Retro Television Review: Fantasy Island 5.18 “Sitting Duck/Sweet Suzi Swann”

Posted on November 19, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

Smiles, everyone!

Episode 5.18 “Sitting Duck/Sweet Suzi Swann”

(Dir by Don Weis, originally aired on March 6th, 1982)

Once again, Julie is not involved in either of this week’s fantasies. At the start of the episode, Roarke tells Tattoo that Julie has been trying to help a guest whose fantasy was to introduce “women’s lib” to cavemen. A woman then runs by while being chased by a caveman. Apparently, the fantasy did not go well. I’m a bit worried that Julie might lose her job because none of the fantasies that she’s involved with ever seem to go well.

As for this week’s guests, Chuck Conners shows up as Frank Barton. Barton is a big-game hunter. He has hunted and conquered almost every type of animal. Now, he wants to hunt the most dangerous animal of all …. okay, okay, you’ve heard all this before. This is not the first time that Fantasy Island has looked to The Most Dangerous Game for inspiration. However, this is the first time that the show has featured a hunter who specifically wants to stalk Mr. Roarke.

It’s a bit of an odd fantasy, though. Frank doesn’t want to chase Mr. Roarke through the forest or anything like that. Instead, Frank just wants to plant booby traps around the Island. If Mr. Roarke survives 24 hours, he’ll be fee to set a few traps of his own. Roarke agrees, explaining to Tattoo that, if Frank doesn’t come after him then he’ll go after someone else. Roarke is doing the world a favor by distracting Frank.

Frank tries, he really does. He tries poison. He tries explosives. Even though Mr. Roarke agrees not to use any of his “special powers,” he always manages to stay a step or two ahead of Frank. Finally, Frank kidnaps Tattoo and that’s when Mr. Roarke says enough of this. If you’ve ever wanted to see Mr. Roarke beat up a guest, this is the episode for you. Frank ends up leaving the Island in the custody of two burly men who are apparently going to check him into a mental hospital. Frank got his fantasy but it didn’t turn out well for him. At least he wasn’t trying to reason with cavemen….

Meanwhile, Suzi Swann (Helen Reddy) comes to the Island with her boss, fashion designer Jack Becker (George Maharis). Suzi is in love with Jack but Jack takes her for granted. Suzi’s fantasy is to fall out of love with him and …. wait a minute! Didn’t Helen Reddy sing “I am Woman?” Why is the show wasting her time with this fantasy when they could have cast her as the guest who wanted to teach the cavemen about equality? If they had done that, Julie could have worked with Helen Reddy and Roarke and Tattoo would have been free to concentrate on Frank and his homicidal fantasy! I mean, I think it was a mistake to give Roarke two assistants for this season but if you’re going to have Julie around, at least let her take part in one of the main fantasies….

Oh well. Let’s get back to the fantasy that actually did happen.

Roarke gives Suzi some magic gumdrops that were apparently made with special Fantasy Island berries. The gumdrops make Suzi feel the opposite of whatever she previously felt. She takes one and immediately announced that she doesn’t like either Roarke or Tattoo. “You’re short!” Suzi says to Tattoo which …. ugh. That’s a terrible line, considering that the show has previously always treated Tattoo’s height with a good deal of sensitivity.

Suzi is no longer in love with Jack and instead, she finds herself attracted to the mysterious Claude Duvalle (James Darren). But the fact that she is no longer willing to be Jack’s doormat leads to Jack realizing that he failed to appreciate her. Jack falls in love with Suzi and Suzi falls back in love with Jack.

As Suzi and Jack leave together, Tattoo suggests that Rorake failed to give Suzi her fantasy. Roarke explains that Suzi fell out of love with the old Jack but then she fell in love with the new Jack so actually, he totally succeeded. Uhm….whatever you say, Mr. Roarke.

Roarke then takes a magic gumball and tells Tattoo, “I don’t like you.”

AGCK! But actually, the gumball makes its user for the opposite of what they actually feel so Mr. Roarke actually does like Tattoo! Awwww! I’m glad that’s cleared up.

I enjoyed this episode. Much like last week’s episode it felt like a throwback to the first two seasons of Fantasy Island. Neither fantasy really made much sense but both Roarke and Tattoo got to do a lot and that really made all the difference. Fantasy Island always works best when Roarke and Tattoo are more than just bystanders.

Retro Television Review: Fantasy Island 5.17 “Funny Man/Tattoo, The Matchmaker”

Posted on November 12, 2024 by Lisa Marie Bowman

Smiles, everyone! Smiles!

Episode 5.17 “Funny Man/Tattoo, The Matchmaker”

(Dir by George W. Brooks, originally aired on February 20th, 1982)

For the second week in a row, Julie only appears in the stock footage at the start of the episode. And again, for the second week in a row, no mention is made of her. Mr. Roarke doesn’t say anything about why she’s not greeting the guests at the docks. Tattoo doesn’t seem to care.

