Three Billboards Outside Ebbing, Missouri

Cynthia Nixon in A Quiet Passion

Aubrey Plaza in Ingrid Goes West

*Saoirse Ronan in Lady Bird*

Best Supporting Actor

Woody Harrelson in Three Billboards Outside Ebbing, Missouri

Sam Rockwell in Three Billboards Outside Ebbing, Missouri

Adam Sandler in The Meyerowitz Stories

Bill Skarsgard in It

*Patrick Stewart in Logan*

Jason Sudekis in Colossal

Best Supporting Actress

Holly Hunter in The Big Sick

Catherine Keener in Get Out

Sophia Lillis in It

*Laurie Metcalf in Lady Bird*

Carey Mulligan in Mudbound

Ella Rumpf in Raw

Best Voice-Over or Stop Motion Performance

Will Arnett in The LEGO Batman Movie

Gael Garcia Bernal in Coco

Bradley Cooper in Guardians of the Galaxy, Volume 2

Doug Jones in The Shape of Water

*Andy Serkis in War for the Planet of the Apes*

Dan Stevens in Beauty and the Beast

Best Original Screenplay

The Big Sick

Get Out

A Ghost Story

*Lady Bird*

The Meyerowitz Stories

Three Billboards Outside Ebbing, Missouri

Best Adapted Screenplay

Before I Fall

*The Disaster Artist*

It

Logan

Their Finest

Wonder Woman

Best Animated Film

Cars 3

Coco

*The Lego Batman Movie*

Leap!

Best Documentary Feature

Karl Marx City

*Kedi*

Risk

Step

Strong Island

32 Pills: My Sister’s Suicide

Best Foreign Language Film

First They Killed My Father

Frantz

*Kedi*

Raw

Best Casting

The Big Sick

Detroit

Dunkirk

Get Out

Lady Bird

*The Meyerowitz Stories*

Best Cinematography

Blade Runner 2049

Dunkirk

*A Ghost Story*

It

Lost City of Z

Three Billboards Outside Ebbing, Missouri

Best Costume Design

Beauty and the Beast

The Beguiled

Free Fire

Thor: Ragnarok

Victoria & Abdul

*Wonder Woman*

Best Editing

*Baby Driver*

Before I Fall

Dunkirk

A Ghost Story

It

Wonder Woman

Best Makeup and Hairstyling

The Disaster Artist

Guardians of the Galaxy Volume 2

Lady MacBeth

Logan Lucky

My Cousin Rachel

*Thor: Ragnarok*

Best Original Score

Blade Runner 2049

A Ghost Story

*Good Time*

Dunkirk

The Shape of Water

Wind River

Best Original Song

“Buddy’s Business” from Brawl In Cell Block 99

“Evermore” from Beauty and the Beast

“Friends are Family” from The Lego Batman Movie

“How Does A Moment Last Forever” from Beauty and the Beast

“Myron/Byron” from The Meyerowitz Stories

*”The Pure and the Damned” from Good Time*

Best Overall Use Of Music

Atomic Blonde

*Baby Driver*

The Disaster Artist

Guardians of the Galaxy Volume 2

Thor: Ragnarok

T2: Trainspotting

Best Production Design

*Beauty and the Beast*

The Beguiled

Blade Runner 2049

It Comes At Night

Logan

Thor: Ragnarok

Best Sound Editing

Baby Driver

*Dunkirk*

Kong: Skull Island

Spider-Man: Homecoming

War For The Planet of the Apes

Wonder Woman

Best Sound Mixing

Baby Driver

*Dunkirk*

Kong: Skull Island

Spider-Man: Homecoming

War For The Planet of the Apes

Wonder Woman

Best Stuntwork

Baby Driver

Dunkirk

Logan

Spider-Man: Homecoming

Thor: Ragnarok 

*Wonder Woman*

Best Visual Effects

Blade Runner 2049

Guardians of the Galaxy Vol. 2

Spider-Man: Homecoming

Thor: Ragnarok

Valerian and the City of a Thousand Planets

*War For The Planet of the Apes*

Films Listed By Number of Nominations

9 Nominations — Wonder Woman

7 Nominations — Baby Driver, Dunkirk, It, Three Billboards Outside Ebbing Missouri

6 Nominations — A Ghost Story, Lady Bird, Thor: Ragnarok

5 Nominations — Beauty and the Beast, The Disaster Artist, The Meyerowitz Stories

4 Nominations — The Big Sick, Blade Runner 2049, Get Out, Guardians of the Galaxy Vol. 2, Logan, Spider-Man: Homecoming, War For The Planet Of The Apes

