Book Review: The Man With The Golden Gun by Ian Fleming


(SPOILERS)

On August 12th, 1964, Ian Fleming died in Canterbury.  He was 56 years old.

Like his famous creation, James Bond, Ian Fleming was both a heavy drinker and a chainsmoker.  Unlike Bond, he suffered from heart disease.  In 1961, he had his first known heart attack and his health was always precarious afterward.  It is said that his last words were to the ambulance drivers: “I am sorry to trouble you chaps. I don’t know how you get along so fast with the traffic on the roads these days.”

Eight months after Fleming’s death, his final James Bond novel, The Man With The Golden Gun, was published.  (One more collection of short stories, Octopussy and The Living Daylights, would follow in 1966.)

The Man With The Golden Gun opens with a brainwashed Bond attempting to assassinate M and ends with Bond turning down a knighthood and again declaring his loyalty to Her Majesty’s Secret Service.  In between, Bond is tasked with tracking down and killing the notorious assassin, Pistols Scaramanga.  (Scaramanga is known for using a golden gun.)  Bond once again goes undercover, assuming the name Mark Hazzard and working his way into Scaramanga’s operation.  Felix Leiter makes another appearance and, by the end of the book, it looks like Bond might even find happiness with his secretary, Mary Goodnight.

It’s an unfortunate book.  Apparently, Fleming had finished his first draft but was still in the process of editing when he died.  As a result, The Man With The Golden Gun has all the flaws that you would associate with an early draft.  The plot is thin.  There’s little nuance or subtlety to the dialogue.  Bond comes across as being rather dull, showing little of the wit or personality that was present in both On Her Majesty’s Secret Service and You Only Live Twice.  Scaramanga is a bit more interesting but he can’t compare to the great Bond villains like Blofeld or Goldfinger.  There’s really not much else to say about The Man With The Golden Gun.  It’s a sad way to end Fleming’s Bond series but, at the same time, it doesn’t diminish everything that Fleming accomplished in the previous novels.

Anyway, since I’ve reviewed all of Ian Fleming’s Bond novels, I guess now is the time to rate them all, from best to worst.  Not included in the list below are the two collections of short stories that Fleming wrote, For Your Eyes Only and Octopussy.

From best to worst:

  1. On Her Majesty Secret Service (1963)
  2. From Russia With Love (1957)
  3. Moonraker (1955)
  4. Goldfinger (1959)
  5. Dr. No (1958)
  6. You Only Live Twice (1964)
  7. Casino Royale (1953)
  8. Live and Let Die (1954)
  9. The Spy Who Loved Me (1962)
  10. Diamonds are Forever (1956)
  11. Thunderball (1961)
  12. The Man With The Golden Gun (1965)

Despite Fleming’s death, Bond would live on.  Not only would there be the films but other writers would continue Bond’s literary adventures.  Later this year, I’ll start in on the non-Fleming Bond novels.  Until then, I hope everyone has enjoyed this look back at Ian Fleming’s original novels!

Bond, as visualized by Ian Fleming.

Remembering Roger Moore: THE MAN WITH THE GOLDEN GUN (United Artists 1974)


cracked rear viewer

I didn’t realize Sir Roger Moore was 89 years old when I first heard he’d passed away on May 23. But as Mick Jagger once sang, time waits for no one, and Moore’s passing is another sad reminder of our own mortality. It seemed like Roger had been around forever though, from his TV stardom as Simon Templar in THE SAINT (1962-69) though his seven appearances as James Bond, Agent 007.

There’s always been a rift  between fans of original film Bond Sean Connery and fans of Moore’s interpretation. The Connery camp maintains Moore’s Bond movies rely too much on comedy, turning the superspy into a parody of himself. Many point to his second, THE MAN WITH THE GOLDEN GUN, as an example, but I disagree. I think the film strikes a good balance between humor and suspense, with Roger on-target as 007, and the great Christopher Lee (who’d guest starred in Moore’s syndicated…

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Christopher Lee, R.I.P.


Jinnah

The picture above is Christopher Lee in the 1998 film Jinnah.  In this epic biopic, Lee played Muhammad Ali Jinniah, the founder of modern Pakistan.  Up until yesterday, I had never heard of Jinnah but, after news of Lee’s death broke, Jinnah was frequently cited as being Lee’s personal favorite of his many roles and films.

Consider that.  Christopher Lee began his film career in the 1940s and he worked steadily up until his death.  He played Dracula.  He played The Man with the Golden Gun.  Christopher Lee appeared, with his future best friend Peter Cushing, in Laurence Olivier’s Oscar-winning Hamlet.  He played Seurat in John Huston’s Moulin Rouge.  He appeared in both The Lord of the Rings and the Hobbit trilogies.  He appeared in several films for Tim Burton.  He even had a small role in Martin Scorsese’s Hugo.  He appeared in two Star Wars prequels.  He appeared in the original Wicker Man (and reportedly considered it to be his favorite of his many horror films).  He appeared in Oscar winners and box office hits.  And, out of all that, Christopher Lee’s personal favorite was Jinnah, a film that most people have never heard about.

