Future Winners: 6 Actresses Who I Hope Will Have Won An Oscar By 2030


Continuing the theme from my previous post, here are 6 actresses who I sincerely hope will have won their first competitive Oscar by the time that the 2030 ceremony rolls around.

(By the way, there’s a chance that Scarlett Johansson, Saorise Ronan and Florence Pugh could finally win Oscars tonight.  That’s the only reason why they’re not on the list below.)

  1. Amy Adams

Much like Bradley Cooper on my previous list, Amy Adams is probably the most obvious pick here.  I’m actually amazed that, after been nominated a total of 6 times, the terrifically talented Amy Adams has yet to win her first Oscar.  The fact that she could even receive a nomination for a film like Vice reveals that she’s got fans in the Academy and she’s definitely reached the point where she can say that she’s overdue for the award.  The Woman In The Window was originally promoted as being an Oscar contender but, considering all the trouble that film’s gone through to just get a release date, Adams may have to wait another year or two.  Still, she seems destined to win eventually and it’ll be a great day for all the members of the 2% of us who have naturally red hair.

2. Emily Blunt

How has Emily Blunt never received a single Oscar nomination? I mean, Amy Adams should be angry that she doesn’t have an Oscar yet but at least she has six nominations.  Emily Blunt doesn’t even have one yet, despite being one of the best actresses working today.  Again, Blunt seems destined to win.  It’s just a question of when.

 

3. Carey Mulligan

Carey Mulligan should have won for her performance in An Education.  She also deserved to be nominated for Shame.  She doesn’t have an Oscar but she certainly has the talent to win one.  She’s one of the best actresses around, though she often seems to appear in the type of good but challenging films that fall off of the Academy’s radar.  Promising Young Woman was a hit at Sundance so we’ll see if that leads to another nomination.

4. Jamie Lee Curtis

Jamie Lee Curtis has been giving good performances since before I was born but since so many of them were in horror films, the Academy failed to notice.  She’s now one of those actresses who people seem to take for granted.  Hopefully, someone writes a great role for her in the future as Curtis is overdue for not just a nomination but for an award as well.

5. Jessica Chastain

Jessica Chastain is one of those actresses who I think everyone assumes has won an Oscar but actually, she hasn’t.  She’s been twice nominated and even that seems like it has to be a mistake.  I mean, really?  Only two nominations for Jessica Chastain?  (Personally, I chalk it up to the Academy having an issue with those of us who have naturally red hair.)  Much like Amy Adams, Chastain is another actress who seems destined to win over the next decade.

6. Jennifer Jason Leigh

Seriously, how does Jennifer Jason Leigh — one of the greatest actress of all freaking time — only have one nomination?  Not only is she overdue for the award but, based on Marriage Story, she deserves one just for putting up with Noah Baumbach for eight years.

Agree?  Disagree?  Have another name to offer up?  Let us know in the comments below!

 

Future Winners: 6 Actors Who I Hope Will Win An Oscar In The Next Ten Years


We talk a lot about which performers and directors have been snubbed at Oscar time.  For movie lovers, that’s an important subject.  We all know that great actors like Peter O’Toole, Cary Grant, Albert Finney, and others all went to their grave with several nominations but not a single competitive Oscar to their name.  Earlier this week, Kirk Douglas died at the age of 103 without having ever won a competitive Oscar.  We always talk about how certain actors are overdue for their first Oscar but sometimes we forget that being overdue doesn’t always translate into an eventual win.

With that in mind, here are 6 actors who I sincerely hope will have won their first Oscar by the time 2040 rolls around:

  1. Bradley Cooper

Bradley Cooper is kind of the obvious choice for a list like this.  It’s still amazing to think that Cooper started the previous decade best known for a supporting role on Alias and for playing the smarmiest of the friends in The Hangover films.  Over the past ten years, he has emerged as not only a excellent actor but an excellent filmmaker as well.  (He may not have received a nomination for Best Director for A Star Is Born but he deserved one.)  Considering how often he’s been nominated over the past few years, Cooper is reaching overdue status and I full expect he’ll win an Oscar sometime during the next decade.

