Film Review: Sherlock Holmes: A Game of Shadows (dir. by Guy Ritchie)


One of my favorite films of 2009 was Guy Ritchie’s Sherlock Holmes.  I saw the first (of probably many) sequels to that film this weekend.  Now, I have to admit that I was kinda worried about Sherlock Holmes: A Game of Shadows.  As much as I loved the first film, it definitely had the feeling of being a happy accident.  There were so many obvious ways to screw the film up that I found myself suspecting that that’s exactly what would happen with the sequel and I worried that a bad sequel would make it impossible for me ever to really enjoy the first film.  Well, having seen Game of Shadows, I can see that no, it’s not as good as the first film.  However, it’s still  pretty good.

Game of Shadows picks up the story a bit after the end of the first film.  Sherlock Holmes (Robert Downey, Jr.) is still doing cocaine and solving mysteries in London.  Dr. Watson (Jude Law) is still his best friend and is still planning on getting married and, not surprisingly, Holmes is still not happy about the idea of losing him.  Holmes is also still investigating the mysterious criminal mastermind, Dr. James Moriarty (Jared Harris).  Holmes discovers that Moriarty is behind a series of world-wide anarchist bombings and, with the world on the verge of war, Holmes and Watson attempt to both figure out why and to thwart Moriarty’s scheme.  While I haven’t read enough Sherlock Holmes to say for sure (I read the Hound of the Baskervilles in high school and that’s about it), I get the feeling that, plotwise, this film was probably more James Bond than traditional Sherlock Holmes.  But no matter, it’s an intriguing enough plot and director Ritchie wisely doesn’t spend too much time trying to hammer home that similarities between Moriarty’s scheme and certain modern-day conspiracy theories.

If the first Sherlock Holmes was a comedy with some action scenes, this sequel is definitely an action film with a lot of comedic relief.  Whether or not this increases or diminishes your enjoyment of the sequel really depends on how you feel about the action genre in general.  To be honest, most big budget action films bore me several shades of silly and Game of Shadows pulls out all the usual tricks — slow motion explosions, fist fights full of jump cuts so quick that it becomes impossible to really keep track of who is actually fighting who, and the whole zooming into the barrel of a gun just as the trigger is pulled routine.  And yet these action sequences didn’t inspire my usual eye rolling, if just because it was obvious that the film itself understood just how over-the-top and silly all of it was.  The film has the decency not to demand that I take it seriously and for that, I’m more willing to accept the predictable parts than I would be with a film like Battle L.A.

Besides, even with the increased emphasis on action, the filmmakers still understand that what made the first Sherlock Holmes work was the chemistry between Robert Downey, Jr. and Jude Law.  Seriously, Downey and Law have some of the strongest chemistry in the movies today.  Certainly, there a more believable couple than Natalie Portman and Ashton Kutcher.  (It’s probably not a coincidence that the film, very early on, establishes that Watson is getting married and that Holmes is still mourning Rachel McAdams from the previous film.)  You buy their friendship and it’s just fun to watch these two actors bouncing lines off of each other.  Downey still comes across more like Robert Downey. Jr. than Sherlock Holmes (and that’s just fine with me) but Jude Law actually gets a chance to act in this film and he brings a lot of life to a character who, on paper, would just seem to be the prototypical sidekick. 

Joining the cast in this installment as Jarded Harris as the evil Dr. Moriarty and Noomi Rapace as the gypsy fortune teller who gets caught up in Moriarty’s latest scheme.  Now, you may be surprised to hear this with the current efforts to brainwash us all into being Rooney Mara-compliant but Rapace was the original Girl With the Dragon Tattoo and, regardless of the film establishment’s attempts to revise history, she is the one who made Lisbeth Salander into an icon.  Unfortunately, Rapace doesn’t get to do much here but I was happy to see her if just to know that the Hollywood establishment hadn’t succeeded in erasing her from history.  As Moriarty, Jared Harris doesn’t have a lot of scenes but he still totally dominates the entire film.  Harris’s Moriarty is truly serpent-like, outwardly smooth and calm but, on the inside, always ready to strike.  He makes Moriarty into such a memorable, genuinely threatening villain that he ends up giving the film an extra dimension that otherwise wouldn’t be there.  It’s a great performance and hopefully, when the inevitable third Sherlock Holmes film is made, Moriarty will be back and Harris will be playing him.

Belatedly, here are the Satellite Nominations


One thing about Oscar Season is that you have so many different groups of people tossing around so many different awards that occasionally, you’ll miss a few.  The nominations for the Satellite Awards were announced last Friday but I missed them, largely because nobody really seems to care about the Satellite Awards.  Well, almost nobody.  I care about them because — even when they were known as the Golden Satellites — the Satellite Awards are consistently more interesting than the more mainstream awards.  (For instance, last year, the Satellite Awards had the guts to honor the one and only true girl with the dragon tattoo, Noomi Rapace.)

Best Picture

The Artist

The Descendants

Drive

The Help

Hugo

Midnight in Paris

Moneyball

Shame

Tinker, Tailor, Soldier, Spy

War Horse

What?  No love for David Fincher’s rip-off of The Girl With The Dragon Tattoo?  The AwardsDaily folks must be throwing a fit.  (They’ve been promoting Fincher’s rehash with the same enthusiasm that they attempted to promote Nine two years ago.)

