It’s yet another zombie film! Over on the A.V. Club, someone commented that this film would “at least be better than Warm Bodies.” I don’t know — Warm Bodies was pretty damn good.
Life After Beth opens on August 15th.
It’s yet another zombie film! Over on the A.V. Club, someone commented that this film would “at least be better than Warm Bodies.” I don’t know — Warm Bodies was pretty damn good.
Life After Beth opens on August 15th.
“Things aren’t over.” — Glenn Rhee
The ratings numbers for the mid-season premiere of The Walking Dead was again shocking critics and fans both. Ratings for the show just stupefies critics of the show who can’t seem to get a handle on why this show has gone beyond popular and into pop icon status. By now we can honestly say that the show’s writing will never reach the status of other current popular shows like True Detective, Game of Thrones or that of Breaking Bad. Yet, the show continues to appeal to millions of fans not just in the US but worldwide.
The Walking Dead is basically a horror soap opera that’s airs on a basic cable network. But each and every week the show airs a new episode it beats everything put up against and more than holds its own with NBC’s Sunday Night Football. It’s a show that has had and continues to have issues with it’s writing and some of its characters, but for some reason the whole affair resonates with the millions who wait with anticipation for each new episode and news to appear.
Even detractors and strong critics of the show (some of who, vehemently hate the whole thing’s success and popularity) manage to still watch the show if just to poke fun and tear it down. It’s almost as if by doing so they can find that secret ingredient as to why the show remains so popular and successful.
Tonight’s episode focuses on the rest of the prison group who fled their sanctuary after the battle with the Governor’s forces. Last week it was more on the fleeing Rick, Carl and Michonne and their journey from the brink of despair to at least a semblance of hope and acceptance. We begin with the duo of Daryl and Beth who fled the prison on foot.
It’s an odd pairing that puts together one of the show’s most badass and pragmatic characters with one of it’s most hopeful (at least now with Hershel Dead). It’s a cold opening and section of the episode which includes diary readings by Beth of her renewed faith and need to continue to live after the group arrives at the prison. Once again we see the ghost of Hershel looming over all the survivors like a shade trying to give them hope to live for the next day despite the travails and horrors they’ve just left behind and still looking forward to.
The same goes for pretty much all the little groups who made it out of the prison. We see each and everyone of them not just fleeing for their lives, but also trying to get find a reason to continue on. With Tyreese and his group of Lizzie, Mika and Baby Judith it’s to continue on if just for the sake of keeping the girls alive. His road seems to be the toughest with three little girls to keep safe which makes his reaction to seeing Carol alive (at this time Rick hadn’t told Tyreese about Carol’s confession in regards to Karen’s death) was one of relief.
With Sasha, Bob and Maggie we see a trio dealing with the events they’ve just fled in their own ways. Sasha seems to be the most pragmatic with wanting to keep moving forward, scavenge for food and find a shelter. On the opposite end of the spectrum we see Maggie still dealing with the murder of her father (Hershel) and not knowing if her younger sister is still alive and, worst yet, if her husband (Glenn) made it out. It falls to Bob to find a middle ground between the two women’s agendas. Ironic considering that Bob, in the first half of the season, who was always unsure whether he truly belonged in the group and if his own personal demons meant he was a liability (yes and, to a degree, yes also). When they come across the prison bus that Maggie thought Glenn was in full of zombies and its passengers either turned or devoured one could almost see the light of hope fading from Maggie’s eyes. So, it was such a relief (again finding relief of any kind seems to be one of tonight’s theme) when Glenn wasn’t on the bus in one form or another.
Then there’s the final section of the episode where we find out that Glenn definitely survived the attack on the prison, but was left behind (due to the fact he left the bus to try and find Maggie during the battle) all alone in the ruins of their former sanctuary. He doesn’t know whether anyone else made it out and if his wife was amongst them. For a moment when back in their cell room he breaks down and seems to want to just shutdown and not deal with this new world anymore, but once again his time spent with Hershel brings him back from the brink.
Even new to the gang, Tara Chalmers, looks like she’ll fit in with Rick and his gang. She seems to survive when everyone else around her dies. Tara also harbors her own demons with the biggest being her participation in attacking the prison and getting pretty much everyone in her group killed. She’s troubled and hurting emotionally which makes her a perfect fit for Rick’s group.
