Retro Television Review: Miami Vice 3.3 “Killshot”

Posted on October 14, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, another friend of Crockett’s is in trouble!

Episode 3.3 “Killshot”

(Dir by Leon Ichaso, originally aired on October 10th, 1986)

Crockett and Tubbs are working undercover as Burnett and Cooper to take down drug lord Morales (Roger Pretto). Morales is one of the most powerful drug lords in Miami but he’s still not connected enough to know that Burnett and Cooper are undercover cops. I know that I bring this up nearly every time I write about this show but it just baffles me that Crockett and Tubbs are somehow still able to maintain their covers despite the fact that those covers have gotten blown in numerous episodes and Crockett makes no effort to act any differently when he’s pretending to be Burnett. At least Tubbs uses his fake Jamaican accent whenever he’s pretending to be Cooper. Crockett doesn’t even bother to change his suit before pretending to be Burnett.

That said, they’ve somehow managed to keep Morales from discovering that they’re cops. So, Morales instead focuses on manipulating a customs agent, Frank Ariolla (Carlos Cestero). Frank’s brother, Tico (Fernando Allende) is an up-and-coming jai alai player. (That’s the sport, prominently featured in Miami Vice‘s opening credits, in which the players use a wicker to both catch and launch a ball.) However, Tico also has a raging cocaine problem. In fact, the drug often leaves him impotent. When a prostitute suggests that Tico might not be attracted tp women, Tico goes crazy and blacks out. When he wakes up, the prostitute appears to be dead and madam Isabel Batista (Maria Duval) says she’ll protect Tico for a price. Frank has to work as a double agent or Isabel and Morales will send a tape of Tico attacking the prostitute to the police.

(For the record, the prostitute was only pretending to be dead as a part of a plot to frame Tico. But then Isabel had her killed for real.)

Trying to protect his brother, Frank agrees to work for Morales. But when a guilt-stricken Tico makes a mistake during a match that leads to him getting killed when he’s stuck in the head by the ja alai ball, will Crockett and Tubbs be able to stop Frank from taking his own violent vengeance on both Morales and Isabel? As you probably already guessed, this is yet another Miami Vice episode the ends with a freeze frame and an off-screen gunshot as Crockett yells, “No!”

If there’s one thing that has stayed consistent over the first three seasons of Miami Vice, it’s that it does not pay to be a friend of Sonny’s. From Jimmy Smits getting blown up in the pilot to Ira Stone dying last week to Frank throwing his life away to avenge his brother in this week’s episode, anyone who has ever been close to Crockett seems to end up having terrible luck. I’m stunned that Tubbs has managed to survive for as long as he has.

As for this episode, Crockett and Tubbs both seemed to be sidelined in favor of the story of Frank and Tico. It’s always weird when Crockett and Tubbs become supporting characters on their own show. Carlos Cestero and Maria Duval both gave good performances, which is good because it helps to distract from the fact that Morales is a fairly dull villain and Tico is not a particularly compelling character. For the most part, this episode works best as a commercial for ja alai, which looks a hundred times more exciting than most sports. Certainly, its fast action and the constant danger of sudden death makes it the ideal sport for Miami.

Lisa Marie’s Week In Television: 10/6/24 — 10/12/24

Posted on October 12, 2024 by Lisa Marie Bowman

Here’s my thoughts on what I watched this week.

Abbott Elementary (Wednesday Night, ABC)

Abbott‘s back. Jeanine and Gregory are dating and they’re a cute couple. That said, I can’t help but remember how The Office kind of started to become less interesting once Pam and Jim officially became a couple. Single, neurotic people are always funnier than stable people in love.

It’ll be interesting to see how this season goes. Last season, I got annoyed with Jeanine working for the district and the show itself occasionally got a bit heavy-handed in a way that it hadn’t during the previous seasons. At the time, I choose to believe that season’s weaker moments were due to the season being shortened by all the strikes that were going on. I’m hoping this new season will prove me correct.

Ava continues to be the best character on the show.