This is actually a big episode for Tattoo. It turns out that Tattoo has a side hustle going. He’s running a computer dating service! (This isn’t surprising. During the early seasons of the show, Tattoo always had some sort of extra money-making scheme going on.) He’s invited both Harriet Wilson (Laurie Walters) and Claudette Mills (Misty Rowe) to the Island so that they can be set up with the perfect future husband. Usually, Roarke isn’t happy when Tattoo invites people to the Island on his own but this time, he doesn’t seem to be too upset about it. He tells Tattoo that the two women and their fantasies will be his responsibility. At one point, Roarke even mentions that Tattoo is in charge of overseeing all of the weddings that occur on Fantasy Island. Does that include Mr. Roarke’s wedding from a few seasons ago?

However, there’s a problem. Tattoo’s big computer has decided that both Harriet and Claudette should marry Mr. Roarke. Tattoo and his business partner, Ambrose Tuttle (Skip Stephenson), think that the computer must be malfunctioning but Tattoo did promise the women that he would set them up with the most charming man on the Island and what better description is there for Mr. Roarke?

Mr. Roarke is not particularly amused to discover that he is now expected to marry two women who he doesn’t even know. Considering the tragic ending of Mr. Roarke’s previous marriage, this isn’t a huge shock. Roarke tells Tattoo that he has to find other husbands for both Harriet and Claudia. Fortunately, Amrbose Tuttle is single and a former football player (Russ Francis) has also come to the Island. Can Tattoo pull it off and help all four of these people fall in love? To quote Mr. Roarke, “Indeed, he can.” This is Fantasy Island!

Along with learning about Tattoo’s computer dating operation, we also learn about Tattoo’s favorite comedian. Beau Gillette (Jimmy Dean) has built a successful career telling jokes about his redneck family. What he’s never told anyone, including his fiancée (Vicki Lawrence), is that his family is imaginary. Beau grew up in an orphanage and created his family in his head so he wouldn’t be lonely. Beau’s fantasy is for his family to exist, just so he can introduce them to his fiancée. Mr. Roarke suggests that it might be a better idea for Beau to just tell the truth but Beau’s like, “Nah, let’s just bring imaginary people to life.”

While Beau’s performing his act, Uncle Jack (Morgan Woodward), grandma (Jeanette Nolan), and cousin Lindy (Linda Thompson Jenner) all come to life. The only problem is that they all know that they’re really imaginary and they’re not happy that Beau’s been thinking less about them and more about his fiancée. They decide that Lindy should break up Beau’s engagement by seducing him. And if they doesn’t work, they can just kill Beau’s fiancée….

Wow, that got dark!

Actually, this isn’t a very dark fantasy at all. Both fantasies are played largely for laughs. Beau, realizing that his imaginary family has been a crutch that he’s been using for too long, confesses that they don’t really exist and, as a result, they all fade away. Beau’s free to get married and I guess come up with new act. Yay!

Much like last week, this episode felt like a throwback to the early seasons of Fantasy Island. Tattoo got a storyline and Mr. Roarke was heavily involved in the fantasies, as opposed to just being a bystander. Both Herve Villechaize and Ricardo Montalban appeared to be having fun in this episode and, as a result, it was fun to watch, even if it was hard to buy into the idea the Beau Gillette’s rather anodyne jokes about his redneck family would have made him into a star. Largely due to Tattoo and his computer dating service, this was an enjoyable trip to the Island.

Retro Television Review: Fantasy Island 5.16 “The Challenge/A Genie Named Joe”

Posted on November 5, 2024 by Lisa Marie Bowman

This week, Fantasy Island reminds us why we love this show in the first place.

Episode 5.16 “The Challenge/A Genie Named Joe”

(Dir by Cliff Bole, originally aired on February 13th, 1982)

Now, this is a great episode!

Julie doesn’t appear in this episode, beyond the usual stock footage that appears at the start of every season 5 episode. In fact, Julie isn’t even mentioned in this episode. Instead, it’s Roarke and Tattoo all the way. Roarke and Tattoo greet the visitors together. Tattoo is the one who helps Roarke put the fantasies together. Roarke and Tattoo say goodbye to everyone at the end. In a way, this episode felt like a throwback to the first two seasons of Fantasy Island.

The fantasies feel like throwbacks to the first two seasons as well, with both of them featuring interesting guest stars and just enough twists to keep things interesting. We’ve got one comedic fantasy and one dramatic fantasy but the comedic fantasy is not too silly and the dramatic fantasy is not too serious. The episode manages to strike a pretty good balance between the two so, for once, neither fantasy feels rushed or short-changed.

