Here’s What Won At The Golden Globes!


The Golden Globes just ended and here’s what won the film categories this year.  (Check out a full list of nominees here.)

Best Motion Picture (Drama) — The Revenant

Best Motion Picture (Comedy) — That freaking hilarious comedy The Martian

Best Actor (Comedy) — Matt Damon in that freaking hilarious comedy The Martian

Best Actor (Drama) — Leonardo DiCaprio in The Revenant

Best Actress (Comedy) — Jennifer Lawrence in Joy

Best Actress (Drama) — Brie Larson in Room

Best Supporting Actor — Sylvester Stallone in Creed

Best Supporting Actress — Kate Winslet in Steve Jobs

Best Director — Alejandro G. Inarritu for The Revenant

Best Screenplay — Aaron Sorkin for Steve Jobs

Best Original Score — Ennio Morricone for The Hateful Eight

Best Original Song — Writing’s on the Wall, that boringass song from Spectre

Best Animated Film: Inside Out

Best Foreign Language Film: Son of Saul

 

 

Here Are The Costume Designers Guild Nominations!


The Costume Designers Guild Nominations were announced today and here they are!  Ex Machina received a nomination, which would seem to be another indication that it’s popular with Academy voters.  (Then again, remember how excited we were last year when Nightcrawler kept getting love from the guilds?)

Excellence in Contemporary Film

Excellence in Period Film

  • “Brooklyn” – Odile Dicks-Mireaux
  • “Carol” – Sandy Powell
  • “Crimson Peak” – Kate Hawley
  • “The Danish Girl” – Paco Delgado
  • “Trumbo” – Daniel Orlandi

Excellence in Fantasy Film

Here Are The USC Scripter Nominations!


The USC Scripter nominations are meant to honor film scripts that were adapted from previously published material.  You’ll find their film nominations below and you may immediately notice that Oscar front runner Carol is missing.  Make of that what you will.

The Big Short
Screenwriters Adam McKay and Charles Randolph, adapted from Michael Lewis’s nonfiction work “The Big Short: Inside the Doomsday Machine”
Paramount Pictures and W.W. Norton

Brooklyn
Novelist Colm Tóibín and screenwriter Nick Hornby
Fox Searchlight and Viking

The End Of The Tour
Screenwriter Donald Margulies, adapted from David Lipsky’s memoir “Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace”
A24 and Broadway Books

The Martian
Novelist Andy Weir and screenwriter Drew Goddard
Twentieth Century Fox and Crown Publishing Group

Room
Emma Donoghue for the novel and screenplay
A24 and Little, Brown and Company

Here Are The WGA Nominations!


The Writers Guild of America announced their film nominations earlier today!  As always, the WGA nominations should be taken with a grain of salt, as several potential Oscar nominees — Brooklyn, Room, The Hateful Eight — were not eligible to be nominated for a WGA award.

With that in mind, here are the nominees!

ORIGINAL SCREENPLAY
Bridge of Spies, Written by Matt Charman and Ethan Coen & Joel Coen; DreamWorks Pictures

Sicario, Written by Taylor Sheridan; Lionsgate

Spotlight, Written by Josh Singer & Tom McCarthy; Open Road Films

Straight Outta Compton, Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff; Universal Pictures

Trainwreck, Written by Amy Schumer; Universal Pictures

ADAPTED SCREENPLAY

The Big Short, Screenplay by Charles Randolph and Adam McKay; Based on the Book by Michael Lewis; Paramount Pictures

Carol, Screenplay by Phyllis Nagy; Based on the Novel The Price of Salt by Patricia Highsmith; The Weinstein Company

The Martian, Screenplay by Drew Goddard; Based on the Novel by Andy Weir; Twentieth Century Fox

Steve Jobs, Screenplay by Aaron Sorkin; Based on the Book by Walter Isaacson; Universal Pictures

Trumbo, Written by John McNamara; Based on the Biography by Bruce Cook; Bleecker Street Media
DOCUMENTARY SCREENPLAY

Being Canadian, Written by Robert Cohen; Candy Factory Films

Going Clear: Scientology and the Prison of Belief, Written by Alex Gibney; HBO Documentary Films

Kurt Cobain: Montage of Heck, Written by Brett Morgen; HBO Documentary Films

Prophet’s Prey, Written by Amy J. Berg; Showtime Documentary Films

The American Society of Cinematographers Has Spoken!