Yet, the episode tonight all ended it’s three different sections with a sense of hope. The biggest being news that a new sanctuary might just be close enough for them to find shelter and safety once more. The biggest reveal of all in tonight’s episode is the arrival and introduction of three new characters whose impact on Rick’s people may just be as important and game-changing on the show as it was in the comics.
With the group slowly finding their bearings it looks like the apocalyptic battle that sent them all in different directions wasn’t the end. Things are definitely not over for Rick and his people. Will this new sanctuary hinted at in tonight’s episode become a new Woodbury or will it be something that Rick and his people can turn into something even better than the prison. The prison was sanctuary but was never an ideal place to restart whatever form of civilized society the survivors were hoping for. Maybe this new place they’re headed to will be that place.
Notes
Season 4
“I know we’ll never get things back to the way they used to be.” — Rick Grimes
We finally see the return of AMC’s very popular horror series, The Walking Dead, after a couple months on hiatus. Last we saw the series seemed to have done a sort of reboot of season 3’s season finale. A season finale that people thought would include not just the Governor’s assault on the prison, but the scattering of Rick’s group to the four winds. Season 3 didn’t end as expected and to say it was anti-climactic would’ve been a major understatement.
So, out goes Glen Mazzara as showrunner of the show and in comes Scott M. Gimple as head honcho for season 4. The change has been a nice change for the series which can’t seem to get on a consistent narrative track. Sure, it’s had major moments when it’s best thing on TV at that given moment, but it’s a far and few.
Gimple has done a much better job this season of letting the characters grow and let them dictate how the season unfolds. The zombies continue to remain the main threat (this season has shown them to be even more dangerous than in season’s past) but now interpersonal conflict adds a new level of complexities to keeping everyone safe and alive for one day more.
The first half of the season saw many new characters introduced (some given to more time to develop while others just cannon fodder) and some leave and some die. The biggest exits happening to be that of Hershel and the Governor himself. Both end up getting their ticket punched in the very assault on the prison that fans of the comic book have been wanting to see since the end of season 3. With that reboot of last season’s finale out of the way and with Rick and his group surviving out in the wilds in their own separate ways we now come to the start of the second half of The Walking Dead season 4.
Tonight’s return starts off pretty much moments after episode 8 with the prison now in flames and zombies pretty much roaming everywhere. We get Michonne returning to find something or someone. In the end, she ends up finding two zombies she turns into armless and jawless pets to help her blend in with the rest of the herd. She also manages to find Hershel’s reanimated head which she destroys and leaves behind but not before pausing for a moment to remember al that she has lost once more.
The episode jumps back and forth between Michonne’s time spent after fleeing the prison and those of Rick and Carl. The father and son duo are having a much tougher time. Rick is too injured from his fight with the Governor and their supplies of ammo and provisions are next to nothing. It doesn’t help that Carl’s resentment towards Rick has come to the surface after the disastrous events at the prison.
This episode was really about Michonne and Carl dealing with the events from the previous episode. Michonne has seen the group she has begun to see as a family scattered everywhere and a place that was becoming home destroyed. Worst yet would be seeing Hershel, who she was beginning to connect with, killed before her eyes. This causes her to revert back to how we first saw her in season 3. Alone once again and dragging along two zombie pets to keep her safe. Maybe being alone and away from any sort of emotional attachment would be best for her, but her own subconscious makes it finally known to her that this is not so.
She could sleepwalk through the rest of whats left of her life in this post-apocalyptic world or try and retain some of the humanity and connection with others that she was having within Rick’s group. Or she could just give up and end up becoming like the very thing that has destroyed the world. We see this in a sort of flashback dream sequence where we finally get some backstory on Michonne and her life before the fall of civiization. We now know where she got her original pair of zombie pets and why she had such a strong reaction to holding baby Judith back in the prison. This flashback Michonne was not the badass, katana-wielding survivor we’ve come to know the past two seasons, but one who seemed well-to-do with a nice family and a young son.