The comedic fantasy features Kim Darby as Rebecca Walters, who wants to find a husband who is courteous and handsome. Tattoo takes her out to the magical Fantasy Island lagoon, where she meets a genie named …. well, he has a really long genie name but fortunately, he’s happy to be called Joe (Larry Linville). Joe can grant Rebecca three wishes. As always happens with genies, Rebecca wastes her first two wishes. For instance, when she says that it’s a little bit too warm for her, Joe grants her wish and temporarily turns Fantasy Island into a winter wonderland, complete with snow and Christmas music playing. (Seriously, the sight of snow on Fantasy Island was surprisingly charming, as was Tattoo’s shocked reaction.) In the end, of course, Rebecca comes to discover that she loves Joe. Joe transforms from a genie-into-a-man and they leave the Island together. It was a charming and cute fantasy. Both Darby and Linville seemed to be having fun with their roles and they had a surprising amount of chemistry together. This was a fun fantasy.

As for the dramatic fantasy, it allowed us to learn a little about the history of the Island. Apparently, centuries ago, the Island belonged to a Spanish sea captain. Ruthless tycoon Douglas Picard (Vic Morrow) came across the deed to the island after he moved into a villa that once belonged to the captain. Picard claims that the Island is legally his. Roarke points out that the deed is several centuries old and that it would take years for the legal system to sort out who owned what. Picard challenges Roarke to three challenges to decide who will own the island, challenges that will test the mind, body, and spirit of the two men. The person to win two of the matches also wins the Island. Roarke agrees.

Here’s the thing that I find interesting about all of this. First off, it’s implied that the Spanish sea captain was a part of the Spanish Armada. Why would the Spanish Armada have been in the South Pacific? Even more importantly, though, was the island still capable of granting fantasies when it was owned the Captain? Are the fantasies created by the Island or by Mr. Roarke? The case for the Island being magical can be found in this very episode, in which Tattoo takes Rebecca to a lagoon inhabited by a genie. Throughout the series, there have been many such locations on the Island. But Roarke himself is clearly more than just the charming owner of a resort. Ricardo Montalban once said that he felt Roarke was a fallen angel who was doing penance on the Island. That’s an interesting idea and would certainly explain why Roddy McDowall’s Devil always seemed to want to steal Roarke’s soul. Of course, the Blumhouse film and the recently-canceled reboot both suggested that Fantasy Island has had many different caretakers but I’m not sure that I consider either one of those to be canonical. I kind of like the idea Roarke having lived on the Island for centuries, like Richard on Lost.

Anyway, the three competitions are actually pretty interesting. The first one is a chess match that is won by Roarke. The second one features Roarke and Picard arm-wrestling over a killer spider. Roarke is in on the verge of winning that one but allows Picard to have the victory rather than kill him. The third competition is to do something selfless that improves someone else’s life. (I’m not sure how the winner would be selected but we’ll just go with it.) Picard gives money to a charity that he knows little about. Roarke, however, wins because he made Picard’s sister, Eunice (Jane Powell), happy by choosing not to kill Picard. Picard is so happy to finally see Eunice happy that he decides he doesn’t need to take ownership of Fantasy Island. Everyone leaves the Island a better person than they were when they arrived. Yay!

As I said before, this episode felt like a throwback to the earlier seasons of Fantasy Island. This was a great trip to the Island!

Retro Television Review: Fantasy Island 5.15 “The Case Against Mr. Roarke/Save Sherlock Holmes”

Posted on October 29, 2024 by Lisa Marie Bowman

This week, Mr. Roarke might be a father!

Episode 5.15 “The Case Against Mr. Roarke/Save Sherlock Holmes”

(Dir by Don Weis, originally aired on February 6th, 1982)

After last week’s episode with Julie, Tattoo returns this week and Julie is nowhere to be seen. When Mr. Roarke asks where Julie is, Tattoo mentions that Julie is helping with the Custer’s Last Stand fantasy. At this point, I can only assume that a life insurance policy has been taking out on Julie and Roarke or Tattoo, or maybe both are trying to get her killed so they can collect.

Julie not being present means that she misses out on one of the biggest scandals in Fantasy Island history. A former guest, Fran Warner (Laraine Stephens), returns to the Island after seven years. Accompanying her is her six year-old daughter, Nancy (Nicole Eggert). Fran loudly declares that Mr. Roarke is Nancy’s father and that he now has an obligation to take care of her. Fran even has a birth certificate where, under the father’s name, someone has written — and I kid you not — “Mr. Roarke.”

