6 More Films That You May Have Missed: Ai Weiwei: Never Sorry, Goon, Headhunters, Jeff Who Lives At Home, The Philly Kid, and Safety Not Guaranteed

Posted on December 6, 2012 by Lisa Marie Bowman

Hi there! Continuing my effort to get caught up, here are six more films that I saw earlier this year but, for whatever reason, had not reviewed yet.

1) Ai Weiwei: Never Sorry (dir by Alison Klayman)

One of my favorite films of 2012 was this revealing documentary about the Chinese artist and activist Ai Weiwei. Filmed over the course of two years, this film follows Ai as he uses the tools of social media to try to stand up to the oppressive Chinese government. In the film’s strongest scenes, Ai reveals how the government attempted to cover up the massive destruction of the 2008 Sichuan Earthquake. For his efforts to give identities to the victims of this natural disaster, Ai is beaten by the police and eventually imprisoned.

Ai WeiWei: Never Sorry is a film that should be seen by anyone who thinks that any greater good can be accomplished by sacrificing personal freedom.

2) Goon (dir by Michael Dowse)

Based on a true story, Goon tells the story of Doug Glatt (played, in a winning performance, by Seann William Scott), a Boston bouncer who joins a minor league hockey team. Eventually, he gets called up to play in Canada and faces his idol (and new rival) Ross Rhea (played by Liev Schreiber) on the ice. Along the way, he also romances a hockey groupie (Alison Pill) and befriends a burned out teammate (Marc-Andre Gondrin).

I have to thank Arleigh for suggesting that I see Goon because, otherwise, I probably wouldn’t have given this film a chance. I don’t know much about sports in general and I know even less about hockey. (Leonard is our resident hockey expert here at the Shattered Lens.) However, Goon turned out to be a truly pleasant surprise, a sports film that even someone like me can enjoy.

While the film’s plot may be predictable, director Dowse and his cast tell the story well and they all manage to strike the perfect balance between humor, melodrama, and sentimentality. Seann William Scott is usually not thought of as being a versatile actor but, on the basis of his performance here, he deserves to be reevaluated. Williams makes Doug Glatt into a truly likable thug and he and Alison Pill make for a very cute and likable couple. When you start watching Goon, you know where the journey is going to lead you but that doesn’t make the trip any less enjoyable.

3) Headhunters (dir by Morten Tyldum)

In 2012, one of the best thrillers to be released in America was this import from Norway. Roger Brown (played by Askel Hennie) is Norway’s most successful corporate headhunter. Along with having a beautiful wife, Roger also has a mistress and all the other material trappings of wealth. Despite this, Roger is insecure over only being 5’6 and he deals with his insecurity by pursuing a second, secret career as an art thief. When Roger discovers that Clas, his latest client, is having an affair with his wife, Roger breaks into Clas’s apartment and steals a valuable painting. However, it turns out that Clas is not only a trained mercenary but he’s also a psychotic killer and soon, he’s pursuing Roger.

Headhunters is a truly exciting film, one that actually keeps the audience guessing with each twist and turn. Best of all, the film features a truly memorable lead performance from Askel Hennie. Playing the type of character who, in the past, would have been played by Klaus Kinski, Henie makes his sleazy character into an odd likable and compelling hero.

4) Jeff, Who Lives At Home (dir by Jay and Mark Duplass)

Jeff (Jason Segal) is a 30 year-old unemployed stoner who lives in his mother’s basement and who spends his day obsessing on the movie Signs and talking about his belief in Destiny. One day, he gets a phone call from some one asking for “Kevin.” Jeff reacts by finally leaving his mom’s basement and searching for this mysterious Kevin. Meanwhile, Jeff’s brother (Ed Helms) is convinced that his wife (Judy Greer) is cheating on him and Jeff’s lonely mom (Susan Sarandon) spends her workday at work getting messages from a secret admirer.

Not much happens in Jeff, Who Lives At Home and the film dares you to get as annoyed with Jeff as everyone else in his family. However, when taken on its own mellow terms, this is an enjoyable and occasionally even moving film. It helps if you really like Jason Segal and seriously, who doesn’t? Susan Sarandon gives a touching performance as well and the filmmakers make excellent use of Helms’ needy persona.

5) The Philly Kid (dir by Jason Connery)

Dillon (Wes Chatham) is a college wrestler who is wrongly convicted for the murder of a police officer. After spending ten years in prison, Dillon is paroled and returns to his home in Baton Rouge. Managed by his friend Jake (a manic Devon Sawa), Dillon becomes a cage fighter and ultimately finds himself fighting for his life against corrupt promoters and a crooked cop.

The Philly Kid is a pretty uneven film. The plot will never surprise you and, halfway through the film, The Philly Kid descends into over-the-top melodrama. However, both Chatham and Sawa give good performances and, as directed by Jason Connery, the film’s many fight scenes are vivid and exciting to watch. The film was filmed in Baton Rouge and it makes good use of the Louisiana atmosphere.

The Philly Kid may ultimately just be a genre film but it’s a well-done genre film.

