Should You Invite This Bunch Of “Ruffians” Into Your Home?


Ryan C.'s Four Color Apocalypse

Brian Canini is one of those cartoonists who isn’t afraid to dabble his hand (and pencil, and ink pot, and — you get the idea) into any number of different genres to see what he comes up with — in fact, at this very moment he’s got a sci-fi mini (Plastic People), a diary comics series (Glimpses Of Life), and an indescribably weird-but-fun gag strip thing (Blirps), going on. That’s about as wide a variety as one can imagine, and while nay-sayers may charge that this means he has yet to find a “consistent voice” or somesuch, “glass-half-full”-types such as myself (no, really!) look at this as proof positive that he’s unafraid to experiment, to cast a wide net as he continues to hone is skills. To date, though, his longest sustained serialized story has been the recently-concluded Ruffians, a comic that actually…

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Cleaning Out The DVR: Empire of the Sharks (dir by Mark Atkins)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 178 things recorded!  I’ve decided that, on February 1st, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Empire of the Sharks, off of SyFy on August 5th, 2017!)

Welcome to the future!  It’s very wet.

That’s to be expected, of course.  In fact, now that 98% of the world is underwater, we should probably be surprised that the future isn’t more wet than it actually is.  What survives of humanity now lives on floating, makeshift communities.  Some of them are doing better than others, of course.

A warlord floats out there.  His name is Ian Fien (John Savage).  With the help of his main henchman, Mason Scrimm (Jonathan Pienaar), Fien has several communities under his grip.  Everyone is required to pay Fien his tribute.  Failing to do so means getting attacked by the sharks that Scrimm has under his control.

(Once 98% of your planet is underwater, you learn not to laugh at the possibility of being eaten by a shark.)

However, Fien has finally gone too far.  He’s kidnapped Willow (Ashley de Lange), the daughter of a shark caller who may have inherited her family’s ability to control the sharks.  Her boyfriend, Timor (Jack Armstrong), sets out to rescue Willow but it quickly turns out that he’s not going to be able to do it alone.  Fien is simply too powerful and his fortress too well-defended by both men and sharks.  Timor is going to have to travel to a floating bar and recruit a team of misfits to help him both rescue Willow and free his people from Fien’s tyranny.

If the plot of Empire of the Sharks sounds familiar, that’s because it’s a prequel to 2016’s Planet of the Sharks.  It’s also an Asylum film.  Of course, The Asylum is best-known for the Sharknado franchise but I think that, if they don’t also develop a Planet of the Sharks franchise, they’ll be missing out on a huge opportunity.  One of the things that I liked about both Planet and Empire was the amount of effort that was put into creating the future.  Each floating community is its own little world and full of details that will reward sharp-eyed viewers.

(I know that some people online complained that everyone looked too good, considering that they were living in a post-apocalypse wasteland.  That may be true but here’s something to consider.  Do you really want to spend 90 minutes watching ugly people?)

Anyway, I enjoyed Empire of the Sharks.  The movie is pure fun.  (Just the fact that the main villains are named Fein and Scrimm should tell you a lot about the film’s sense of humor.)  It’s a cheerfully crazy movie, featuring CGI sharks and a nicely demented performance from John Savage.  Hopefully, during this year’s shark week, we’ll get a third installment in the Planet of the Sharks franchise.

 

2017 In Review: Lisa Marie’s 14 Favorite Songs of 2017


(Originally, I was going to list my picks for the best in SyFy today.  However, I need one more day to work on that so look for that tomorrow!   For now, here are my favorite songs of 2017!)

Every January, I list my favorite songs of the previous year and, every January, I include the same disclaimer.  My favorite songs are not necessarily the favorite songs of any of the other writers here at the Shattered Lens.  We are a large and diverse group of people and, as such, we all have our own individual tastes.

If you ever visited the TSL Bunker, you would be shocked by the different music coming out of each office.  You would hear everything from opera to death metal to the best of Frank Sinatra and Dean Martin.  And then, of course, you would reach my office and you would discover that my taste in music pretty much runs the gamut from EDM to More EDM.

Now, usually, I do try to listen to a variety of music.  You can go to my Song of the Day site — Lisa Marie’s Song of the Day — and see that I do occasionally listen to other types of music.  But, I have to be honest.  2017 was not a year that inspired me to really leave me comfort zone.  If anything, music provided me with some much needed consistency in an otherwise chaotic year.  2017 was a year that made me want to dance until it was all over and, for the most part, my favorite songs of the year reflect that fact.

Before I list my songs, I should make something else very clear.  These are my favorite songs of 2017.  I’m not saying that they’re necessarily the best songs of 2017.  I’ll leave that debate for others.  Instead, there are the songs that I found myself listening to over and over again.  These are the songs made me dance.  These are the songs that made me sing.  A few of these songs relaxed me when I needed to be relaxed.  These are songs that I liked.

You might like them.

Or you might not.

That’s the beautiful thing about art.  Everyone experiences it in their own individual way.

Here are my favorite songs of 2017:

14. Shutdown by Joywave

13. Love So Soft by Kelly Clarkson

12. Rainmaker by Sleigh Bells

11. I feel It Coming by The Weeknd featuring Daft Punk

(Technically, this is a 2016 song but I listened to it a lot in 2017 and this is my list so fuck it, I’m including it.)

10. Alone by Alan Walker

9. Byte by Martin Garrix & Brooks

8. You Could Be by R3HAB featuring Khrebto

7. Mirage by Lindey Stirling featuring Raja Kumari

6. Rich Boy by Galantis

5. What About Us by P!nk

4. First Time by Kygo & Ellie Goulding

3. Escape Reality Tonight by Paul van Dyk & Emanuele Braveri ft. Rebecca Louise Burch

2. Look What You Made Me Do by Taylor Swift

  1. It Ain’t Me by Kygo, featuring Selena Gomez

For tomorrow’s look back at 2017, I will (finally) share my picks for the best of the SyFy Network!

Previous entries in the TSL’s Look Back at 2017:

  1. 2017 in Review: Top Ten Single Issues by Ryan C
  2. 2017 in Review: Top Ten Series by Ryan C
  3. 2017 In Review: Top Ten Collected Edition (Contemporary) by Ryan C
  4. 2017 In Review: Top Ten Collected Editions (Vintage) by Ryan C
  5. 2017 in Review: Top Ten Graphic Novels By Ryan C
  6. 25 Best, Worst, and Gems I saw in 2017 by Valerie Troutman
  7. My Top 15 Albums of 2017 by Necromoonyeti
  8. 2017 In Review: Lisa Marie’s Picks For the 16 Worst Films of 2017
  9. 2017 In Review: Lisa Marie’s Final Post About Twin Peaks: The Return (for now)

Music Video of the Day: Slowly by Son Lux (2018, dir by Alex Cook)


Today’s music video of the day is the video for Son Lux’s Slowly, which was released yesterday.

Your guess about what’s going on in this moody, black-and-white video is probably as good as mine.  Myself, I like the atmosphere and the feeling of death creeping around every corner.  At the very least, that’s what I see.  Others will undoubtedly disagree.

This video was directed by Alex Cook, who also directed the video of Son Lux’s Dangerous.

Enjoy!