Accused (Tuesday Night, FOX)

After an incredibly uneven first season, Fox’s crime anthology show is back for a second season. The first episode featured a psychic accused and on trial. Felicity Huffman (who hasn’t really been seen much ever since she was implicated in the so-called Varsity Blues scandal) and William H. Macy provided some star power but the overall results were still pretty dull. I’m not a huge fan of anthology shows in general. They always seem to be trying a bit too hard.

American Sports Story: Aaron Herndanez (Tuesday, FX)

This week, Aaron started to find fame as a pro football player with the New England Patriots, while continuing to deal with stress by hanging out with lowlifes and criminals. While struggling to maintain the squeaky clean image that the NFL demanded from its players, Hernandez also beat up his abusive stepfather. Much as with last week, this episode was well-done but it still feels as if the show is dragging out the story a bit too much. This episode was about 20 minutes worth of story stretched out over 50 minutes. Needless to say, it did start to feel a bit repetitive after a bit. The attempt to use Aaron Hernandez’s stupidity as a way to comment on American society continues to feel a bit half-baked.

Dr. Phil (Pluto TV)

“Shut up!” Kaye yelled, when confronted about her Nigerian boyfriend, who she has never actually met despite selling her house and sending him the money. I know Kaye was embarrassed but yelling shut up isn’t going to get her money back.

Hell’s Kitchen (Thursday Night, FOX)

One chef left the show to go to the hospital. Another hurt his back and voluntarily withdrew from the competition. The Blue Team had a terrible dinner service and a Chef Ramsay sent another chef home. The Red Team is getting pretty cocky, which I’m going to assume means that they’re going to fall apart next episode. Getting cocky is always the worst thing that any chef can do on Hell’s Kitchen. Hell’s Kitchen remains one of the few reality shows to remain as entertaining today as when it first aired. The show has been smart enough to stick to its formula and not change things up just to satisfy whatever the current cultural trend may be.

Homicide: Life On The Streets (Peacock)

I wrote about Homicide here!

Law & Order (Thursday Night, NBC)

This week’s episode saw SVU‘s Mariska Hargitay making a guest appearance on Law & Order and it really does show just how much things have changed as far as this franchise is concerned. At one time, SVU was kind of like Law & Order‘s sordid and little-acknowledged bastard cousin and it was a big deal if anyone from L&O lowered themselves to make an appearance on SVU. Now, things are reversed. Law & Order is still struggling to find its voice in the 2020s and it’s SVU that’s providing some star power to its struggling cousin.

On another note, I’m surprised that there’s any tech gurus left in New York as they seem to be the number one victim of choice on Law & Order. If they’re not getting murdered, they’re going to jail.

I continue to miss Jack McCoy.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Miami Vice (Amazon Prime)

I wrote about Miami Vice here!

Night Flight (Night Flight Plus)

On Friday, I watched an episode from 1988. The first half of the episode featured music videos, including X’s Devil Doll. The second half took a look at “upcoming” films, including one in which Arnold Schwarzenegger and Jim Belushi teamed up to fight crime. No, it wasn’t The Principal.

One Step Beyond (YouTube)

This week, I have continued to watch and share episodes of this old anthology show. I’ve been having a lot of fun watching this show.

Retro Television Review: Miami Vice 3.2 “Stone’s War”

Posted on October 7, 2024 by Lisa Marie Bowman

This week, another friend of Sonny’s gets killed.

Episode 3.2 “Stone’s War”

(Dir by David Jackson, originally aired on October 3rd, 1986)

Sonny Crockett’s old friend, journalist Ira Stone (Bob Balaban), returns to Miami and he’s in trouble once again.

The last time we saw Stone, he appeared to be dying as the result of being severely wounded by Col. William Maynard (G. Gordon Liddy). I guess Stone survived because this episode opens with him and a cameraman in Nicaragua, filming anti-Communist rebels opening fire on a village. They even gun down a priest! However, it turns out that the rebels have got some help from some men who appear to be American. Stone’s cameraman is shot. Apparently leaving him to die, Stone grabs the tape of the attack and then flees to Miami.

