Music Video of the Day: This is Halloween, covered by Leo Moracchioli (2018, dir by Leo Moracchioli )


Indeed, it is!

This version was done Leo Moracchioli, a musician from Norway who has a band called Frog Leap.  If you like his cover, check out some more stuff from him:

You can buy his albums or singles here:

DIRECT FROM HIM (LOSSLESS) ► http://bit.ly/2usJ3lq

ITUNES ► http://apple.co/1Lni4PR

AMAZON ► http://amzn.to/1U2rqUa

GOOGLE PLAY ► http://bit.ly/1SOd6Nx

 

Frog Leap Studios Merchandise here:

US ► http://bit.ly/1qZ64KP

EU ► http://bit.ly/1NXI3Zz

 

Also he can be followed here:

Youtube ► http://youtube.com/leolego

Facebook ► https://www.facebook.com/FrogLeapStudios

Twitter ► https://twitter.com/FrogLeapStudios

Instagram ► https://instagram.com/frogleapstudios

Website ► http://frogleapstudios.com

Paetron — http://www.patreon.com/frogleapstudios

Frog Leap Studios YouTube Page — https://www.youtube.com/channel/UC98tcedR6gULv8_b70WJKyw

 

Happy Halloween everyone!

Enjoy!

 

Horror On TV: Kolchak: The Night Stalker 1.20 “The Sentry” (dir by Seymour Robbie)


Tonight on Kolchak….

There’s something on the loose underneath Chicago!  Could it be a …. killer lizard!?  Kolchak’s on the story!

Sadly, all good things must come to an end and this was the final episode of Kolchak: The Night Stalker.  Darren McGavin, of course, would later go on to epitomize the ideal middle American father when he played The Old Man in A Christmas Story.

This finale originally aired on March 28th, 1975.

I hope you have enjoyed this October’s trip down Kolchak Lane!

Horror on the Lens: The Little Shop of Horrors (dir by Roger Corman)


(It’s tradition here at the Lens that, every October, we watch the original Little Shop of Horrors.  And always, I start things off by telling this story…)

Enter singing.

Little Shop…Little Shop of Horrors…Little Shop…Little Shop of Terrors…

Hi!  Good morning and Happy October the 30th!  For today’s plunge into the world of public domain horror films, I’d like to present you with a true classic.  From 1960, it’s the original Little Shop of Horrors!

When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors.  Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.”  Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage.  And you know what?  The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me.  So there.

Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film.  Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson.  However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage.  Certainly, I understood the film better than that screechy little thing that was playing Audrey.

The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way).  However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.

So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors

Music Video Of Day: I’ll Kill You That Way by Slashstreet Boys (2018, dir by ????)


Well, there’s no way that I could let October end without sharing this touching video!

I have to admit that, after watching this video, I was all excited and ready to buy tickets for the next time that the Slashstreet Boys came to Dallas but it appears that this killer boy band might just be an elaborate parody.  Which is a shame because if Michael Myers had been allowed to pursue music, he probably wouldn’t have killed as many people as he did.

Or maybe he would have.  Who knows?

Credit for this video goes to The Merkins!

Enjoy!

Chilling Adventures of Sabrina 1.6 “Chapter Six: An Exorcism In Greendale” (dir by Rachel Talalay)


So, I’m just going to start this review out by honestly admitting that the sixth episode of Chilling Adventures of Sabrina didn’t do as much for me as the previous episodes.

A lot of that, though, is because any show would struggle to follow up an episode as brilliant as Dreams In A Witch House.  The show didn’t do itself any favors by following up that episode, where Sabrina had to battle and trap a viscous demon, with another episode in which Sabrina had to battle and trap a viscous demon.  That similarity alone makes it impossible not to compare the two episodes against each other and, unfortunately, there’s no way to really top what went on in Episode 5.

Episode 6 does start out with an interesting example of psychological manipulation on the part of Ms. Wardwell.  With Sabrina confronting her about both being a witch and spying on her, Wardwell is quick to claim that she once wanted to marry a mortal and that she was an acolyte of Sabrina’s father.  Wardwell claims that she’s only been spying on Sabrina because Edward Spellman requested it.  Since Sabrina is still struggling to work out her feelings towards her deceased parents and their legacy, Wardwell told exactly the right lie to keep Sabrina from completely dismissing her.  However, Wardwell then took it too far by claiming that she had been in love with Edward.  Sabrina tells Wardwell to stay away from her but, by the end of the episode, Wardwell has once again go Sabrina confiding in her.

How does Ms. Wardwell accomplish this?

The answer is right in this episode’s title.  Wardwell helps Sabrina to do something that no witch has ever done before.  Wardwell helps Sabrina to exorcise a demon.