Best Actor

George Clooney in The Descendants

Leonardo DiCaprio in J. Edgar

Michael Fassbender in Shame

Brendan Gleeson in The Guard

Ryan Gosling in Drive

Tom Hardy in The Warrior

Woody Harrelson in Rampart

Gary Oldman in Tinker, Tailor, Soldier, Spy

Brad Pitt in Moneyball

Michael Shannon in Take Shelter

It’s nice to see Brendan Gleeson get some love.  It’s also interesting to note that Michael Shannon’s performance in Take Shelter has been getting a lot of recognition.  Count me among those who hopes that Shannon gets, at the very least, a nomination for giving a great performance in a horror film.

Best Actress

Glenn Close for Albert Nobbs

Olivia Colman in Tryannasour

Viola Davis for The Help

Vera Farmiga in Higher Ground

Elizabeth Olsen in Martha Marcy May Marlene

Meryl Streep in The Iron Lady

Charlize Theron in Young Adult

Emily Watson in Oarnges and Sunshine

Michelle Williams in My Week With Marilyn

Michelle Yeoh in The Lady

Much as the Satellites recognized the work of Noomi Rapace last year, this year they continue to at least nominate some great performances that are being ignored by the mainstream.  In a perfect world, both Verma Farmiga and Higher Ground would be major contenders.

Best Supporting Actor

Kenneth Branagh in My Week With Marilyn

Albert Brooks in Drive

Colin Farrell in Horrible Bosses

Jonah Hill in Moneyball

Viggo Mortensen in A Dangerous Method

Nick Nolte in Warrior

Christopher Plummer in Beginners

Andy Serkis for Rise of the Planet of the Apes

Christoph Waltz in Carnage

Hugo Weaving in Oranges and Sunshine

Wouldn’t it be cool if Andy Serkis actually got an Oscar nomination?  It’s also nice to see Jonah Hill finally getting some recognition for Moneyball.  Brad Pitt has been honored largely for playing Brad Pitt in that film.  Hill actually gave a performance.

Best Supporting Actress

Jessica Chastain in The Tree of Life

Elle Fanning in Super 8

Lisa Feret in Mozart’s Sister

Judy Greer in The Descendants

Rachel McAdams in Midnight in Paris

Janet McTeer in Albert Nobbs

Carey Mulligan in Shame

Vanessa Redgrave in Coriolanus

Octavia Spencer in The Help

Kate Winslet in Carnage

I haven’t seen Shame yet but Carey Mulligan is one of my favorite actresses and she deserved an Oscar for her performance in An Education.  It’s also nice to see Judy Greer getting some recognition for giving one of the few performances in The Descendants that’s actually going to pass the test of time.

The full list of nominees can be found here.

David Fincher’s The Girl With The Dragon Tattoo: Trailer #2


Here’s the 2nd trailer for David Fincher’s bastadization rip-off remake version of The Girl With The Dragon Tattoo.

I’m just going to make just a few general comments:

1) This trailer is obviously a lot more plot-specific than the 1st trailer.  It’s also a lot less interesting.  The snow-filled landscapes still look impressive but the 1st trailer seemed to be fueled by an unstoppable force.  The 2nd trailer seems to be fueled by test groups.

2) I’ve always been honest about how much I loved Noomi Rapace’s performance in the original film.  Rooney Mara has some big shoes to fill.  In the scenes selected for this trailer, she looks like a little girl playing dress up.

3) Not surprisingly Daniel Craig’s Mikael seems to be a much more active and straight forward hero than Michael Nyqvist’s interpretation.  In fact, this trailer could just as easily be for the next James Bond film. 

4) Of course, this would be great if not for the fact that the best thing about both the original novel and the original film was that Lisbeth was nobody’s sidekick.

5) Christopher Plummer.  Again.

And finally,

6) The 1st trailer had a true grindhouse feel to it and that feeling is sadly missing from the 2nd.  Here’s the 1st trailer.  Watch and compare:

Trailer: Sherlock Holmes: A Game of Shadows (Official)


In 2009, we saw the first film in what Warner Bros. hoped would be the start of a new film franchise in Guy Ritchie’s Sherlock Holmes starring Robert Down, Jr. in the titular role with Jude Law playing his intrepid assistant, Dr. Watson. The film did quite well in the box-office that a sequel was greenlit right away and here we are just five months from the premiere of the follow-up film, Sherlock Holmes: A Game of Shadows.

The first film introduced the character of Sherlock Holmes to the public who really didn’t know much of the iconic character. That film also introduced the one person who would become Holmes equal in intellect and deductive reasoning but without the moral center: Dr. James Moriarty. This arch-foil for Holmes is to be the main antagonist for the sequel and whoever decided to cast Jared Harris in the role of the good Dr. Moriarty should get a raise. Harris has always been one of those character actors who disappears into his roles in every film he has done but never seem to get any glory. Hopefully, once people have seen him in A Game of Shadows, this will change and he joins the likes of Mark Strong, Anthony Hopkins and others who toiled in relative obscurity until finally hitting it big as a charming villain in a major film.