2. Ethan Hawke

Ethan Hawke has hardly been snubbed when it comes to nominations.  He’s been twice supported for Best Supporting Actor and he’s got two nominations for Best Adapted Screenplay.  That Ethan Hawke was not nominated for First Reformed is still a shock to me.  It was one of the best performances of 2018 but it was also a rather subtle and, at times, rather depressing performance as well.  With the exception of his nomination for Training Day, all of Hawke’s nominations have been the result of collaborating with Richard Linklater.  Hopefully, Linklater is currently working on a great script that has a great role for Ethan Hawke because Hawke deserves to win an Oscar before 2040.

3. Steve Carell

When it comes to talking about actors who will someday win an Oscar, Steve Carell seems like an obvious choice.  He’s only received one nomination — for Foxcatcher — but people just seem to love him.  I think the man obstacle standing in Carell’s way is that he has a habit of appearing in movies that sound like they should be good but then turn out to be the total opposite.  (Welcome to Marwen, anybody?)  Still, it’s hard not to feel that Carell will eventually get the right role.

4. Oscar Isaac

Isaac has yet to receive his first nomination but it feels like it’s only a matter of time.  He’s talented, he’s super hot, and I still love the way he delivered the line, “I declare him to be an ….. OUTLAAAAAAAAAAAAAAAAAW!” in Robin Hood.

5. Robert Downey, Jr.

Obviously, Robert Downey, Jr. is not going to win for Dr. Doolittle.  In fact, if he keeps making movies like that, he’s going to make me look really stupid for putting him on this list.  But the fact of the matter is that Downey is an actor who not only made an amazing comeback but who also served as the anchor for one of the most successful film franchises in history.  It’s hard to imagine the MCU becoming what it became without Downey’s involvement.  Downey can also be an excellent actor.  (People tend to forget that he had two nominations to his name before he ever played Iron Man.)  Someone needs to write Downey the perfect role and hope that he’ll accept it, regardless of how much money he’s being offered to star in the latest Disney live action remake.

6. Kurt Russell

Somehow, Kurt Russell does not have a single Oscar nomination to his name!  Despite being one of the most beloved actors out there and being something of a cinematic icon, Russell has never once been nominated.  (One problem is that all of the truly great Kurt Russell roles end up going to Jeff Bridges.  It’s every easy to imagine Russell playing every role ever played by Jeff Bridges and vice versa.)  The thing is, Kurt’s not getting any younger.  So, let’s hope that Quentin Tarantino is currently writing the role of a lifetime for Hollywood’s greatest Libertarian.

Agree?  Disagree?  Have someone else who you have picked over these six?  Let me know in the comments below!

 

 

 

The Oscars Over The Decades


Tonight will mark the 92nd year that the Oscars have been awarded.  The Academy Awards are now an American tradition and, just as America has changed over the past 9 decades, so have the Oscars.

Here are a few pictures from the past 9 decades:

1930

1940

1950

1960

1970

1980

1991

2000

2010

Cats Leads The Razzie Nominations


The Razzie Awards are meant to honor the worst films of the year.  It sounds like a noble goal, though the Razzies usually just go after easy targets and cheap jokes.  In short, they haven’t really been interesting in a while.  That said, they’ve been around forever and they usually get some attention from people who need some filler to report while waiting for the Oscar ceremony.

With that in mind, the 2019 Razzie Awards were announced yesterday and here they are:

WORST PICTURE
Cats
The Fanatic
The Haunting of Sharon Tate
A Madea Family Funeral
Rambo: Last Blood

WORST ACTOR
James Franco, Zeroville
David Harbour, Hellboy
Matthew McConaughey, Serenity
Sylvester Stallone, Rambo: Last Blood
John Travolta, The Fanatic and Trading Paint

WORST ACTRESS
Hilary Duff, The Haunting of Sharon Tate
Anne Hathaway, The Hustle and Serenity
Francesca Hayward, Cats
Tyler Perry (as Medea), A Madea Family Funeral
Rebel Wilson, The Hustle

WORST SUPPORTING ACTRESS 
Jessica Chastain, Dark Phoenix
Cassi Davis, A Madea Family Funeral
Judi Dench, Cats
Fenessa Pineda, Rambo: First Blood
Rebel Wilson, Cats