6) Safety Not Guaranteed (dir. by Colin Trevorrow)

Kenneth (Mark Duplass) is the type of person that we’ve all met at some point in our life. He works as a clerk in a grocery store and spends his time talking about his dead girlfriend and how secret agents are watching his every move. He also claims to have built a time machine and posts a classified ad where he asks for someone to volunteer to go back in time with him. The ad is spotted by Jeff (Jake M. Johnson), a smarmy magazine writer in Seattle who travels to Kenneth’s hometown in order to investigate (and, it’s later revealed, track down an ex-girlfriend). Accompanying the reporter is Darius (played by Aubrey Plaza), a disillusioned intern who has her own reasons for wishing that she could go back into past. Following Jeff’s orders, Darius approaches and befriends Kenneth by claiming to be interested in his ad. While the well-meaning but paranoid Kenneth trains her for their trip into past, Darius finds herself falling in love with him…

Safety Not Guaranteed is one of those low-key, sweet natured films that I simply can’t help but love. The film views it’s damaged characters with a wry compassion and it wraps up its story with one of the best endings of 2012. Aubrey Plaza is best known for being sarcastic on Parks and Recreation but, with this film, she shows that she’s capable of doing a lot more.

By the way, here are the Satellite Award Nominations…

Posted on December 5, 2012 by Lisa Marie Bowman

Moonrise

In even more Oscar season news, the International Press Association announced their nominations for the Satellite Awards yesterday. Les Miserables led with 10 nominations.

If you’re like most people who don’t obsess over film awards then chances are that you’ve never heard of the International Press Association. And that’s okay. The main thing to know is that it’s Oscar season and that means that everyone’s giving out an award. The Satellites are a lot like the Golden Globes, just with less credibility. As far as serving as a precursor is concerned, a Satellite win can help a film maintain momentum but a loss doesn’t really hurt.

That said, for the past few years, I’ve always ended up agreeing more with the Satellite Nominations than with either the Oscars or the Golden Globes. For instance, back in 2010, the Satellites nominated Noomi Rapace for her performance in the original (and the best) version of The Girl With The Dragon Tattoo.

BEST PICTURE
“Argo”
“Beasts Of The Southern Wild”
“Life Of Pi”
“Lincoln”
“Les Misérables”
“Moonrise Kingdom”
“The Sessions”
“Silver Linings Playbook”
“Skyfall”
“Zero Dark Thirty”

BEST DIRECTOR
Ben Affleck, “Argo”
Steven Spielberg, “Lincoln”
Kim Ki-duk, “Pieta“
Ben Lewin, “The Sessions”
David O. Russell, “Silver Linings Playbook”
Kathryn Bigelow, “Zero Dark Thirty”

BEST ACTRESS
Laura Birn, “Purge”
Jessica Chastain, “Zero Dark Thirty”
Emilie Dequenne, “Our Children”
Keira Knightley, “Anna Karenina”
Jennifer Lawrence, “Silver Linings Playbook”
Laura Linney, “Hyde Park On Hudson”
Emmanuelle Riva, “Amour”

BEST ACTOR
Bradley Cooper, “Silver Linings Playbook”
Daniel Day-Lewis, “Lincoln”
John Hawkes, “The Sessions”
Hugh Jackman, “Les Misérables”
Joaquin Phoenix, “The Master”
Omar Sy, “The Intouchables”
Denzel Washington, “Flight”

BEST SUPPORTING ACTRESS
Amy Adams, “The Master”
Samantha Barks, “Les Miserables“
Judi Dench, “Skyfall”
Helene Florent, “Café De Flore”
Anne Hathaway, “Les Misérables”
Helen Hunt, “The Sessions”

BEST SUPPORTING ACTOR
Javier Bardem, “Skyfall”
Robert De Niro, “Silver Linings Playbook”
John Goodman, “Flight”
Philip Seymour Hoffman, “The Master”
Tommy Lee Jones, “Lincoln”
Eddie Redmayne, “Les Misérables”

BEST ORIGINAL SCREENPLAY
John Gatins, “Flight”
Eric Toledano and Olivier Nakache, “The Intouchables”
Paul Thomas Anderson, “The Master”
Roman Coppola and Wes Anderson, “Moonrise Kingdom”
Kim Ki-duk, “Pieta”
Mark Boal, “Zero Dark Thirty”

BEST ADAPTED SCREENPLAY
Tom Stoppard, “Anna Karenina”
Chris Terrio, “Argo”
David Magee, “Life Of Pi”
Tony Kushner, “Lincoln”
Ben Lewin, “The Sessions”
David O. Russell, “Silver Linings Playbook”

BEST FOREIGN LANGUAGE FILM
“Amour” (Austria)
“Beyond The Hills” (Romania)
“Caesar Must Die” (Italy)
“The Intouchables” (France)
“Kon-Tiki” (Norway)
“Our Children” (Belgium)
“Pieta” (South Korea)
“A Royal Affair” (Denmark)
“War Witch” (Canada)