Is Mr. Roarke the kid’s father? As is his habit, he refuses to answer the question directly when Tattoo asks it. But it soon turns out that no, Mr. Roarke is not Nancy’s father. Instead, Fran is sick and may be dying and she wants to make sure that Nancy is cared for. When Nancy learns the truth, she runs away and Tattoo leads a search party across the Island. Fear not, of course. Nancy is found and a very forgiving Mr. Roarke allows Nancy and Fran to stay on the Island. And Fran’s terminal disease suddenly becomes less terminal!

While this is going on, security guard Kevin Lansing (Ron Ely) gets to live his fantasy of helping a great detective. Kevin doesn’t care which detective he gets to help so Roarke sends him back to Victorian-era London so that Kevin can work with Dr. Watson (a charming Donald O’Connor) to save Sherlock Holmes (Peter Lawford, not looking well in one of his final performances) from the clutches of Moriarty (Mel Ferrer, being as sinister here as he was in countless giallo films). Kevin also falls for Nurse Heavenly (RIta Jenrette, the wife of a corrupt Democrat member of Congress) and is pleased to discover that she’s not really Moriarty’s assistant. Instead, she was just another guest on the Island having a fantasy.

The Sherlock Holmes story was silly but fun, in the way that Fantasy Island often is. It’s always interesting when this show goes into the past and we get to see how the show’s crew dressed up the show’s sets to try to make them look historically accurate. The same street appears in every episode but sometimes, that street is in 1890s London and sometimes, it’s in 1690s Salem and sometimes, it’s just in modern day Fantasy Island! As for the Mr. Roarke’s a father storyline, it was predictable but still, it was a good showcase for Ricardo Montalban’s enigmatic interpretation of Mr. Roarke.

This was a pleasant trip to the Island!

Retro Television Review: Fantasy Island 5.14 “Daddy’s Little Girl/The Whistle”

Posted on October 22, 2024 by Lisa Marie Bowman

This week, the stars align and John Carradine shows up on Fantasy Island.

Episode 5.14 “Daddy’s Little Girl/The Whistle”

(Dir by Don Chaffey and Don Weis, originally aired on January 30th, 1982)

The plane is landing and Mr. Roarke and Julie are getting ready to meet their guests for the weekend. But wait a minute — where’s Tattoo!? Roarke explains that Tattoo has volunteered to spend the weekend learning how to do CPR. When a voluptuous nurse walks by, Julie rolls her eyes and says that Tattoo only cares about learning “mouth-to-mouth.”

“Julie!” Mr. Roarke snaps, even though Julie is probably correct.

Anyway, any episode without Tattoo feels strange and that’s certainly true of this episode. There are two fantasies, one of which was dramatically better than the other. The lesser of the two fantasies involves Christa Ackland (Genie Francis) and her efforts to find out the identity of her father. All she knows is that her mother (Carolyn Jones) knew her father in the Philippines during World War II. Christa is going to be married on Fantasy Island and she wants her real father to give her away.

Three men, all of whom served in the Air Force together, step forward and claim, one after the other, to be Christa’s father. When Christa finally confronts her mother, she learns that her father is not Gene (John Ericson), Al (Alan Hale, Jr.), or Bert (Gene Nelson). Instead, he was a guy named …. well, Guy. Guy was shot down while on a mission. Gene, Al, and Bert all explain that the stepped forward and claimed to be her father out of loyalty to Guy and because they didn’t want Christa to learn on her wedding say that her father was dead. (Apparently, they felt that information would be better received after the honeymoon.) Christa is surprisingly forgiving. She realizes that her stepfather (William Windom) has more than earned the right to give her away. Christa marries George Stickney (James Daughton, the head of the evil frat in Animal House) and Julie cries at the wedding. Awwww!

The main problem with this storyline was that Genie Francis gave a surprisingly bad performance as Christa. Instead of coming across as someone who truly wanted to know about her real father, she instead came across as being petulant and more than a little self-righteous. Carolyn Jones, William Windom, and the three potential fathers were all likable but none could make up for the unsympathetic lead character.

The other fantasy was a bit more fun, even if was impossible to follow the story. Iconologist Adrian Brilles (Edward Winters) dreams of making a great discovery that will bring him fame and prove his theories about ancient hieroglyphics to be correct. Mr. Roarke sends him to a ghost town that is also the home of a museum of ancient artifacts. Working with curator Leila Proctor (Ann Turkel), Adrian discovers what he describes as being “the Rosetta Stone of hieroglyphics.” He also discovers an ancient whistle that will grant him three wishes.

There are a few townspeople, all of whom take a lot of interest in Adrian’s work. Their leader is the town’s mortician and he’s played by — YES! — JOHN CARRADINE! And though Carradine doesn’t get to do much and was obviously physically frail when he filmed this episode, his famous voice and his piercing stare combine to make the Mortician a memorable character. There’s also a fairly ridiculous scene where the townspeople reveal their true selves, which means dancing around while wearing rubber demon masks. It’s silly but it’s effective.