WORST SUPPORTING ACTOR 
James Corden, Cats
Tyler Perry (as Joe), A Madea Family Funeral
Tyler Perry (as Uncle Heathrow), A Madea Family Funeral
Seth Rogen, Zeroville
Bruce Willis, Glass

WORST SCREEN COMBO 
Any two half-feline/half-human hairballs, Cats
Jason Derulo and his CGI-neutered bulge, Cats
Tyler Perry and Tyler Perry (or Tyler Perry), A Madea Family Funeral
Sylvester Stallone and his impotent rage, Rambo: First Blood
John Travolta and any screenplay he accepts

WORST DIRECTOR
Fred Durst, The Fanatic
James Franco, Zeroville
Adrian Grunberg, Rambo: Last Blood
Tom Hooper, Cats
Neil Marshall, Hellboy

WORST SCREENPLAY
Cats, Screenplay by Lee Hall and Tom Hooper
The Haunting of Sharon Tate, Written by Danial Farrands
Hellboy, Screenplay by Andrew Cosby
A Madea Family Funeral, Written by Tyler Perry
Rambo: Last Blood, Screenplay by Matthew Cirulnick and Sylvester Stallone

WORST REMAKE, RIP-OFF or SEQUEL
Dark Phoenix
Godzilla, King of the Monsters
Hellboy 
A Madea Family Funeral
Rambo: Last Blood

WORST RECKLESS DISREGARD for HUMAN LIFE and PUBLIC PROPERTY
(New Category for 2019)
Dragged Across Concrete
The Haunting of Sharon Tate
Hellboy 
Joker
Rambo: Last Blood

RAZZIE REDEEMER AWARD
Eddie Murphy, Dolemite Is My Name
Keanu Reeves, John Wick 3 & Toy Story 4
Adam Sandler, Uncut Gems
Jennifer Lopez, Hustlers
Will Smith, Aladdin

Here Are The Independent Spirit Award Winners!


Adam Sandler may not even be an Oscar winner but he is now officially an Independent Spirit Award winner.  Last night, at the Spirits annual ceremony, he won Best Actor for Uncut Gems.  Willem DaFoe picked up the Best Supporting Male award for The Lighthouse, another film that was largely overlooked by the Academy.  Best Feature went to The Farewell, another movie that was totally snubbed by the Academy.

In other words, the Spirits were incredibly awesome and probably had better taste this year than the Oscars.  Here’s a full list of what won:

BEST SUPPORTING MALE

  • Noah Jupe, “Honey Boy”
  • Shia LaBeouf, “Honey Boy”
  • Jonathan Majors, “The Last Black Man in San Francisco”
  • Willem Dafoe, “The Lighthouse” (WINNER)
  • Wendell Pierce, “Burning Cane”

BEST EDITING

  • Ronald Bronstein, Bennie Safdie, “Uncut Gems” (WINNERS)
  • Julie Beziau, “The Third Wife”
  • Tyler L. Cook, “Sword of Trust”
  • Louise Ford, “The Lighthouse”
  • Kirill Mikhanovsky, “Give Me Liberty”

BEST DOCUMENTARY

  • “American Factory” (WINNER)
  • “Apollo 11”
  • “For Sama”
  • “Honeyland”
  • “Island of the Hungry Ghosts”

BONNIE AWARD

  • Kelly Reichardt (WINNER)

BEST CINEMATOGRAPHY

  • Todd Banhazl, “Hustlers”
  • Jarin Blaschke, “The Lighthouse” (WINNER)
  • Natasha Braier, “Honey Boy”
  • Chananun Chotrungroj, “The Third Wife”
  • Pawel Pogorzelski, “Midsommar”

JOHN CASSAVETES AWARD

  • “Burning Cane”
  • “Colewell”
  • “Give Me Liberty” (WINNER)
  • “Premature”
  • “Wild Nights With Emily”