BEST ANIMATED OR MIXED-MEDIA FILM
“Brave”
“Frankenweenie”
“Ice Age 4: Continental Drift”
“Madagascar 3: Europe’s Most Wanted”
“Paranorman”
“Rise Of The Guardians”
“Wreck-It Ralph”

BEST DOCUMENTARY FEATURE
“Ai Weiwei: Never Sorry”
“The Central Park Five”
“Chasing Ice”
“The Gatekeepers”
“Marina Abramovic: The Artist Is Present”
“The Pruitt-Igoe Myth”
“Searching For Sugar Man”
“West Of Memphis”

BEST CINEMATOGRAPHY
Seamus McGarvey, “Anna Karenina”
Ben Richardson, “Beasts Of The Southern Wild”
Claudio Miranda, “Life Of Pi”
Janusz Kaminski, “Lincoln”
Mihai Malaimare, Jr., “The Master”
Roger Deakins, “Skyfall”

BEST PRODUCTION DESIGN
Sarah Greenwood, Niall Moroney, Thomas Brown, Nick Gottschalk and Tom Still, “Anna Karenina”
Nathan Crowley, Kevin Kavanaugh, James Hambidge and Naaman Marshall, “The Dark Knight Rises”
Rick Carter, Curt Beech, David Crank and Leslie McDonald, “Lincoln”
David Crank and Jack Fisk, “The Master”
Eve Stewart and Anna Lynch-Robinson, “Les Misérables”
Niels Sejer, “A Royal Affair”

BEST COSTUME DESIGN
Jacqueline Durran, “Anna Karenina”
Kym Barrett and Pierre-Yves Gayraud, “Cloud Atlas”
Christian Gasc and Valerie Ranchoux, “Farewell, My Queen”
Paco Delgado, “Les Misérables”
Manon Rasmussen, “A Royal Affair”
Colleen Atwood, “Snow White And The Huntsman”

BEST FILM EDITING
Alexander Berner, “Cloud Atlas”
Jeremiah O’Driscoll, “Flight”
Chris Dickens, “Les Misérables”
Lisa Bromwell, “The Sessions”
Jay Cassidy, “Silver Linings Playbook”
Dylan Tichenor, “Zero Dark Thirty”

BEST ORIGINAL SCORE
Dario Marianelli, “Anna Karenina”
Alexandre Desplat, “Argo”
Dan Romer and Benh Zeitlin, “Beasts Of The Southern Wild”
John Williams, “Lincoln”
Jonny Greenwood, “The Master”
Thomas Newman, “Skyfall”

BEST ORIGINAL SONG
“Learn Me Right,” “Brave”
“Fire In The Blood/Snake Song” “Lawless”
“Love Always Comes As A Surprise,” “Madagascar 3: Europe’s Most Wanted”
“Suddenly,” “Les Misérables”
“Still Alive,” “Paul Williams: Still Alive”
“Skyfall,” “Skyfall”

BEST SOUND (EDITING AND MIXING)
“Flight”
“Les Misérables”
“Snow White And The Huntsman”
“Kon-Tiki”
“Life Of Pi”
“Prometheus”

BEST VISUAL EFFECTS
“Cloud Atlas”
“The Dark Knight Rises”
“Flight”
“Life Of Pi”
“Prometheus”
“Skyfall”

6 Late Reviews: Atlas Shrugged: Part II, Project X, This Means War, A Thousand Words, Trouble With The Curve, The Vow

Posted on December 4, 2012 by Lisa Marie Bowman

2012 is quickly drawing to an end and seriously, where has the time gone? I’m seriously running behind in reviewing all of the films that I’ve seen in 2012 so, in the interest of getting caught up, here are six quick (and late) reviews of some of the film that I saw earlier this year.

(Fortunately, seeing as how we live in a world of Netflix, DVD, Blu-ray, and On Demand service, it’s never too late to review any film.)

1) Atlas Shrugged: Part II (dir by John Putch)

Picking up where the first Atlas Shrugged ended, Atlas Shrugged: Part II continues to tell the story of how America was ruined by elitist do-gooders and how the smartest people in the world responded by uttering the phrase, “Who Is John Galt?” and then vanishing.

There’s a lot of bad stuff that I could say about Atlas, Shrugged Part II. I could point out how close to nothing actually happens in the film. I understand that this is the second part of a proposed film trilogy but, seriously, that’s all that Atlas Shrugged Part II has in common with The Two Towers. With the exception of the great Patrick Fabian (who has a lot of fun playing a weasel), the cast isn’t memorable and the film is full of slow spots.

Part II was made by a different director and with a far more professional cast than Part I but that proves to be a mistake. Part of the odd charm of Atlas Shrugged, Part I was that it was such a low-budget, pulpy affair. Atlas Shrugged, Part II is a lot more slick and, as a result, it feels a lot less sincere.

That said, I couldn’t help but enjoy Atlas Shrugged, Part II because, much like For Greater Glory, the film flew so completely in the face of conventional cinematic political statements. Atlas Shrugged Part II might not be a great (or even a good) film but it annoyed all of the professional film critics and it’s always amusing to watch the same critical establishment that embraced Avatar whine about how any other film is too heavy-handed.

