Live Tweet Alert: Join #FridayNightFlix for Super Shark!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  2011’s Super Shark!

If you want to join us this Friday, just hop onto twitter, find Super Shark on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

Scenes That I Love: John Woo’s Face/Off


Today, the Shattered Lens wishes a happy 77th birthday to director John Woo, the man who did the most to popularize the idea of the slo mo of doom!

Today’s scene that I love comes from Woo’s 1997 film, Face/Off.  In this scene, Nicolas Cage and John Travolta purse each other in speedboats.  The action is wonderfully over-the-top.  Throughout this film, Cage and Travolta both do what they do best in this scene and so does John Woo.

4 Shots From 4 Films: Special Wes Anderson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Texas’s own Wes Anderson!  It’s time for….

4 Shots From 4 Wes Anderson Films

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)

Moonrise Kingdom (2012, dir by Wes Anderson, DP: Robert Yeoman)

Asteroid City (2023. dir by Wes Anderson, DP: Robert Yeoman)

Lisa Marie’s Way Too Early Oscar Predictions For April


These are all pretty much random guesses so take them with several grains of salt.

Check out my predictions for March here!

Best Picture

The Adventures of Cliff Booth

Digger

Dune Part Three

Fatherland

I Play Rocky

Mr. Irrelevant

The Odyssey

Project Hail Mary

The Social Reckoning

Wild Horse Nine

Best Director

David Fincher for The Adventures of Cliff Booth

Phil Lord and Christopher Miller for Project Hail Mary

Christopher Nolan for The Odyssey

Pawel Pawlikowski for Fatherland

Aaron Sorkin for The Social Reckoning

Best Actor

David Corenswet in Mr. Irrelevant

Tom Cruise in Digger

John Malkovich in Wild Hose Nine

Brad Pitt in The Adventures of Cliff Booth

Hans Zischler in Fatherland

Best Actress

Daisy Edgar-Jones in Sense and Sensibility

Sandra Huller in Fatherland

Mikey Madison in The Social Reckoning

Renate Reinsve in Fjord

Michelle Williams in A Place in Hell

Best Supporting Actor

Scott Caan in The Adventures of Cliff Booth

Willem DaFoe in Werewulf

Colman Domingo in Michael

Matt Dillon in I Play Rocky

Jeremy Strong in The Social Reckoning

Best Supporting Actress

Elizabeth Debicki in The Adventures of Cliff Booth

Scarlett Johansson in Paper Tiger

Tao Okamoto in All Of A Sudden

Parker Posey in Wild Horse Nine

AnnaSophia Robb in I Play Rocky

Join #TubiThursdasy For Red Dawn!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for the original Red Dawn (1984)!

You can find the movie on Tubi and Prime and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Red Dawn (1984, dir by John Milius, DP: Ric Waite)

Scenes That I Love: Gal Gadot In Wonder Woman


Today, the Shattered Lens wishes a happy birthday to Gal Gadot.

Perhaps not surprisingly, today’s scene that I love comes from the film that made Gadot a star worldwide, 2017’s Wonder Woman.  Steve Trevor thinks that no one can cross No Man’s Land.  Wonder Woman (played, of course, by Gal Gadot) is going to prove him wrong.

 

4 Shots From 4 Films: Special Lars Von Trier Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 70th birthday to cinematic provocateur, Lars Von Trier!

It’s time for….

4 Shots From 4 Lars Von Trier Films

Europa (1991, dir by Lars Von Trier, DP: Henning Bendtsen,
Edward Kłosiński, Jean-Paul Meurisse.  Released as Zentropa in North America)

Breaking the Waves (1996, dir by Lars Von Trier, DP: Robby Muller)

Dogville (2002, dir by Lars Von Trier, DP: Anthony Dod Mantle)

Melancholia (2011, dir by Lars Von Trier, DP: Manuel Alberto Claro)

Scenes That I Love: Prewitt Fights In Fred Zinnemann’s From Here To Eternity


In honor of what would have been Fred Zinnemann’s 119th birthday, today’s scene that I love comes from 1953’s From Here To Eternity, one of the two Zinnemann-directed films to win the Oscar for Best Picture.

In this scene, Private Prewitt (Montgomery Clift) proves that he’s still a skilled boxer.  That’s not something that Prewitt wants the world to know because he’s still guilt-stricken over accidentally blinding one of his sparring partners.  Captain Holmes wants Prewitt to fight on the regimental team.  Prewitt would rather just play the bugle but, as he shows in this scene, he can still throw a punch if he’s forced to.  It leads to a lot of drama, the majority of which is forgotten in the wake of the attack on Pearl Harbor.