It’s never quite clear what’s happening at the ghost town, beyond the three wishes being a set up to bring the demonic townspeople into the world and to cost Adrian his soul. Fortunately, Mr. Roarke pops up and gives Adrian some cryptic advice about the third wish being the most important. For his first wish, Adrian wishes for the townspeople to be their true selves. (Cue the demon dance.) For his second wish, he goes for fame and adulation. For his third wish, he cancels the first two wishes and this somehow set free not only his soul but Leila’s as well.

Yep, it doesn’t make much sense but it’s got John Carradine and a bunch of horror imagery so it’s fun. That’s all I really ask for when it comes to Fantasy Island. The whistle fantasy makes up for the wedding fantasy and the lack of Tattoo. This was a worthwhile trip to the Island.

Retro Television Review: Fantasy Island 5.13 “King Arthur in Mr. Roarke’s Court/Shadow Games”

Posted on October 15, 2024 by Lisa Marie Bowman

This week, King Arthur comes to Fantasy Island!

Episode 5.13 “King Arthur in Mr. Roarke’s Court/Shadow Games”

(Dir by Philip Leacock, originally aired on January 23rd, 1982)

Yay! Tattoo is present in this episode!

Listen, there’s nothing wrong with Wendy Schaal and it’s not her fault that the character of Julie was seriously underdeveloped by the show’s writers. But I have to admit that I always cheer a little whenever an episode opens with Julie being sent to take care of something elsewhere on the Island. In this case, Julie is sent to find a home for five adorable kittens while Tattoo and Mr. Roarke deal with this episode’s guests.

Sara Jean Rawlins (Linda Blair) is a country music singer who comes to Fantasy Island with her manager, Sam (the always sinister Peter Mark Richman). Sara Jean wants to record her song Shadow Games and she wants her former collaborator and boyfriend, Billy, to play guitar on the track. The only problem is that Billy is believed to have died in a fiery car crash. Mr. Roarke says that Sara Jean’s fantasy can come true but only if she has total and complete faith. Plus, she needs to let guitarist Todd Porter (Don Most) play with her. “It is very important to the success of your fantasy,” Roarke tells her. Hmmm….I wonder why.

Hey, do you think that maybe Billy isn’t dead and instead, he’s disguised himself as Todd Porter? That would certainly explain why Todd’s guitar playing sounds just like Billy’s. And do you think it’s possible that Sam, who is played by an actor who was always cast as a villain no matter what, might turn out to be the story’s true villain?

This fantasy was predictable and Linda Blair overacted the whole “country” aspect of her character but I did like the Shadow Games song. And Mr. Roarke played the piano at one point! It’s always fun when Mr. Roarke shows off a new skill. (Apparently, Montalban himself was a very talented pianist.)

As for the other fantasy, Ralph Rodgers (Tom Smothers) wants to go to the past so he can meet King Arthur. He specifically says his fantasy is to “meet King Arthur.” Ralph is briefly sent back to Camelot but, just as abruptly, he returns to the present and he brings Arthur (played by Robert Mandan) with him! Roarke admits that something must have gone wrong with the time traveling spell but he also points out that Ralph wanted to “meet King Arthur” and now he’s met him.

Now, what do you picture when you think of King Arthur? Young? Handsome? Battle-weary? Romantic? British?

Here’s what Fantasy Island gives us.

Now, if you’ve ever seen any old sitcoms from the 70s and the 80s, you’ll probably recognize Robert Mandan. He was one of those actors who always seemed to play stuffy authority figures. He was always the overprotective father or the greedy businessman or the principal who wasn’t going to stand for any foolishness in his school. Robert Mandan was not a bad actor but he was also definitely not British. But you know what? Robert Mandan is so miscast as King Arthur that it actually becomes kind of charming.

King Arthur and Ralph wander around the Island while Roarke works on finding a way to send Arthur back to Camelot. Arthur gets harassed by a group of roughnecks who don’t seem like they really belong on the Island. (Maybe they work at that fishing village that showed up in one episode and was then never mentioned again.) Arthur also reveals that his wife, Gwynevere, had vanished. Ralph eventually goes off on his own and runs into a British woman who says her name is Gwen (Carol Lynley). She explains she came to the Island because her politician husband was too consumed with work. Hmmmmm….

The important thing is that

Arthur and Gwen are reunited
Arthur knights Ralph before he and Gwen return to Camelot and,
There’s a masquerade ball and Tattoo dressed up like a knight!

This was a silly but cute episode. Between Robert Mandan as King Arthur and Linda Blair singing country music, this episode was so weird that it was impossible not to enjoy it. I just hope Julie found a home for all those kittens.