Like everyone else in this new world order she has lost just as much as everyone else, yet she seems to have found a way to adapt and prevail while others fail and die or succumb to their basest instincts. In the end, she chooses to get back what she had lost fleeing the prison and the zombie salughter she initiates in doing so seemed not just cathartic for her character but for the audience as well.
As for Carl, we see him attempting to deal with his current situation on his own. His resentment toward his father’s inability to protect him, Judith and everyone at the prison has begun to gnaw at him. He sees Rick as a failure not just as a father, but as a leader. His needling of Rick by mentioning Shane’s name and everyone who has died under his watch sounds like harsh truth being exposed, but also makes Carl come across like a rebelling teen trying to prove to his father that he is better than him. As we see throughout Carl’s segment, he can take care of himself, but he also has so many close-calls that his bravado makes him out to be like a teenager playing at being an adult when everyone knows he still has further to go.
Yet, as much as Carl might not be ready to cut off the parental strings, Rick understands that continuing to treat Carl like a regular kid who must be protected from the dangers of the world doesn’t belong in this new world. The Carl that Rick was searching for in the first two episodes of season 1 is no more. His son has become not just a veteran and capable survivor like him, but one who has left his childhood behind in order to be more helpful.
The Walking Dead will always be about the zombies and how this new world has danger for it’s survivors lurking in every home, building and shadows both zombies and humans. Yet, the show, especially this season, has tried to explore what this world has done to these survivors and how it’s either brought out the best, worst and everything in-between. We’ve seen characters fail to live up to the very ideals that allows one to keep a hold on their humanity while others succeed. Tonight we saw two survivors who have made a sort of peace with their situation and now moving forward to try and live one day more.
As the tagline for the second half of season 4 points out: “Don’t Look Back”.
Here’s to hoping that the show’s writer take that motto to heed and continue to look forward instead of looking back trying to fix what needed fixing. The show is now halfway through it’s fourth season and, for good or ill, it needs to move ahead with what it has established and let the audience decide whether they should continue to watch week in and week out.
Notes
Season 4
“I see a bad moon rising.”
It’s just less than a month away until the second half of The Walking Dead season 4 begins.
This fourth season of AMC’s massively popular survival-horror series has had a sort of resurgent year. New showrunner Scott M. Gimple has done a good job in fixing some of the issues that popped up during previous showrunner Gen Mazzara’s tenure during the final stretch of season 3. While Gimple has done a good job the show still has some issues when it comes to stand-alone episodes as we saw with the two-parter that reintroduced the Governor.
The ultimate payoff of that two-parter led to the ending that should’ve been the season finale of season 3. The showdown and final attack on the prison was as exciting as how Kirkman wrote it for the comics. There were even scenes that seemed to have been lifted from the pages. With Rick and those who survived the prison assault now thrown to all points of the compass it brings up some interesting prospects of seeing the group trying to survive on the road not as a coherent veteran team, but in piecemeal.
With the Governor and most of his people dead the show will now have room to introduce some new characters. These characters should be familiar to fans of the comics and it will be interesting how Gimple and his stable of writers will be able to translate them from pages to the small screen.
The Walking Dead returns on AMC on February 9, 2014.
“If you’re not ready to lose one, then you’ll lose them all.” — Dr. Caleb Subramanian
[some spoilers]
As this season’s of The Walking Dead gets closer and closer to it’s mid-season finale it’s time to take stock on what has happened, so far. There human-on-human conflict w hich dominated season 3 has now been replaced by a new and more insidious danger: disease outbreak. It’s a concept rarely explored in apocalyptic stories and barely even mentioned in zombie fiction. We’ve seen how the progression of the disease going through the population of the prison community has become an even bigger danger to everyone. Glenn said it best in episode 2. Zombies and raiders they can take on and succeed, but this disease is something that they can’t see until it’s too late. With the state of medical healthcare in the zombie apocalypse being horrendous at best and non-existent for the most part, this new wrinkle in this group’s survival since the world went to hell was a good move and start for new showrunner Scott M. Gimple.
