October Positivity: A Father’s Fight (dir by Tyler Sansom)


2021’s A Father’s Fight tells the story of Bo Lawson (Travis Hancock).

Bo was an up-and-coming boxer who appeared to have a great future ahead of him. He was married to Kacie (Sarah Cleveland). He was a father. He had everything to look forward to. But then, Bo gave all of that up because of his addiction to alcohol. His fighting career ended. Kacie left him. Bo is now washed-up and struggling to make a living. He can’t hold down a job because of his drinking, and the fact that he doesn’t have employment, boxing, or a family to occupy him means that he has a lot of free time to pursue his vices.

Bo is approached by his former trainer, Sal (John French). Sal trained both Bo and another fighter named Dylan (Paul Lincks). While Bo crashed and burned, Dylan went on to become the champion. Now, Dylan is planning on retiring, but he wants to end his career in his hometown with one last fight against Bo. Bo could use the money. Sal is willing to train him but only if Bo cleans himself up. Bo attends AA. He trains hard. He tries to win back his wife. And he learns that there are things that are more important than winning one fight.

A Father’s Fight is an interesting film. For a movie about boxing, it’s surprisingly talky. There are long, extended sequences of Bo talking about his struggles and Kacie talking about their marriage. The scenes have a slight improvisational feel to them. While they may not be the most visually exciting scenes that I’ve ever seen in a boxing movie, they do have a welcome authenticity to them. This is a sports film where the human drama feels as important as the question of who is going to win the big fight. What I appreciated about the film is that it didn’t let Bo off easy. The film understands that fixing Bo’s marriage is going to take more than just Bo going to AA and earning his chips. To his credit, Bo understands that as well. Bo is not in denial about his alcoholism or his self-destructive behavior. He understands that he needs to change his life and that it’s not going to be easy. The film never makes the mistake of idealizing or excusing its addict. That makes it all the more inspiring when Bo manages to stick with his recovery.

Compared to most boxing films, A Father’s Fight is rather low-key. This film doesn’t attempt to recapture the feel of Rocky Balboa running down a street in Philadelphia while “Gonna Fly Now” plays on the soundtrack. Bo’s efforts to become a better man are often lonely, and the only victory is his own knowledge that things aren’t as bad as they were the previous day. It’s less a sports film and more a portrait of life in Middle America. I live in Middle America so I could relate to the film. A Father’s Fight turned out to be far better than I was expecting.

Lifetime Film Review: Mommy Group Murder (dir by Nick Everhart)


There are a few lessons that I’ve learned from Lifetime movies in general and the film Mommy Group Murder in specific.

First off, don’t live in the suburbs.  Like, seriously, don’t do it.  Yes, the houses are big and everyone’s got a nice lawn and there’s always some hot guy working shirtless across the street from you.  Yes, it may seem like a nice and fun place to live but don’t be fooled.  You want to know why all those pretty and handsome people are living in the suburbs?  Because they’ve all got something to hide!  The minute they see you and your sensitive husband and your baby moving into the big, white house next door, they’re going to start plotting against you.  Next thing you know, strangers will be putting cameras in your house and having sex on your kitchen counters and you’ll be hearing weird noises at all hours of the night.

(Of course, I already live in the suburbs so I’m learning this lesson a bit too late.  Admittedly, my suburban neighborhood seems to be a bit safer than the average Lifetime suburban neighbor.  I have yet to find any hidden cameras in the house and the kitchen counters are thoroughly cleaned every day.)

Lesson number two: no matter how appealing the mysterious mansion next door might look, resist the temptation to break in and look around.  In fact, for that matter, don’t even accept an invitation to visit.  Nothing good ever happens in those mansions.  There’s always either a dead body hidden in an ice chest or someone chained up in the basement.  Once you discover something like that, you’re pretty much required by law to get involved and go to the police.  So, seriously, think before you invade.

Lesson number three: You know that person who shows up out of nowhere and suddenly wants to be your new best friend?  DON’T TRUST THEM!  When all of your old friends or your husband says that they think there’s something strange about your new BFF, LISTEN!  And when you discover that your new best friend is using an alias, ask yourself why.  Don’t just shrug and say, “Well, she just changed her name.  Big deal.”

Finally, lesson number four — and this is one that was specifically driven home by this movie: Don’t join a mommy group!  Sure, it’s tempting.  I mean, you’re suffering from crippling depression.  You’re having nightmares about someone trying to kidnap your baby.  Your new best friend suggests that maybe you need to join a mommy group so that you can talk about all of this with people who actually understand what you’re going through.  It seems like a great idea but, if Lifetime has taught us anything, it’s that these mommy groups always lead to secrets, lies, and murder!

That’s what Natalie (Leah Pipes) discovers after she befriends the mysterious Grace (Helena Mattsson).  Natalie and Grace are the center of Mommy Group Murder, a film which aired on Lifetime back in March.

Plotwise, Mommy Group Murder may seem like a typical Lifetime film.  Suburbs, adultery, murder, and a best friend that no one listens to until it’s too late, it’s all here!  However, Mommy Group Murder also features a wonderfully nuanced performance from Leah Pipes and a few twists and turns that take the movie to a slightly darker place than the average Lifetime film.  Director Nick Everhart emphasizes the darkness at the heart of the film’s story, opening with a harrowing montage of Natalie struggling to bond with her daughter and ending with a shadowy sequence that has as much in common with a horror film as a Lifetime film.

Mommy Group Murder is a nicely done, melodramatic thriller.  Watch it and learn.