Retro Television Review: Fantasy Island 5.12 “The Magic Camera/Mata Hari/Valerie”

Posted on October 8, 2024 by Lisa Marie Bowman

This week’s episode presents your erstwhile reviewer with a bit of an ethical quandary.

Episode 5.12 “The Magic Camera/Mata Hari/Valerie”

(Dir by Don Chaffey and Don Weis, originally aired on January 16th, 1982)

I don’t feel completely comfortable about reviewing this episode of Fantasy Island and I’ll tell you why.

Occasionally, Fantasy Island would broadcast an extra-long episode. These episodes would typically feature three fantasies as opposed to the usual two. Unfortunately, when these long episodes were syndicated, one of the fantasies would be edited out so the episode would fit into an hour-long slot. Usually, the editing was not particularly smooth, either. The end result would usually be an episode that seemed oddly paced and the performances of Ricardo Montalban and Herve Villechaize would often seem uneven as well. As such, it’s neither easy nor particularly fair to review those edited episodes. When it comes to reviewing, I always want to see the complete episode.

And yet, now that the original Fantasy Island is no longer streaming anywhere (seriously, what the Hell, Tubi?), I’m stuck using the episodes that I have on my DVR. And that means reviewing the edited, syndicated versions of these episodes.

As you can probably guess, this is one of those edited episodes. The Valerie fantasy was removed for syndication. That’s a shame because Valerie featured the final televised performance of actor Christopher George, a charismatic B-movie veteran who is pretty popular around the Shattered Lens offices. It also featured Michelle Phillips, though apparently she did not return as the mermaid who she played earlier on the show. I’d love to review Valerie but I can’t. And that sucks,

As for the other two fantasies, one is basically a remake of the Lillian Russell fantasy, except this time Martha Harris (Phyllis Davis) goes into the past and finds herself transformed into her great-grandmother, Mata Hari. She gets to dance. She gets to spy. She gets thrown in prison and sentenced to death but, fortunately, her life is spared when the firing squad’s rifles are filled with blanks and she’s given a drug by one of the men who is in love with that makes her appear to be dead. This was a enjoyable fantasy, mostly because of the costumes and the melodrama.

The other fantasy features Bob Denver, coming to the Island for the second week in a row. This time, he’s a photographer who wants to take the type of pictures that the world’s greatest photographers couldn’t. Because of the awkward way the fantasy was stated, the photographer ends up with a camera that takes pictures of the future. At first, the photographer is really happy and uses his camera to commit a little insider trading. But then he takes a picture of a newspaper and sees a headline announcing his death in a fiery auto accident. Uh-oh!

Again, neither of the two fantasies is bad (though the second one does require a certain tolerance for Bob Denver that some people may not have) but it was hard for me to enjoy them knowing that I was missing out on a third fantasy. For that reason, I assigning this episode a grade of incomplete. If I ever get a chance to watch the complete episode, uncut, I’ll revisit this review but until then, I really can’t give an overall grade to this episode.

Finally, for those keeping track, both Julie and Tattoo join Roarke when it’s time to greet the guests. That’s only second time that’s happened this season.

Retro Television Review: Fantasy Island 5.11 “House of Dolls/Wuthering Heights”

Posted on October 1, 2024 by Lisa Marie Bowman

This week, it’s all about the power of imagination.

Episode 5.11 “House of Dolls/Wuthering Heights”

(Dir by Philip Leacock, originally aired on January 9th, 1982)

After being absent last week, Tattoo returns for this episode. That means that Julie, once again, is too busy on the other side of the Island to assist Mr. Roarke this week. The excuse that the show’s writer come up with to explain Julie’s absence is that she accidentally opened up a box of Fantasy Island butterflies that were meant to be delivered to the San Diego Zoo. Now, Julie has to catch all of the butterflies. Good luck, Julie!

As for the fantasies, they both deal with imagination.

Clarissa Bevis (Britt Ekland) is a librarian who is single because she’s never met a real-life man who can compare to Heathcliffe from Clarissa’s favorite novel, Wuthering Heights. Clarissa wants to enter the world of the novel so that she can meet Heathcliffe and hopefully put her obsession with him behind her. Mr. Roarke grants her fantasy but warns her that she must not change the plot of the book in any way. That strikes me as an odd rule because it’s not as if Clarissa is traveling into the past. She’s entering her imagination so why would it matter if she decided to do what so many other readers have done and imagine a different ending to her favorite novel?

Clarissa finds herself approaching Wuthering Heights. Heathcliffe (Hugh O’Brian) sees her and declares that his beloved Catherine has come back to life. Meanwhile, Edgar Linton (Richard Anderson) believes that this proves Heathcliffe has gone mad and starts to plot to have Heathcliffe declared insane so that Edgar can claim Wuthering Heights and all of its farmland as his own. To be honest, if we’re in Clarissa’s imagination, I can only assume that she’s only seen a movie version of Wuthering Heights because neither Heathcliffe nor Edgar behave like their characters in the book (In particular, Edgar is portrayed as being a cartoonishly evil villain.) And, it should be noted, no mention is made of Cathy, Linton, Hindley, Isabella, Harleton, or any of the book’s other characters. How is Clarissa supposed to stay true to the plot of a book that she’s never read?

