(The 2018 Sundance Film Festival opens tonight! Over the years, Sundance has become the premiere festival for independent film. Not only have some of the best American films ever made premiered at Sundance, but it’s become the first stop in many a successful Oscar campaign. Manchester By The Sea, Whiplash, Brooklyn, Beasts of the Southern Wild: all of them started their journey to a best picture nomination at Sundance. For the duration of this year’s Sundance Film Festival, from today to the 28th, I’ll be reviewing films that first made a splash at Sundance.)
Blood Simple is an essential film.
If you love American movies, this is a movie that you have to see. A delirious tribute to film noir, it’s a film that takes place in the darkest corners of America. This is a film that shows that stories of love, betrayal, and murder can be just as complicated in the middle of America as in California and New York.
If you’re fascinated by the history of indie cinema, Blood Simple is a film that you have to see. Joel and Ethan Coen, at a time when they were best known for their work with director Sam Raimi, created a trailer for Blood Simple long before they shot the actual movie. They used this trailer to raise the film’s small budget. Blood Simple was not only their directorial debut (though only Joel received a directorial credit, while the screenplay was credited to Ethan) but it was also both the feature debut of Frances McDormand and cinematographer (and future director) Barry Sonnenfeld’s first major credit as well.
If, like me, you love films about Texas, Blood Simple is an essential. Long before they made No Country For Old Men, the Coens filmed Blood Simple in Texas. Texas is as much a character in Blood Simple as Minnesota and the Dakotas were in Fargo. Along with their twisty crime plots, Fargo, No Country, and Blood Simple all share a similarly cynical and fatalistic view of human nature, one that is perfectly reflected by the bleak locations where their stories take place. Watching Blood Simple, it’s easy to imagine that, once the film ended, it fell to No Country‘s Sheriff Ed Tom Bell to laconically look over the carnage and try to figure out what the Hell just happened.
Like many Coen Brothers films, Blood Simple starts out simply and then gets progressively more and more complicated. Almost all of those complications are due to a combination of human stupidity and greed. Abby (Frances McDormand) and Ray (John Getz) are having an affair. Abby’s husband, Marty (Dan Hedaya), owns the bar where Ray works as a bartender. Marty hires a sleazy private detective named Loren Visser (M. Emmett Walsh) to kill Abby and Ray. Visser has other plans. By the end of the movie, almost everyone is dead but no one’s sure why.
The film largely serves as a showcase for Walsh, so much so that McDormand, Hedaya and Getz run the risk of getting lost in the shuffle. That’s a shame, because all three give excellent performances. McDormand brings strength and determination to the role of Abby. Meanwhile, both Getz and Hedaya play two very familiar types. Anyone who has spent any time in Texas will immediately recognize the characters played by Getz and Hedaya. Ray may not be the smartest guy in the world but he’ll keep your car running and your glass full. He’s probably never going to amount too much but he’s what is universally known as a good guy. On the other hand, Marty, as played by Hedaya, is perhaps one of the most pathetic characters to ever appear in an American film. Film noirs are full of betrayed husbands but it’s hard to think of a bigger loser than Marty. Marty is the guy who tries to act tough but even he secretly knows that no one will ever take him seriously. With the combination of his northern accent and his pathetic attempts to dress “western,” Marty is an outsider in Texas, one who is too stupid to realize just how far outside he actually is.
That said, the film is dominated by M. Emmett Walsh. As played by Walsh, Loren Visser is one half sleazy redneck and one half demon from Hell. Speaking in a sarcastic drawl and seemingly amused by all the chaos he has created, Walsh turns Visser into a truly fascinating villain. He may be evil but you can’t stop watching him. Walsh’s best moment is also his last in the film, a sarcastic one-liner that suggests that everything that has happened was caused more for his own amusement than anything else. Visser is clever but not even he can escape the random whims of fate.
Violent and, as is typical for the Coens, darkly humorous, Blood Simple won the Grand Jury Prize at the 1985 Sundance Film Festival. Though it was only a modest box office success, it not only launched the careers of the Coen Brothers but continues to be on the most influential independent films ever made. The film remains impressive today. Whenever I see it, I’m always stunned to see how, even with their first film, the Coens had already developed their own very unique aesthetic.
Blood Simple is an essential film.