4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we honor the legacy of a man who was not just a great horror star but also a great actor. period Christopher Lee worked with everyone from Laurence Olivier to Steven Spielberg to Peter Jackson to Martin Scorsese. Though he turned own the chance to play Dr. No, Lee later did go play a Bond villain in The Man with The Golden Gun. He was one of those actors who was always great, even if the film wasn’t.
That said, it’s for his horror films that Lee is best known. He was the scariest Dracula and the most imposing Frankenstein’s Monster. He played mad scientists, decadent aristocrats, and even the occasional hero. Christopher Lee was an actor who could do it all and today, we honor him with….
6 Shots From 6 Christopher Lee Films
The Curse of Frankenstein (1957, dir by Terence Fisher, DP: Jack Asher)
The Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)
Rasputin The Mad Monk (1966, dir by Don Sharp, DP: Michael Reed)
Count Dracula (1970, dir by Jess Franco, DP: Manuel Merino and Luciano Trasatti)
Horror Express (1972, dir by Eugenio Martin, DP: Alejandro Ulloa)
The Wicker Man (1973, dir by Robert Hardy. DP: Harry Waxman)
The 2016 film, Shut In, is yet another film in which Naomi Watts plays an intelligent woman who is forced to do stupid things because, otherwise, there would be no story.
This time, Watts is cast as Dr. Mary Portman, a psychologist who is taking care of her stepson, Stephen (Charlie Heaton). Stephen was left in a vegatative state by a tragic accident that not only killed Mary’s husband but which also totaled a brand new SUV. Mary and Stephen are in an isolated house so there’s no way anything could go wrong, right?
Mary has a lot on her mind. Not only does she have to take care of Stephen but she’s also starting to date again. Plus, one of her patients, a child named Tom (Jacob Tremblay), has disappeared. She’s worried about Tom. He disappeared near her house and no one has been able to find him. Mary occasionally thinks that she sees Tom but her psychologist (played by poor Oliver Platt, who looks embarrassed to be there) says that Mary is just seeing what she wants to see. And when two little hands come out of the darkness to keep Mary from entering a crawlspace, that’s just a coincidence, too.
Right.
Because it’s not like totally obvious, from the freaking start, that Tom is hiding out in her house.
Now, before anyone gets excited, this film does not feature Jacob Tremblay as an evil child who torments Naomi Watts. (Jacob Tremblay is 15 years old now, just in case you needed an excuse to feel old.) Instead, it turns out that Mary’s tormenter is….
What?
Spoiler alert?
Really, I have to give a spoiler alert before revealing the most obvious twist of all time? How is that fair?
Okay, fine. SPOILER ALERT! Stop crying, you babies.
Mary is being menaced by Stephen, who it turns out woke up from his coma long ago and is now faking his vegetative state. That seems like that would be a difficult thing to fake but, whatever. Anyway, it turns out that Stephen has really enjoyed having Mary all to himself and he’s not really happy about the idea of having to share her with Tom. So, Stephen’s idea is to trap Tom in the crawlspace and hold Mary hostage. Or something. I don’t know. It doesn’t seem like Stephen’s really thought this out. Normally, that would be understandable because it takes a lot of planning to trap someone in a crawlspace while pretending to be in a coma. But Stephen spends all day lying around so he should have used that time to give a little more thought to his plan.
Eventually, Oliver Platt realizes that something strange is happening so he goes up the house to rescue her but — surprise! — Stephen kills him. Seriously, Oliver — you deserved better than this movie.
For that matter so does Naomi Watts. Watts is a good actress who can play both comedy and drama and yet, she keeps showing up in these movies where she basically spends the whole movie being held prisoner, either physically or mentally. She always does a good job in them and, when I first heard that Woman In The Window was being turned into a movie, she was my choice for the role played by Amy Adams but, still, Watts definitely deserves better than a by-the-numbers film like Shut In. Too often, the film requires Mary to act in a totally illogical, rather stupid manner. Watts does her best with the character but the script lets her down.