It turns out that Susie’s Uncle Jesse has been possessed by a demon, one who claims to be named Maerceci.  (Write it down on a piece of paper and then stand in front of a mirror.  As Ambrose puts it, demons have got a terrible sense of humor.)  Not only are Roz, Susie, and Harvey being haunted by visions of Uncle Jesse but apparently, the demon is going to possess one of them as soon as it gets finished devouring Jesse.  Despite being told that witches are not allowed to perform exorcisms, Sabrina, Wardwell, Hilda, and eventually Zelda do just that.

(It turns out that, in another case of deus ex Edward, Sabrina’s father just happened to come up with a exorcism ritual for witches, which leads to the question of whether there’s anything that Edward didn’t do before he died.)

The exorcism is a success, though Sabrina soon learns that it takes more than just successfully casting a spell to make people happy.  Even after he’s freed from the demon, Uncle Jesse still dies.  (He’s killed by Wardwell, though Sabrina doesn’t know that.)  Thanks to the demon, Roz fears that she’s losing her eyesight because her faith isn’t strong enough.  Harvey is still scared to death of going into the mines and worries that Sabrina thinks that he’s less of a man as a result.  The demon may be gone but Susie remains traumatized by the demon’s taunts and, by the end of the episode, is declaring, “I won’t be an abomination!”  In the end, that’s the main lesson of an Exorcism in Greendale.  Just because a story ends in with special effects and a temporary victory, that doesn’t erase the pain that came before.

Anyway, this was an okay episode.  It moved forward Sabrina’s relationship with Wardwell so, if nothing else, it served its purpose.  I hate to say it but I probably would have had a better reaction to this episode if the demon had been taunting Hilda, Zelda, and Ambrose as opposed to Sabrina’s friends.  The witches are just more interesting than the mortals.

Case is going to be reviewing the rest of this season so I’m going to wrap up this review by sharing my thoughts on the show as a whole.  As the first season of any show will, Chilling Adventures of Sabrina has its flaws.  Overall, though, it’s a good show.  I go back and forth on whether I like Michelle Gomez’s stylized performance as Ms. Wardwell but Kiernan Shipka, Lucy Davis, Miranda Otto, and Chance Perdomo are all perfectly cast.  (Kiernan Shipka simply is Sabrina.)  Ross Lynch also deserves a lot of credit for making Harvey into a compelling character.  I’m looking forward to seeing where this show goes in the future.

Oh — and, of course, I absolutely adore Salem!

(photo credit: Stewart Cook/REX/Shutterstock)

Horror On The Lens: The Twonky (dir by Arch Oboler)


In this 1953 satire, a philosophy professor named Kerry West (Hans Conried) buys a television.  (Remember, this was a time when televisions were still a relatively new phenomena.)  Imagine Kerry’s surprise when he discovers that his television can walk, talk, light his cigarettes, clean the house, and make money materialize out of nowhere!

Sounds great, right?

The only problem is that this TV is not only a bit possessive but it also uses its powers to brainwash people and rob them of their individuality!

Technically, The Twonky is more a comedy than a horror movie.  In fact, it’s really not scary at all.  But it is a lot of fun and it’s interesting to see how a filmmaker in the 50s dealt with television’s growing role in American society.

Enjoy!

Chilling Adventures of Sabrina 1.5 “Chapter Five: Dreams In A Witch House” (dir by Maggie Kelly)


They say you can tell a lot about someone by what they dream about.  I certainly believe that to be true.  (In fact, I’ve got an entire site dedicated to that very concept.)  That’s certainly the argument made in episode 5 of Chilling Adventures of Sabrina.

The plot, simply enough, is that Sabrina has unleashed a sleep demon named Batibat.  Years ago, Sabrina’s father trapped Batibat in a puzzle box.  Unfortunately, it was the same puzzle box that Sabrina had to solve to earn her right to take conjuring classes.  As soon as Batibat gets out, she announces that she has two goals: 1) revenge on the Spellmans and 2) screwing stuff up in the outside world.  Zelda casts a spell to trap Batibat inside the house.  The spell works but then Batibat casts a sleeping spell and soon, Sabrina, Ambrose, Hilda, and Zelda are all having nightmares designed to cause them so much pain and anguish that they’ll reveal how to break the spell.

Ambrose’s nightmare is simple but effective.  The nightmare deals with Ambrose’s inability to leave the house.  The dream starts with him performing an autopsy on a corpse who looks just like him.  Ambrose even eats the corpse’s heart, leading to Hilda asking him what it tastes like.  “Bitter,” is the reply.  The self-cannibalism is interrupted by Father Blackwood announcing that Ambrose’s sentence has been commuted and he can leave the house.  However, before Ambrose can walk through that front door, he’s stabbed by Batibat and finds himself in morgue, being cut open by himself.  Agck!

Hilda’s nightmare is finding herself sewn to her Zelda.  Meanwhile, Zelda, in his nightmare, jealousy kills Hilda and then can’t bring her back to life.  It’s an interesting dynamic.  Hilda’s greatest fear is never escaping from Zelda’s shadow.  (She’s also apparently worried that Principal Hawthorne will ask her out, just to reveal that he absorbed his twin brother in the womb.)  Zelda’s greatest fear is losing Hilda.

