Retro Television Review: Miami Vice 5.6 “Line of Fire”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett and Tubbs are assigned to protect a witness.

Episode 5.6 “Line Of Fire”

(Dir by Richard Compton, originally aired on December 16th, 1988)

Carlos Cantero (Aharon Ipalé) is on trial for murdering Ian Sims, one of Crockett’s confidential informants.  Crockett is the number one witness against him, which is a problem because Crockett just spent the last few months under the impression that he was Sonny Burnett, one of Miami’s biggest drug dealers.  Cantero’s defense attorney dismantles Crockett’s testimony by pointing out that Crockett had a “psychotic breakdown.”

(And you know what?  The attorney is actually very correct about that.  Crockett acts shocked when his mental health history is brought up but why wouldn’t it be?)

Luckily, there is an eyewitness to the murder of Ian Sims.  The FBI asks Crockett and Tubbs to keep an eye on Keith (Justin Lazard), a heavy metal fan who is willing to testify against Cantero.

I have to admit that I nearly gave up on this episode because my first impression of Keith was that he was the most annoying character to ever appear on a television show.  However, I’m glad that I didn’t because this episode actually introduced a very clever twist.  Keith is not actually Keith.  Instead, he’s DEA agent Joey Hardin, who has been assigned to pretend to be Keith to keep Cantero from going after the real Keith.  It turns out that FBI Agent Bates (Kevyn Major Howard, the “Do you believe in Jesus?” guy from Death Wish II) is crooked and he’s giving information to Cantero.

Unfortunately, Crockett doesn’t find out the truth until Joey has already been shot multiple times by Bates.  (Tubbs and Crockett proceed to gun down Bates.)  Joey nearly dies while the prosecutor chortles about how all of this is actually going to help him get a conviction.  It turns out that the prosecutor doesn’t know what he’s talking about.  The real Keith is now too terrified to testify against Cantero, leading to Cantero going free.  Joey does recover from being shot but, at the end of this episode, it’s hard not to feel that it was all for nothing.

This is one cynical episode!  But that’s okay.  Miami Vice was always at its best when it was being cynical and this episode is a throwback to old school Vice, back when the emphasis was on how no one could trust anyone and the government was often its own worst enemy.  Miami Vice was definitely a left-wing show but occasionally, it did reveal a libertarian streak.  That was certainly the case with this episode, in which the war on drugs is portrayed as being unwinnable because the government is naturally incompetent.  Young idealists like Joey Hardin are sent off to battle and are ultimately abandoned once they’re no longer needed.

This was a good episode.  I’m still having a hard time buying that Crockett could just go back to being a cop after being Miami’s top drug lord but whatever.  It’s the final season.  I’ll suspend my disbelief a little.

Miniseries Review: Death by Lightning (dir by Matt Ross)


Death by Lightning, a four-episode miniseries that recently dropped on Netflix, tells the story of two “forgotten men,” as the show itself puts it.

Michael Shannon plays James A. Garfield, the Ohio farmer and former Congressman who, despite attending the 1880 Republican convention solely to give the nominating speech for Secretary of Treasury John Sherman (Alistair Petrie), found himself nominated for President after the convention found itself deadlocked between supporters of Former President Grant (Wayne Brett) and Senator James Blaine (Bradley Whitford).  Garfield did not want to run for President and he certainly did not want to run with Chester A. Arthur (Nick Offerman), an associate of New York political boss, Roscoe Conkling (Shea Whigham).  However, in November of 1880, James Garfield was narrowly elected the 20th President of the United States.

Matthew MacFayden plays Charles J. Guiteau, a failed lawyer and self-proclaimed newspaper publisher who felt that a stump speech he had given at a small rally was responsible for Garfield’s victory.  Guiteau expected to be appointed to a position in the Garfield administration, perhaps as Consul to France.  In those days of no Secret Service protection and an open White House, Guiteau was one of the many random office seekers who managed to get a face-to-face meeting with Garfield.  What Guiteau did not get was a job.  While Guiteau may have deluded himself into thinking that he was an inside player, everyone else viewed him as being a pesky and disreputable character.  On July 2nd, 1881, Guiteau shot Garfield in the back.  After Garfield died in September, Guiteau was convinced that he would be pardoned by the newly sworn-in President Arthur.  Instead, Guiteau was hanged on June 30th, 1882.