Sicario_poster

The American Society of Cinematographers announced their 5 nominees for the best cinematography of 2015 and here they are:

Bridge of Spies – Janusz Kaminski
Carol – Edward Lachman
Mad Max: Fury Road – John Seale
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

This is Roger Deakins’s 14th ASC nomiantion!  If Sicario scores a best picture nomination, I wouldn’t be surprised if Deakins finally picks up an Oscar as a result.

Though a lot of critics don’t want to admit it (for obvious reasons), the guild awards are actually a far better Oscar precursor than the critic awards.  If you want to know what films are popular with the people who actually make movies, look to the guild awards.

And looking at the guild awards so far, it really does appear that there are quite a few films that have wide industry support.  Interestingly enough, both Sicario and Straight Outta Compton have been making something of a comeback with the guild awards.  (Even though Compton was not nominated by ASC, it has been recognized by the PGA, WGA, and SAG.)  As well, Bridge of Spies and Trumbo have both received more guild support than either has gotten from the critics.

For that matter, both Mad Max: Fury Road and The Big Short have received more guild support than Spotlight.  I know that Sasha Stone and Jeff Wells have pretty much declared Spotlight to be unbeatable but who knows?  Things could still get interesting.

(Correction: Over on Gold Derby, Sasha Stone is now predicting victory for The Big Short.)

The ADG Nominates Crimson Peak … and some other films…


CrimsonPeak

The PGA wasn’t the only guild to announce nominations today!  The Art Director’s Guild announced their nominees for the best of 2015 as well.  And here they are!  (And yay to the ADG for nominating Crimson Peak!)

THE NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2015 ARE:

1. PERIOD FILM

BRIDGE OF SPIES
Production Designer: ADAM STOCKHAUSEN

CRIMSON PEAK
Production Designer: THOMAS E. SANDERS

THE DANISH GIRL
Production Designer: EVE STEWART

THE REVENANT
Production Designer: JACK FISK

TRUMBO
Production Designer: MARK RICKER

2. FANTASY FILM

CINDERELLA
Production Designer: DANTE FERRETTI

JURASSIC WORLD
Production Designer: EDWARD VERREAUX

MAD MAX: FURY ROAD
Production Designer: COLIN GIBSON

STAR WARS: THE FORCE AWAKENS
Production Designers: RICK CARTER, DARREN GILFORD

TOMORROWLAND
Production Designer: SCOTT CHAMBLISS

3. CONTEMPORARY FILM

EX MACHINA
Production Designer: MARK DIGBY

JOY
Production Designer: JUDY BECKER

THE MARTIAN
Production Designer: ARTHUR MAX

SICARIO
Production Designer: PATRICE VERMETTE

SPECTRE
Production Designer: DENNIS GASSNER

The PGA Gives New Life To Sicario and Straight Outta Compton!


Sicario_poster

The Producers Guild of America announced their nominees today and guess what?  Ex MachinaSicario and Straight Outta Compton made the cut!  In general, the PGA is a good precursor for the actual Oscar nominations so that’s good news for both of those films.  (Among the films snubbed: Star Wars: The Force Awakens and Carol!)