Unless, of course, you live in Pakistan.  When I did a google search on Christopher Lee, I came across several Pakistani news sources that announced: “Christopher Lee, star of Jinnah, has died.”

And really, that somehow seems appropriate.  Christopher Lee was the epitome of an international film star.  He worked for Hammer in the UK.  He worked with Jess Franco in Spain and Mario Bava in Italy.  He appeared in several movies in the United States.  And, in Pakistan, he played Jinnah.  And I haven’t seen Jinnah but I imagine he was probably as great in that role as he was in every other role that I saw him play.  Over the course of his long career, Christopher Lee appeared in many good films but he also appeared in his share of bad ones.  But Christopher Lee was always great.

It really is hard to know where to begin with Christopher Lee.  Though his death was announced on Thursday, I haven’t gotten around to writing this tribute until Friday.  Admittedly, when I first heard that Lee had passed away, I was on a romantic mini-vacation and had promised myself that I would avoid, as much as possible, getting online for two days.  But, even more than for those personal reasons, I hesitated because I just did not know where to start when it came to talking about Christopher Lee.  He was one of those figures who overwhelmed by his very existence.

We all know that Christopher Lee was a great and iconic actor.  And I imagine that a lot of our readers know that Lee had a wonderfully idiosyncratic musical career, releasing his first heavy metal album when he was in his 80s.  Did you know that Lee also served heroically during World War II and, after the war ended, helped to track down fleeing Nazi war criminals?  Did you know that it has been speculated that Lee may have served as one of the role models for James Bond?  (Ian Fleming was a cousin of Lee’s and even tried to convince Lee to play Dr. No in the first Bond film.)  Christopher Lee lived an amazing life, both on and off the screen.

But, whenever one reads about Christopher Lee and his career or watches an interview with the man, the thing that always comes across is that, for someone who played so many evil characters, Christopher Lee appeared to be one the nicest men that you could ever hope to meet.  Somehow, it was never a shock to learn that his best friend was his frequent screen nemesis, Peter Cushing.

Christopher Lee is one of those great actors who we assumed would always be here.  The world of cinema will be a sadder world without him.

Legends together

Legends together

Here is a list of Christopher Lee films that we’ve reviewed here on the Shattered Lens.  Admittedly, not all of these reviews focus on Lee but they do provide a hint of the man’s versatility:

  1. Airport ’77
  2. Dark Shadows
  3. Dracula A.D. 1972
  4. Dracula Has Risen From The Grave
  5. Dracula, Prince of Darkness
  6. Hercules in the Haunted World
  7. The Hobbit
  8. The Hobbit: Battle of the Five Armies
  9. Horror Express
  10. The Horror of Dracula
  11. Hugo
  12. Jocks
  13. The Man With The Golden Gun
  14. The Satanic Rites of Dracula
  15. Scars of Dracula
  16. Scream and Scream Again
  17. Season of the Witch
  18. Starship Invasions
  19. Taste The Blood of Dracula
  20. The Wicker Tree

Sir Christopher Lee was 93 years old and he lived those 9 decades in the best way possible.  As long as there are film lovers, he will never be forgotten.

James Bond Film Review: The Man With The Golden Gun (dir. by Guy Hamilton)


Hi there!  The name’s Bowman.  Lisa Marie Bowman.  Yes, I’ve made that joke a few times over the past two weeks but so what?  Let me have my fun!  And speaking of fun, we’ve been reviewing the entire James Bond franchise here at the Shattered Lens.  Today, we’re going to take a look at 1974’s The Man With The Golden Gun, the 9th “official” James Bond film and the second Bond film to feature Roger Moore in the lead role.

The Man With The Golden Gun is Francisco Scaramanga (Christopher Lee), the world’s most feared assassin.  Living on his own private island, Scaramanga is waited on hand-and-foot by a murderous dwarf named Nick Nack (Herve Villechaize) and his mistress Andrea Anders (played by Maud Adams, who, like me, is a member of the red-headed 2%).  Every few days or so, Nick Nack arranges for a different gangster or spy to come to the island and fight a duel with Scaramanga.  Much to Nick Nack’s disappointment, Scaramanga always manages to win each duel.  However, Scaramanga remains a frustrated assassin because he’s never had the chance to take on (and kill) his hero, James Bond.