(It’s now generally agreed that Guiteau was such a bad shot that Garfield would have survived his wounds if not for the incompetence of his doctors, who probed his wounds with their bare hands in an effort to extract the bullet.  Garfield died as a result of multiple infections caused by his medical treatment.)

Again, Death by Lightning describes Garfield and Guiteau as both being forgotten men.  That’s not quite true.  I knew who both of them were before I watched the miniseries but then again, I’m also a history nerd.  As much as I don’t want to admit it, it is true that the majority of today’s Americans don’t know either Garfield or Guiteau.  And yet, in 1881, America revolved around them and their fate.  Everyone checked every day for news on Garfield’s health and Guiteau’s trial was heavily covered by the press.  That’s something to remember whenever you hear people talking about how “history will remember” whatever may be happening in the news today.  History may remember but people are quick to forget.

As for Death by Lightning, it does a good job of telling not only the stories of Garfield and Guiteau but also Chester Arthur as well.  The miniseries takes place at a time when political machines dominated American politics and also at a time when the Spoils system and the widespread corruption that it engendered were both accepted as immutable political realities.  Guiteau, having spent his life seeing other people receive jobs for supporting the right candidate, felt that he was naturally entitled to whatever position he requested.  Guiteau’s actions actually did lead to reformation of the Spoils system, with President Arthur emerging an unlikely reformer.  Never again would a random office seeker by allowed through the front doors of the White House and never again would a President casually walk around Washington D.C. without some sort of guard.  With a smart script, good performances, and even a few moments of unexpected cringe humor, Death by Lighting recreates that moment in American history and it pays tribute to James A. Garfield, who was universally described by his contemporaries as being a decent man who was struck down before he could reach his full potential.

How historically accurate is Death by Lightning?  That’s a fair question.  Death by Lightning sticks to the established facts about Garfield and Guiteau but a scene in which Garfield’s daughter argues with him about immigration is undoubtedly meant to be more of a commentary on 2025 than 1880.  I think it can be argued that no film or series can be 100% historically accurate because those who actually witnessed the events in question are no longer with us.  Inevitably, the past is always viewed and recreated through the filter of the present.  And indeed, it is tempting to compares Garfield and Guiteau to our modern-day politicians and activists.  Guiteau, with his constant excuses for his own dumb decisions and his ranting and raving about how he speaks for the people, was a particularly familiar character.  As for the modest and honest Garfield, it’s sadly difficult to think of any modern-day politicians from the same mold.

As a final note, my favorite part of this miniseries occurred during the first episode.  The recreation of the 1880 Republican Convention is wonderfully entertaining.  It’s amazing to think that, in the days before television coverage required political conventions to become carefully choreographed and tightly controlled, there actually was legitimate suspense about who would end up being nominated.  Sadly, those days seem to be over.

Lisa’s Retro Television Reviews Will Return On November 17th


I will be taking a small break from my Retro Television Reviews so that I can celebrate my birthday this weekend and enjoy a little mini-vacation.  This feature will return on Monday, November 17th, with reviews of Miami Vice and CHiPs!

Late Night Retro Television Review: Highway to Heaven 4.21 “A Dolphin Song For Lee: Part One”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Mark finally gets the stuff.

Episode 4.21 “A Dolphin Song For Lee: Part One”

(Dir by Michael Landon, March 9th, 1988)

After he complains for the hundredth time about not having “the stuff,” Mark finally gets the boss’s attention in this episode.  Suddenly, Mark is the one who doesn’t need to eat, who knows where to go for the assignment, and who instinctively realizes that the young woman they’ve been assigned to help — Lee (Bess Meyer) — desperately needs a bone marrow transplant.  Meanwhile, Jonathan becomes human yet again.