BEST FIRST SCREENPLAY

  • Andrew Patterson, Craig W. Sanger, “The Vast of Night”
  • Bridget Savage Cole, Danielle Krudy, “Blow the Man Down”
  • Jocelyn DeBoer, Dawn Luebbe, “Greener Grass”
  • Hannah Bos, Paul Thureen, “Driveways”
  • Fredrica Bailey, Stefon Bristol, “See You Yesterday” (WINNERS)

BEST FIRST FEATURE

  • “Booksmart” (WINNER)
  • “The Climb”
  • “Diane”
  • “The Last Black Man in San Francisco”
  • “The Mustang”
  • “See You Yesterday”

BEST INTERNATIONAL FILM

  • “Invisible Life” (Brazil)
  • “Les Miserables” (France)
  • “Parasite” (Korea) (WINNER)
  • “Portrait of a Lady on Fire” (France)
  • “Retablo” (Peru)
  • “The Souvenir” (United Kingdom)

BEST SCREENPLAY

  • Noah Baumbach, “Marriage Story” (WINNER)
  • Ronald Bronstein, Benny Safdie, Josh Safdie, “Uncut Gems”
  • Chinonye Chukwu, “Clemency”
  • Tarell Alvin McCraney, “High Flying Bird”
  • Jason Begue, Shawn Snyder, “To Dust”

BEST SUPPORTING FEMALE

  • Jennifer Lopez, “Hustlers”
  • Taylor Russell, “Waves”
  • Zhao Shuzhen, “The Farewell” (WINNER)
  • Lauren “Lolo” Spencer, “Give Me Liberty”
  • Octavia Spencer, “Luce”

ROBERT ALTMAN AWARD: “Marriage Story”

BEST DIRECTOR

  • Robert Eggers, “The Lighthouse”
  • Alma Har’el, “Honey Boy”
  • Benny Safdie, Josh Safdie, “Uncut Gems” (WINNER)
  • Julius Onah, “Luce”
  • Lorene Scafaria, “Hustlers”

BEST MALE LEAD

  • Chris Galust, “Give Me Liberty”
  • Kelvin Harrison Jr, “Luce”
  • Robert Pattinson, “The Lighthouse”
  • Adam Sandler, “Uncut Gems” (WINNER)
  • Matthias Schoenaerts, “The Mustang”

BEST FEMALE LEAD

  • Karen Allen, “Colewell”
  • Hong Chau, “Driveways”
  • Elisabeth Moss, “Her Smell”
  • Mary Kay Place, “Diane”
  • Alfre Woodard, “Clemency”
  • Renee Zellweger, “Judy” (WINNER)

BEST FEATURE

  • “Clemency”
  • “The Farewell” (WINNER)
  • “A Hidden Life”
  • “Marriage Story”
  • “Uncut Gems”

Scenes That I Love: The Opening Of The Very First Televised Oscar Ceremony


Today, we take it for granted that the Oscars will always be on television in February or March of every year.  We know that they will be broadcast on ABC on Sunday night.  We also know that there’s a good chance that, every year, some clueless TV exec will try to do something to ruin our annual tradition.  Whether it’s the idea of introducing an award for Best Popular Film or maybe suggesting that some awards should be given off camera, we know better than to trust ABC.

However, for the first 25 years of the Academy’s existence, the Oscars were not televised.  In fact, for a while, they weren’t even broadcast on the radio because it was assumed that no one outside of Hollywood cared about them.  It really wasn’t until the mid-30s that the Oscars became an annual ritual for so many Americans.  At first, people listened to the ceremony on the radio and then eventually, the ceremony came to television.

The first Oscar telecast was on March 19th, 1953.  The ceremony was split between two locations, Hollywood and New York.  Bob Hope hosted in Hollywood while Conrad Nagel and Fredric March hosted in New York.  The ceremony didn’t start until 10:30 pm and it ran for two hours and 20 minutes.  Why the late start?  Several of the nominees were also appearing in Broadway shows and they had to finish their nightly performances before they could attend the ceremony.

As for why this ceremony was telecast — well, as always, it all comes down to money.  The Academy needed the money that came from selling the broadcast rights to NBC.  (NBC, to their credit, did not demand an award for Best Popular Film.)  The show was such a ratings success that it led to the annual tradition that we all know and love today.