We’ve seen characters we;ve grown to love in the first four episode grow in surprising and, at times, disturbing ways. Carol has become a hardened survivor who will do what it takes to protect the group from dangers both outside and inside the fences. We’ve seen Rick deal with trying to shed the mantle of leadership for the sake of his children, but quickly realizing (with some help from Carol) that it’s what he’s good at and something he needs to rediscover once again to help the group survive.
Even Carl has shown that he’s not just marching straight into sociopathy in this new world order. He’s realized what his father has sacrificed to try and bring him back from the brink of losing his humanity. So far, it has worked and we see more and more of his father in how he’s handling situations that in the past he would’ve used violence as a solution.
Tonight’s episode, “Internment”, we get to see the opposite image of what Carol has turned into by focusing on the group’s spiritual leader. Hershel Greene has taken over the spiritual and calming guidance that Dale used to provide. Where Dale seemed too entrenched in trying to live life as if the world still operated under the old rules and morality, Hershel has been more flexible. He doesn’t let his idealism get in the way of doing what’s necessary in the end. Yet, he still believes that saving everyone should still be a goal they as a community need to do. He’s willing to sacrifice his own well-being if it means keeping the sick from dying even if it means just providing that calming presence. He’s not just trying to save their lives but give their soul a semblance of hope that things will work out for the best in the end.
The episode played out like a calm before the storm. Some would say that it was unfolding like a throwaway episode that’s trying to give it’s viewers a breather before moving on to the next couple episodes with something more meaty and considerable. But like all slow burns this one exploded into action when we least expected it even though the writers dropped crumbs throughout that something big was about to happen.
Followers of the show won’t be disappointed when that slow-burning fuse finally leads to that gathering explosion. An explosion that once again saw the prison community become smaller and smaller with loses both to the disease that’s overtaken it and the zombies who have awoken inside the prison walls because of it. Showrunner and series writer Scott M. Gimple promised to make the zombies scary once again and in tonight’s episode we finally get the payoff the first four episodes have been working on achieving. Yes, they’re the faceless horde that has made killing them become more a chore than an act of survival, but the way the episode used them tonight made them scary once again. Their numbers will always be legion and this season has shown just how that still remains the scariest part of this show. Human enemies and even diseases are scary as well, but the zombies have once a gain returned as that patient, ever-encroaching symbol for the inevitability of death.
“Internment” has seen one of the more quieter members of the group who was becoming Dale 2.0, but tonight saw Hershel was just as much a badass survivor as Rick, Carl, Carol, Daryl and, his own daughter, Maggie. His faith in whatever plan God has in testing them might have taken a blow, but he still looks to his faith to get him and his friends and family through it all. He hasn’t let his physical handicap slow him and down. He’s even come through the crucible of tonight’s episode with his eyes much more open to the new realities of this new world, but still keeping his faith.
Time to see what the final reveal of tonight’s episode will now mean to the survival of what remains of the prison community.
Notes
Season 4
Watching Night of the Living Dead is a bit of a Halloween tradition here at the Shattered Lens.
Check out Arleigh’s review here and enjoy the film!
“You step outside. You risk your life.” — Hershel Greene
The first two episode of The Walking Dead for season 4 has been all about upending the sense of normalcy and serenity that Rick and his group of survivors have fought and worked to create within the safety of the prison. We saw a timeskip of many months from the time Rick brought the survivors of Woodbury back to the prison to show them that they weren’t the monsters the Governor had made them up to be and from there started up this community that the audience was dropped into in season 4.
As we saw with last week’s episode, “Infected”, that sense of civilization and safety was nothing but an illusion. The zombies got into the prison and attacked a major chunk of the survivors and now a new threat has reared it’s viral head to make the lives of Rick and the gang that much more difficult, if not, hopeless. Zombies, even herds of them, and other people this group could handle as Glenn commented to his father-in-law, but the disease which struck Patrick and looks to be burning through those who were in the compromised Cell Block D was one thing they couldn’t fight.
“Isolation” marks another forward step for a show that has had a difficult time trying to stay on course when it comes to it’s overarching story arcs for the season. New showrunner Scott M. Gimple promised a season that was going to avoid standing pat, but reintroduce a sense of mystery and unknown dangers to a group that’s as battle-hardened as any military unit after three seasons of constant fighting. Now we know that one of these new dangers is a disease (maybe a particularly strong strain of the flu or maybe even the plague itself) which has used the cramped living spaces of the prison and a shortage in proper medicines to incubate and spread itself amongst the survivors.