That’s not a bad idea for a story, though it’s hard not to notice that this is the second time that Jonathan’s gone from being an angel to being mortal during season four.  One would think that either Jonathan or Mark would have noted this fact but neither one does.  Maintaining continuity has not been season four’s strong point.

As for the story itself, it’s pretty simple but then again, it’s only Part 1 of a two-parter.  Lee refuses to get the bone marrow transplant because she fears her parents won’t be able to afford it.  Using “the stuff,” Mark essentially commands a local news producer to do a story on Lee and her need for a transplant.  In a scene that feels like a fantasy today, we see people apparently all across the country watching the news story on Lee.  One guy in a bar yells at everyone to be quiet so he can hear the story.  It feels incredibly dated and almost too earnest for its own good, if just because it’s hard to imagine people actually sitting around the TV and watching a network newscast nowadays.  (It’s also hard not to wonder if Mark essentially zapping the producer and taking over his mind is a good example of what the Boss wants done with the stuff.  That’s not something that Jonathan has ever done, even though it would have made things a lot simpler.)

People across the country donate money so that Lee can get her operation.  Lee’s cancer goes into remission but the “To Be Continued” announcement at the end of the episode feels a bit ominous.  If Lee’s going to be okay, why does the story need to be coninuted?

We’ll find out next week!

Retro Television Review: Decoy 1.11 “Two Days To Kill”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week’s episode is really, really good!

Episode 1.11 “Two Days To Kill”

(Dir by Stuart Rosenberg, originally aired on December 23rd, 1957)

Selma Richmond (played by a young Diane Ladd!) is the girlfriend of gangster Johnny Troy (Michael Strong).  Johnny is about to go on trial and Selma’s testimony about his crimes is the key piece of evidence against him.  Knowing that Johnny wants Selma dead, the police put her up in an apartment.  Casey is assigned to protect her.

At first, Casey and Selma seem to become unlikely friends.  Selma is flighty and obsessed with Hollywood.  Even though she’s testifying against him, she claims that Johnny is just misunderstood.  Casey, taking some sympathy on her, tells Selma about the man that she loved.  For the first time, we learn something about Casey’s background.  We learn that her husband was a cop and he died in a shoot out.  It’s a surprising moment and one that’s poignantly played by Beverly Garland.  (The camera closes in on her face while she slowly smokes a cigarette.)  Not only does it help us understand why Casey sometimes to seems to be emotionally detached but it also shows the friendship between the two women.  Casey doesn’t open up for many people but she does for Selma.

However, that friendship ends when Selma realizes that Johnny will be facing the death penalty.  Selma manages to sneak a letter Johnny, letting him know where she’s being held.  Johnny shows up at the apartment, carrying a knife.  Casey is waiting for him with her gun drawn.  During the stand-off, Johnny tells Selma that he loves her and Selma believes it.  The Johnny uses his foot to unplug the apartment’s lamp.  In the darkness, he lunges at Selma and Casey opens fire, killing Johnny.  Selma’s response is to shout, “I bet you’re glad you killed him!”

This was an outstanding episode.  Director Stuart Rosenberg, taking over from Teddy Sallis, makes good use of the gritty New York locations.  Each scene is lit like a film noir, with Johnny literally emerging from the shadows at one point.  Rosenberg also gets excellent performances from both Ladd and Garland.  This was a strong episode and the best of the series so far.

Late Night Retro Television Review: 1st & Ten 2.4 “Quarterbacks Tell No Tales”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, a player’s reputation is on the line.  Can he clear his name, even though all the evidence is stacked up against him?

Episode 2.4 “Quarterbacks Tell No Tales”

(Dir by Bruce Seth Green, originally aired on September 15th, 1986)

T.D. Parker (played by O.J. Simpson) is pissed off!  The normally affable former player is angry that someone is dealing cocaine to the Bulls.  The press and the commissioner both assume that the dealer is rookie quartebrack Tim Yinessa.  (That guy that Yinessa caught searching his room last week?  He was a reporter.)  T.D. isn’t so sure.  He thinks that start quarterback Johnny Valentine (Sam Jones) is responsible for the team’s cocaine problem.  T.D. eventually confronts Johnny and tells him to stop with the drugs.