What won at the first televised ceremony?  The Greatest Show On Earth won Best Picture while John Ford took home Best Director (for The Quiet Man) and Gary Cooper was named Best Actor for High Noon.  Shirley Booth was named Best Actress for Come Back, Little Sheba.  The supporting awards went to Anthony Quinn for Viva Zapata! and Gloria Grahame for The Bad and the Beautiful.

Here is the opening of the very first televised Oscar ceremony.  As you can tell, it was quite a bit different from what we’re used to today!

 

Lisa’s Way, Way, Way, Way, Way, Way, Way Too Early Oscar Predictions For February


It’s a fool’s errand to try to predict next year’s Oscars nominees this early but we’re all about taking risks here at the Shattered Lens.  So, with that in mind, here is my latest set of monthly predictions.

If you look over these names, you’ll see a lot of familiar ones.  That’s because it’s early in the year and familiarity is really the only thing that a lot of these unreleased films have going for them.  Some of the films mentioned below were hits at Sundance.  From what I’ve read, I really do think Minari could be a contender because, along with being loved by critics, it sounds like it’s very much of the current cultural moment.

But the important thing to remember is that, last year at this time, no one expected Joker to become the film of the year.  No one had even heard of Parasite.  Most people were still predicting the Oscars would be dominated by Harriet.  So, my point is — take this stuff with several grains of salt.

To be honest, I think a lot depends on how the presidential election goes.  If Trump is reelected, I think you’ll see the Academy voting for angry, political films, if just as a way to get back at Trump and the people who voted for him.  (Think about the otherwise baffling love that was previously shown to a movie like Vice.)  The Trial of the Chicago 7 sounds incredibly tedious to me but I could imagine people voting for it and thinking to themselves, “This is so going to piss off the Republicans.”  If Trump is defeated, I imagine the Academy will be a bit more upbeat in their selections.

If you want to see how my thinking has evolved, check out my predictions for January here!    (It’s only been a month so my thinking hasn’t really evolved at all.  Still, we could always use the clicks.)

Best Picture

Dune

Happiest Season

Hillybilly Elegy

Ironbark

Minari

News of the World

Respect

Stillwater

The Trial of the Chicago 7

West Side Story

Best Director

Isaac Lee Chung for Minari

Paul Greengrass for News of the World

Ron Howard for Hillybilly Elegy

Steven Spielberg for West Side Story

Denis Villeneuve for Dune

Best Actor

Benedict Cumberbatch in Ironbark

Matt Damon in Stillwater

Tom Hanks in News of the World

Anthony Hopkins in The Father

Will Smith in King Richard

Best Actress

Amy Adams in Hillbilly Elegy

Olivia Colman in The Father

Clare Dunne in Herself

Jennifer Hudson in Respect

Angelina Jolie in Those Who Wish Me Dead

Best Supporting Actor

Bo Hopkins in Hillbilly Elegy

Merab Ninidze in Ironbark

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Abigail Breslin in Stillwater

Glenn Close in Hillybilly Elegy

Vera Farmiga in The Many Saints of Newark

Mary Steenburgen in Happiest Season

Helena Zengel in News of the World

Minari Takes The Grand Jury Prize at Sundance


Well, another Sundance Film Festival has come to a close!  Here’s what won at this year’s festival.  If this year is like other years, a few of the films mentioned below will also be players once Oscar season begins later this year.  For instance, just from what I’ve read, I wouldn’t be surprised to see Minari‘s name come up quite a bit between now and next January.