New to the sequel will be Noomi Rapace just fresh off of her stand-out role as Lisbeth Salander in the film adaptation trilogy of Stieg Larsson’s Millenium Trilogy. Also, joining the returning cast is Stephen Fry as Sherlock’s brother Mycroft Holmes. The film, as shown in the trailer, looks to ramp up the action and bring Holmes and Watson on a whirlwind tour of Europe.

Sherlock Holmes: A Game of Shadows is set for a December 16, 2011 release date.

Hey, it’s the first trailer for David Fincher’s version of The Girl With The Dragon Tattoo


Okay, here’s the red band trailer for David Fincher’s unneccessary offensive insulting upcoming version of The Girl With The Dragon Tattoo. 

If you want, feel free to visit YouTube and read all the comments from fanboys having Finchergasms over it.  My position will continue to be that David Fincher is a very talented director, Rooney Mara was rather bland in both Nightmare on Elm Street and The Social Network, Daniel Craig is boring and overrated but then again, so is the character he’s playing, and finally, Noomi Rapace will always be the Girl With The Dragon Tattoo. 

That doesn’t mean that Fincher won’t make a good movie.  The trailer is effective and the material seems well suited for Fincher’s vision.  In fact, it could allow Fincher to get back to his Fight Club and Zodiac roots after going all boring and mainstream with The Curious Case of Benjamin Button and The Social Network.

Still, perhaps we should remake The Lord of The Rings trilogy next.  After all, those first three films are just sooooo New Zealand.  We need an American version.

 

Lisa And The Academy Agree To Disagree


The Oscar nominations were announced today and, for the most part, it’s pretty much what you would expect.  Below is the list of nominees.  If a nominee listed in bold print, that means they also appeared on my own personal list of nominations.

Best motion picture of the year

Black Swan
The Fighter
Inception
The Kids Are All Right
The King’s Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone

(The Academy and I agree on five of the ten nominees.  That’s actually more than I was expecting.)

Performance by an actor in a leading role

Javier Bardem (Biutiful)
Jeff Bridges (True Grit)
Jesse Eisenberg (The Social Network)
Colin Firth (The King’s Speech)
James Franco (127 Hours)

(The only real surprise here is Bardem.  I haven’t seen Biutiful but I’ve heard amazing things about it.)

Performance by an actor in a supporting role

Christian Bale (The Fighter)
John Hawkes (Winter’s Bone)
Jeremy Renner (The Town)
Mark Ruffalo (The Kids Are All Right)
Geoffrey Rush (The King’s Speech)

(Yay for John Hawkes!  Some people are surprised that Andrew Garfield wasn’t nominated for The Social Network.  I’m disappointed he wasn’t nominated for Never Let Me Go.)

Performance by an actress in a leading role

Annette Bening (The Kids Are All Right)
Nicole Kidman (Rabbit Hole)
Jennifer Lawrence (Winter’s Bone)
Natalie Portman (Black Swan)
Michelle Williams (Blue Valentine)

(I’m happy to see Lawrence and Portman recognized but I still so wish that the Academy had recongized Noomi Rapace and Katie Jarvis as well.  I knew it wouldn’t happen but still…)

Performance by an actress in a supporting role

Amy Adams (The Fighter)
Helena Bonham Carter (The King’s Speech)
Melissa Leo (The Fighter)
Hailee Steinfeld (True Grit)
Jacki Weaver (Animal Kingdom)

(Weaver — Yay!) 

Achievement in directing

Darren Aronofsky (Black Swan)
David O Russell (The Fighter)
Tom Hooper (The King’s Speech)
David Fincher (The Social Network)
Joel Coen and Ethan Coen (True Grit)

(The snubbing of Christopher Nolan for Inception is probably the closest thing to an outrage that the Oscars will produce this year.)

Adapted screenplay

127 Hours – Danny Boyle & Simon Beaufoy
The Social Network – Aaron Sorkin
Toy Story 3 – Michael Arndt (screenplay); John Lasseter, Andrew Stanton and Lee Unkrich (story)
True Grit – Joel Coen and Ethan Coen
Winter’s Bone – Debra Granik & Anne Rosellini

Original screenplay

Another Year – Mike Leigh
The Fighter – Scott Silver, Paul Tamasy and Eric Johnson (screenplay); Keith Dorrington, Paul Tamasy and Eric Johnson (story)
Inception – Christopher Nolan
The Kids Are All Right – Lisa Cholodenko and Stuart Blumberg
The King’s Speech – David Seidler

Best animated feature film of the year

How to Train Your Dragon
The Illusionist
Toy Story 3

 (I haven’t seen The Illusionist yet but I’m looking forward to it because the previews look great, it’s based on a script by Jacques Tati, and I love all things French.  Still, I kinda wish that Despicable Me had been nominated just so Arleigh could see the minions at the Academy Awards.)