In Miami, Stone tracks down Sonny, who is reluctant to get involved with Stone. However, when it becomes obvious that some agents of the government are not only following Stone but also trying to assassinate him, Crockett changes his mind. It turns out that the men in Nicaragua do indeed work for Col. Maynard. Maynard makes a return appearance, showing off a necklace of ears that have been chopped off of communists in an attempt to get businessmen to invest in his army. This episode drops some very obvious hints that Maynard is now working for the U.S. government.

In their efforts to help Stone get his tape to the public, Crockett and Tubbs get a few people killed. Local reporter Alica Mena (Lonette McKee) is murdered after Maynard’s men break into her office to search for the tape. In the end, Stone himself is once again wounded by Maynard’s man and this time, he actually dies on-camera. As for Maynard, he once again boards a private plane and escapes. The episode ends on a properly cynical note, with Crockett listening to reports blaming the death of the priest on the Nicaraguan government.

Actually, this whole episode feels a bit cynical. On the one hand, this episode criticizes the American government for being so anti-communist that it tries to overthrow the governments of other counties. On the other hand, a good deal of the episode’s running time is devoted to showing off Sonny’s new car, a 1986 Ferrari Testarossa. There’s even an extended chase scene that seems to exist largely so the show can work in as many close-ups of Sonny changing gears as possible. It’s a cool car but just try to get one in Nicaragua, Venezuela, or Cuba. (Or, I should say, try to get one without being related to someone who is in power.)

Ira Stone was a bit more compelling in his previous appearance on the show. In this episode, Balaban’s performance is almost too low-key. It lacks the manic instability of his first appearance, in which Stone was portrayed as being almost as mad as Maynard. This time out, he’s just another independent journalist who is convinced the government is out to get him. Fortunately, G. Gordon Liddy returns to Maynard and takes so much obvious joy in the role that he’s fun to watch. As I mentioned when Liddy last appeared on this episode, my father had a “G. Gordon Liddy for President” bumper sticker. As far as Watergate felons are concerned, Liddy was certainly less annoyingly self-righteous and more honest about his amorality than John Dean has turned out to be.

As a whole, this wasn’t a bad episode. Like last week’s episode, it was serviceable but it still seemed to be lacking the spark that distinguished the show’s first two seasons. For the second week in a row, Miami Vice puts more emphasis on its guest stars than the main cast and, perhaps as a result, the main cast seems to largely be going through the motions. (Zito and Gina don’t even appear in this episode. Castillo is barely present, which is interesting considering that the character is supposed to have connections in U.S. intelligence that would have perhaps been a bit helpful this time around.) Still, it was good to see both Stone and Maynard return to the show and remind the viewers that the vice in Miami is often the result of conflicts happening elsewhere.

Retro Television Review: Miami Vice 3.1 “When Irish Eyes Are Crying”

Posted on September 30, 2024 by Lisa Marie Bowman

Welcome to season 3!

Episode 3.1 “When Irish Eyes Are Crying”

(Dir by Mario DiLeo, originally aired on September 26, 1986)

The third season of Miami Vice opens with Gina saving the life of Sean Carrone (a very young Liam Neeson).

Carrone is a former commander in the IRA, a man who has lost two brothers during the Troubles and who killed his first British solider when was fourteen but who now says that he has renounced violence and is instead a believer in peace. When he gives a lecture in Miami, Gina, Zito, and Switek attend because they’ve gotten a hot tip from Izzy that an arms deal is going to occur afterwards. Instead, a teenage gunman attempts to assassinate Sean and Gina is forced to use deadly force to save Sean’s life.

Gina is put on administrative leave after the shooting, which gives her plenty of time to pursue her new romance with Sean! A jealous Crockett doesn’t trust Sean and it turns out that Crockett’s correct when it becomes apparent that Sean and his American benefactor (Paul Gleason) are looking to purchase Stinger missiles from arms dealers Max Kilzer (Walter Gotell, who played the head of the KGB in several Bond films) and Eddie Kaye (Jeff Fahey). With the dubious help of a haughty British MI6 agent (Daniel Gerroll), Crockett and Tubbs try to uncover Sean’s plans. Along the way, Tubbs gets to try out another fake accent, Crockett spends some time as Burnett without anyone noticing that Sonny Burnett looks and talks exactly like Sonny Crockett, and Eddie Kaye finds time to blow up Sonny’s beloved car.