Am I, therefore, recommending Atlas Shrugged, Part II? Not really. I tend to learn towards the Libertarian point of view when it comes to politics and even I found the film to be tedious. That said, if you ever really want to annoy your wannabe hipster friend (the same one who leaves a hundred comments a day over at the A.V. Club), Atlas Shrugged, Part II might make the perfect holiday present.

2) Project X (dir by Nima Nourizadeh)

In California, two loathsome high school students — Costa (Oliver Cooper) and J.B.(Johnathan Daniel Brown) — throw a birthday party for their friend Thomas (Thomas Mann). Thomas is a stereotypical nice guy but he’s also friends with Costa and J.B. and that makes him loathsome by association. The party quickly gets out of control and eventually, houses are destroyed and a SWAT team is called in to restore order.

Oh! And the entire film is presented as being a bunch of “found footage.” What that means is that we have to sit through all the usual stuff of people acting awkward in an attempt to convince us that we’re not watching a movie, despite the fact that we clearly are.

Project X fails on so many levels that it’s hard to even know where to begin.

It’s impossible to sympathize with the film’s three main characters and let’s just say that Oliver Cooper is no Jonah Hill.

There’s no real build-up to the party getting out of control and hence, most of the film’s comedy falls flat. This is the type of film where a midget happens to show up at the party just so he can then be tossed into an oven. Uwe Boll would probably call that genius but, for the rest of us, it just feels like desperation on the part of the filmgoers. (You can just here them going, “Midgets are always funny!”)

Finally, worst of all, Project X is the latest film to use the whole found footage gimmick as a way to try to explain away the fact that it’s just not a very good movie. Seriously, mediocre filmmakers of America — it’s time to move on to a new gimmick!

3) This Means War (dir. by McG)

Two CIA Agents (Chris Pine and Tom Hardy) set aside their friendship and go to war when they realize that they’re both attempting to win the heart of the same woman (played by Reese Witherspoon). Fortunately for them, they’ve both managed to fall in love with the one woman in the world too stupid to realize that there’s anything strange going on. Chelsea Handler is also in this film. She plays Witherspoon’s best friend and delivers all of her lines in this kind of depressed monotone that seems to suggest that she’d rather be co-starring with Whitney Cummings. Eventually, a lot of things explode and well, anyway … bleh.

Seriously, This Means War has absolutely no right to be as boring as it is. Outside of this film, Chris Pine and Tom Hardy are both hot, Reese Witherspoon is likable, and even Chelsea Handler still makes me laugh on occasion. And yet, when all four of these people are put together in the same film, the end result is a mess that just gets more and more annoying with each passing second.

Most of the blame has to be put on the director. McG never finds a consistent tone for his film and never seems to be sure whether he’s parodying or celebrating the conventions of both action films and romantic comedies.

Myself, I just find it funny that people actually address him as “McG.”

4) A Thousand Words (dir by Brian Robbins)

Jack (Eddie Murphy) is a literary agent who talks too much. So, one night, a tree with a thousand leaves magically appears in his back yard. Every time that Jack says a word, a leaf falls off of the tree. Luckily, Jack happens to know a new age guru (Cliff Curtis) who explains that once every leaf has fallen, Jack will die. As a result, the formerly glib Jack learns the importance of saying just the right thing and he becomes a better husband, father, and son as a result.

A Thousand Words is just as bad as the above plot synopsis suggests and that’s all that really needs to be said about it. Wasting a thousand words talking about A Thousand Words would be a mistake indeed.

5) Trouble With The Curve (dir by Robert Lorenz)

Widower Gus (Clint Eastwood) is an aging baseball scout who is slowly losing his eyesight. Mickey (Amy Adams) is Gus’s daughter, a driven lawyer who has a strained relationship with her father.

And together … they solve crimes!

No, not really. Instead, Gus is given one last assignment and Mickey, who is both concerned for her father’s well-being and wants to try to repair their fractured relationship, accompanies him. At first, Gus doesn’t want Mickey around but she eventually proves her worth to him and gets to flirt with a young scout played by Justin Timberlake as well. So, it’s a win-win.

I don’t know much about baseball (beyond the fact that my sister Erin yells at the TV a lot whenever the Rangers are playing) but Trouble With The Curve is such a predictable movie that you really don’t have to know much about the game to be able to follow the plot. That said, Trouble With The Curve might be predictable but it’s also a genuinely sweet and likable film. Timberlake and Adams make for a really cute couple and it’s always fun to watch Eastwood growl at a world that never fails to disappoint him.

6) The Vow (dir by Michael Sucsy)

Paige (Rachel McAdams) and her husband Leo (Channing Tatum) are in a horrific car accident. Paige is sent flying through the windshield and when she recovers consciousness, she no longer remembers being married or anything else about her life after she first met Leo. While Leo attempts to get Paige to fall in love with him for a second time, Paige’s parents (Sam Neill and Jessica Lange) attempt to convince her to divorce him and return to her previous life as a pampered law student with a rich fiancée (played by Scott Speedman).