Best foreign language film of the year

Biutiful (Mexico)
Dogtooth (Greece)
In a Better World (Denmark)
Incendies (Canada)
Outside the Law (Hors-la-loi) (Algeria)

Art direction

Alice in Wonderland – Robert Stromberg (production design), Karen O’Hara (set decoration)
Harry Potter and the Deathly Hallows Part 1 – Stuart Craig (production design), Stephenie McMillan (set decoration)
Inception – Guy Hendrix Dyas (production design), Larry Dias and Doug Mowat (set decoration)
The King’s Speech – Eve Stewart (production design), Judy Farr (set decoration)
True Grit – Jess Gonchor (production design), Nancy Haigh (set decoration) 

Achievement in cinematography

Matthew Libatique (Black Swan)
Wally Pfister (Inception)
Danny Cohen (The King’s Speech)
Jeff Cronenweth (The Social Network)
Roger Deakins (True Grit) 

Achievement in costume design

Colleen Atwood (Alice in Wonderland)
Antonella Cannarozzi (I Am Love)
Jenny Beavan (The King’s Speech)
Sandy Powell (The Tempest)
Mary Zophres (True Grit)

(That’s right, I ended up going 0 for 5 as far as Costume Design is concerned.  Which I guess goes to prove that I have better taste than the Academy.)

Best documentary feature

Exit Through the Gift Shop (Banksy and Jaimie D’Cruz)
Gasland (Josh Fox and Trish Adlesic)
Inside Job (Charles Ferguson and Audrey Marrs)
Restrepo (Tim Hetherington and Sebastian Junger)
Waste Land (Lucy Walker and Angus Aynsley)

 (If Banksy wins, I’ll be happy.  I have a feeling the award will go to Inside Job, however.  As a documentary, Inside Job reminded me a lot of Capt. Hindsight from the South Park Coon Vs. Coon And Friends trilogy.  Also, I’m a little bit surprised that Waiting for Superman wasn’t nominated.  I’m even more surprised that I actually saw enough feature documentaries last year to even have an opinion.  Also, interesting to note that Restrepo — a very nonpolitical look at military in the mid-east — was nominated while The Tillman Story, a much more heavy-handed and stridently political documentary was not.)

Best documentary short subject

Killing in the Name (Nominees to be determined)
Poster Girl (Nominees to be determined)
Strangers No More (Karen Goodman and Kirk Simon)
Sun Come Up (Jennifer Redfearn and Tim Metzger)
The Warriors of Qiugang (Ruby Yang and Thomas Lennon)

(It’s always interesting that nobody knows what these movies are about yet their producers always end up giving the longest speeches at the Oscars.  I’m hoping that Poster Girl wins because the actual producers have yet to be determined.  I imagine that means there might be some sort of legal action going on which means that, if it wins on Oscar night, there might be a big fight at the podium.  Plus, I like the title.  It makes me want to walk up to people I barely know, lean forward, and go, “Can I be your poster girl?”)

Achievement in film editing

Andrew Weisblum (Black Swan)
Pamela Martin (The Fighter)
Tariq Anwar (The King’s Speech)
Jon Harris (127 Hours)
Angus Wall and Kirk Baxter (The Social Network) 

Achievement in makeup

Adrien Morot (Barney’s Version)
Edouard F Henriques, Gregory Funk and Yolanda Toussieng (The Way Back)
Rick Baker and Dave Elsey (The Wolfman)

Achievement in music written for motion pictures (original score)

John Powell (How to Train Your Dragon)
Hans Zimmer (Inception)
Alexandre Desplat (The King’s Speech)
AR Rahman (127 Hours)
Trent Reznor and Atticus Ross (The Social Network)

Achievement in music written for motion pictures (original song)

Coming Home (from Country Strong, music and lyrics by Tom Douglas, Troy Verges and Hillary Lindsey)
I See the Light (from Tangled, music by Alan Menken, lyrics by Glenn Slater)
If I Rise (from 127 Hours, music by AR Rahman, lyrics by Dido and Rollo Armstrong)
We Belong Together (from Toy Story 3, music and lyrics by Randy Newman)

(I’ll just say it now — 4 nominations and I didn’t agree with a single one of them.  Seriously, they could have nominated up to 5 songs but instead of giving at least one nomination to Burlesque, they just nominated 4 songs.  What a load of crap.)

Best animated short film

Day & Night (Teddy Newton)
The Gruffalo (Jakob Schuh and Max Lang)
Let’s Pollute (Geefwee Boedoe)
The Lost Thing (Nick Batzias, Shaun Tan and Andrew Ruhemann)
Madagascar, carnet de voyage (Madagascar, a Journey Diary) (Bastien Dubois)

(I’ve actually seen Day & Night since it was shown before Toy Story 3.  I thought it went on a little bit too long, to be honest.)

Best live action short film

The Confession (Tanel Toom)
The Crush (Michael Creagh)
God of Love (Luke Matheny)
Na Wewe (Ivan Goldschmidt)
Wish 143 (Ian Barnes and Samantha Waite) 

Achievement in sound editing

Inception (Richard King)
Toy Story 3 (Tom Myers and Michael Silvers)
Tron: Legacy (Gwendolyn Yates Whittle and Addison Teague)
True Grit (Skip Lievsay and Craig Berkey)
Unstoppable (Mark P Stoeckinger)

Achievement in sound mixing

Inception (Lora Hirschberg, Gary A Rizzo and Ed Novick)
The King’s Speech (Paul Hamblin, Martin Jensen and John Midgley)
Salt (Jeffrey J Haboush, Greg P Russell, Scott Millan and William Sarokin)
The Social Network (Ren Klyce, David Parker, Michael Semanick and Mark Weingarten)
True Grit (Skip Lievsay, Craig Berkey, Greg Orloff and Peter F Kurland)

 (I would have probably had more matches in the sound category if I actually knew the difference between sound editing and sound mixing.)