The entire episode works almost like an isolation ward for the main characters and some of the newer ones. They’ve come such a long way to survive this hellish new world and partly due to isolating themselves from the problems inherent in a zombie apocalyptic world, but also in a community that’s one step removed from the disease-ridden refugee camps we see televised on TV on a daily basis. This was a group that had fooled itself into thinking that isolating their little piece of “heaven” from the outside would keep them safe. It has to a certain degree but it also made them complacent. Yes, they’ve become more compassionate (though smarter) about letting new people into the community, but they’ve stopped trying to venture farther out into the wilderness to find other communities who could share resources and help rebuild the very civilization Rick and the council has been working so hard to accomplish.
Now, their isolation will need to end as they must find new sources of medicines to help combat the disease that’s burning through the prison. Their mission has become much more dire in that it’s not just the new additions to the group who have now become infected but one of their in Glenn has succumbed to it as well. And for all the hardcore survival instincts and skills Daryl, Michonne and the rest have honed to a deadly degree the world outside still remains one that could kill them all without hesitation no matter their skills. The pan of the camera to show the oncoming herd (much bigger than past shown herds) on the group of Daryl, Michonne, Tyreese and Bob was something we rarely see in zombie flicks and tv (though World War Z did it through use of CG). This sequence just shows how easily people who’ve isolated themselves from this never-ending danger could easily lose hope as Tyreese looked to have at first glance.
This latest episode of The Walking Dead really didn’t have any of the action we saw in the first two episode of the new season, but it’s been one that avoided the past season mistakes of not moving the story forward. Yes, they’re still stuck in the prison, but the narrative has continued to propel forward. We find out who killed Karen and David (the burnt bodies that ended episode 2) instead of the writers stretching it out over several episodes. The answer to this mystery brings up new questions as to why this long-standing character decided to act unilaterally even if it was for the greater good of the community. The fact that their actions ultimately failed to keep the disease in check still doesn’t change the fact that even the meekest of the group has grown and change to adapt to a world where even something as simple as a common cold or the flu could kill just as quickly as the zombies gathering at the prison fences.
“Isolation” was written by comic book creator Robert Kirkman who has grown to become better in translating ideas he has written for the series’ comic book counterpart and ideas discarded along the way into something that helps the tv show distinguish itself from the original source material. The show has almost become a way for Kirkman to recreate the early days of the comic book source with new themes and characters. With the comic book itself already years ahead of the show it’s going to be interesting to see whether the tv show will skip some of the smaller story arcs that occur after the prison and move the group closer to the timeline comic book readers are currently at.
While short on action, “Isolation” brings to the fore new problems for the group both immediate and moral. Will the admission of one of their own to the culpability of Karen and David’s murder be told to the rest of the council or will Rick keep this secret to himself? Is the brief radio signal caught in the car radio as Daryl and his scavenging group drive down the road lead to the Governor or a truly safe haven?
One thing that’s been consistent with this new season so far has been that the writers have learned to not stand pat with the show’s narrative. Previous showrunner Glen Mazzara preached forward momentum with season 3 but ultimately failed as the season limped to it’s finale. Only time will tell whether new showrunner Scott M. Gimple will do the same or actually finish this season strong and actually stay around for a following season.
Notes
Season 4
[spoilers]
The latest “Scenes I Love” is from a horror-comedy classic from the early 90’s.
Before Peter Jackson traveled and chronicled Middle-Earth he was a Kiwi filmmaker who dabbled and had fun with low-budget splatstick horror. One such film was the horror-comedy zombie flick Dead Alive aka Braindead. The scene in question happens in the extended climactic third reel of the film and has to go down as the goriest and bloodiest film sequence ever shot.
Watching this clip makes one wonder how Peter Jackson was the same person who made this film and the Tolkien films.