“25% of this league retires injured,” Johnny says, “You’re proof of that.”

T.D. gets so angry that he proceeds to stab Johnny to death punch Johnny in the chest.  “Welcome to the 25%,” he says.

No, T.D.  Johnny said “retired” players.  Johnny’s not retiring yet.  Anyway, Johnny was so coked up that he probably didn’t even feel the punch.

As for Yinessa, he nearly gets kicked off the team when the real dealer plants some cocaine in his locker.  Luckily, his roommate — Jamie Waldren (Jeff Kaake) — steps forward and confesses that he was the owner of the cocaine that the reporter found in the room.  Diana orders Jamie to go to rehab.  “Sure, I guess,” Jamie replies.

While that’s going on, Dr. Death and Mad Dog Smears continued to harass the rookies by ordering one of them to fake a suicide attempt as a part of a practical joke.  At the bar where they hang out, they also sang a song against urine testing.  I’m not really sure why anyone would want to hang out at the bar, as it seems like the whole place only exists so that Dr. Death and Mad Dog can put on painfully unfunny stage shows.  Dr. Death and Mad Dog also told Yinessa that they would kill him if he agreed to random urine testing in order to prove his innocence.  Personally, I think Dr. Death and Mad Dog should focus on their jobs.  Maybe if they did a better job protecting the other players, T.D. wouldn’t have had to retire.  I mean, you can tell it’s really cutting T.D. apart that he can’t play anymore.

So, Jamie is off to rehap, Yinessa is still on the team, and T.D. didn’t have to kill anyone.  All in all, it was a productive week.  To be honest, it’s difficult to judge this show based on traditional standards of good and bad.  Technically, every episode is bad.  This week, however, was slightly less bad than usual.

Retro Television Review: The Love Boat 6.25 “The Dog Show: Putting on the Dog/Going to the Dogs/Women’s Best Friend/Whose Dog Is It Anyway?”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come abroad, we’re expecting you….

Uhmm, maybe not this week, Love Boat.

Episode 6.25 “The Dog Show: Putting on the Dog/Going to the Dogs/Women’s Best Friend/Whose Dog Is It Anyway?”

(Dir by Bob Sweeney, originally aired on March 26th, 1983)

This week’s episode stressed me out.

The cruise line is co-sponsoring a dog show that is going to be held in Mexico.  The dog that wins will not only receive $10,000 but will also become the new “face” of Honeycutt Dogfood.  All the contestants bring their dogs onboard the ship and take the cruise to Mexico.

Seriously, imagine the scene.  Hundreds of dogs on cruise ship, floating in the pool and running through the passageways — YIKES!  I will admit that the majority of the dogs were cute.  There was a white Samoyed dog named Tundra who was just adorable and who could do all sorts of tricks.  But still, I spent the whole episode wondering what would happen if a dog accidentally jumped (or fell — oh my God!) overboard.  What if one of the dogs had fleas and now, everyone on the boat had them too?  Who was cleaning up after the dogs?  And what about a passenger — like me, for instance — who wasn’t really a dog person and who bought a ticket without the knowledge that the ship itself would be home to hundreds of canines?

The storylines also made me anxious, just because none of them made much sense.  (It was obvious that the main concern for this episode was getting as much cute dog footage as possible.)  So, we had Isaac and Gopher buying Tundra from $8 but not realizing that she was a brilliant dog who could do hundreds of tricks.  Isaac and Gopher sold the dog to the Captain and Vicki, just to then realize that Tundra was a sure winner in the dog show.  Isaac and Gopher tried to convince the Captain to sell the dog back but it turned out the Captain already knew Tundra was a winner.  Of course, as employees of the cruise line, neither Gopher nor Isaac nor Vicky should have been allowed to enter a dog in the show in the first place.

