Halloween Havoc!: REPTILICUS (AIP 1962)


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Are you ready for some Danish horror? Well, don’t get too excited; REPTILICUS is a giant monster flick that doesn’t really deliver the goods. The monster itself is on a par with THE GIANT CLAW , the film’s stuffed with stock footage and needless padding, the acting and dialog are way below average. Yet I’ve always liked this loopy movie; it has an endearing charm of its own, and is entertaining in spite of its limitations.

“High above the Arctic Circle”, copper miner drilling into the Earth’s crust hit flesh and bone. Scientists are called in, and sample’s are sent to the Copenhagen Aquarium. A piece of tail is kept in a refrigeration unit, until a sleepy scientist forgets to lock the door tight. The tail begins to rapidly regenerate, and turns into a giant prehistoric lizard dubbed Reptilicus. The giant lizard gets loose and begins to wreak the usual giant lizard…

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Halloween Havoc!: RETURN OF THE FLY (20th Century-Fox 1959)


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Last year’s “Halloween Havoc” took a bug-eyed look at THE FLY , so this year we’ll buzz in on it’s sequel. RETURN OF THE FLY was done on a much lower budget and trades in the original’s Technicolor for black and white, but it’s got a lot going for it. A creepy atmosphere and a strong performance from Vincent Price help lift the movie above it’s admittedly ‘B’ status, and while not wholly successful, it is fun for “Bug-Eyed Monster” fans.

The film opens at the rain-soaked graveyard burial of Helene Delambre, widow of Andre and mother to young Philippe, who’s now all grown up. Uncle Francois (Price) finally relates the truth about Andre’s mad experiments with matter disintegration/reintegration to Philippe, and the brooding youngster now wants to resume his father’s work and vindicate his legacy. Together with his fellow scientist Alan Hines, Philippe begins to reassemble his father’s machinery, moving…

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Strange Days Indeed: Woody Allen’s SLEEPER (United Artists 1973)


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(I’m posting a bit earlier than usual so I can head up to the Mecca of baseball, Fenway Park! Go Red Sox!!)

Full disclosure: I lost interest in Woody Allen around the time he decided to become a “serious” filmmaker beginning with INTERIORS. Sure, I thought ZELIG and PURPLE ROSE OF CAIRO were funny, and A MIDSUMMER’S NIGHTS SEX COMEDY had its moments. But for me, the years 1969-1977 were Woody’s most creative period, spanning from the absurd TAKE THE MONEY AND RUN to the Oscar-winning ANNIE HALL. Landing right about midway in that timeline stands his brilliant sci-fi satire SLEEPER, which owes more to Chaplin and Keaton than Asimov and Arthur C. Clarke.

The fun begins when Miles Monroe (Allen) is woken from his cryogenic sleep in the year 2173. Two hundred years earlier, Miles had been the proprietor of the Happy Carrot Health Food store, and went in for minor surgery on…

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Green Cheese? No, it’s THE GREEN SLIME (MGM 1969)


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We all love a good cheese-fest every now and then, right? Well, THE GREEN SLIME delivers the limburger by the rocket-load, with its rock bottom special effects, silly looking monsters, overwrought dialog, and a cool heavy-metalish theme song (Who was that singer belting out the tune? More on that later!). This MGM/Toei Studios mashup was made with a Japanese crew and American cast, with an Italian pedigree, no less.

An asteroid codenamed ‘Flora’ is hurtling toward a collision course with Earth, and Comm. Jack Rankin is sent to space station Gamma-3 with orders to blow the thing to smithereens. Gamma-3’s Commander, Vince Elliott, holds a longtime grudge against Rankin, and his fiancé Dr. Lisa Benson just happens to be Rankin’s ex. I smell a love triangle brewing! Rankin, Elliott, and other crew members blast off to the asteroid to plant explosives, but there’s this Blob-like, pulsating ooze around gripping their…

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The Roots of STAR WARS (20th Century Fox 1977)


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starwars1

It had to happen sooner or later so, with the new ROGUE ONE: A STAR WARS STORY being released tomorrow, I figure now is a good time to take a look at one of the biggest films of the 1970’s, STAR WARS (retitled A NEW HOPE for you revisionists, but to me it’s still just STAR WARS). I’m pretty sure everyone reading this post is familiar with the story, so rather than rehash the plot, I’m just going to dive right into some points of interest for classic film fans.

starwars2

First off, the movie was originally imagined as a loving homage to serials like FLASH GORDON and BUCK ROGERS. Writer/director George Lucas originally intended to remake FLASH, but couldn’t obtain the rights, so he created his own space opera universe, cobbling bits and pieces from Edgar Rice Burroughs, Joseph Campbell, The Bible, and other sources, including the movies he grew up with and admired…

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Naruto: An unexpected gem for Scifi fans


I don’t know about you but I would never expect to see body modification, body horror, or genetic experimentation in a ninja themed manga.  It’s all in Masahi Kishimoto’s Naruto.