On the plus side, this episode had a wonderful group of guest stars. When one episode finds substantial roles for Liam Neeson, Jeff Fahey, Paul Gleason, and Walter Gotell, it’s pretty good guess that the episode is going to be worth watching. All four of them give memorable performances. Liam Neeson is, of course, the star attraction here but I also enjoyed Jeff Fahey’s turn as a half-crazed bayou arms dealer who is first seen wearing a t-shirt that reads, “Kill Them All.” I also appreciated that this episode gave everyone in the cast something to do. During season 2, it was easy to forget that Gina and Trudy were even on the show.

That said, as I watched this episode, I couldn’t help but feel that it was missing the energy that made the first two seasons stand out. If the first season was tough and gritty and the second season was surreal and often shocking, the third season got off to a rather comfortable start. Don Johnson and Phillip Michael Thomas both seemed a little bit too relaxed in their roles as Crockett and Tubbs. The third season opener played out like a well-0iled machine and that was the problem. It was almost too efficient, with little of the spontaneity that ran through the previous two seasons.

It’s something that happens to every series. The first two seasons are all about experimenting and taking chances and finding the right tone. By the time the third season rolls around, the formula is in place and things can start to feel a little mechanical. That was how I felt about this episode. The supporting cast carried the drama while the main cast went through the motions. That said, the episode did what a season premiere should do. It re-introduced the viewer to the characters, it had enough violence to keep action fans happy, and it announced the show was back. We’ll see how season 3 plays out over the next few weeks.

Lisa Marie’s Week In Television: 9/22/24 — 9/28/24

Posted on September 28, 2024 by Lisa Marie Bowman

Just as with last week, I’ve been busy getting ready for Horrorthon and watching a lot of movies. I haven’t watched much episodic television over the past few days.

I binged my way through several episodes of Fantasy Island and The Love Boat. I’ll be reviewing those episodes over the next few weeks. I watched the second season finale and the the third season premiere of Miami Vice. I’ll be posting my thoughts on the show tomorrow. I watched a few episodes of One Step Beyond, a horror-themed anthology show from the 60s. I’ll be posting episodes of that show throughout October. The fun thing about One Step Beyond is that all of the shows were claimed to be based on fact. Every episode seems like it should feature Criswell asking, “Can you prove it didn’t happen?”

On Netflix, I watched the second season of Monsters (the Ryan Murphy-produced true crime anthology show and not the old Canadian anthology series that I review for this site). This time, the series focused on Lyle and Erik Menendez. Though overstuffed with ten episodes, it was a clear improvement over the first season. At first, I was worried that the series was going to glamourize the Menendez brothers in much the same way that it previously glamourized Jeffrey Dahmer. Fortunately, that didn’t happen. The Menendez brothers came across as being two spoiled rich sociopaths and the fact that one of them reached out from prison to complain about how he was portrayed leads me to suspect that the miniseries got closer to the truth than some of the other shows that have been made about the Menendez murders. As is typical of Ryan Murphy’s miniseries, the end result was uneven and occasionally a bit tasteless but it was still interesting to watch. I plan to write and post a longer review sometime next week.

Speaking of Ryan Murphy-produced true crime, I watched the third episode of American Sports Story: Aaron Hernandez. It was okay, even if it did feel as if it wasn’t really adding anything new to what we previously learned from the first two episodes. I liked Patrick Schwarzenegger’s portrayal of Tim Tebow, even the show itself didn’t exactly treat the character fairly. The actor playing Aaron Hernandez continues to come across as being a bit of a blank.