The Vow is a lot like Trouble With The Curve in that it’s totally predictable but, at the same time, it’s so sweet and likable that anyone who complains about the film being too predictable probably doesn’t have a heart. Rachel McAdams and Channing Tatum have a lot of chemistry and anyone who complains that this film is too much like a Lifetime movie has obviously never experienced a really great Lifetime movie.

It’s Annie! Here are the latest Annie Nominations.

Posted on December 4, 2012 by Lisa Marie Bowman

In one final bit of film award news, the latest nominations for the Annie Awards were announced yesterday. The Annie Nominations honor the best in animation and, as a result, they really act as a precursor for only one Oscar category: Best Animated Feature Film. Films that win at the Annies often end up getting nominated for Best Animated Feature but, oddly enough, they rarely seem to win the actual award. (For instance, How To Train Your Dragon won the Annie for best feature over Toy Story 3.)

Below is the list of this year’s film-related nominations. Brave, Rise of the Guardians, and Wreck-It Ralph lead the nominations this year with ten each.

Best Animated Feature
“Brave” – Pixar Animation Studios
“Frankenweenie” – The Walt Disney Studios
“Hotel Transylvania” – Sony Pictures Animation
“ParaNorman” – Focus Features
“Rise of the Guardians” – DreamWorks Animation
“The Pirates! Band of Misfits” – Aardman Animations
“The Rabbi’s Cat” – GKIDS
“Wreck-It Ralph” – Walt Disney Animation Studios

Directing in a Feature Production
Genndy Tartakovsky, “Hotel Transylvania” – Sony Pictures Animation
Joann Sfar, Antoine Delesvaux, “The Rabbi’s Cat” – GKIDS
Remi Bezancon, Jean-Christophe Lie, “Zarafa” – GKIDS
Rich Moore, “Wreck-It Ralph” – Walt Disney Animation Studios
Sam Fell, Chris Butler, “ParaNorman” – Focus Features

Writing in a Feature Production
Chris Butler, “ParaNorman” – Focus Features
Gideon Defoe, “The Pirates! Band of Misfits” – Aardman Animations
Hayao Miyazaki, Keiko Niwa, Karey Kirkpatrick, “From Up on Poppy Hill” – GKIDS
John August, “Frankenweenie” – The Walt Disney Studios
Mark Andrews, Steve Purcell, Brenda Chapman, Irene Mecchi, “Brave” – Pixar Animation Studios
Phil Johnston, Jennifer Lee, “Wreck-It Ralph” – Walt Disney Animation Studios

Storyboarding in a Feature Production
Emmanuela Cozzi, “ParaNorman” – Focus Features
Johanne Matte, “Rise of the Guardians” – DreamWorks Animation
Leo Matsuda, “Wreck-It Ralph” – Walt Disney Animation Studios
Lissa Treiman, “Wreck-It Ralph” – Walt Disney Animation Studios
Rob Koo, “Madagascar 3: Europe’s Most Wanted” – DreamWorks Animation

Voice Acting in a Feature Production
Adam Sandler as Dracula, “Hotel Transylvania” – Sony Pictures Animation
Alan Tudyk as King Candy, “Wreck-It Ralph” – Walt Disney Animation Studios
Atticus Shaffer as “E” Gore, “Frankenweenie” – The Walt Disney Studios
Catherine O’Hara as Weird Girl, “Frankenweenie” – The Walt Disney Studios
Imelda Staunton as Queen Victoria, “The Pirates! Band of Misfits” – Aardman Animations
Jim Cummings as Budzo, “Adventures in Zambezia” – Saltzman Communications
Jude Law as Pitch, “Rise of the Guardians” – DreamWorks Animation
Kelly MacDonald as Merida, “Brave” – Pixar Animation Studios

Editing in a Feature Production
Catherine Apple, “Hotel Transylvania” – Sony Pictures Animation
Joyce Arrastia, “Rise of the Guardians” – DreamWorks Animation
Mark Rosenbaum, “Secret of the Wings” – DisneyToon Studios
Nicholas A. Smith, ACE, Robert Graham Jones, ACE, David Suther, “Brave” – Pixar Animation Studios
Tim Mertens, “Wreck-It Ralph” – Walt Disney Animation Studios

Music in a Feature Production
Alexandre Desplat, “Rise of the Guardians” – DreamWorks Animation
Bruce Retief, “Adventures in Zambezia” – Saltzman Communications
Henry Jackman, “Wreck-It Ralph” – Walt Disney Animation Studios
Joel McNeely, Brendan Milburn, Valerie Vigoda, “Secret of the Wings” – DisneyToon Studios
John Powell, Adam Schlesinger, Ester Dean, “Ice Age: Continental Drift” – Blue Sky Studios
John Powell, Cinco Paul, “Dr. Seuss’ The Lorax” – Illumination Entertainment
Mark Mothersbaugh, “Hotel Transylvania” – Sony Pictures Animation
Patrick Doyle, Mark Andrews, Alex Mandel, “Brave” – Pixar Animation Studios