(It’s also interesting that Zelda’s dream opened with her mocking the biblical version of Adam and Eve’s expulsion from the Garden of Eden but then quickly turned into a retelling of the story of Cain and Abel.  Just as with Cain, Zelda’s anger was sparked by her God’s preference for her sibling’s offering.  After Zelda killed Hilda, she even asked, “Am I my sister’s keeper?”)

And then Sabrina — oh my God, poor Sabrina.  I felt bad for her because I’ve had nightmares like the one that she had.  After dreaming that her school has become a combination of Baxter High and the Academy of the Unseen Arts, she also dreams that Harvey has asked her to marry him.  Even though everyone tells Sabrina that witches and mortal can never marry, Sabrina is convinced that things will work out with Harvey.  (Though, interestingly enough, Nick Scratch shows up pretty prominently in her dream, as well.  Considering that she only met Nick three days ago, it’s telling that Sabrina is already dreaming about him as a possible rival for Harvey.)  Sabrina even tells Harvey that she’s a witch and Harvey says he doesn’t mind.  Sabrina’s father comes back to life to walk Sabrina down the aisle.  However, as soon as Sabrina and Harvey marry, Harvey’s family turns on her.  While the mortals in the church scream at her, Sabrina sees that her side of the family, the witches, are resentfully refusing to come to her aide, leaving her with no one.  Sabrina is dragged away from the altar and tossed in an iron maiden!

Fortunately, for Sabrina, Ms. Wardwell is wandering through everyone’s dreams and she gives Sabrina some advice on how to escape.  Even more fortunately, Sabrina has a familiar named Salem….

Look, I’m as disappointed as anyone by the fact that we don’t actually get to hear Salem speak in Chilling Adventures of Sabrina.  That said, this was a great Salem episode.  Salem not only bravely distracted Batibat but he also gave Sabrina good, if unheard (by us), advice.  I have to admit that, considering how dark this series tends to get, I was a bit worried when Batibat started chasing Salem through the house.  Well, fear not!  Salem lives!

In fact, everyone lives, Batibat is once again imprisoned, and Sabrina finally figures out that Ms. Wardwell is more than just a reclusive teacher.  At the end of the episode, Sabrina is at Wardwell’s house, demanding to know “who and what” she is.

This was the best episode that I’ve seen so far.  Not only does this episode do a great job of capturing the twisty logic of dreams but it also provides insight into whose these characters are.  Of course, we already knew that Sabrina is conflicted over being half-human and half-witch but now, we know that she’s worried that the other witches will abandon her and that Harvey wouldn’t be strong enough to stand up for her if her secret got out.  We knew that Hilda felt inferior to Zelda but now, we know just how desperate Hilda is to escape her sister’s shadow.  And, at the same time, we now understand why Zelda will never allow Hilda to escape.  Zelda needs Hilda even more than Hilda needs Zelda.  And finally, this episode was elevated by Batibat, a frightening creation if there ever was one.  Batibat not only gave people nightmares but she was a nightmare herself.

Next episode: Sabrina confronts Ms. Wardwell!

Music Video of the Day: Vampire by Mai Lin (2017, dir by PANAMÆRA)


With Halloween only three days away, how could I resist a song and video about vampires?

I like this video because it has an enjoyably decadent, Eurohorror feel to it.  This seems like one of those films that would be dismissed when first released, just to then be rediscovered by audiences 20 years later.

On a personal note, if I ever become a vampire, I will use this video as my guide for how to behave.

Enjoy!

Horror on TV: Kolchak: The Night Stalker 1.18 “The Knightly Murders” (dir by Vincent McEveety)


Tonight on Kolchak….

The armor of a 12-century knight is possessed and determined to keep anyone from harming the museum in which it is currently housed.  This includes anyone who might want to build a nightclub nearby.  With the armor trying to prevent Chicago from enjoying disco, it’s up to Carl Kolchak to report the story and solve the case!

I like this episode because it features a holy ax.

This episode originally aired on March 7th, 1975.

Enjoy!

Horror on the Lens: How To Make A Monster (dir by Herbert L. Strock)


You’ve seen I Was A Teenage Werewolf….

You’ve watched I Was A Teenage Frankenstein….

Now, it’s time to watch How To Make A Monster!

Released in 1958, How To Make A Monster is a clever little horror satire from American International Pictures in which the stars of Teenage Werewolf and Teenage Frankenstein are hypnotized into believing that they actually are the monsters that they played!  The main culprit is a movie makeup artist (Robert H. Harris) who has been deemed obsolete by the new bosses at AIP.

Be sure to watch for the finale, which features cameo appearances from several other AIP monsters!  And read my full review of the film by clicking here!