I plan to get caught up with Survivor next week. I might even check in on the Big Brother House, now that this season is nearly over. I did get a chance to watch the premiere of Hell’s Kitchen this week. I can’t wait for the first dinner service and elimination. Just based on the first episode, this looks like it will be another good season. Unlike Jeff Probst, who seems obsessed with changing Survivor simply for the sake of changing it, Gordon Ramsay seems to understand that there’s no need to fix something that is already working. I always enjoy Hell’s Kitchen and I’m looking forward to this season.

And that’s it for this week!

Retro Television Review: Miami Vice 2.23 “Sons and Lovers”

Posted on September 23, 2024 by Lisa Marie Bowman

This week, the second season comes to a close with …. TRAGEDY!

Episode 2.23 “Sons and Lovers”

(Dir by John Nicolella, originally aired on May 9th, 1986)

The final episode of the second season Miami Vice opens with Crockett and Tubbs getting their cover blown for what seems like the 100th time. Seriously, has there every been an episode featuring these two going undercover in which their cover has not been blown? This time, they’re nearly executed by the drug dealers they were trying to arrest but, at the last minute, a sniper with a laser-guided sight shoots one of the dealers. In the confusion, Sonny and Tubbs are able to subdue most of the other dealers and disarm a booby trap that would have blown up Switek and Zito.

When Crockett mentions that they would have been dead if not for the sniper with the laser pointer, Switek says, “None of our guys have a laser.”

(Why not, Switek!? Are you guys trying to win the War on Drugs or not!?)

It turns out that the sniper worked for Angelina Medera (Phanie Napoli), the daughter of Calderone, the Colombian drug lord whose murder of Tubb’s brother led to Tubbs coming to Miami in the first place. Though she is still bitter over Crockett killing her father, Angelina has come to Miami to introduce Tubbs to his son, infant Ricardo, and to warn Tubbs that her half-brother, Orlando (John Leguizamo, in his first screen role), has put a contact out on his life.

Tubbs is a father! Tubbs is in love! Well, as Crockett could warn him, there’s nothing worse than being happy when you’re a member of the Vice Squad because it’s guaranteed that your happiness will be ripped away from you in the most violent way possible. Orlando comes to Miami and kidnaps Angelina and little Ricardo. With the help of a corrupt DEA agent named Harrison (J.C. Quinn), Orlando tries to set Tubbs up. Drawing Tubbs out to a pier where Angelina is bound in a car, Orlando plans to blow up his rival. Tubbs, being the star of the show, does manage to survive being near the car when it explodes. Angelina is not so lucky. Tragically, Tubbs believes that his son was in the car as well. (Actually, Orlando set little Ricardo back to Colombia.) At Angelina’s funeral, Tubbs receives a letter from Orlando. “I’ll be back!” it reads.

And so, season 2 ends!

The finale was a bit of a let down, largely because a good deal of the running time was devoted to flashbacks to remind us just who the Calerdones were in the first place. As well, John Leguizamo is not exactly the most intimidating of actors and his performance as Orlando was a bit stiff and awkward. (It makes sense when you consider that he was only 19 years old and making his debut on a hit television show. Anyone would be nervous.) Much like the Frank Zappa episode, it’s obvious that this episode was meant to launch a storyline that would be revisited in the future. While Leguizamo would return, it would appear that this episode is the only one to feature Tubbs’s son. So, I guess Tubbs will have to live the rest of his life thinking his childhood was blown up by a Colombian drug lord.

That’s dark!

That’s Miami Vice dark!

Despite the weak finale, I thought the second season of Miami Vice was a good one. There were a few weak episodes but, for the most part, it was a strong and stylish season and one that continued to explore just why exactly the War on Drugs proved to be unwinnable. Episodes like Out Where The Buses Don’t Run, Bushido, One Way Ticket, Little Miss Dangerous, and Trust Fund Pirates were all examples of Miami Vice at its cynical and surreal best.

Next week, we begin season 3 with a guest appearance by Liam Neeson!

Lisa Marie’s Week In Television: 9/15/24 — 9/21/24

Posted on September 21, 2024 by Lisa Marie Bowman

I have spent most of this week getting ready for the annual October Horrorthon, which means that I’ve been watching a lot of horror movies and not a lot of television. As a matter of fact, I haven’t watched one episode of Big Brother this year and I didn’t even realize that Survivor started last week.