3 Nominations — Good Time, Kedi, The LEGO Batman Movie

2 Nominations — Before I Fall, The Beguiled, Coco, Kong: Skull Island, Raw, Shape of Water

1 Nominations — Atomic Blonde, Brawl in Cell Block 99, Cars 3, Colossal, Detroit, First They Killed My Father, Frantz, Free Fire, The Hero, Ingrid Goes West, It Comes At Night, Karl Marx City, Lady MacBeth, Leap!, Logan Lucky, Lost City of Z, Maudie, Mudbound, My Cousin Rachel, A Quiet Passion, Risk, Split, Step, Strong Island, Stronger, T2: Trainspotting, Their Finest, 32 Pills: My Sister’s Suicide, Valerian and the City of a Thousand Planets, Victoria & Abdul, Wind River

Films Listed By Number of Wins

3 Oscars — A Ghost Story, Lady Bird

2 Oscars — Baby Driver, Dunkirk, Good Time, Kedi, War For the Planet of the Apes, Wonder Woman

1 Oscar — Beauty and the Beast, The Disaster Artist, The Hero, The LEGO Batman Movie, Logan, The Meyerowitz Stories, Thor: Ragnarok

Will the Academy be smart enough to agree with me?  Probably not.  We’ll see what happens tomorrow!

 

Music Video Of The Day: Invisible by Ashlee Simpson (2006, dir by Marc Webb)


This song, to be honest, is a bit of an inside joke between me and my BFF, the wonderful Evelyn.  Way back in 2007, whenever we wanted to be annoying or cute or whatever, we would start singing this song.

Of course, our version was a bit more aggressive than the Ashlee Simpson version.  Whereas Ashlee sang the song as an anthem of survival (this was after the whole Saturday Night Live lip syncing thing), Evelyn and I turned it into a declaration of war.  Now you’re saying you knew me when I was invisible?  That was your first and final mistake, pendeja

Of course, just as Evelyn and I were doing out own cover of Ashlee Simpson, Ashlee Simpson was doing a cover herself.  Invisible was originally written and performed by Kira Leyden and Jeff Andrea of the Ohio-based band, Jaded Era.

As for the video of Ashlee’s version, it is mostly notable for having been directed by Marc Webb.  Webb, of course, would go on to direct (500) Days of Summer*, the Andrew Garfield Spider-Man movies, and Gifted.  (I don’t care what anyone says.  I like (500) Days of Summer.)  The video was inspired by Million Dollar Baby and was shot on the same set as that film.

Enjoy!

Lisa’s Week in Review — 1/15/18 — 1/21/18


For me, this previous week got off to a good start on Monday night when snow was spotted falling over Dallas, my boss called and said to stay home on Tuesday because of the bad weather, and my three-day weekend became a four-day weekend!  Of course, in the end, the snow only fell for about five minutes and none of it accumulated but still.  We then proceeded to have two days of bitter cold, three days of mild coolness, and two days of unseasonable warmth, followed by thunderstorms!  Weird weather is the best!

As I sit here writing this, the government is shut down, the country is watching football, Kim and Kanye have stolen the good name of Chicago, and there’s an epidemic of people eating Tide Pods.  But who cares about any of that?  Here’s what I accomplished over the last week:

Movies I Watched

  1. 12 Strong (2018)
  2. Audrey Rose (1977)
  3. A Boy and His Dog (1975)
  4. Circle of Power (1981)
  5. Cocaine Godmother (2018)
  6. Fatherly Obsession (2017)
  7. Forever My Girl (2018)
  8. Friday the 13th Part 3: The Memoriam Documentary (2017)
  9. Halloween III: Season of the Witch (1982)
  10. The Loves of Edgar Allan Poe (1942)
  11. Mean Girls (2004)
  12. Old Enough (1984)
  13. Reno 911!: Miami (2007)
  14. Sea Change (2017)
  15. Story of a Girl (2017)
  16. The Watcher In The Woods (2017)