Achievement in visual effects

Alice in Wonderland (Ken Ralston, David Schaub, Carey Villegas and Sean Phillips)
Harry Potter and the Deathly Hallows Part 1 (Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi)
Hereafter (Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell)
Inception (Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb)
Iron Man 2 (Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick)

So there you go.  I went 50/50 on the Best Picture nominations and — well, it all pretty much went downhill from there, didn’t it?  Oh well.

If Lisa Marie Determined The Oscar Nominees…


With the Oscar nominations due to be announced this week, now seems like a good time to indulge in something I like to call “If Lisa Marie Had All The Power.”  Listed below are my personal Oscar nominations.  Please note that these are not the films that I necessarily think will be nominated.  The fact of the matter is that the majority of them will not.  Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year.  Winners are listed in bold.

Best Picture

Animal Kingdom

Black Swan

Exit Through The Gift Shop

Fish Tank

Inception

The King’s Speech

Never Let Me Go

127 Hours

Somewhere

Winter’s Bone

Best Actor

Patrick Fabian in The Last Exorcism

Colin Firth in The King’s Speech

James Franco in 127 Hours

Andy Garcia in City Island

Ben Stiller in Greenberg

Best Actress

Katie Jarvis in Fish Tank

Jennifer Lawrence in Winter’s Bone

Natalie Portman in Black Swan

Noomi Rapace in The Girl With The Dragon Tattoo

Emma Stone in Easy A

Best Supporting Actor

Christian Bale in The Fighter

Aaron Eckhardt in Rabbit Hole

Andrew Garfield in Never Let Me Go

John Hawkes in Winter’s Bone

Ben Mendelsohn in Animal Kingdom



Best Supporting Actress

Elle Fanning in Somewhere

Rebecca Hall in Please Give

Chloe Grace Moretz in Kick-Ass

Hailee Steinfeld in True Grit

Jacki Weaver in Animal Kingdom

(That’s right, everyone.  It’s a tie between the youngest nominee and the oldest nominee.  Don’t you just love the Oscars?)

Best Director

Andrea Arnold for Fish Tank

Darren Aronofsky for Black Swan

Danny Boyle for 127 Hours

Sofia Coppola for Somewhere

Christopher Nolan for Inception

Best Original Screenplay

Animal Kingdom

Black Swan

Fish Tank

Inception

The King’s Speech

Best Adapted Screenplay

Never Let Me Go

127 Hours

Rabbit Hole

Toy Story 3

Winter’s Bone

Best Editing

Black Swan

Exit Through the Gift Shop

Inception

127 Hours

Somewhere

Best Cinematography

Black Swan

Somewhere

True Grit

Twelve

Winter’s Bone

Best Art Direction

Black Swan

Harry Potter and the Deathly Hallows, Part One

Inception

The King’s Speech

Scott Pilgrim Vs. The World

Best Sound Mixing

Black Swan

Inception

Secretariat

Stone

Toy Story 3

Best Sound Editing

The Expendables

Inception

Scott Pilgrim Vs. The World

Secretariat

Toy Story 3

Best Costume Design

Black Swan

The Girl With The Dragon Tattoo

Harry Potter and the Deathly Hallows, Part One

Robin Hood

The Wolf Man

Best Original Score

Black Swan

Inception

Machete

127 Hours

Tron: Legacy

(Yes, I know that the Academy has ruled that the original score for Black Swan is not eligible to be nominated.  However, these are my nominations and I make the rules.)

Best Visual Effects

Harry Potter and the Deathly Hallows, Part One

Inception

Scott Pilgrim Vs. The World

Splice

Tron: Legacy

Best Makeup

Harry Potter and the Deathly Hallows, Part One

Let Me In

127 Hours

Splice

The Wolf Man

Best Song 

“Better Days” from Eat Pray Love

“Bound Together” from Burlesque

“Dear Laughing Doubters” from Dinner For Schmucks

“Sticks and Stones” from How To Train Your Dragon

“You Haven’t Seen The Last of Me” from Burlesque

Best Documentary Feature

Best Worst Movie

Exit Through the Gift Shop

Joan Rivers: A Piece of Work

Restrepo

Winnebago Man

Best Animated Feature

How To Train Your Dragon

A Town Called Panic

Toy Story 3

(Again, I am aware that the Academy ruled that A Town Called Panic isn’t eligible and again, I don’t care.)

Best Foreign Language Film

The Girl With The Dragon Tattoo (Sweden)

Mother (South Korea)

OSS 117 – Lost in Rio (France)

Police, Adjective (Romania)

A Prophet (France)

(While the Academy considers one submission per country for this award, I’m simply using it to recognize the best foreign language film released in the U.S. last year.  Or, at least, the best one that I got a chance to see.)