“I see when the shit hits you’re standing there with a shovel.” — Daryl Dixon
[some spoilers]
Last week saw the return of AMC’s wildly popular horror tv series, The Walking Dead. The show ran huge ratings numbers which seems to still confound it’s critics. These are numbers that rivals Sunday Night Football ratings numbers. Yes, the show has had issues with character development and acting, but it continues to bring in more and more viewers. Could it be that the show is satisfying a jaded public’s appetite for bloodlust? If that’s the case then gory horror films should be doing much better in the theaters, but that’s definitely not the case.
With the show’s return we get to see what sort of long-running arc new showrunner Scott M. Gimple has planned for the series. With the first truncated season it was all about Rick adapting to this new dangerous world and reconnecting with his lost family. The second season saw a change in showrunners with series creator Frank Darabont fired and replaced by veteran producer Glen Mazzara and we saw the change in the show’s pacing and storytelling. What was a much more deliberate pacing under Darabont became much more about forward momentum. This worked for the most part and complaints about the show going in circles and nowhere died down, but Mazzara was soon replaced by the end of season 3.
So, the Scott M. Gimple era has begun and with last week’s premiere we found a season the started off full of hope and normalcy, but since this is a horror series that peaceful serenity ended just as fast as it was introduced.
“Infected” takes up very quickly after the cliffhanger of the season premiere which saw one of the new cast members die of some disease (I’m guessing a strong strain of the flu) in the showers and left unattended. If we’ve learned through the three seasons of this show that any death will cause the body of the deceased to reanimate and go looking for living flesh. So, that rule hasn’t changed and we see Harry Potter, I mean Patrick, get up from where he died in the showers and into a cell block full of sleeping people.
Tonight’s episode played out almost like a sort of crucible that Rick had to go through once more to find his true self. Last week’s episode showed us how Rick has turned his back on being the group’s leader. He’s stopped carrying his revolver when stepping beyond the prison’s fences. He’s trying to be a better role model for his son Carl who we saw last season become much colder and murderously pragmatic. Tonight we saw Rick having to face that decision to stop being a fighter and leader to become a farmer instead.
From the very beginning of the episode we see the seeds of doubt being planted in Rick’s mind that while his decision to forgo being a leader and fighter may save his son Carl from lsoing his childhood innocence he must believe deep in his heart that it’s a fool’s task. Rick is trying to regain a semblance of pre-zombie apocalypse world by being a better father to Carl, yet in doing so the group lost a person who had protected them from Atlanta and through Woodbury. It takes and outbreak within Cell Block D and the sorry state of the prison fences to finally wake Rick up from his utopian dream. By sacrificing the piglets Rick was dropping the act of being a farmer and going back to what he was good at doing and that’s protecting the group and killing zombies.
We see the opposite happening with the once meek and victimized Carol who has taken all the personal loss she’s had to go through the last three seasons and allowing that crucible to forge her into a survivor of this new world. She might’ve sounded harsh when dealing with the young girls and how they must learn to defend themselves even if it means killing a dying loved one, but nothing she said tonight was in the wrong. She’s adapted and accepted her new role as protector of the group even if it means she might alienate some. Rick was like this but could never find the balance between ruthless efficiency and empathy towards other survivors. It’ll be interesting to see what sort of pay off Carol’s character growth will mean not just for the group as a whole, but for Daryl who has formed a close relationship with the former victim.
Tonight’s episode was much stronger than last week’s by a wide margin. Where last week’s season premiere seemed like a new showrunner playing it safe with tonight’s episode we see a stronger and more focused narrative that looks to dominate at least the first half of this new season. So far, the new season had promised a new danger to harry the group and now we see what it is and we still haven’t seen the absent Governor. Scott Gimple promised that the show was going to go back to making the zombies a true danger once again after the human-on-human carnage from last season and if the first two episodes for season 4 were any indication he’s keeping his promise.
Notes
Season 4
“I’m just tired of losing people is all.” — Daryl Dixon
It’s that time of the year when The Walking Dead returns to the airwaves with a new season. Whether one believes the show is the best thing on TV or a mess of a show it’s hard to deny the fact that it’s become must-see TV whenever it comes back. The series has become pop-culture event that other shows of better quality and acclaim wish they could muster (the final 8 episodes of Breaking Bad was the closest to accomplish it).