Character Animation in a Feature Production
Dan Nguyen, “Brave” – Pixar Animation Studios
David Pate, “Rise of the Guardians” – DreamWorks Animation
Jaime Landes, “Brave” – Pixar Animation Studios
Phillppe LeBrun, “Rise of the Guardians” – DreamWorks Animation
Pierre Perifel, “Rise of the Guardians” – DreamWorks Animation
Travis Hathaway, “Brave” – Pixar Animation Studios
Travis Knight, “ParaNorman” – Focus Features
Will Becher, “The Pirates! Band of Misfits” – Aardman Animations

Character Animation in a Live Action Production
Erik de Boer, Amanda Dague, Matt Brown, Mary Lynn Machado, Aaron Grey, “Life of Pi – Orangutan” – Rhythm & Hues Studio
Erik de Boer, Matt Shumway, Brian Wells, Vinayak Pawar, Michael Holzl, “Life of Pi – Tiger” – Rhythm & Hues Studio
Jakub Pistecky, Maia Kayser, Scott Benzu, Steve King, Kiran Bhat, “The Avengers” – Industrial Light & Magic
Mike Beaulieu, Roger Vizard, Atushi Sato, Jackie Kochler, Derek Esparza, Richard Smith, Mac Tyrie – Columbia Pictures – “THE AMAZING SPIDER-MAN” – Sony Pictures Animation

Character Design in a Feature Production
Bill Schwab, Lorelay Bove, Cory Loftis, Minkyu Lee, “Wreck-It Ralph” – Walt Disney Animation Studios
Carlos Grangel, “Hotel Transylvania” – Sony Pictures Animation
Carter Goodrich, “Hotel Transylvania” – Sony Pictures Animation
Craig Kellman, “Madagascar 3: Europe’s Most Wanted” – DreamWorks Animation
Heidi Smith, “ParaNorman” – Focus Features
Yarrow Cheney, Eric Guillon, Colin Stimpson, “Dr. Seuss’ The Lorax” – Illumination Entertainment

Animated Effects in an Animated Production
Andrew Nawrot, Joe Gorski, Grant Laker – “ParaNorman” – Focus Features
Andrew Schneider, “Ice Age: Continental Drift” – Blue Sky Studios
Andy Hayes, Carl Hooper, David Lipton – “Rise of the Guardians” – DreamWorks Animation
Bill Watral, Chris Chapman, Dave Hale, Keith Klohn, Michael K. O’Brien, “Brave” – Pixar Animation Studios
Brett Albert – “Wreck-It Ralph” – Walt Disney Animation Studios
Jihyun Yoon – “Madagascar 3: Europe’s Most Wanted” – DreamWorks Animation
Joel Aron – “Star Wars: The Clone Wars” – Lucasfilm Animation Ltd.

Animated Effects in a Live Action Production
Jerome Platteaux, John Sigurdson, Ryan Hopkins, Raul Essig, Mark Chataway, “The Avengers” – Industrial Light & Magic
Stephen Marshall, Joseph Pepper, Dustin Wicke, “The Amazing Spider-Man” – Columbia Pictures/Sony Pictures Animation
Sue Rowe, Simon Stanley-Clamp, Artemis Oikonomopoulou, Holger Voss, Nikki Makar, Catherine Elvidge, “John Carter” – Cinesite
Willi Geiger, Rick Hankins, Florent Andorra, Florian Witzel, Aron Bonar, “Battleship” – Industrial Light & Magic

Best Animated Short Subject
“Brad and Gary” – Illumination Entertainment
“Bydlo” – National Film Board of Canada
“Eyes on the Stars” – StoryCorps
“Goodnight Mr. Foot” – Sony Pictures Animation
“Kali the Little Vampire” – National Film Board of Canada
“Maggie Simpson in ‘The Longest Daycare’” – Gracie Films in Association with 20th Century Fox TV
“Paperman” – Walt Disney Animation Studios
“The Simpsons — ‘Bill Plympton Couch Gag’” – Gracie Films in Association with 20th Century Fox TV

The State of the Race: The 15 Documentary Semi-Finalists

Posted on December 4, 2012 by Lisa Marie Bowman

There was a lot of Oscar-related news yesterday. Along with the NYFCC giving their best picture award to Zero Dark Thirty, the Academy’s Documentary branch announced this year’s 15 sem-finalists for the Best Feature Length Documentary Oscar. From this list, the final five nominees will be selected.

Needless to say, I was happy to see that my favorite documentary of 2012, Ai Weiwei: Never Sorry, made the shortlist.

At the same time, I’m also disappointed that the great ballet documentary First Position was snubbed.

And, finally even though I knew it wouldn’t have been nominated and I’m not saying that it should have been, wouldn’t it have been fun to watch the online critical establishment descend into mass hysteria if 2016: Obama’s America had somehow appeared on the list of semi-finalists?

“Ai Weiwei: Never Sorry”

“Bully”

“Chasing Ice”

“Detropia”  

“Ethel”  

“5 Broken Cameras”

“The Gatekeepers”

“The House I Live In”

“How to Survive a Plague”

“The Imposter”

“The Invisible War”

“Mea Maxima Culpa: Silence in the House of God”  

“Searching for Sugar Man”  

“This Is Not a Film”  

“The Waiting Room”

Finally! It’s the return of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!