So, since I love lists, here’s a final tally of films by nominations:

10 Nominations — Black Swan

9 Nominations — Inception

7 Nominations — 127 Hours

5 Nominations — Somewhere, Winter’s Bone

4 Nominations — Animal Kingdom, Fish Tank, Harry Potter and the Deathly Hallows, The King’s Speech, Toy Story 3

3 Nominations — Exit Through The Gift Shop, The Girl With The Dragon Tattoo, Never Let Me Go, Scott Pilgrim Vs. The World

2 Nominations — Burlesque, How To Train Your Dragon, Rabbit Hole, Secretariat, Splice, Tron: Legacy, True Grit, The Wolf Man

1 Nomination — Best Worst Movie, City Island, Dinner For Schmucks, Easy A, Eat Pray Love, The Expendables, The Fighter, Greenberg, Joan Rivers: A Piece of Work, Kick-Ass, The Last Exorcism, Machete, Mother, OSS 117 — Lost in Rio, Please Give, Police, Adjective, A Prophet, Restrepo, Robin Hood, Stone, A Town Called Panic, Twelve, Winnebago Man

0 Nominations — The Social Network

And lastly, here’s a tally by imaginary Oscars won:

5 Oscars — Black Swan

2 Oscars — Toy Story 3

1 Oscar — Animal Kingdom, Burlesque, Exit Through The Gift Shop, Fish Tank, The Girl With The Dragon Tattoo, Harry Potter and the Deathly Hallows, Inception, Never Let Me Go, 127 Hours, Scott Pilgrim Vs. The World, Somewhere, Tron: Legacy, Twelve, Winter’s Bone, The Wolf Man

0 Oscars — The Social Network

(One final note: A big thank you to my sister, Erin Nicole Bowman, who created the banners used in this post.)

The Worst Female Images In A Movie


Did you know that there’s a group known as The Women Film Critics Circle and, much like the DFW Film Critics, I am not a member despite being 1) a woman, 2) a film critic, and 3) a feminist?  I swear, I am feeling so rejected right about now…

Then again, looking over their 2010 movie awards, I’m not sure I would want to be a member.  Check out their selections and then see if you can guess which one has got me all annoyed and profane.

BEST MOVIE ABOUT WOMEN
Mother And Child

BEST MOVIE BY A WOMAN
Winter’s Bone

BEST WOMAN STORYTELLER [Screenwriting Award]
The Kids Are All Right: Lisa Cholodenko

BEST ACTRESS
Annette Bening/The Kids Are All Right

BEST ACTOR
Colin Firth/The King’s Speech

BEST YOUNG ACTRESS
Jennifer Lawrence/Winter’s Bone

BEST COMEDIC ACTRESS
Annette Bening/The Kids Are All Right
BEST FOREIGN FILM BY OR ABOUT WOMEN: *TIE*
Mother
Women Without Men

BEST FEMALE IMAGES IN A MOVIE
Conviction

WORST FEMALE IMAGES IN A MOVIE
Black Swan

BEST MALE IMAGES IN A MOVIE: *TIE*
Another Year
The King’s Speech

WORST MALE IMAGES IN A MOVIE
Jackass 3D

BEST THEATRICALLY UNRELEASED MOVIE BY OR ABOUT WOMEN
Temple Grandin

BEST EQUALITY OF THE SEXES: *TIE
Another Year
Fair Game

BEST ANIMATED FEMALES
Despicable Me

BEST FAMILY FILM
Toy Story 3

LIFETIME ACHIEVEMENT AWARD
Helen Mirren

ACTING AND ACTIVISM
Lena Horne [posthumous]

*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women:
Winter’s Bone

*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
For Colored Girls

*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity
Fair Game

COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]
Helen Mirren/The Tempest

THE INVISIBLE WOMAN AWARD [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
Q’Orianka Kilcher/Princess Kaiulani

BEST DOCUMENTARY BY A WOMAN
A Film Unfinished

WOMEN’S WORK: BEST ENSEMBLE
Mother And Child

BEST SCREEN COUPLE
Another Year: Jim Broadbent/Ruth Sheen as Tom and Gerri

Did you catch it?  Yes, that’s right.  With all of the demeaning, insulting, sexist crap that both the mainstream and the independent film industries have released this year, Black Swan wins the award for “Worst Female Images In A Film.”

Uhmm, really?

Yes, Natalie Portman dealing with a society that forces an unrealistic expectation of perfection on young women — this is a far more negative image than every female  character in The Social Network turning out to either be a bitch, a whore, or an idiot.  Natalie Portman suffering from bulimia because she knows the consequences if she doesn’t maintain the right body type — this is a far more insulting image than Anne Hathaway being charmed by Jack Gyllenhaal pretending to be a doctor while leering at her exposed breast in Love and Other Drugs.  This was the year that Rebecca Hall fell in love with a man who kidnapped her in The Town while The Killer Inside Me lingered lovingly on scenes of Casey Affleck beating both Jessica Alba and Kate Hudson to death.  But no, out of all this, Black Swan featured the worst images of women on screen.

What utter and total bullshit.

I am a feminist and I am proud to be fiercely pro-woman (though never blindly anti-male).  I have always been very aware of the fact that, regardless of intent, most movies are basically sexist fantasies.  And, like a lot of women, I’ve come to accept that as the price I pay for loving movies.  It’s something that I’m more likely to laugh at than to get outraged over.  But that doesn’t mean that I don’t sometimes get tired of it, that I don’t sometimes wish that just for once, I could see a movie where the female lead didn’t need to be rescued by a man or where she wasn’t expected to epitomize some sort of stereotype.