Here are the nominees:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

Ø  The Big Short

Producers: Brad Pitt & Dede Gardner, Jeremy Kleiner

Ø  Bridge of Spies

Producers: Steven Spielberg, Marc Platt, Kristie Macosko Krieger

Ø  Brooklyn

Producers: Finola Dwyer & Amanda Posey

Ø  Ex Machina

This film is in the process of being vetted for producer eligibility

Ø  Mad Max: Fury Road

Producers: Doug Mitchell & George Miller

Ø  The Martian

Producers: Simon Kinberg, Ridley Scott, Michael Schaefer, Mark Huffam

Ø  The Revenant

Producers: Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent, Keith Redmon

Ø  Sicario

Producers: Basil Iwanyk, Edward L. McDonnell, Molly Smith

Ø  Spotlight

Producers: Michael Sugar & Steve Golin,

Straight Outta Compton

 

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:

Ø  Anomalisa

Producers: Rosa Tran, Duke Johnson, Charlie Kaufman

Ø  The Good Dinosaur

Producer: Denise Ream

Ø  Inside Out

Producer: Jonas Rivera

Ø  Minions

Producers: Chris Meledandri, Janet Healy

Ø  The Peanuts Movie

Producers: Craig Schulz, Michael J. Travers

straightouttacompton

Here Are The CSA Nominations!


Joyfilmposter

They really should give an Oscar for Best Casting.  But until they do, we’ll just have to be happy with the nominations of the Casting Society of America!

BIG BUDGET – COMEDY

“The Big Short” Francine Maisler, Meagan Lewis (Location Casting)

“The Intern” Bernard Telsey, Laray Mayfield, Tiffany Little Canfield, David Vaccari (Associate)

“Joy” Mary Vernieu, Lindsay Graham, Angela Peri (Location Casting)

“Sisters” Kerry Barden, Paul Schnee, Joey Montenarello (Associate), Adam Richards (Associate)

“Tomorrowland” April Webster, Alyssa Weisberg, Corinne Clark (Location Casting), Jennifer Page (Location Casting)

BIG BUDGET – DRAMA

“Bridge of Spies” Ellen Lewis, Kate Sprance (Associate)

“Mad Max: Fury Road” Ronna Kress, Nikki Barrett

“Spotlight” Kerry Barden, Paul Schnee, John Buchan (Location Casting), Jason Knight (Location Casting), Carolyn Pickman (Location Casting), Joey Montenarello (Associate), Adam Richards (Associate)

Star Wars: The Force Awakens” Nina Gold, April Webster, Alyssa Weisberg,?Jessica Sherman (Associate)

“Straight Outta Compton” Cindy Tolan, Victoria Thomas, Meagan Lewis(Location Casting), Beth Sepko (Location Casting), Carolyn Pickman (Location Casting), Lucinda Syson (Location Casting), Pat Moran (Location Casting), Judith Sunga (Associate)

STUDIO OR INDEPENDENT – COMEDY

“Infinitely Polar Bear” Douglas Aibel, Carolyn Pickman (Location Casting), Henry Russell Bergstein (Associate)

“Me & Earl and the Dying Girl” Angela Demo, Nancy Mosser (Location Casting), Katie Shenot (Location Casting)

“Ricki and the Flash” Bernard Telsey, Tiffany Little Canfield, Conrad Woolfe (Associate)

“Sleeping With Other People” Jennifer Euston, Emer O’Callaghan

“While We’re Young” Douglas Aibel, Francine Maisler, Henry Russell Bergstein (Associate)

STUDIO OR INDEPENDENT – DRAMA

“Brooklyn” Fiona Weir, Lucie Robitaille (Location Casting), Jim Carnahan (Location Casting),

“Carol” Laura Rosenthal, Maribeth Fox (Associate), Jodi Angstreich (Associate)

“The Danish Girl” Nina Gold

“Room” Fiona Weir, Robin D. Cook, Jonathan Oliveira (Associate)

“Trumbo” David Rubin, Meagan Lewis (Location Casting), Melissa Pryor (Associate)

LOW BUDGET – COMEDY

“Big Stone Gap” Henry Russell Bergstein, Stephanie Holbrook, Erica Arvold, Anne Chapman

“Dope” Kim Coleman

“Grandma” Douglas Aibel, Henry Russell Bergstein

“The Mend”  Kerry Barden, Paul Schnee, Allison Estrin

“Mistress America” Douglas Aibel, Henry Russell Bergstein (Associate)

LOW BUDGET – DRAMA

“It Follows” Mark Bennett

“James White” Susan Shopmaker

“Meadowland” Richard Hicks

“Sisterhood of Night” Laura Rosenthal, Maribeth Fox, Jodi Angstreich

“The Stanford Prison Experiment” Angela Demo

ANIMATION

“The Good Dinosaur” Kevin Reher, Natalie Lyon

“Inside Out” Kevin Reher, Natalie Lyon

“Legend of the Neverbeast” Jason Henkel

“Pixies” Brad Gilmore

The Seattle Film Critics Survey Is Mad For Max! We Love You, Seattle!


