Today’s song of the day comes the 1967 winner for Best Picture, Norman Jewison’s In The Heat of the Night.
Tag Archives: Lisa Marie Bowman
Scenes That I Love: Freddie and Dodd’s Final Meeting From Paul Thomas Anderson’s The Master
Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who is celebrating his birthday today).
Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends. Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime. Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan. In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together. Both of them realize that the time they had is over. And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.
From Paul Thomas Anderson’s The Master:
4 Shots From 4 Films: Special Paul Thomas Anderson Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today is the birthday of one of our greatest filmmakers, Paul Thomas Anderson! This edition of 4 Shots From 4 Films is dedicated to him and his brilliant career!
4 Shots From 4 Paul Thomas Anderson Films
Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)
The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)
Phantom Thread (2017, dir by Paul Thomas Anderson)
Late Night Retro Television Review: Hunter 1.10 “The Shooter”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, Hunter and a biker compete to see who has the fastest draw.
Episode 1.10 “The Shooter”
(Dir by Michael Lange, originally aired on January 4th, 1985)
Someone is gunning down motorcycle cops. It’s a crime that both Hunter and McCall take personally. Unfortunately, Bernie Terwiliger is in charge of the investigation and he insists that he doesn’t need any help from Hunter or “the brass cupcake.” Considering that McCall’s husband was a police officer who was killed while doing a routine traffic stop, you would think Terwiliger would be a little bit more sensitive but nope. That’s not the way things are done on Hunter.
Hunter and McCall conduct their own investigation, which leads them a country-western bar and a quick-draw video game. Deke Broder (Robert Dryer) is a redneck who is very proud of having the fastest draw on the game. The only problem is that cops keep coming in the bar and beating his time. So, Deke stalks and kills them.
Deke — it’s just a game!
Soon, Hunter is playing the video game and Deke has a new target.
Now, this is a good episode! It’s everything that you could want from an episode of Hunter. It’s violent. It’s fast-paced. It’s got enough atmosphere to hold the viewer’s interest and it features a bad guy who is more interesting than the run-of-the-mill cop show villain. Deke and Hunter have a lot in common. They’re both cocky. They’re both convinced their the best. And they both really like to shoot their guns. Between the motorcycles and Deke’s leather kill suit, this episode was pure style.
This is exactly what an episode of Hunter should be like.
Retro Television Review: Decoy 1.36 “Blind Date”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, Casey goes undercover …. again!
Episode 1.36 “Blind Date”
(Dir by Stuart Rosenberg, originally aired on June 16th, 1958)
When Gladys (Mary Finney) and her niece Millie (Irene Dailey) are involved in a car accident, the police discover that they are transporting a large amount of stolen money. Millie, who has been transporting drugs, had a meeting with a money launderer to exchange the money for clean bills. Casey goes undercover, pretending to be Millie when she and Gladys meet with the launderer. However, when Millie’s boyfriend (Elliott Sullivan) shows up, the entire operation falls apart. Can Casey convince Millie’s boyfriend to turn on the criminals?
This is yet another episode where Casey’s carefully constructed cover is destroyed by something that the police should have been prepared for. Not only is Casey pretending to be a real person (which increases the risk that she’ll run into someone who actually knows the person that Casey is pretending to be) but she’s also accompanied by the increasingly hysterical Gladys. Usually, Casey is at least convincing when she goes undercover. This time, she comes across as way to calm and collected to be believable as someone committing her first crime.
To be honest, after 36 of these episodes, I’m amazed that Casey has survived for as long as she has. The New York police department seems to be truly incompetent.
Despite all of that, this was a good episode. There was plenty of on-location New York footage and Beverly Garland did a good job of portraying Casey’s growing realization that 1) she was in over her head and 2) it was a mistake to bring Aunt Gladys along. Lou Polan was also well-cast as the avuncular but still menacing money launderer. He may have been a criminal but he was also very proud of his boat. Who can blame him?
This episode ended up on vaguely upbeat note, one that really didn’t feel as it had been earned. Decoy was always at its best when it was downbeat and realistic. New York was a tough city, even back in 1958.
Join #TubiThursday For The Principal!
Hi, everyone! Tonight, on Mastodon, I will be hosting the #TubiThursday watch party! Join us for 1987’s The Principal!
You can find the movie on Tubi or YouTube and you can join us on Mastodon at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) We will be using #TubiThursday hashtag! See you then!
Song of the Day: The Passenger, covered by David Hasselhoff
For today’s song of the day, we’ve got David Hasselhoff covering Iggy Pop and appearing to have an existential crisis. Sing it, Hoff!
Scenes That I Love: Howard Beale says “We’re In A Lot Of Trouble” in Network
Everyone remembers the “Mad as Hell Speech” from Sidney Lumet’s 1976 satire, Network.
Personally, I think this scene below is just as good. Replace “tube” with TikTok and Bluesky and you’ll have a pretty good explanation for why the world today is full of so many angry people who think they know more than they do.
(Usually, heavy-handed scenes annoy me. Fortunately, much like David Fincher with Aaron Sorkin’s script for The Social Network, Sidney Lumet knew the right directorial tone to take when translating Paddy Chayefsky’s script to the screen. One shudders to think of what Network would have been like with a less skilled director behind the camera.)
Watch this scene the next time you’re wondering what happened to New York.
4 Shots From 4 Films: Special Sidney Lumet Edition
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the anniversary of the birth of director Sidney Lumet, born 102 years ago on this date. It’s time for….
4 Shots From 4 Sidney Lumet Films
Long Day’s Journey Into Night (1962, dir by Sidney Lumet, DP: Boris Kaufman)
Dog Day Afternoon (1975, dir by Sidney Lumet, DP: Victor J. Kemper)
Network (1976, dir. Sidney Lumet, DP: Owen Roizman)
The Verdict (1981, dir by Sidney Lumet, DP: Andrzej Bartkowiak)
Late Night Retro Television Review: 1st & Ten 4.6 “The Dark Side”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.
This week, who cares about a concussion?
Episode 4.6 “The Dark Side”
(Dir by Stan Lathan, originally aired on November 9th, 1988)
Going into the half, the Bulls are in danger of losing their first game of the season. Dodds Company executive Michael Westwood (Paul Tuerpe) has suspended Bubba and Jethro for refusing to sell their bar. “They draw a criminal element,” Michael said. “They’re just football players!” TD Parker (OJ Simpson) snaps back. Because Bubba and Jethro aren’t there to protect him, quarterback Doug Clayton (Scott Geyer) has been sacked and is now playing with a concussion.
During the coach’s locker room talk, Doug suddenly imagines that he’s in a Vietnam war film and that he and the team are soldiers on a mission to rescue Bubba and Jethro from a POW camp. OJ Simpson dresses up like Rambo and leads the assault. OJ kills a lot of people in this episode!
His fantasy over, the still dazed Doug heads back out to play the second half, this time with Bubba and Jethro once again blocking for him.
So, to make clear, Doug is playing with a severe concussion. That’s really the entire plot of this episode. The Vietnam stuff is occasionally amusing if overly broad. Bubba and Jethro recreate The Deer Hunter’s Russian Roulette scene. OJ Simpson still comes across as being oddly mild-mannered, even while firing a machine gun. That said, it’s hard not to feel that Doug, who gave up a Rhodes scholarship to play professional football, is basically sacrificing his life for one game.
Oh well. The Bulls win. That’s the important thing.
Through the Shattered Lens 