To be honest, male filmmakers are not solely to blame.  Some of the most demeaning images of women have come from films that were directed by women and which were advertised as being “feminist” films.  Sometimes it seems like movies are either so busy trying to either keep women down or to build women up that they forget that most of us just want to be seen as human beings.

So no, Natalie Portman is not some sort of “feminist ideal” in Black Swan.  She cuts herself, she’s bulimic, she fears her own sexual desires, she’s too hard on herself, and she’s manipulated by the men around her.  And you know what?  That’s not a sexist fantasy.  For far too many women, present and past, that’s the life that has been forced upon them by an inherently sexist society.  If anything, that’s the type of life that feminism was supposed to provide an escape from. 

Instead, the stridency and judgmental attitudes of far too many so-called “feminists” has simply turned into another way to trap us into that life of guilt and shame and idealized demands of perfection.

The female images in Black Swan are not negative.  They’re honest and that’s why Black Swan meant more to me, as a woman, than every single self-conscious, strident “feminist” film ever made. 

As for the worst female image in a movie — give that award to Eat Pray Love for being yet another movie that basically gives us a spoiled, immature, rich, elitist lead character and then insults women everywhere by trying to present her as some sort of practical model for liberation. 

Julia Roberts traveling across the world without once waking up with dark circles under her eyes might be the ideal but Natalie Portman being leered at by an old pervert on the subway is the reality.

For once, this has been a good year for strong women on American film screens.  Whether it was Noomi Rapace as The Girl With The Dragon Tattoo or Jennifer Lawrence in Winter’s Bone, Katie Jarvis in Fish Tank, or even Angelina Jolie as Salt, this has been a year of strong female images.  This has been a year of films that left me feeling empowered — not in the wishy-washy way that so many insultingly condescending films claim to empower but in an honest way that made me feel, for once, that I didn’t have to accept the idea of any limitations on my own dreams or desires. 

It wasn’t just a good year to be a girl who loves movies.  It was a great year.

And Black Swan was the best part of a great year.

(You can read my original review of Black Swan here.)

20 Cinematic Moments That Will Define 2010 For Me


Every year, there’s a handful of film scenes that come to define the entire year for us.  At their best, these scenes can leave such an impression that they become a part of our shared history.  For some people (though not me), 2009 will always be the year of Avatar.  Meanwhile, for me (but not others), 2010 will always be the year I realized it was okay to admit how much I love to dance.  Listed below are 20 of the many film moments that I will remember whenever I look back on this current year.

20) Carey Mulligan and Andrew Garfield discover what really happened to all of their childhood artwork in Never Let Me Go.

Permeated with an atmosphere of nonstop melancholy, Never Let Me Go never quite found the audience is deserved but I think it’s one of the best films of 2010 and the scene mentioned above is one of the reasons why.

19) Scott Pilgrim says, “Oh cool, coins!” in Scott Pilgrim Vs. The World.

And Lisa Marie suddenly realizes that she has fallen in love with a movie.

18) Keifer Sutherland says, “Tap that ass” in Twelve.

Truth be told, I don’t even remember what was happening on-screen.  I just remember Keifer, as the film’s narrator, saying “Tap that ass” in that sexy, nicotine-fueld growl of his and thinking to myself, “Well, okay…”

17) Jake Gyllenhaal chases down a bus full of dying old people in Love and Other Drugs.

Yes, the old people desperately need to get up to Canada so they can get their prescriptions filled but unfortunately for them, Anne Hathaway happens to be on the bus as well and Jake — apparently realizing that he’ll never get to see her breasts again if they break up — chases the bus down in his Porsche so he can reconcile with her.  And, of course, the old people are just so adorably excited at the idea of a 15-minute delay while these two deeply damaged characters stand outside and talk about their relationship.  I mean, fuck it — who cares about getting these people their medicine when there’s a disposable pop tune playing in the background and Jake wants to talk to his ex-girlfriend?  In so many ways, this scene represents everything I hate about mainstream filmmaking.

16) Joseph Gordon-Levitt flies through the corridors of a dream hotel in Inception.

Inception was a film full of amazing images but my personal favorite was perhaps the simplest — Joseph Gordon-Levitt (looking rather adorable in his dark suit) floating down those Argentoesque hallways while trying to figure out how to wake everyone up.

15) Jacki Weaver delivers the line of the year in Animal Kingdom.

“And you’ve done some bad things, sweetie.”

14)  John Hawkes “talks” his way out of a traffic stop in Winter’s Bone.

While Winter’s Bone should rightfully make Jennifer Lawrence a star, John Hawkes also contributed some of the film’s best moments.

13) Patrick Fabian slips a recipe into his sermon in The Last Exorcism.

Cast as a modern-day Marjoe Gortner in this underappreciated film, Fabian gives one of the best performances of the year, if not the best.

12) Chloe Grace Moretz saves Kick-Ass from the mafia in Kick-Ass.