MadMaxFuryRoad

The Seattle Film Critics Survey announced their nominees for the best of 2015 earlier today and I have to say, their nominations are pretty interesting!  (Also interesting to note is that they did not nominate Oscar front runner Spotlight.) Way to go, Seattle!

BEST PICTURE OF THE YEAR:

BEST DIRECTOR:

BEST ACTOR in a LEADING ROLE:

BEST ACTRESS in a LEADING ROLE:

  • Cate Blanchett – CAROL
  • Nina Hoss – PHOENIX
  • Brie Larson – ROOM
  • Rooney Mara – CAROL
  • Saoirse RonanBROOKLYN

BEST ACTOR in a SUPPORTING ROLE:

  • Benicio del ToroSICARIO
  • Tom Hardy – THE REVENANT
  • Oscar IsaacEX MACHINA
  • Mark Rylance – BRIDGE OF SPIES
  • Sylvester StalloneCREED

BEST ACTRESS in a SUPPORTING ROLE:

  • Jennifer Jason Leigh – THE HATEFUL EIGHT
  • Kristen Stewart – CLOUDS OF SILS MARIA
  • Mya Taylor – TANGERINE
  • Alicia VikanderEX MACHINA
  • Kate WinsletSTEVE JOBS

BEST ENSEMBLE CAST:

BEST ORIGINAL SCREENPLAY:

  • EX MACHINAAlex Garland
  • THE HATEFUL EIGHTQuentin Tarantino
  • INSIDE OUTPete Docter, Meg LeFauve, and Josh Cooley (screenplay); Pete Docter and Ronnie del Carmen (story)
  • SICARIO Taylor Sheridan
  • SPOTLIGHTJosh Singer & Tom McCarthy

BEST ADAPTED SCREENPLAY:

BEST ANIMATED FEATURE:

  • ANOMALISACharlie Kaufman and Duke Johnson, directors
  • INSIDE OUTPete Docter, director
  • THE PEANUTS MOVIESteve Martino, director
  • SHAUN THE SHEEP MOVIE Mark Burton, Richard Starzak, Julie Lockhart and Paul Kewley, directors
  • WHEN MARNIE WAS THEREHiromasa Yonebayashi, director

BEST DOCUMENTARY FEATURE:

  • AMYAsif Kapadia, director
  • CARTEL LANDMatthew Heineman, director
  • GOING CLEAR: SCIENTOLOGY AND THE POWER OF BELIEF Alex Gibney, director
  • KURT COBAIN: MONTAGE OF HECKBrett Morgen, director
  • THE LOOK OF SILENCEJoshua Oppenheimer, director

BEST FOREIGN LANGUAGE FILM:

  • THE ASSASSINHou Hsiao-Hsien, director
  • MUSTANGDeniz Gamze Ergüven, director
  • PHOENIXChristian Petzold, director
  • SON OF SAULLászló Nemes, director
  • WHITE GODKornél Mundruczó, director

BEST CINEMATOGRAPHY:

  • CAROLEdward Lachman
  • THE HATEFUL EIGHTRobert Richardson
  • MAD MAX: FURY ROADJohn Seale
  • THE REVENANTEmmanuel Lubezki
  • SICARIORoger Deakins

BEST COSTUME DESIGN:

BEST FILM EDITING:

BEST MAKEUP & HAIRSTYLING:

  • CAROLPatricia Regan, Jerry DeCarlo
  • MAD MAX: FURY ROAD Lesley Vanderwalt, Damian Martin, Elka Wardega
  • THE REVENANTGraham Johnston, Robert Pandini

BEST ORIGINAL SCORE:

BEST ORIGINAL SONG:

  • CREED – “Grip”, Ludwig Göransson, Sam Dew, Tessa Thompson (composers)
  • FIFTY SHADES OF GREY – “Earned It (Fifty Shades of Grey)”, Abel Tesfaye, Stephan Moccio, Jason  Quenneville, Ahmad Balshe (composers)
  • FURIOUS 7 – “See You Again”, Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz (composers)
  • THE HUNTING GROUND – “Til It Happens To You”, Lady Gaga, Diane Warren (composers)
  • SPECTRE – “Writing’s On The Wall”, Sam Smith, James Napier (composers)

BEST PRODUCTION DESIGN:

  • CAROLJudy Becker (production design); Heather Loeffler (set decorator)
  • CRIMSON PEAK Tom Sanders (production design); Shane Vieau, Jeffrey A. Melvin (set decorator)
  • MAD MAX: FURY ROADColin Gibson (production design); Lisa Thompson (set decorator)
  • THE REVENANTJack Fisk (production design); Hamish Purdy (set decorator)
  • STAR WARS: THE FORCE AWAKENSRick Carter and Darren Gilford (production design); Lee Sandales (set decorator)

BEST SOUND DESIGN:

  • MAD MAX: FURY ROADBen Osmo, Chris Jenkins, Gregg Rudloff (sound mixing); Scott Hecker, Mark Mangini, David White (sound editing)
  • THE MARTIANMac Ruth, Paul Massey, Mark Taylor (sound mixing); Oliver Tarney (sound editing)
  • THE REVENANTChris Duesterdisk, Jon Taylor, Frank A. Moñtano, Randy Thom (sound mixing); Martin Hernandez, Randy Thom, Lon Bender (sound editing)
  • SICARIOJohn Reitz, Tom Ozanich, William Sarokin (sound mixing); Alan Robert Murray (sound editing)
  • STAR WARS: THE FORCE AWAKENSAndy Nelson, Christopher Scarabosio, Stuart Wilson (sound mixing); Matthew Wood, David Acord (sound editing)

BEST VISUAL EFFECTS:

Here Are The Eddie Nominations! Where’s Spotlight?


So, here’s the thing…the Eddie Awards are a pretty big deal.  The Eddies are given out by ACE, the American Cinema Editors and they are meant to honor the best edited films of the year.  The ACEs are also considered to be a pretty good precursor of what will be nominated for (obviously) Best Editing and Best Picture.

And here’s the thing — it’s rare that a film wins Best Picture without receiving, at the very least, a nomination for Best Editing.  Birdman managed to do it (and it’s odd that Birdman was snubbed for Best Editing since the editing was probably the only thing that kept Birdman from just being a pretentious mess).  However, Birdman was the exception to the rule.

What’s interesting is that Spotlight — which has dominated the critics awards — was snubbed by the Eddies.  What does this mean?  It might not mean anything.  Or it could mean that Spotlight is more popular with the critics than with the industry people who will actually be voting for the Oscars.

(The same thing happened with The Social Network a few years ago.)

What was nominated?  Check them out below and notice that Sicario — a darkhorse that I would love to see nominated — got the nomination that a lot of people were expecting to go to Spotlight.

Sicario_poster

BEST EDITED FEATURE FILM (DRAMATIC):

BEST EDITED FEATURE FILM (COMEDY):

  • Ant-Man
    Dan Lebental, ACE & Colby Parker, Jr., ACE
  • The Big Short
    Hank Corwin, ACE
  • Joy
    Jay Cassidy, ACE, Alan Baumgarten, ACE, 
Christopher Tellefsen, ACE & Tom Cross, ACE
  • Me and Earl and the Dying Girl
    David Trachtenberg
  • Trainwreck
    William Kerr, ACE & Paul Zucker

BEST EDITED ANIMATED FEATURE FILM:

  • Anomalisa
    Garret Elkins
  • Inside Out
    Kevin Nolting, ACE
  • The Good Dinosaur
    Stephen Schaffer, ACE

BEST EDITED DOCUMENTARY (FEATURE):