Television Shows I Watched

  1. The 24th Annual Screen Actors Guild Awards
  2. 60 Days In
  3. 1980: The Deadliest Decade
  4. The Amazing Race 30
  5. American Crime Story: The Assassination of Versace
  6. Ask the Undertaker
  7. The Bachelor 22 — Bibiana did not receive a rose at the end of last week’s episode so I’m pretty much done with The Bachelor for the rest of this season.
  8. Betrayed
  9. California Dreams
  10. City Guys
  11. Dance Moms
  12. Dr. Phil — Am I alone in hoping that, some day, one of his guests will just punch Dr. Phil in the nose?
  13. Evil Up Close
  14. Ghost Whisperer
  15. Hell’s Kitchen 17
  16. Homicide Hunter: Lt. Joe Kenda
  17. Intervention
  18. It’s Always Sunny In Philadelphia
  19. Jodi Arias: An American Murder Mystery
  20. King of the Hill — Hanks gets obsessed with a boy band, a classic episode.
  21. The Magicians
  22. Marvel’s Agents of SHIELD
  23. The Office — I was overjoyed to discover, on Monday, an Office marathon on Comedy Central!  And it was early episodes, before the show went downhill.
  24. Project Runway All-Stars — I’m on the verge of giving up on this season.  Project Runway without Tim Gun?  What’s the point?
  25. Saved By The Bell
  26. See No Evil
  27. Seinfeld
  28. Undercover High
  29. The X-Files
  30. Your Worst Nightmare

Books I Read

(Two weeks ago, I had so much fun putting together my history of the actors that could have been James Bond that I’m now rereading all of the original Bond novels!)

  1. Casino Royale by Ian Fleming (1953)
  2. Live and Let Die by Ian Fleming (1954)
  3. Moonraker by Ian Fleming (1955)

Music I Listened To

  1. Ashlee Simpson
  2. Aventry
  3. Avicii
  4. Bad Wolves
  5. Beck
  6. Big Data
  7. Bob Dylan
  8. Britney Spears
  9. Cage the Elephant
  10. Calvin Harris
  11. The Chemical Brothers
  12. Cianna Blaze
  13. Crud
  14. Daft Punk
  15. Dave Mak
  16. Dillon Francis
  17. Dolores O’Riordan
  18. Dylan Smith
  19. Edgar Allan Poets
  20. Eric Rodriguez
  21. Fiona Apple
  22. Fitz and the Tantrums
  23. Flint Eastwood
  24. Galtuz
  25. Goblin
  26. Gwen Stefani
  27. High Contrast
  28. HollySiz
  29. Jade Bird
  30. Jaded Edge
  31. Jakalope
  32. Johnny Cash
  33. Joywave
  34. Kapkano
  35. Leonard Cohen
  36. Lindsey Stirling
  37. Luc One
  38. Lucy Dacus
  39. LUX
  40. Moby
  41. No Doubt
  42. Phantogram
  43. Radiohead
  44. Saint Motel
  45. Sleigh Bells
  46. Spinning Coin
  47. Taylor Swift
  48. Tess
  49. The Ting Tings
  50. Vanessa Narvaez

Links from Last Week

  1. Things got creepy on my sister’s photography site with this picture!
  2. Mondo Movies paid tribute to Dorothy Malone.
  3. On Outspoken and Freckled, Kellee Pratt takes a look at the choreography of Bubsy Berkeley.
  4. Check out the 2018 Oscar nomination predictions on Jordan and Eddie.
  5. Here’s a poem from The World Outside The Window.
  6. Thoughts on the Villainess from Film Grimoire.
  7. From the Dailey Grindhouse, this article takes a look at how John Carpenter’s Halloween became the template for the modern horror film.
  8. On Awards Circuit, Clayton Davis predicts that The Shape of Water could end with a record setting 14 Oscar nominations.
  9. Ismael Olson dives into the topical and satirical lyrics of Cole Porter.
  10. From 4 Random, will Chris Hemsworth return as Thor?
  11. The Flat Circle argues that too much politics is ruining SNL.
  12. From Aesthetics and Politics, Tragic Painting?
  13. What the Well-Dressed Hobbit Will Be Wearing Next Season: A Study in Textiles in Fantasy Settings, courtesy of The Wandering Company
  14. From Matthew Craig Wilson, 10 Movies That Signified A New Phase In A Director’s Filmmaking Style.

Links From This Site

  1. Jeff paid tribute to Dolores O’Riordan.
  2. Erin shared the covers of Fate.
  3. I haven’t been the only one cleaning out the DVR!  Gary’s also been getting in on the action.  Also, be sure to check out Gary’s film noir round-up, his tribute to Edgar Allan Poe, and his review of The Far Country!
  4. Ryan The Trash Film Guru shared reviews of The Palace of Champions, Days of Hate #1, An Exorcism, and Apartment Number Three.  And be sure to check out his weekly reading round-up!
  5. Patrick reviewed Curse of the Witch’s Doll!
  6. Finally, among other things, I shared my picks for the best 26 films of 2017!