Posted on December 2, 2012 by Lisa Marie Bowman

I am very proud to announce the return of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!

Yes, the feature took a short break in November while I was busy plotting my escape to Canada. However, after giving it a lot of thought, I’ve decided to give America another chance.

(Or, at the very least, to wait until after the 2014 elections to decide whether or not to stay here in Texas or to move to Degrassi street in Toronto, Canada.)

Anyway, without further delay, here are this week’s 6 trailers!

(One thing will always remain the same. Whether a Canadian or a Texan, Lisa does not do odd numbers.)

1) Texas Adios (1976)

This film stars my Facebook friend, Franco Nero.

2) City of the Living Dead (1980)

This zombie classic was directed by Lucio Fulci and features Giovanni Lombardo Radice, who recently liked a cute cat picture that I shared on Facebook. Merci, Johnny!

3) Starcrash (1978)

If this trailer looks familiar, it may be because I previously included it in another one of my trailer posts. But no matter! I love this trailer and I’m sure that a lot of our readers here at TSL will enjoy it as well. Next Halloween, I’m going to be Stella Starr. (Starcrash, incidentally, was directed by my Facebook friend, Luigi Cozzi.)

4) Far From Home (1989)

This film, which stars Drew Barrymore, was made by a bunch of people who are not friends with me on Facebook.

5) The Astounding She Monster (1957)

One reason I love 50s B-movies is because the monsters were always astounding.

6) Malibu Beach (1978)

And finally, let’s end things on a positive note!

What do you think, Trailer Kitties?

And here are The Independent Spirit Nominations

Posted on November 27, 2012 by Lisa Marie Bowman

The Gotham Awards aren’t the only awards regularly given to films that the majority of filmgoers will never get to see. The Independent Spirit Nominations are also dedicated to recognizing the best of independent film and they tend to get a bit more attention than the Gothams. With the early Oscar talk being dominated by mainstream studio films like Argo, Lincoln and Les Miserables, indie films like Bernie and Moonrise Kingdom are going to need all of the help that they can get.

BEST PICTURE

Bernie

Beasts of the Southern Wild

Keep The Lights On

Moonrise Kingdom

Silver Linings Playbook

BEST DIRECTOR

Wes Anderson, Moonrise Kingdom

Julia Loktev, The Loneliest Planet

David O. Russell, Silver Linings Playbook

Ira Sachs, Keep the Lights On

Benh Zeitlin, Beasts of the Southern Wild

BEST SCREENPLAY

Wes Anderson & Roman Coppola, Moonrise Kingdom

Zoe Kazan, Ruby Sparks

Martin McDonagh, Seven Psychopaths

David O. Russell, Silver Linings Playbook

Ira Sachs, Keep the Lights On

BEST FIRST FEATURE

Fill the Void

Gimme the Loot

Safety Not Guaranteed

Sound of My Voice

The Perks of Being a Wallflower

BEST FIRST SCREENPLAY

Rama Burshtein, Fill the Void

Derek Connolly, Safety Not Guaranteed

Christopher Ford, Robot & Frank

Rashida Jones & Will McCormack, Celeste and Jesse Forever

Jonathan Lisecki, Gayby

JOHN CASSAVETES AWARD – (for features under $500,000)

Breakfast with Curtis

Middle of Nowhere

Mosquita y Mari

Starlet

The Color Wheel

BEST FEMALE LEAD

Linda Cardellini, Return

Emayatzy Corinealdi, Middle of Nowhere

Jennifer Lawrence, Silver Linings Playbook

Quvenzhané Wallis, Beasts of the Southern Wild

Mary Elizabeth Winstead, Smashed

BEST MALE LEAD

Jack Black, Bernie

Bradley Cooper, Silver Linings Playbook

John Hawkes, The Sessions

Thure Lindhardt, Keep the Lights On

Matthew McConaughey, Killer Joe

Wendell Pierce, Four

BEST SUPPORTING FEMALE

Rosemarie DeWitt, Your Sister’s Sister

Ann Dowd, Compliance

Helen Hunt, The Sessions

Brit Marling, Sound of My Voice

Lorraine Toussaint, Middle of Nowhere

BEST SUPPORTING MALE

Matthew McConaughey, Magic Mike

David Oyelowo, Middle of Nowhere

Michael Péna, End of Watch

Sam Rockwell, Seven Psychopaths

Bruce Willis, Moonrise Kingdom

BEST CINEMATOGRAPHY

Yoni Brook, Valley of Saints

Lol Crawley, Here

Ben Richardson, Beasts of the Southern Wild

Roman Vasyanov, End of Watch

Robert Yeoman, Moonrise Kingdom

BEST DOCUMENTARY

How to Survive a Plague

Marina Abramović: The Artist is Present

The Central Park Five

The Invisible War

The Waiting Room

BEST INTERNATIONAL FILM

Amour (France)

Once Upon A Time in Anatolia (Turkey)

Rust And Bone (France/Belgium)