(Most years, I blog about Big Brother for another site but, due to my father’s passing, I took a leave of absence of this year. I may, however, write about Survivor because it’s only a once-a-week show as opposed to a 7-day a week gig.)

Here’s a few thoughts on what I did watch this week:

American Sports Story: Aaron Hernandez (FX)

I watched the first two episodes of the latest Ryan Murphy-produced true crime miniseries on Saturday. This show deals with the life and crimes of Aaron Hernandez, a pro football player who ended up going to prison for murder and who is suspected of carrying out a lot more murders over the course of his short life. The first two episodes followed Aaron in high school and college, struggling to live up to his father’s ambitions and also with his own sexuality. The episodes were well-directed but I have to admit that the culture of sports remains extremely odd to me. So far, the defining image of the series is a bunch of naked football players hugging on each other while loudly talking about how much they hated anything that they considered to be gay.

So far, Josh Andres Rivera is believable as Aaron, even if he doesn’t exactly have the most exciting screen presence. Then again, Aaron Hernandez appears to have been kind of an idiot so maybe it makes sense that he would be kind of a blah person. The best performance so far has come from Tony Yazbeck as Aaron’s college coach.

The Emmy Awards (ABC)

Jeff and I watched the ceremony on Sunday but we muted it fairly early on. From what I saw, it was a pretty boring ceremony, up until Hacks beat The Bear for Best Comedy. I’m not really a huge fan of Hacks but it’s definitely more of a comedy than The Bear. That said, and this may be my film snobbery coming through, The Emmys have always felt a bit pointless when compared to the Oscars. Maybe that’s the Oscars have different nominees every year whereas the Emmys will nominate Only Murders In The Building until it finally ends its run.

Get Judged By Byron Browne (Nosey)

I watched an episode on Friday, in between horror movies. A guy called in, upset because his father sold his childhood home. (The guy had been led to believe, by his grandmother, that the house belonged to him.) Byron basically told the guy that promises from grandma have no legal standing. Poor guy. I felt bad for him. GIVE THE MAN HIS HOUSE!

The Jerry Springer Show (Nosey)

The episode I watched on Monday featured Jerry interviewing the Ku Klux Klan and the Black Hebrew Israelites (which, despite the name, is a Black supremacist group) at the same time. Needless to say, none of them were happy about being on stage together and the whole thing devolved into a bunch of shouting. One white woman in the audience shouted that black men received the right to vote before white women. A black woman then said that the Bible says that women are not supposed to vote because men were created first. It was a strange episode.

The Love Boat (Paramount Plus)

Read this week’s review here!

Miami Vice (Prime)

Read this week’s review here!

Monsters (YouTube)

I binged and wrote reviews of several episodes of Monsters. Read this week’s review here!

Night Flight (Night Flight Plus)

This Friday, I watched an old episode of this 90s music show. It was all about guitar rock and it was pretty cool. Of course, the whole thing was pretty much just videos of Eric Clapton, Stevie Ray Vaughn, and Jeff Beck but they all sounded good. This EDM girl enjoyed listening to them.

One Step Beyond (YouTube)

I watched a few episodes of this paranormal anthology show on Thursday as I prepared for this year’s Horrorthon.

Retro Television Review: Miami Vice 2.22 “Trust Fund Pirates”

Posted on September 16, 2024 by Lisa Marie Bowman

This week, things get weird in Miami!

Episode 2.22 “Trust Fund Pirates”

(Dir by Jim Johnston, originally aired on May 2ns 1986)

Pirate radio DJ Captain Hook (Richard Belzer) sits on his yacht in international waters and broadcasts music to Miami while, at the same time, brokering drug deals among other yacht owners. His assistant is Noogie (Charlie Barnett), the informant who was all over the place during Miami Vice’s first season but who, up until this episode, was absent from the second season.

On another yacht, a group of Bolivians are gunned down by preppy young men who are led by Ivy League dropout Skip Mueller (Perry Lang). Skip and his buddies brag about being pirates and cheerfully make jokes while standing over the bodies of the men and the women that they killed.