And then we had Isaac’s aunt Tanya (Isabel Sanford) running around with a Chihuahua while her husband (Mel Stewart) got jealous.  And we had Pamela (Catherine Bach) realizing that Gary (Dirk Benedict) was the new owner of a dog that she had lost two years before.  And then there was boozy Mrs. Honeycutt (Jo Anne Worley) boarding the ship and searching for her husband, not realizing that he wouldn’t be arriving until the ship reached Mexico.  For his part, Mr. Honeycutt (Gordon Jump) spent most of this episode in Las Vegas with his secretary.

Finally, Harold Pack (Ray Buktencia), who worked in Honeycutt’s mailroom, boarded the boat with some forms from Mr. Honeycutt and was immediately mistaken for his boss.  Pretending to be Mr. Honeycutt, Harold romanced a dog owner named Wendy (Heather Thomas).  Imagine Wendy’s surprise when she learned Mrs. Honeycutt was on the boat and looking for her husband….

Oh God, I’m getting stressed just writing about all this.

Things worked out in the end.  Mr. Honeycutt, having returned from Vegas, announced that there was a tie and all the dogs were winners!  Harold protected Honeycutt’s secret and got promoted to Vice President.  Pamela and Gary decided to own the dog together.  Vicki got Tundra!  Yay!  I was happy about that.  Tundra was adorable!

This episode was exhausting.  Too many dogs, too many half-baked stories, too much overacting on the part of Isabel Sanford, it was just too much.

Late Night Retro Television Review: Pacific Blue 3.5 “Excessive Force”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Earlier tonight, I was thinking I might get to bed early as a way to battle my depression over the election in New York City.  Then I suddenly remembered that I still had to review this stupid show.

Episode 3.5 “Excessive Force”

(Dir by Michael Levine, originally aired on September 7th, 1997)

A bank is robbed in Santa Monica so Chris and Victor ride their little bicycles really fast to the scene of the crime.  Victor gets shot in the behind and he spends the rest of the episode with everyone laughing about the fact that it’s excruciatingly painful for him to sit down.  (Wow, what a great group of people.)  Chris shoots one of the robbers in the neck so he swears revenge on her.

Meanwhile, Palermo’s ex-wife is married to an abusive police detective.  She briefly moves back in with Palermo, they end up going at it on the couch, and their daughter gets upset.

As is almost always the case with this show, it’s hard to get involved in the human drama because all of the humans are pretty dull.  Chris ends up staying at TC’s apartment for her own safety and there’s a lot of “will-they-or-won’t-they” tension but it doesn’t add up to anything because TC is boring and Chris is equally boring so who cares?  Meanwhile, Lt. Palermo just comes across as being the volleyball coach from Hell.

Oddly, this episode had a really impressive guest cast.  Dey Young played Palermo’s ex-wife.  Cliff de Young played her new husband.  John Hawkes — as in future Oscar nominee John Hawkes — played the brother of the guy who wanted to kill Chris.  Even Dorian Gregory, from the weird second season of Baywatch Nights, showed up as an FBI agent.  The guest stars were the lucky ones.  None of them had to pretend to be excited about riding a bicycle.

What a silly show.

Retro Television Review: Fantasy Island 7.17 “Awakening of Love/The Imposter”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  The show is once again on Tubi!

It’s time for a trip to 1984.

Episode 7.17 “Awakening of Love/The Imposter”

(Dir by Bob Sweeney, originally aired on March 17th, 1984)

Wendy Collins (Robin Mattson) is a beautiful model who cannot overcome her trust issues.  She fears that she might be frigid and she even resists Roarke’s attempts to make her fantasy of finding true love come true by setting her up with photographer (Rod McCrary).  Wendy finally reveals the truth to Roarke.  She grew up in a troubled home and, as a result, she has a hard time trusting people.  She’s only had one lover and the lover was….

“An older man?” Roarke asks.

“A woman,” Wendy reveals.

The camera zooms in on Roarke looking shocked.