Disclaimer: THE CONTENT BELOW IS FILLED WITH SPOILERS! PROCEED AT YOUR OWN PERIL!

Madara Uchiha implanted his rival, Hashirama Senju’s DNA into his body and gained his botanical manipulation ninjutsu.  A strange growth that resembled Hashirama appeared on his chest as a result.

Studio Pierrot sketches for Madara Uchiha

Obito, descendant of the legendary Uchiha clan, was grievously injured in combat and would have perished without Madara’s intervention.  Madara replaced damaged limbs with White Zetsu parts (a White Zetsu is essentially an artificial plant being derived from Hashirama Senju and possessing botanical manipulation and shape shifting abilities).  Obito could sprout thorns and grow trees from his Zetsu parts.

Studio Pierrot sketches for Obito

Studio Pierrot for Obito 3

Studio Pierrot for Obito 2

Nagato, a descendant of the Uzumaki clan and recipient of Madara’s Rinnegans (a Rinnegan is an ocular mutation possessed by the creator of ninjutsu, the Sage of the Six Path). He was able to manifest black rods on his back which enabled him to animate cadavers, replicate the Rinnegan within them, and utilize the Sage ninjutsu through them.  He is able to “operate” 6 proxies remotely, see through their eyes, and coordinate attacks.

Nagato:

Studio Pierrot sketches for Nagato 9

Studio Pierrot sketches for Nagato 1

Studio Pierrot sketches for Nagato 2

Nagato’s Proxies:

Studio Pierrot sketches for Nagato 3

Studio Pierrot sketches for Nagato 4

Studio Pierrot sketches for Nagato 5

Studio Pierrot sketches for Nagato 6

Studio Pierrot sketches for Nagato 7

Studio Pierrot sketches for Nagato 8

Kabuto, the medical ninja and faithful apprentice of Orochimaru, build upon the genetic research of his master & experimented on himself. He integrated his master’s true form (Orochimaru’s true form is serpentine and composed of a mass of white snakes as a result of his experimentation) into himself and the genetic material of Orochimaru’s elite minions.  Kabuto’s skin became scaly and white, his eyes became serpentine and he gained a body similar to a naga (with a chimera tail). When he entered Sage Mode, he regained humanoid legs, grew horns, and the “chimera tail” moved to his belly button.  His “tail” could replicate the forms of the genetic donors & manifest their unique abilities.

Default Mode:

Studio Pierrot sketches for Kabuto 3

Sage Mode:

Studio Pierrot sketches for Kabuto 1

Studio Pierrot sketches for Kabuto 2

Shin Uchiha is a former test subject and experiment of Orochimaru. His unique body accepted all transplanted organs and genetic material.  He was cloned in order to discover the secret of his unique physiology.  He possesses a transplanted Sharingan eye in his right eye socket (a Sharingan is an ocular mutation unique to the Uchiha clan and consumes a massive amount of energy when transplanted in and used by non-Uchiha).  He has numerous Sharingans all over his body.  He can teleport with his fully evolved eye and control objects he marked telekinetically. He can see through a proxy Sharingan creature and utilize the teleportation ability.

Shin's_father

Shin's_Father_(Arm_of_Sharingan)

Shin's_Mangeky _Sharingan

Spy Creature:

Spying_device

Art Acknowledgements:

Original Art by Masashi Kishimoto and the animation cells are by Studio Pierrot

5 New Pacific Rim Promo Posters


PacificRim

It’s still just a little over 3 months before we get the premiere of Guillermo Del Toro’s return to the big-screen. It’s hard to believe that it’s almost 5 years since he last made a film (Hellboy 2: The Golden Army). His time wandering the world of Middle-Earth for three years and the last two developing his upcoming film and we now just have 3 months to wait for what could either be one of the biggest films of 2013 or a colossal failure.

Pacific Rim looks to introduce the well-worn and popular concept of the giant robot vs. kaiju from Japan to the rest of the world. Fans of this very Japanese pop-culture phenomena have been excited over this film since it was first brought up by Del Toro a couple years ago and more since then. Some have nitpicked that the trailers and teasers have made the film look like an offspring of the Michael Bay Transformers series, but then again all we’ve seen so far have been the robots. There’s still the surprise of how the kaiju will end up looking.