Along with being totally predictable, Shut In moves at a glacial pace. A lot of time is spent in an attempt to establish mood and atmosphere but again, the big twist is so obvious that no amount of mood and Kubrickian atmosphere is going to save it.. Shut In is a movie that very slowly takes us to exactly where we think it’s going to take us. Everyone involved deserved better.
Released in 1958, How To Make A Monster is a clever little horror satire from American International Pictures in which the stars of Teenage Werewolf and Teenage Frankenstein are hypnotized into believing that they actually are the monsters that they played! The main culprit is a movie makeup artist (Robert H. Harris) who has been deemed obsolete by the new bosses at AIP.
The 1992 film, Rage and Honor, tells the story of two people from different worlds, who come together to kick ass and save a declining American city.
Preston Michaels (Richard Norton) is a cop from Australia who has come to America as a part of an exchange program. When he’s not working undercover, he’s supplementing his income by working as a bodyguard for what appears to be an 80s cover band.
Kris Fairfield (Cynthia Rothrock) is a teacher at the local high school who also moonlights as a karate instructor. She’s haunted by the death of her parents and the subsequent disappearance of her brother. She cares about her students, even though hardly any of them actually appear in the film. In fact, the whole high school teacher thing never really matters much in the grand scheme of things.
Preston and Kris are teaming up to take down spacey drug lord Conrad Drago (Brian Thompson). Conrad has a fierce mullet, a cocaine addiction, and a knowledge of all of the body’s pressure points. His girlfriend is Rita (Terri Treas) and the only thing that could possibly prevent Drago and Rita from taking over the city is a tape that reveals Rita and a bunch of crooked cops killing someone. Kris and Preston are trying to find the tape before Drago and Rita find it. Somehow, it all eventually leads to a homeless stock broker named Baby (Stephen Davies) and a weird fight club that’s run by Hannah the Hun (Alex Datcher).
It’s an incredibly silly film, to be honest. It’s the type of film where Preston gets shot once in the side and once in the leg and neither time does it slow him down. (He does mention that his leg hurts at one point but he never starts to limp or anything like that.) Kris, meanwhile, is given a tragic backstory that is explained to us in-between scenes of awkward comedic relief. Hannah goes from being a calculating villainous to a heroic ally, without the film attempting any explanation as to why. Meanwhile, despite Brian Thompson’s best efforts to be menacing, Conrad is written as being some sort of flakey, New Age drug dealer. He’s about as intimidating as the biggest guy in a drum circle. There’s really not much rage or honor to be found in Rage and Honor.
And yet, it was impossible for me to dislike the film. Every time Cynthia Rothrock did a flying kick and sent some jerk flying, the film won me back. Unfortunately, she didn’t really get to do as much fighting as she should have. She had to share the screen with Brian Thompson and Richard Norton, who both received fight scenes of their own. All three of them looked good fighting but Cynthia was the clear star. What she lacked in actual acting ability, she made up for with pure enthusiasm. Watching her, you realized that she was not only good at fighting but she enjoyed it as well. For all the film’s flaws, Cynthia kicked everyone’s ass and that’s really all that mattered. It was empowering and, even more importantly, it was a lot of fun to watch.
Today’s scene that I love comes from one of the most underrated zombie films of the 70s, Shock Waves.
In this film, Nazi zombies have emerged off the coast of an island. When a group of stranded tourists explore the island, they come across Peter Cushing, who explains to them just what exactly is going on. Cushing totally steals this scene. It’s always interesting to me that Cushing could convincingly play such depraved characters when, in real life, he was supposedly a very gentle and somewhat shy man. In fact, if you listen to the commentary track that was recorded for Shock Waves’s video release, everyone who worked on the film talks about what a joy Peter Cushing was off-screen.
4 or more Shots from 4 or more Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!
Today, the Shattered Lens pays tribute to Peter Cushing, one of the great actors and horror stars of the previous century. By most accounts, an old-fashioned gentleman who enjoyed gardening and a little painting, Peter Cushing went from the stage to films to television and back again and, along the way, appeared in some of the most popular and beloved films ever made. He was often cast as a rival to Christopher Lee. In real life, the two men were the closest of friends.