As far as women kicking ass was concerned, 2010 was a good year.  Sure, the majority of cinematic female portraits were — as always — sexist to the extreme but there were a few rays of hope.  Angelina Jolie in Salt, Noomi Rapace in The Girl With The Dragon Tattoo films, Mila Jovovich in Resident Evil — all were among the women who got to do something more than just look pretty while the boys saved the day.  Seeing as how I’m honoring Rapace further down the list, I’m going to allow Chloe Grace Moretz (in the role of Hit Girl) to serve as a stand-in here for every single woman who was allowed to kick a little ass in 2010.

11) Christian Bale and Mark Wahlberg walks down the streets of Lowell at the beginning of The Fighter.

Seriously, this entire sequence — set to Heavy’s How You Like Me Now? (or “The Sock Monkey Song” as I call it) — could be a short film in itself.  Call it: “Men and why we love them.”

10) Colin Firth fearfully waits to give a speech at the start of The King’s Speech.

One look at Firth’s terrified eyes and I was in tears.  From that minute on, this unexpected gem of a film had me.

9) Jennifer Lawrence fishes for her dad’s hand in Winter’s Bone.

Southern gothic at its best!

8) James Franco is rescued by a purifying storm in 127 Hours.

Helpless and hopeless, Franco is suddenly freed by a sudden storm.  Both Franco and director Danny Boyle handle this scene with such skill that the audience finds itself just as saddened as Franco when it all turns out to be a hallucination.

7) Katie Jarvis dances in an abandoned apartment and finds a momentary glimmer of hope in Fish Tank.

Between this movie and Black Swan, 2010 was the year that reminded me of just how much I love to dance and why.  2010 is the year that I realized it was okay for me to love to dance again.

6) Andy gives away his toys at the end of Toy Story 3.

And Lisa Marie cries and cries.

5) Lisbeth Salander (played by Noomi Rapace) gives her abusive guardian a tattoo in The Girl With The Dragon Tattoo.

For any and every girl who has ever been used, abused, hurt, spoken down to, insulted, manipulated, or betrayed by someone who claimed to only be looking after her best interests, this scene was truly cathartic.  When I say that Noomi Rapace’s Lisbeth will be iconic, it’s largely because of scenes like this.  In that one scene, Lisbeth is established as a woman who will never be victimized and it gives hope any for those of us who don’t have dragon tattoos. 

4) Footage from Theirry’s completed “documentary” is revealed in Exit Through The Gift Shop.

And the audience is  suddenly forced to question just how much of anything they’ve seen is the truth.

3) The spinning top wobbles at the end of Inception.

Or does it?

2) Kathryn Bigelow becomes the first woman to win the Oscar for best director while her ex-husband glowers in silence.

I wasn’t a huge fan of The Hurt Locker but I still squealed with delight as Kathryn Bigelow accepted the award that should have gone to Sofia Coppola back in 2004.  Not only did Bigelow make history but she did it by beating her soulless jerk of an ex-husband, James Cameron.  And then she gave one of the best acceptance speeches in Oscar history, all the while looking about 20 years younger than she actually is.  In short, Kathryn Bigelow showed every Oscar winner — past, present, and future — exactly how it’s done.

1) The final fifteen minutes of Black Swan

In 15 minutes, Darren Aronofsky reminded me of how much I love ballet and audiences of why we love movies in the first place.

Hey SAG! Where’s Jacki?


Is there any organization out there right now that isn’t handing out either awards or nominations?  Earlier today, The members of the Screen Actors Guild became the latest organization to join in the fun when they announced their nominations for the best film performances of 2010.

Here’s the nominees.  I apologize, in advance, for the lack of sarcastic commentary but I have a headache and, as a result, my wit is sleeping on the couch for now.

Ensemble:
Black Swan
The Fighter
The Kids Are All Right
The King’s Speech
The Social Network

Actress, Lead:
Annette Bening, The Kids Are All Right
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter’s Bone
Natalie Portman, Black Swan
Hilary Swank, Conviction

Actor, Motion Picture
Jeff Bridges, True Grit
Robert Duvall, Get Low
Jesse Eisenberg, The Social Network
Colin Firth, The King’s Speech
James Franco, 127 Hours

Supporting Actor
Christian Bale, The Fighter
John Hawkes, Winter’s Bone
Jeremy Renner, The Town
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King’s Speech

Actress, Supporting
Amy Adams, The Fighter
Helena Bonham Carter, The King’s Speech
Mila Kunis, Black Swan
Melissa Leo, The Fighter
Hailee Steinfeld, True Grit

Well, okay, maybe I’ll make a few comments along the lines of “Yay for the love shown to Natalie Portman, John Hawkes, James Franco, Jennifer Lawrence, and Mila Kunis!”

But seriously, SAG, where’s Animal Kingdom’s Jacki Weaver?  I mean, I can understand why Noomi Rapace was snubbed.  The Mainstream doesn’t want to remind people that there was a perfect Lisbeth Salander before Rooney Mara.  That’s how the game is played.  That’s why the people over at awardsdaily.com are already trying to claim David Fincher’s remake of The Girl With The Dragon Tattoo as the film to beat for best picture next year.

But nobody’s remaking Animal Kingdom.  There’s nothing wrong with admitting that, in a year of excellent female performances, few were as a note perfect and unexpected as Jacki Weaver’s.