Just how obsessed is Scaramanga with Bond?  Scaramanga has his own private funhouse set up on the island and the star exhibit at that funhouse is a wax figure of Bond that Scaramanga enjoys firing golden bullets at.

Meanwhile, in London, MI6 receives one of those golden bullets with “007” etched into the surface.  M (Bernard Lee), not wishing to see his best agent killed, immediately relieves Bond from his current mission.  Bond, along with a painfully dizzy British agent named Mary Goodnight (played by Britt Ekland), responds by setting off to track down Scaramanga on his own.

Bond eventually tracks Scaramanga down to Bangkok where Scaramanga is busy scheming to steal something called a Solex agitator which, depending on who is using it, can either be the key to solving the energy crisis or it can be a deadly, solar-powered weapon.  Bond also discovers that the bullet wasn’t sent by Scaramanga but was instead sent by Andrea who wants Scaramanga dead.

Not surprisingly, this all leads to what you would expect — an elaborate car chase, a Bond girl in a bikini, and a final duel between Bond and Scaramanga.

When The Man With The Golden Gun was first released way back in 1974, the film received some of the worst reviews in the Bond franchise’s history.  A typical review came from Time Magazine’s Jay Cocks who complained that Moore “lacks all Connery’s strengths and has several deep deficiencies”, whilst Lee was “an unusually unimpressive villain.”  In a complaint that would be made about the majority of the post-Connery, pre-Craig Bond films, Cocks also criticized the film’s plot for being too dependent on both Bond and Scaramanga using implausible gadgets.

While most of the Bond films were treated dismissively by critics when they were first released, the majority of them have also come to be seen in a more positive light  as the years have passed.  The Man With The Golden Gun, however, is an exception to that rule.  Nearly four decades after first being released, The Man With The Golden Gun still has a reputation for being a disappointment.  While Christopher Lee has rightly come to be recognized as one of the best Bond villains, the film itself is still regularly dismissed as one of the worst of the Bond films.

The Man With The Golden Gun‘s flaws are pretty obvious.

As played by Britt Ekland, Mary Goodnight is perhaps one of the most useless Bond girls ever and pretty much confirms every accusation of sexism that’s ever been made against the Bond films.  It’s hard not to wish that the role of Goodnight had been played by Maud Adams who, as Andrea Anders, proves to be one of the best of the Bond femme fatales.

Redneck Sheriff J. W. Pepper (Clifton James) was an acquired taste when he first showed up in Live and Let Die and those who were annoyed by his character the first time will probably not be happy when he implausibly pops up in this film, vacationing in Bangkok and somehow getting involved in yet another car chase.

Finally, while Roger Moore’s performance as James Bond has always been rather underrated, it’s hard to deny that he looks a bit ill-at-ease in this film.  As opposed to Live and Let Die (which was clearly written to match Moore’s interpretation of the role), The Man With The Golden Gun feels like it was written for Sean Connery’s more ruthless interpretation of the role.  There’s a rather ugly scene where Bond roughly slaps Andrea to get her to tell him about Scaramanga.  It’s the type of thing that you could imagine Connery doing without a second thought but Moore seems uncomfortable with it.  His Bond simply doesn’t have the sadistic streak that hid underneath the surface of Connery’s interpretation.

That said, The Man With The Golden Gun is something of a guilty pleasure of mine.  The Man With The Golden Gun is one of the Bond films that I always make a point to catch whenever it shows up on television and I certainly had a better time rewatching it than I did when I rewatched You Only Live Twice.  The film moves along quickly enough, the car chases are a lot of fun, and Scaramanga’s funhouse is one of the best of the Bond sets.  

For all of its flaws, The Man With The Golden Gun is saved by its trio of villains. Maud Adams, Herve Villechaize, and especially Christopher Lee give three of the most memorably eccentric performances in the history of the Bond franchise.  They’re so much fun to watch that, if spending time with them also means spending time with Mary Goodnight and Sheriff Pepper, it’s a sacrifice that I’m willing to make.

The strength of Christopher Lee’s performance as Scaramanga cannot be understated.  There’s something oddly touching in the contrast between Scaramanga the steely assassin with the golden gun and Scaramanga, the insecure killer who is apparently always comparing his accomplishments to the accomplishments of James Bond.  Lee’s Scaramanga is such a compelling character that you almost regret that he can’t, in some way, be allowed to achieve some sort of victory at the end of the film.

But, of course, if that happened then it would no longer be a James Bond film.

As always, regardless of what the critics may have wished, James Bond would return.  Ironically, Moore would follow-up a what many considered to be the worst James Bond adventure with a film that many consider to be one of the best.  We’ll be taking a look at The Spy Who Loved Me tomorrow.

Until then, let’s enjoy one of the most underrated theme songs in the history of the Bond franchise.