Have a great week, everyone!

(Want to compare this week in review to last weeks?  Click here!)

 

Curse Of The Witch’s Doll: Movie preview, review, and trailer.


Director:

Lawrence Fowler

Stars:

Helen Crevel: as Adeline Grey

Michelle Archer: as Doris

Claire Carren: as The Witch

Preview:

Adeline Gray’s attempt to escape bombing in her home town leads her to a derelict, creepy manor in the woods. When Adeline’s young daughter goes missing during a game of hide-and-seek, a series of inexplicable events lead her to believe a haunted doll holds a vengeful soul; the soul of a murdered Witch. As Adeline’s desperate search for her daughter continues, it soon becomes clear; to have any hope of being reunited, she must defeat the curse of The Witch’s Doll.

Review:

Straight up, I am not going lie, this movie messed me up! It hit on everything I find scary. From a lost child, to a deranged asylum, to a possessed doll, to a demonic witch. I went into a comfortable Sunday afternoon, now, to looking around every corner at everything.

 

Should you dare watch this movie I am certain you will be just as afraid as I am right now!

While you watch, remember to look over your shoulder at all times!

 

If you dare, the trailer is right here!

 

Credits:

Curse Of The Witch’s Doll is a High Octane Pictures production, Directed by Lawrence Fowler.

And if you dare again:

Curse Of The Witch’s Doll Will be available on VOD February 6th, 2018, DVD March 6th, 2018 and SVOD June 5th, 2018

Also, remember:

“Her soul lives on”

Sundance Film Review: Old Enough (dir by Marisa Silver)


(As I sit here writing this, the Sundance Film Festival is currently in full swing in Utah.  Starting last Thursday with Blood Simple, I have been reviewing films that originally made a splash at Sundance.)

As I mentioned in my review of Circle of Power, the Sundance Film Festival was not always the Sundance Film Festival.  For the first few years of its existence, it was known as the US Film Festival.  It wasn’t until 1984 that the US Film Festival became the Sundance Film Festival.  (And let’s be honest — as far as names go, Sundance is a huge improvement over its generic predecessor.)  That year, the inaugural Sundance Grand Jury Prize was awarded to a coming-of-age story called Old Enough.

Old Enough is a New York movie, one that follows Lonnie (Sarah Boyd) and Karen (Rainbow Harvest) over one eventful summer.  Lonnie is 12 years old.  She lives in a nice apartment and she attends an exclusive private school.  She has a close relationship with her mother (Susan Kingsley) while her father is a stuffy snob.  From the minute that Lonnie first sees Karen, she wants to be her best friend.  Karen is a year or two older and her family is definitely not rich.  Karen is uninhibited and, on the outside at least, totally confident.  Lonnie is envious of Karen’s freedom.  Karen is envious of Lonnie’s stability.  From that, an unlikely friendship is born.

At first, the film focuses on how much Lonnie looks up to Karen.  Karen wears makeup so Lonnie starts to wear makeup.  Karen is Catholic so Lonnie decides to be Catholic as well.  Karen shoplifts so Lonnie gives it a try.  Karen tries to dress like Lonnie and she even tries to navigate the streets of New York with the same confidence.  It’s only later in the film, when Lonnie attempts to introduce Karen to her friends from school, that it becomes clear that Karen is as out of place in Lonnie’s world as Lonnie is in Karen’s.

The film is at its best when it concentrates on the friendship between Karen and Lonnie.  There’s a wonderful scene where Karen and Lonnie go up to the roof of Karen’s apartment building and take in the beautiful view of New York City at night.  It’s a scene that perfectly captures what it’s like to be young and to know that there’s an amazing world out there, waiting for you to discover it.  And then there’s an extended shoplifting scene, one that I absolutely loved even if it did bring back enough memories to make me cringe just a bit.

Old Enough struggles during it second half, when the focus shifts from Karen and Lonnie’s friendship to Lonnie’s crush on Karen’s older brother, Johnny (Neil Barry).  Johnny, however, is obsessed with the new neighbor (Roxanne Hart), who may be having an affair with Karen’s father (Danny Aiello).  Those scenes feel a bit forced, as if Robert McKee suddenly popped up and said, “Time for Act III!”