As for the other fantasy, Francis Elkins (Bob Denver) is a maker and dresser of mannequins, He’s fallen in love with one of his mannequins — “Hey, that’s not creepy at all,” I say while dramatically rolling my eyes — and his fantasy is for her to come to life. Roarke gives Francis a magical medallion thing that Francis uses to bring Courtney (Barbi Benton) to life, with the understanding that Courtney will only be human for two days. Eager to live as much life as possible, Courtney uses the medallion to bring to life three other mannequins to serve as the members of her squad. She also flirts with two salesmen (Larry Storch and Joey Forman) by telling them that’s she’s from Bloomingdale’s (“Oh yeah,” Storch says, “that town in Indiana,”) and that she’s only six years old. Fortunately, Francis’s love for Courtney is so strong that Courtney remains human even after the two days are up.

At the start of this fantasy, Roarke promises Tattoo that it will be the most delightful fantasy ever. Barbi Benton did a good job in the role of Courtney and she certainly showed more comedic timing here than she did during previous visits to the Island. But I don’t know …. the whole falling in love with a mannequin thing was a little too creepy to be delightful.

That said, this was an entertaining episode, even if neither fantasy really worked. Barbi Benton got to show off her comedic timing and the Wuthering Heights fantasy was enjoyably melodramatic, even if it got the book wrong and even though all-American Hugh O’Brian was not exactly the most convincing Heathcliffe. This was a nice enough trip to the Island.

I wonder if Julie ever found those butterflies.

Retro Television Review: Fantasy Island 5.10 “A Very Strange Affair/The Sailor”

Posted on September 24, 2024 by Lisa Marie Bowman

This week’s episode is about angels and Flying Dutchmen.

Episode 5.10 “A Very Strange Affair/The Sailor”

(Dir by Cliff Bole, originally aired on January 2nd, 1982)

This episode begins not with Mr. Roarke meeting the plane but instead with him heading out alone to the beach, where he meets a ghost ship that is being steered by Captain Hendrik Van Horton. Captain Van Horton is the legendry Flying Dutchman, the sailor who cursed God when he failed to defeat the Spanish fleet and who is now cursed to sail the ocean until he finds a woman who not only loves him but who is “willing to sacrifice her life” for him. Every seven years, Captain Van Horton is allowed to spend two days on dry land and he almost always comes to Fantasy Island.

And yes, this all sounds very intriguing and it is an interesting way to open this episode. I’m so used to the stock footage of Roarke driving down to the docks that it’s always a bit jarring to see something different. However, Captain Van Horton is also played by the reliably stiff (if likable) Peter Graves. Graves’s deadpan and straight-forward acting style made him the ideal actor for certain roles, usually as a professional of some sort. However, Graves’s rather stoic persona did not make him the best choice to play a tortured sea captain, cursed to sail on the ocean for an eternity.

As for his fantasy, the captain is lucky enough to be on the Island at the same time as Laura Myles (Florence Henderson), whose fantasy is to fall in love with an old-fashioned man’s man. She falls for the Captain, despite the attempts of her ex-boyfriend, Bill (Brett Halsey), to win her back. Unfortunately, the Captain loses his temper and punches the well-meaning Bill. Bill is willing to forgive the Captain but Mr. Roarke explains that the Island police are not as forgiving. (Doesn’t Mr. Roarke control the police? It’s his Island!) Captain Van Horton needs to marry Laura and then leave.

Captain Van Horton explains that he’s fallen in love with Laura but he can’t ask her to die for him. Laura says that she would be willing to die for a man who she has known for a day and half. Roarke then reveals that Laura doesn’t have to die. She just has to be “willing to die.” (Wow, what a silly curse!) The Captain and Laura sail off together but you have to wonder how the Captain feels about discovering, after hundreds of years of wandering, that there was an easily exploitable loophole to the curse.

As for the other fantasy, Ron (Dick Smothers) needs some confidence so he’ll be able to talk notorious tightwad, J.D. Stoneman (Hans Conried) i,nto investing in an orphanage. Roarke rings a bell and summons an angel, Miss Harbringer (Shelley Smith). Miss Harbringer gives Ron a pep talk and even goes to talk to Stoneman herself. Of course, Miss Harbringer’s real purpose is to make Ron’s wife, Elaine (Arlene Golonka), so jealous that Elaine will take over and encourage Ron to talk Stoneman into giving him the money.