  • U.S. Grand Jury Prize: Dramatic: “Minari” Lee Isaac Chung
  • U.S. Grand Jury Prize: Documentary: “Boys State,” Jesse Moss and Amanda McBaine
  • Alfred P. Sloan Feature Film Prize: “Tesla”
  • Adobe Mentorship Award for Editing: Carla Guttierez and Affonso Gonçalves
  • Producers Award: Huriyyah Muhammad, “Farewell Amor”
  • Short Film Grand Jury Prize: “So What If the Goats Die,” Sofia Alaoui
  • NEXT Audience Award: “I Carry You With Me,” Heidi Ewing
  • NEXT Innovator Award: “I Carry You With Me,” Heidi Ewing
  • World Cinema Documentary Special Jury Award for Editing: “Softie,” Mila Aung-Thwin, Sam Soko, and Ryan Mullins
  • World Cinema Documentary Special Jury Award for Cinematography: “Acasa, My Home,” Mircea Topoleanu and Radu Ciorniciuc
  • World Cinema Documentary Special Jury Award for Creative Storytelling: “The Painter and the Thief,” Benjamin Ree
  • Directing Award: World Cinema Documentary: Iryna Tsilyk, “The Earth Is Blue as an Orange”
  • Directing Award: U.S. Dramatic: Radha Blank, “The 40-Year-Old Version”
  • Directing Award: U.S. Documentary: Garrett Bradley, “Time”
  • World Cinema Grand Jury Prize: Documentary: Hubert Sauper, “Epicentro”
  • World Cinema Dramatic Special Jury Award for Acting: Ben Whishaw, “Surge”
  • World Cinema Dramatic Special Jury Award for Visionary Filmmaking: Lemohang Jeremiah Mosese, “This is Not a Burial, This is a Resurrection”
  • World Cinema Dramatic Special Jury Award for Best Screenplay: Fernanda Valadez and Astrid Rondero, “Identifying Features”
  • Directing Award: World Cinema Dramatic: Maïmouna Doucouré, “Cuties”
  • World Cinema Grand Jury Prize World Dramatic: “Yalda, A Night for Forgiveness,” Massoud Bakhshi
  • Audience Award: World Cinema Documentary: “The Reason I Jump”
  • Audience Award: World Cinema Dramatic: “Identifying Features”
  • Audience Award: U.S. Documentary: “Crip Camp”
  • U.S. Documentary Special Jury Award for Emerging Filmmaker: Arthur Jones, “Feels Good Man”
  • Audience Award: U.S. Dramatic: “Minari,” Lee Isaac Chung
  • U.S. Documentary Special Jury Award for Social Impact Filmmaking: Elyse Steinberg, Josh Kriegman, and Eli Despres, “The Fight”
  • U.S. Documentary Special Jury Award for Innovation in Nonfiction Storytelling: Kirsten Johnson, “Dick Johnson Is Dead”
  • U.S. Documentary Special Jury Award for Editing: Tyler H. Walk, “Welcome to Chechnya”
  • U.S. Dramatic Special Jury Award for Ensemble Cast: “Charm City Kids”
  • U.S. Dramatic Special Jury Award for Auteur Filmmaking: Josephine Decker, “Shirley”
  • U.S. Dramatic Special Jury Award for Neorealism: Eliza Hittman, “Never Rarely Sometimes Always”
  • Waldo Salt Screenwriting Award: Edson Oda, “Nine Days”
  • Directing Award: U.S. Documentary: Garrett Bradley, “Time”

The Art Directors Guild Honors Parasite and Once Upon A Time In Hollywood


The Art Directors Guild have announced their picks for the best of 2019!

And here they are:

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR FILM

PERIOD FILM
Ford v Ferrari, Production Designer: François Audouy
The Irishman, Production Designer: Bob Shaw
Jojo Rabbit, Production Designer: Ra Vincent
Joker, Production Designer: Mark Friedberg
1917, Production Designer: Dennis Gassner
WINNER – Once Upon a Time… in Hollywood, Production Designer: Barbara Ling

FANTASY FILM
Ad Astra, Production Designer: Kevin Thompson
Aladdin, Production Designer: Gemma Jackson
WINNER – Avengers: Endgame, Production Designer: Charles Wood
Dumbo, Production Designer: Rick Heinrichs
Maleficent: Mistress of Evil, Production Designer: Patrick Tatopoulos
Star Wars: The Rise of Skywalker, Production Designers: Rick Carter, Kevin Jenkins

CONTEMPORARY FILM 
A Beautiful Day in the Neighborhood, Production Designer: Jade Healy
John Wick: Chapter 3 – Parabellum, Production Designer: Kevin Kavanaugh
Knives Out, Production Designer: David Crank
WINNER – Parasite, Production Designer: Lee Ha-Jun
Us, Production Designer: Ruth De Jong