No, the heart of the film is in Karen and Lonnie’s friendship.  Both Sarah Boyd and Rainbow Harvest gave very naturalistic and believable performances as the two unlikely friends.  By the end of the movie, you’re happy they got to spend a summer together even though you know they probably won’t still be friends in another five years.  It’s a sweet movie, one that provides a very realistic portrait of growing up.

If you’ve never heard of Old Enough, you’re not alone.  Until I started doing research for these reviews, I had never heard of it, either.  Some times good movies are forgotten.  That’s why it’s important to always keep looking.

As of this writing, Old Enough can be viewed on YouTube.

Previous Sundance Film Reviews:

  1. Blood Simple
  2. I Don’t Feel At Home In This World Anymore
  3. Circle of Power

What Lisa Watched Last Night #174: Cocaine Godmother (dir by Guillermo Navarro)


Last night, I watched the Lifetime gangster epic, Cocaine Godmother!

Why Was I Watching It?

You can find the answer in this review’s opening sentence.  Cocaine Godmother was a gangster epic that was made for Lifetime!  How insane is that!

Add to that, the life of Griselda Blanco has, as of late, become a very popular subject matter.  Ever since everyone went crazy over a documentary called Cocaine Cowboys, there have been Griselda films in development.  Though Cocaine Godmother may have been the first to premiere, HBO has a film coming out starring Jennifer Lopez as Griselda.  There’s also another film in development, one which will star  Catalina Sandino Morena as the Godmother.  Apparently, 2018 is going to be the year of Griselda.

What Was It About?

The film follows Griselda Blanco (played, as an adult, by Catherine Zeta-Jones), from her youth all the way to her assassination in 2012.  Griselda grows up in horrific poverty in Colombia, pimped out by her own mother and committing her first murder when a man refuses to pay her.  Griselda tries to escape through a conventional marriage but, when that doesn’t work out, she marries a series of drug smugglers and soon proves herself to be just as ruthless and violent as any of her male rivals.  When she’s not snorting cocaine, she’s murdering husbands, mistresses, and even children.  It’s tempting to say that Griselda’s only redemption is to be found in the love she feels for her sons and for Carolina (Jenny Pellicer) but, actually, there is no redemption for anyone in this movie.  From beginning to end, everyone’s terrible.

What Worked?

Somehow, the entire film worked.  You don’t necessarily expect to see an effective and violent gangster film on Lifetime but somehow, Cocaine Godmother pulled it off.

Two things held this film together.  One was Catherine Zeta-Jones’s performance as Griselda Blanco.  Whether she was casually snorting cocaine on an airplane, explaining why children have to be killed along with their parents, or gunning down one of her husbands, Zeta-Jones was never less than compelling.

Secondly, there was Guillermo Navarro’s direction, which never allowed the pace to slacken.  For a two hour and thirty minute film, Cocaine Godmother was mercifully free of slow spots.  Considering that he was working under the restraints of television, Navarro did a great job bringing Girselda’s story to life.

What Did Not Work?

I was a little worried when I first heard the narrator.  Narrators are usually a sign of doom in a Lifetime movie and there were a few times when the narration got a bit too obvious.  That said, it was only a minor issue.  For the most part, the entire film worked.

“Oh my God!  Just like me!” Moments

Griselda may have been a terrible person but she had great tastes in movies.  For instance, we both appreciate The Godfather films.  That said, unlike Griselda, I probably wouldn’t name my son after Michael Corleone.  I’d be more likely to name him after Tom Hagan because Tom made all the money but he never had to shoot anyone.

Lessons Learned

Don’t get high on your own supply.

Weekly Reading Round-Up : 01/14/2018 – 01/20/2018, Special Kelly Froh/Max Clotfelter Edition


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Pretty much fuck-all worthy of note hit comic shops this week, but that’s okay, yours truly received a nice selection of stuff in the mail from parts far and wide, certainly more than enough to keep me out of trouble, but for my Round-Up this week I thought I’d concentrate on some stuff that came my way courtesy of Kelly Froh and Max Clotfelter. I’m going to resist the urge to slap the label of “First Couple of Seattle Underground Comics” on these two, since similarly unimaginative (and, to them at least, I’m sure, cringe-worthy) titles have no doubt been bestowed upon them in the past, and instead I’ll just go the more modest route of saying that there’s a hell of a lot of cartooning talent in their household and I was most grateful for the wares they sent me a few days back. Let’s have a look —

Senior…

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