The returns for it’s fourth season with a new showrunner in series veteran writer Scott M. Gimple. It’s this constant changing of showrunners that seem to make critics scratch their heads. For a show that could never keep a guiding hand for more than a season the series never seems to lose any of it’s popularity and it’s ratings numbers.
“30 Days Without An Accident” sees the show come back after what looks like an extended period of time since last season’s finale. The prison compound looks to have been fixed and improved with new defenses. There seems to be more people now than what was brought over from Woodbury at the end of last season. It would seem Rick is out as leader and a new leadership council have decided to bring in survivors they come across since last season. Carl and Judith are not the only kids in the show anymore.
The episode actually starts off quite serene in comparison to past season premieres. There’s a lack of desperation and kill-or-be-killed tone to this season premiere, but there’s still a sense of something still not right just beneath the surface of relative normality we’re given. Even the normally taciturn badass Daryl Dixon gets to relax a little with all the new people greeting him like an old friend. Yet, we all know what this show has always been about. For all the notion of rebuilding civilization that we see in tonight’s episode the streak of 30 days without an accident was bound to end and it does so in bloody fashion.
Some will probably complain that tonight’s episode was too slow in the beginning. It’s unlike the action-packed season 3 premiere with Rick and his smaller, but highly-trained group clearing out the prison yard with military precision. Again this goes to show that this season that desperation of trying to find the next safe place to rest has now been completed. They do have a safe place to call a safe haven. There’s now a growing farm with vegetables and livestock. They now a common area outside where people cook and eat their meals. We even see Rick and Carol looking to see that the younger members of this burgeoning community get to have some sort of education and time to be kids.
The writers of the show have been very good with creating these little serene and peaceful set-ups only to pull the rug from under everyone and it’s no different with tonight’s season premiere. The group going out into the “world” to scavenge for supplies seems like it’s become routine for this community from the early set-up, but it also looks to have created a sense of complacency in the group as a whole. We see the consequence of this complacency and belief in that things were getting into some sort of normal.
We see a routine and efficient run to scavenge a Big Spot supermarket turn into a nightmare with zombies literally raining down on the group. It’s a great action and horror sequence that managed to be both full of tension and terror. While it also had a “redshirt” feel to who would live and who would die it still didn’t diminish the fact that if The Walking Dead the series was good in any one thing it was setting up and executing action scenes.
The scene with Rick and the Lady in the Woods was another good sequence that focused more on showing just how screwed up this new world Rick and the community is still trying to come to grips with. For all their attempts to establish this normalcy within the prison’s fences the world outside is still a “kill or be killed” place. Even though it was only a brief turn as the Lady in the Woods, Kerry Condon does a great performance conveying how desperation in the early going of this zombie apocalypse has broken so many people. Where Rick and most of those he has rescued and kept safe haven’t succumbed to despair this woman in the woods gave up. She’s an example of where Rick could’ve ended up right from the beginning of the show if he never found his family. This entire series has been in part a story of how Rick has been trying to keep himself from giving up.
Then the final sequence right leading up to the episode’s end shows us that things that were taken for granted pre-zombie apocalypse might just be coming back with a vengeance as we see one of the new people introduced in the first half of the episode succumb to what looks like a virus. It’s good to see that the writers of the show are beginning to spread their boundaries when it comes to bringing in ideas to the show. While some might not think it’s an important detail I’m sure those who dedicate their life in studying crisis management and events will look at tonight’s episode and nod their head’s in agreement. Zombies might be the main threat facing this community, but the show has now introduced the threat of diseases that usually gets cured with a trip to the doctors or the pharmacy. In a world where everyone has reverted back to an almost medieval style of living such things have become luxuries or non-existent.
So, for a season premiere “30 Days Without An Accident” was a good start for the new regime of Scott M. Gimple. He was able to bring in a new thematic element to the show’s overall narrative with the hope of rebuilding civlization, creating the sense of normalcy in a world turned upside down and new characters to support the returning veterans. He has also made it clear that for all the serenity we saw in the first half of tonight’s premiere the overriding theme of the show will continue to be that danger and death will always be out there waiting to get in and with tonight’s episode we see that it already has found a way in.
Notes