A seaplane pilot named Jackson Crane (a young Gary Cole) raids the Bolivian yacht and takes some of the boat’s equipment home with him. Jackson is a longtime drug smuggler who claims that he’s on the verge of retirement. He’s dating a woman named Lani (Nicole Fosse), who happens to be Skip’s sister.

In a trailer park, Jumbo (Tommy Chong) and his wife Fluffy (Denny Dillon) keep a running tally of how many rats they’ve killed while trying to buy drugs and fence stolen goods. Jumbo calls everyone “man.” Fluffy is good with a shotgun.

And, in the middle of all this, we’ve got two aspiring drug dealers named Burnett and Cooper. Burnett and Cooper, of course, are actually Crockett and Tubbs. Just two episodes ago, one of Miami’s fiercest drug lords figured out that Burnett and Cooper are actually cops but I guess he decided not to tell anyone, despite the fact that he still thinks Crockett owes him money.

It’s a bizarre episode, full of strange characters and a plot that has so many double-crosses that it’s hard to keep track of who is betraying who. The episode was originally intended to be a sequel to Smuggler’s Blues, with Glenn Frey once again playing Jimmy the Pilot. When Frey couldn’t fit a return appearance into his schedule, the script was rewritten to feature Gary Cole as a friend of Jimmy’s. That said, it’s still obvious that the script was originally written more to highlight a popular guest star than to tell a totally coherent story.

Fortunately, Miami Vice works best when its a bit incoherent. One the major themes of the show is that no one can be trusted and that everyone is willing to betray everyone else. The world of Miami Vice is often illogical because it’s a world full of illogical people who tend to do whatever pops into their head at any given moment. Another major theme is that everyone either wants to get rich from selling drugs or they’re just adrenaline junkies who get a high from being involved in the underground. Skip and his friends are rich. They just enjoy killing people and pretending to be gangsters. This is one of the more violent and bloody episodes of Miami Vice. Skip and his friends enjoy their work a little too much.

It’s a good episode and well-acted. Gary Cole was considered for the role of Crockett before Don Johnson got the part and, in this episode, it’s easy to see why. Even as a young actor, Cole has a rugged cynicism to him that’s both dangerous and compelling. Perry Lang appeared in a lot of dumb teen comedies in the 80s, usually playing dorky nice guys. He’s absolutely chilling as the sociopathic Skip Mueller. And finally, there’s Richard Belzer, wearing an eyepatch, opening the episode by rapping with Noogie, and encouraging the criminals of Miami to enjoy some good music while breaking the law. Full of strange characters and shocking violence, this episode captures the idea of Miami being a surreal playground for the rich, ruthless, and crazy.

Next week, season 2 comes to an end!

Lisa Marie’s Week In Television: 9/8/24 — 9/14/24

Posted on September 14, 2024 by Lisa Marie Bowman

I’ve been up at Lake Texoma for most of this week, getting some much-needed rest after the past 3 and a half months. As such, I haven’t watch much television over the past few days (and no, I did not watch the debate because, as I just said, I’m trying to rest and relax) but I did find time to binge and write up reviews for several episodes of Baywatch Nights, Check It Out!, Friday the 13th, and Welcome Back, Kotter. Watch for the rest of those reviews through the rest of this month and October!

Here’s some thoughts on what I did watch:

Baywatch Nights (YouTube)

I binged Baywatch Nights this week. Check out my review of this week’s episode here!

Check It Out! (Tubi)

I watched and wrote reviews of several episodes of Check It Out! on Sunday. Look for the reviews through the rest of this month and October.

Fantasy Island (DVR)

I reviewed this week’s episode of Fantasy Island here!

Friday the 13th: The Series (YouTube)

Read this week’s review here!

Get Judged by Byron Browne (Nosey)

Tattooed and plain-spoken attorney Byron Browne listens to people talk about their problems and then tells them if they have grounds to sue. I watched a few episodes on Sunday evening. I actually liked the show. I appreciated the fact that Browne, for all of his flamboyance, gave good advice and didn’t waste many words getting to the point.