Sister (Switzerland)

War Witch (Democratic Republic of Congo)

PIAGET PRODUCERS AWARD

Nobody Walks, Alicia Van Couvering

Prince Avalanche, Derrick Tseng

Stones in the Sun, Mynette Louie

SOMEONE TO WATCH AWARD

Pincus, director David Fenster

Gimme the Loot, director Adam Leon

Electrick Children, director Rebecca Thomas

TRUER THAN FICTION AWARD (given to emerging documentary filmmaker)

Leviathan, directors Lucien Castaing-Taylor and Véréna Paravel

The Waiting Room, director Peter Nicks

Only the Young, directors Jason Tippet & Elizabeth Mims

ROBERT ALTMAN AWARD (for ensemble cast)

Starlet Director: Sean Baker Casting Director: Julia Kim Cast: Dree Hemingway, Besedka Johnson, Karren Karagulian, Stella Maeve, James Ransone

Moonrise Kingdom Wins At The Gotham Awards

Posted on November 27, 2012 by Lisa Marie Bowman

Well, it’s Oscar season and that means that, over the upcoming month, a bunch of otherwise obscure organizations are going to be handing out a lot of awards to a small group of films. Last night, the Gotham Awards were awarded to the “best” in independent films. The Gothams aren’t exactly known for being a reliable Oscar precursor but they do signal start the awards season and I, of course, am an awards junkie.

Here are the winners:

Best Feature: Moonrise Kingdom
Gotham Independent Film Audience Award: Artifact
Best Ensemble Performance: Emily Blunt, Rosemarie Dewitt and Mark Duplass, Your Sister’s Sister
Best Film Not Playing at a Theater Near You: An Oversimplification of Her Beauty
Breakthrough Actor: Emayatzy Corinealdi, Middle of Nowhere
Breakthrough Director: Behn Zeitlin, Beasts of the Southern Wild
Best Documentary: How to Survive a Plague

Of course, the “best” is in the eye of the beholder. I, for one, greatly enjoyed Moonrise Kingdom. However, I also thought (and continue to think) that Beasts of the Southern Wild is one of the most overrated films of all time. Seriously, didn’t Voltaire end the myth of the noble savage with Candide? It’s also interesting to note that, despite racking up a lot of nominations and being two of the best films of 2012, neither The Master nor Bernie won any awards.

12 Random Things That I Am Thankful For In 2012

Posted on November 22, 2012 by Lisa Marie Bowman

So many things to be thankful for!

Today is the day that I (and perhaps a few others) look over the past year and ask myself, “What am I thankful for?” I am happy to say that I have a lot to be thankful for right now. I’m thankful for my family, for my friends, for my readers, and for my love.

Believe it or not, I’m even thankful that I’m now 27 years old! When my family gathered together earlier today, I actually got to hang out with the grown ups! Seriously, being an adult was a lot more fun than I was expecting.

Traditionally, Thanksgiving is also the day when I do a post entitled “10 Things That I Am Thankful For.” So, here we go. As I stated previously, I’m thankful for a lot of things in 2012. Here, in no specific order, is twelve of them:

1) I’m thankful that The Cabin In The Woods and Sinister reminded me of why I love horror films in the first place.

2) I’m thankful for the Snarkalecs on twitter, the best group of people that a girl could hope to watch a SyFy movie with.

3) I’m thankful that this current season of Survivor is one of the best yet.

4) I’m thankful that someday, when I do have a daughter, I’ll be able to watch films like Brave and The Hunger Games with her.

5) I’m thankful that Richard Linklater directed Bernie and let the true citizens of Texas speak for themselves.

6) I’m thankful that Sarah Polley wrote and directed Take This Waltz.

7) I’m thankful for the TCMParty on twitter, the best group of people that a girl could hope to watch a classic film on TCM with.

8) I’m thankful that the final season of The Office is turning out to be a good one.

9) I’m thankful that Skyfall reminded us of why we all love James Bond in the first place.

10) I’m thankful that Branded eventually ended. Seriously, I was worried that film was never going to come to a close.

11) I’m thankful that The Avengers turned out to be a lot more fun than even I was expecting.

12) I’m thankful that even a generally disappointing film year can still see the release of films like Life of Pi and The Master.

What do you think, Trailer Kitties?

Don’t worry, kitties! Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers will return next week!

Happy Thanksgiving!

Before I Abandon America For Canada, Here’s 6 Trailers To Remember Me By.

Posted on November 7, 2012 by Lisa Marie Bowman

Hi everyone! Yesterday was election day here in the United States and what can I say other than that I’m taking my cute ass to Canada! That may sound extreme but earlier this month, I promised that if Hello Kitty and Tuxedo Sam did not win this election, I was heading up north.

And in honor of my future life in the land of Degrassi and Ryan Gosling, here’s another edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers. And guess what? This edition is dedicated to Canadian films!

1) Abraxas: Guardian of the Universe (1990)

This is less of a trailer and more of an advertisement designed to entice retailers to keep Abraxas in stock. But, what’s really important here is that it’s Canadian.