Anyway, Miss Harbringer flirts with Stoneman and convinces him to invest in a good cause. But she allows Ron and Elaine to believe that it was Ron’s powers of persuasion that convinced Stoneman to invest. It’s kind of sad that Ron and Elaine forget about Miss Harbringer as soon as they get their money but Roarke says that’s the way it is for angels. I don’t think that’s true, though. I bet George Bailey never forgot Clarence.

(Atta boy, Clarence!)

Tattoo is not in this episode so it’s Julie’s turn to assist Mr. Roarke. What’s odd is that the episode doesn’t even offer up any explanation as to where Tattoo has disappeared. This episode was a bit on the blah side so it definitely could have used Tattoo. A random llama shows up at the end of the show and I liked that. Llamas are cute. But otherwise, this was a forgettable trip to the Island.

Retro Television Review: Fantasy Island 5.9 “Romance Times Three/The Night of the Tormented Soul”

Posted on September 17, 2024 by Lisa Marie Bowman

Smiles, everyone, smiles! It’s time to visit the Island.

Episode 5.9 “Romance Times Three/The Night of the Tormented Soul”

(Dir by Don Weis, originally aired on December 5th, 1981)

This week again finds Tattoo working as Roarke’s assistant, which again means that the episode opens with Julie explaining that she won’t be able to help out Roarke and Tattoo with any of the new people coming to the Island. What makes this week memorable as far as Julie excuses are concerned is that the reason Julie can’t help is because she’s been given a difficult task by Tattoo. A 300-pound woman has come to the Island with a fantasy of leading the Charge of the Light Brigade and Tattoo has told Julie to find a horse for her. Tattoo smirks as Julie tells Roarke. Roarke wishes Julie luck while declining to help her himself.

As for the fantasies, let’s get the boring one out of the way first. Sally Harris (Georgia Engel) works for a phone answering service. I had to look this up via Google but apparently a phone answering service was something that people and companies used in the days before texts, voice mail and email. Someone like Sally would answer the phone for you, collect your messages, and then call you later to give them to you. I guess it was something that companies did when they were too cheap to hire a receptionist or a personal assistant. I don’t know, it just seems strange to me.

Sally has fallen in love with three of her clients, though she hasn’t actually met any of them. Jack (Frank Bonner) is a bon vivant who calls her for love advice. Tony (Frank Converse) is a businessman who calls her for financial advice. Ben (David Groh) is a writer who often discusses his writer’s block with Sally. All three of the men have come to the Island. Sally fears how the men will react to discovering the real her so Mr. Roarke casts a spell and tells Sally that each men will see her the way that he thinks of her. Tony sees Sally as a prim and determined businesswoman. Jack sees her as a dark-haired seductress. And Ben sees her as a …. well, as a clown. He has always resented Sally’s advice. Of course, Ben is the one who ultimately falls in love with the real Sally.

It’s not a bad idea for a fantasy but it doesn’t really work because Georgia Engel isn’t convincing whenever she takes on any of Sally’s different personas. No matter what costume she’s wearing, she still delivers all of her lines in this high-pitched whisper that sometimes make it difficult to understand what she’s saying. (She’s not quite as inaudible here as she was in Jennifer Slept Here but still, I did struggle to hear everything she said.) The men are all thinly written, as well. I was glad she ended up with the writer but in the end, I really wouldn’t have cared that much if she had ended up with the businessman or the sex addict.

The better fantasy features Stephen Shortridge and Dianne Kay as Jason and Beth Martinique. When they were children, Beth and Jason survived a shipwreck and washed up on the shore of Fantasy Island. They were raised by a local millionaire, Richard Martinique (Richard Anderson) and their nanny, Blanche Barrens (Elinor Donahue). Both Richard and Ms. Barrens died one stormy night. Richard was shot and Ms. Barrens’s neck was broken in a fall. Jason and Beth want to go back to their childhood home so they can learn what happened that night. Fortunately, the ghosts of Richard and Ms. Barrens are still in the mansion, giving Jason and Beth a chance to see the tragic accident that led to the deaths of both Richard and Ms. Barrens. Even better, Mr. Roarke and Tattoo show up to inform Jason and Beth that they aren’t really brother-and-sister and therefore, they are free to pursue a romance. That’s good because, before Roarke showed up, Jason and Beth were gazing at each other like the brother and sister from the old Folger’s commercial. You know who I’m talking about.

I always enjoy it when Fantasy Island deals with ghosts and haunted mansions and this fantasy was filled with atmosphere and melodrama. The accident that led to death of Richard and Ms. Barrens was ludicrous and yet somehow poignant at the same time.

So, an overall mixed review on this episode but I think the ghost fantasy makes up for the other fantasy. Plus, Tattoo gets to show off his karate skills! Let’s see Julie do that!