Welcome to 1984!  Now, today, it’s pretty obvious what would happen.  Wendy would fall in love with the photographer’s assistant, Carla (Renee Lippin), and she would realize that there was nothing wrong with that.  But this episode aired in 1984, which means that Wendy has to find the courage to tell the photographer that her previous lover was a woman and that the photographer will then have to be willing to say that it doesn’t matter.  Basically, Wendy’s fantasy is to be reassured that she’s straight despite having had one same-sex relationship.

Yes, well, hmmm …. hey, what’s going on in the other fantasy?

Arthur Crane (John Davidson) has a compulsive disorder that leads to him assuming other people’s identities.  That’s quite a serious problem and Fantasy Island plays it for laughs.  Roarke tells Lawrence to follow Arthur around the Island and to keep Arthur from taking on anyone else’s identity.  Lawrence is terrible at his job.  (Tattoo could have done it!)  Arthur pretends to be a movie producer.  Arthur pretends to be Mr.  Roarke.  (Okay, that did make me laugh.)  Arthur pretends to be a doctor so Mr. Roarke zaps Arthur into an alternate universe where he is a doctor and he’s going to have to perform surgery on someone who has had a cerebral hemorrhage.  Arthur points out that he doesn’t really have any medical skills or training..  Then he looks at the comatose patient and discovers that it’s ….. HIMSELF!

This storyline had potential but it was done in by some seriously bad acting and the fact that the fantasy was comedic so the viewer knows from the start that Arthur is not going to accidentally kill himself on the operating table.

This was a rather dated trip to the Island.  The main theme seemed to be that Lawrence was thoroughly incompetent.

Late Night Retro Television Review: CHiPs 4.20 “Dead Man’s Riddle”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, the CHiPs team investigates an accident and a guest star gives a really terrible performance.

Episode 4.20 “Dead Man’s Riddle”

(Dir by Michael Caffey, originally aired on May 10th, 1981)

An accident in the mountains causes three cars to explode and one driver to die.  Since the dead driver was a captain with the Los Angeles fire department, the MAIT Team is sent out to recreate the accident and to try to figure out what happened.  They know that at least three cars were involved in the accident.  One driver died.  One driver is in the hospital.  And the other driver appears to be missing.  Getraer suspects that the accident could be due to people racing each other in the mountains.

What makes this episode odd is the casting of Joanna Kerns as psychiatrist Colleen Jacobs.  She’s assigned to the MAIT Team.  She actually drives through the mountains frequently and she even gets involved in racing sometimes.  In fact, she saw one of the cars right before the accident!  At first, she doesn’t bother to share this with anyone.  Instead, she just sits in the background with a guilty look on her face.  Finally, Jon Baker — in an unmarked car — tricks her into trying to race him.  That’s when she finally confesses….

….and faces absolutely no consequences!  Oh sure, Getraer gets a little annoyed and says that it would have been helpful if Dr. Jacobs had been honest from the start.  But Dr. Jacobs is allowed to continue to work with the MAIT Team.  Even though she intentionally withheld evidence from investigators, she’s not charged with obstruction.  Ponch tells her that she’s getting a chance to redeem herself which I don’t think is police policy.  No one comments on the fact that, even though she was worried that she may have previously caused a fatal accident, she still tried to race Baker.  Does no one care that, at the very least, she appears to have no impulse control?

Making things even stranger is that Joanna Kerns gives one of the worst performances that I have ever seen as Dr. Jacobs, delivering half of her lines as if she’s struggling not to laugh.  Even when she’s admitting her fear that she may have been responsible for the accident, she still seems like she’s on the verge of breaking out into laughter.  It’s very odd.

Speaking of odd,  an eccentric old man named Max (Owen Brooks) claims that he saw a UFO before the crash.  (Dr. Jacobs laughs when she repeats this.)  It turns out that he just saw a hubcap flying through the air.

In the end, it’s proven that the captain was not at fault in the accident.  That’s all that anyone really seems to care about.  I assume that Dr. Jacbos and Baker then proceeded to race each back to Los Angeles.