Here are….
6 Shots From 6 Peter Cushing Films
Hamlet (1948, dir by Laurence Olivier, DP: Desmond Dickinson)
The Curse of Frankenstein (1957, dir by Terence Fisher, DP: Jack Asher)
Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)
Dr. Who and the Daleks (1965, dir by Gordon Flemyng, DP: Jack Wilcox)
Shock Waves (1977, dir by Ken Weiderhorn, DP: Reuben Trane)
Star Wars Episode IV: A New Hope (1977, dir by George Lucas, DP: Gilbert Talyor)
This film was produced as a direct result of the box office success of I Was A Teenage Werewolf. Just as in Teenage Werewolf, Whit Bissell plays a mad scientist who makes the mistake of trying to play God. (He also makes the mistake of keeping an alligator in his lap but that’s another story.) The end result …. Teenage Frankenstein!
The makeup on the Teenage Frankenstein is probably the best thing about this film. If nothing else, this film features a monster who actually looks like he was stitched together in a lab.
Earlier today, Leonard shared the trailer for Uncharted. At the same time that the Unchartered trailer was dropping, the trailer for Red Notice was being released as well. To be honest, I kind of suspect that they’re both the exact same film. Maybe Red Notice is the European edit….
No, actually, they’re both separate films. But judging from the trailer, they both appear to take place in the same cinematic universe. Anyway, Red Notice stars Ryan Reynolds and Gal Gadot as rival things who end up woring for an FBI profiler who is, of course, played by Dwayne Johnson. It’s always interesting to me that whenever you real life FBI agents, they’re always these kind of nebbish accountant types but whenever they show up in a movie, they’re always played Dwayne Johnson. Dwayne Johnson’s never had to keep track of his money because, if he ever did run out of cash, the people of the world would come together to send him as much extra money as they could. Everyone understands that the world would be a much worse place without Dwayne Johnson.
I guess Red Notice is a wacky comedy time and Netflix has a pretty uneven history when it comes to wacky comedy but I do like all three of the stars so who knows?
Today’s horror scene that I love comes from 1935’s The Bride of Frankenstein. In this wonderfully acted scene, the Bride (Elsa Lanchester) meets the Monster (Boris Karloff) for the first time. Both of their reactions reveal them to be far more human than the people who created them.
Since today is Boris Karloff’s birthday, I thought I would devote this edition to everyone’s favorite reanimated corpse, Frankenstein’s Monster! Over the years, there’s been a lot of movies about the Monster. Here are the trailers for six of them!
The Curse of Frankenstein (1957)
Believe it or not, there was a time when it was felt that the story of Frankenstein and his Monster has been played out. With the Universal films bringing in less and less money, many felt that the Monster’s days were behind it. Then, Hammer, Peter Cushing, and Christopher Lee came along and said, “No! This is what Frankenstein is all about!”
At least, I assume that’s what they said. I hope they did.
2. Jesse James Meets Frankenstein’s Daughter (1965)
You can’t keep a good Frankenstein down as Jesse James discovered in this 1965 western.
3. Lady Frankenstein (1971)
In this Italian film, the Baron’s daughter continues her father’s scientific experiments! I guess Jesse James wasn’t the only one to meet Frankenstein’s Daughter!
4. Flesh for Frankenstein (a.k.a. Andy Warhol’s Frankenstein) (1973)
Udo Kier is the Baron and Andy Warhol may have been the producer of this film. Or he may have just lended his name out for the money. It depends on who you ask.
5. Blackenstein (1973)
Of course, following the success of Blacula, there was a blaxploitation take on Frankenstein.
6. Frankenhooker (1990)
And, of course, who can forget Frankenhooker?
I hope that your Halloween is full of the type of creativity and scientific curiosity that made the Frankenstein family legendary!
Through the Shattered Lens