ANIMATED FILM
Abominable, Production Designer: Max Boas
Frozen II, Production Designer: Michael Giaimo
How To Train Your Dragon: The Hidden World, Production Designer: Pierre-Olivier Vincent
The Lion King, Production Designer: James Chinlund
WINNER – Toy Story 4, Production Designer: Bob Pauley

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR TELEVISION

ONE-HOUR PERIOD OR FANTASY SINGLE-CAMERA SERIES
A Series of Unfortunate Events: “Penultimate Peril: Part 1,” Production Designer: Bo Welch
The Crown: “Aberfan,” Production Designer: Martin Childs
Game of Thrones: “The Bells,” Production Designer: Deborah Riley
The Mandalorian: “Chapter One,” Production Designer: Andrew L. Jones
WINNER – The Marvelous Mrs. Maisel: “Ep. 305, Ep. 308,” Production Designer: Bill Groom

ONE-HOUR CONTEMPORARY SINGLE-CAMERA SERIES
Big Little Lies: “What Have They Done?” “The Bad Mother,” “I Want to Know,” Production Designer: John Paino
The Boys: “The Female of the Species,” Production Designer: Dave Blass
Euphoria: “The Trials and Tribulations of Trying to Pee While Depressed,” “And Salt the Earth Behind You,” Production Designer: Kay Lee
The Handmaid’s Tale: “Mayday,” Production Designer: Elizabeth Williams
WINNER – The Umbrella Academy: “We Only See Each Other at Weddings and  Funerals,” Production Designer: Mark Worthington

TELEVISION MOVIE OR LIMITED SERIES
Black Mirror: “Striking Vipers,” Production Designer: Anne Beauchamp
Catch-22, Production Designer: David Gropman
WINNER – Chernobyl, Production Designer: Luke Hull
Deadwood: The Movie, Production Designer: Maria Caso
Fosse/Verdon, Production Designer: Alex DiGerlando

HALF HOUR SINGLE-CAMERA SERIES
Barry: “ronny/lily,” Production Designer: Tyler B. Robinson
Fleabag: “Ep. 5,” Production Designer: Jonathan Paul Green
GLOW: “Up, Up, Up,” Production Designer: Todd Fjelsted
The Good Place: “Employee of the Bearimy,” “Help Is Other People,” Production Designer: Ian Phillips
WINNER – Russian Doll: “Nothing in This World is Easy,” Production Designer: Michael Bricker

MULTI-CAMERA SERIES
WINNER – The Big Bang Theory: “The Stockholm Syndrome,” “The Conference
Valuation,” “The Propagation Proposition,”
 Production Designer: John Shaffner

The Cool Kids: “Vegas, Baby!,” Production Designer: Stephan Olson
Family Reunion: “Remember Black Elvis?,” Production Designer: Aiyanna Trotter
No Good Nick: “The Italian Job,” Production Designer: Kristan Andrews
Will & Grace: “Family, Trip,” “The Things We Do for Love,” “Conscious
Coupling,”
 Production Designer: Glenda Rovello

SHORT FORMAT: WEB SERIES, MUSIC VIDEO OR COMMERCIAL
Apple: “It’s Tough Out There,” Production Designer: Quito Cooksey
Ariana Grande, Miley Cyrus, Lana Del Rey: “Don’t Call Me Angel,” Production Designer: Emma Fairley
WINNER – MedMen: “The New Normal,” Production Designer: James Chinlund
Portal for Facebook: “A Very Muppet Portal Launch,” Production Designer: Alex DiGerlando
Taylor Swift: “Lover,” Production Designer: Kurt Gefke

VARIETY, REALITY OR EVENT SPECIAL
WINNER – Drunk History: “Are You Afraid of the Drunk?,” Production Designer: Monica Sotto
91st Oscars, Production Designer: David Korins
Rent: Live, Production Designer: Jason Sherwood
Saturday Night Live: “1764 Emma Stone,” “1762 Sandra Oh,” “1760 John  Mulaney,” Production Designers: Keith Raywood, Akira Yoshimura, Joe DeTullio,  Eugene Lee
Taylor Swift Reputation Stadium Tour, Production Designers: Tamlyn Wright, Baz Halpin