Jerry Springer Show (Nosey)

I watched three episodes of this show on Nosey while I was working on some reviews of shows that don’t feature Jerry Springer. One episode that I watched featured a dry cleaner who stole women’s clothes and wondered why his girlfriend was cheating on him. Another episode featured a man who wanted his lover to dress up like his mom. The last episode featured a man who got upset because his girlfriend was sleeping with his sister. I’m pretty sure every guest was an actor. I mean, I’ve known some pretty weird people but I’ve never known anyone as strange as the typical Spring guest.

Jerry Springer, let’s just be honest, came across as being incredibly sleazy. I don’t care that he was a former politician or that he was apparently inspired by Robert F. Kennedy, Sr. I don’t care that he was apparently an amiable presence off-stage. Watching him on this show, smirking while the audience chants his name, I felt no need to pretend like Springer was anything other than the epitome of a sleazy talk show host. For all the efforts made by some in the media to rehabilitate his image and to suggest that he shouldn’t have been judged by the show he hosted, Springer really was the worst and the faux sincerity of his “final thoughts” always verged on being offensive. If he was still alive, he’d be an excellent pick to play the sleazy game show host, Killian, in a Running Man remake.

The Love Boat (Paramount Plus)

I reviewed this week’s episode of The Love Boat here!

Miami Vice (Prime)

I reviewed this week’s episode of Miami Vice here.

Monsters (YouTube)

I wrote about Monsters here!

Welcome Back, Kotter (Tubi)

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Retro Television Review: Miami Vice 2.21 “Free Verse”

Posted on September 9, 2024 by Lisa Marie Bowman

This week, the Vice Squad gets a big assignment.

Episode 2.21 “Free Verse”

(Dir by John Nicollela, originally aired on April 4th, 1986)

The wheelchair-bound poet, Hector Sandoval (played by Byrne Piven), is coming to Miami so that he can testify before a Congressional committee about the human rights abuses that are occurring in his home country, abuses that Hector claims have been partially funded by American interests. Hector is a world-famous poet but his history as an outspoken political dissident has made him politically important as well. He’s been nominated for a Nobel Peace Prize. Meanwhile, the right-wing death squads from his own country want him dead. Because Sandoval is equally critical of his country’s rebels, the left wants him dead as well. They feel he has more value as a martyr than as a living dissident.

With so many people trying to kill this important, world-famous person, his safety in America is the government’s top-most concern. So, naturally, the task of protecting Sandoval is assigned not to the FBI, the CIA, or the Secret Service. Instead, it’s given to the Miami Vice Squad. You read that correctly. A bunch of undercover cops are assigned to protect one of the most important men in the world. They meet him when he lands in the airport and their pictures are immediately taken by the horde of reporters waiting for Sandoval’s arrival. I guess everyone’s cover is blown now.

This is not a particularly interesting episode. Obviously, the show was looking to make a point about not only the political situation in Central America but also the role of the U.S. government in propping up various dictators and turning a blind eye to human rights abuses. That’s fine. Indeed, watching an episode like this today serves as a good reminder that Chavez and Maduro were hardly the first dictators to take power in South and Central America. But this episode gets so caught up in making its political points that it forgets to be interesting.

A huge part of the problem is that the members of the Vice Squad spend a lot of this episode in the background. The emphasis is on Hector Sandoval and his daughter, Bianca (Yamil Borges). Unfortunately, Byrne Piven goes so over-the-top as Sandoval that it’s impossible to take the character seriously. It’s a genuinely bad performance and it makes the episode a bit of a chore to sit through. (Admittedly, it is entertaining watching Edward James Olmos refuse to show a hint of emotion while Sandoval devours all of the scenery in their scenes together.)

For celebrity watchers, Bianca Jagger shows up as an assassin but she doesn’t really get to do much. Luis Guzman and future director Michael Bay play the imaginatively named “Goon #1” and “Goon #3.” Otherwise — and especially when compared to the episodes that came before it — this is a surprisingly forgettable episode of Miami Vice.