One thing I’ve learned about Guillermo Del Toro’s films have been that whether one likes them or not they’re never lazy affairs. He gives everything to the project and makes sure that his overall vision never get compromised by studio interference (one reason why he seems to back out of doing his dream project At the Mountain of Madness).

So, below are some of the latest promotional posters that show the five giant robots from five Pacific Rim nations who have volunteered to help fight the kaiju.

Striker Eureka from Australia

striker_eureka_jaeger_pacificrim_poster

Cherno Alpha from Russia

ChernoAlphaRussia

Crimson Typhoon from China

CrimsonTyphoonChina

Coyote Tango from Japan

CoyoteTangoJapan

Gipsy Danger from the USA

GipsyDangerUSA

Trailer: Pacific Rim (Official CES)…and Jaeger Designs


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I think Guillermo Del Toro’s upcoming giant robots vs giant monsters summer film will either fail to live up to the hype it’s been gathering since the very first teasers and images were released or the film will blow people’s minds away. This looks to be a film that will not brook any middle-of-the-road reaction. Some will either love it and some will absolutely hate it. Already there’s people who have been dismissing it as nothing but a jumped-up-Michael Bay rip (like that’s even possible) or dismissing it just because it’s a summer blockbuster, special-effects heavy film and not a barely-funded, arthouse, indie foreign film about the meaning of life, existence and the ennui that befalls all.

I, for one, am hyping this film up to beyond what’s safe to hype a film up for (yeah that doesn’t make sense but still deal with it). I’ve been a fan of Del Toro since I first caught his imaginative and inventive take on the vampire myth with Cronos. While he’s earned geek cred for his genre projects he is also once of the few filmmakers who have also gained the respect of the arthouse indie crowd with such films as The Devil’s Backbone and Pan’s Labyrinth.

Enough gushing over the man. It’s all about the new trailer which premiered at this year’s CES over in Las Vegas. One wouldn’t think of CES as a place to premiere new footage about a summe rblockbuster, but as one can spy in this newest trailer it looks like Qualcomm paid some cash to get itself named in the film even if it’s just in the background. Also, just to show just how awesome this film will be there are also the design blueprints of five of the giant Jaegers that we’ve caught glimpses of in the trailer.

          U.S. Jaeger Gipsy Danger          Australian Jaeger Striker Eureka                 Russian Jaeger Cherno Alpha          Chinese Jaeger Crimson Typhoon

Japanese Jaeger Coyote Tango

Trailer: Oblivion (Official)


Oblivion-Movie-Poster

Every year always has a couple of big genre films that seem to continually fly under the radar. This is surprising since people tend to think that films with huge budgets and a cast headlined by one of the biggest names in Hollywood tend to be overhyped before they even reached the big-screen. While I’ve heard of the upcoming scifi and post-apocalyptic film Oblivion for almost two years now it’s still a film that doesn’t generate much talk.

We know several things about Oblivion that came out before the release of the film’s first trailer: 1. it stars Tom Cruise and 2. it’s the follow-up film for Tron: Legacy director Joseph Kosinski. The second part may be one thing that has kept this film from being one of the biggest anticipated films of 2013. Kosinski’s underwhelming sequel to Tron didn’t make many genre fans excited as to what he might come up with next.

The trailer looks to erase some of those doubts as we get to see Oblivion as a very beautifully-shot film. We get see some great looking art direction for the film if the trailer show’s us anything about Oblivion. Plus, it has Morgan Freeman all decked out like one of David Lynch’s Fremen from Dune.

Oblivion is set for an April 12, 2013 release date.

Source: Apple

Trailer: Branded (Official)


Lisa Marie mentioned a particular film trailer that she sawfor a film coming out soon that reminded her of a classic John Carpenter scifi film. This film was Brandedand from looking at it’s official trailer one does see some major similarities between this Russian/American scifi production with the Carpenter subversive scifi film.

The premise looks and sounds interesting but I must admit that the CG aliens/monsters/overlords look to be very subpar in comparison to most CG-effects work nowadays. Another note of interest is that it stars Leelee Sobieski who was once seen by Hollywood as a rising superstar when she first hit the scene over a decade ago. I don’t think I’ve seen her in anything of note until this trailer came along.

Now I won’t say that this film is a straight rip-off of Carpenter’s They Livebut if it includes an extended scene between two men fighting it out in an alley then I shall declare shenanigans.

Branded is set for a September 7, 2012 release date.