4 Shots From 4 Films: Special Phillip Noyce Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 76th birthday to Australian filmmaker, Phillip Noyce.  It’s time for….

4 Shots From 4 Phillip Noyce Films

Heatwave (1982, dir by Phillip Noyce, DP: Vincent Monton)

Dead Calm (1989, dir by Phillip Noyce, DP: Dean Semler)

Blind Fury (1989, dir by Phillip Noyce, DP: Don Burgess)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

Icarus File No. 27: Con Man (dir by Bruce Caulk)


Originally filmed in 2010 but not released until 2018, Con Man is one of the strangest vanity projects that I’ve ever seen.

Originally entitled Minkow, Con Man tells the story of Barry Minkow.  When Minkow was a teenager, he started a carpet cleaning business and he quickly learned how to both promote himself and how to lie about how much money he was making.  The media ate up the story of the teenager became a millionaire by cleaning carpets.  His father (Mark Hamill) was proud of him.  His mother (Talia Shire) worried that he was moving away from God.  A local mobster (Armand Assante) decided to get involved.  It was eventually discovered that Barry was kiting checks, lying to insurance companies, and massively defrauding both his investors and his employees.  After being busted by the FBI (represented here by James Caan), Barry Minkow was sent to prison.

In the film, teenage Barry Minkow is played by a young, handsome, and charismatic Justin Baldoni.  When Barry gets out of jail, he’s suddenly been transformed into …. well, Barry Minkow.  That’s right.  Barry Minkow plays himself.  Needless to say, Barry Minkow looks nothing like Justin Baldoni.  It’s not just that the two men are different ages.  It’s also that there’s no way to imagine Justin Baldoni transforming into the gargoyle that is Barry Minkow.

In prison, Barry Minkow is converted to Christianity by a prisoner named Peanut (Ving Rhames).  After Minkow serves his sentence, he not only helps the FBI track down other con artists but he becomes the pastor of his local church.  Despite his past, everyone loves and trusts Barry Minkow.  Everyone talks about how charismatic he is, despite the fact that the adult Barry Minkow delivers his lines in a flat monotone and looks like he should be sitting over the entrance of a cathedral.  People who suspect that they’ve been a victim of financial fraud start to come to Barry, asking him for advice.  The always humble Barry is concerned that he’ll let people down but, in the end, even James Caan says that Barry is a great guy.  “I’m doing the work of God!” Barry proclaims.

Yes, the film is fueled by pure ego.  Unfortunately, it took more than ego to pay the bills so Minkow embezzled money from his own church, stole money from his congregation, and resorted to his old track of “clipping” checks to finance the whole thing.  Shortly after the film was completed, Minkow was arrested and sent back to prison.  (A hot mic caught Minkow bragging to James Caan about how he financed the film.  After his arrest, Minkow denied he had ever said that and dared anyone with proof to turn it over.  The film’s director proceeded to do just that.  Barry Minkow was not only a criminal.  He was a stupid criminal.)

As for the film, it sat in limbo for eight years.  Eventually, talking head interview with Minkow’s actual victims talking about how much they disliked Barry were sprinkled throughout the film.  (Shortly before Minkow starts playing himself, we hear one of his business partners say that everyone told him not to play himself.)  The original film ended on a triumphant note.  The new film — which was retitled Con Man — ended with real people talking about Barry Minkow going back to jail and casting doubt as to whether or not Barry ever even knew a prisoner named Peanut.

The film is a vanity project and not a very good one.  Minkow is a terrible actor and, just in case we forget that fact, he reminds us by trying to hold the screen opposite James Caan and Ving Rhames.  (Even Elisabeth Rohm manages to outact him.)  As bad as the film is, the story behind it is endlessly fascinating.  Barry Minkow was determined to become a star.  (Spielberg’s Catch Me If You Can was an obvious inspiration.)  Instead, he went back to prison and his vanity project was transformed into a roast.  And it probably couldn’t have happened to a more deserving guy.

 

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive
  3. Glass
  4. Captive State
  5. Mother!
  6. The Man Who Killed Don Quixote
  7. Last Days
  8. Plan 9 From Outer Space
  9. The Last Movie
  10. 88
  11. The Bonfire of the Vanities
  12. Birdemic
  13. Birdemic 2: The Resurrection 
  14. Last Exit To Brooklyn
  15. Glen or Glenda
  16. The Assassination of Trotsky
  17. Che!
  18. Brewster McCloud
  19. American Traitor: The Trial of Axis Sally
  20. Tough Guys Don’t Dance
  21. Reach Me
  22. Revolution
  23. The Last Tycoon
  24. Express to Terror 
  25. 1941
  26. The Teheran Incident