Horror Film Review: Alligator (dir by Lewis Teague)


1980’s Alligator begins in 1968.  While on vacation in Florida, a teenage girl named Marisa Kendall purchases a baby alligator named Ramon.  When she returns home to Chicago, her jerk of a father flushes Ramon down the toilet.

12 years pass.  Marisa (Robin Riker) becomes a herpetologist.  As for Ramon, he actually survives being flushed down the toilet and thrives in the sewer.  He eats the carcasses of animals that had been a part of an experiment involving a growth serum.  The serum had the desired effect of making the animals bigger but it also increased their metabolism to the extent that they became aggressive and had to eat constantly.  Evil industrialist Slade (Dean Jagger) is convinced that, by tossing the carcasses in the sewer, he’s ensured that no one will ever find out about the experiments.  Instead, he’s turned Ramon into a giant alligator who is always hungry.  Soon, the super-intelligent alligator is ambushing and eating sewer workers.

Burned-out Detective Dave Madison (Robert Forster) teams up with Marisa to solve the mystery of why so many body parts are turning up in the sewers.  It’s not easy.  No one wants to admit that there might be a giant alligator living under the city.  Everyone wants to believe that’s just an urban legend.  But, after a tabloid reporter (Bart Braverman) manages to snap a few photographs of Ramon before being devoured, the police are forced to deal with the fact that they’ve got an alligator on their hands.  As Slade continues to try to cover up his involvement, big game hunter Colonel Brock (Henry Silva) comes to town and announces that he will be capturing the alligator.

Directed by Lewis Teague and written by John Sayles, Alligator is a dark comedy disguised as a horror film.  While numerous people get eaten and the film ends on a properly ominous note, Alligator is obviously not meant to be taken seriously.  The cast is full of good actors who send up their own images.  That’s especially true in the case of Henry Silva, who appears to be having a blast as the hyper macho Colonel Brock.  Robert Forster, meanwhile, delivers his lines with a self-aware weariness that seems a bit more appropriate for a noir hero than a film about a detective investigating a giant alligator.  One reason why the film works is because Forster, Silva, and the rest of the cast understood exactly what type of film they were appearing in and they delivered their overheated lines with just enough wit to let the viewer know that the film was in on the joke.  The big and somewhat stiff-looking alligator may not look entirely real and it may move somewhat awkwardly but ultimately, it’s the most likable character in the movie.  It just wants to relax in the sewers but, every few minutes, someone else is bugging him.

When first released, Alligator struggled at the box office but it has since gone on to become a cult favorite.  Quentin Tarantino is a self-described fan and he had said he was inspired to cast Robert Forster as Max Cherry in Jackie Brown after seeing him as Dave Madison in this film.  That’s not bad for a movie about a giant alligator!

Late Night Retro Television Review: 1st & 10 1.8 “The Sins of the Quarterback”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Bryce Smith finally takes the field!

Episode 1.8 “The Sins of the Quarterback”

(Dir by Bruce Seth Green, originally aired on January 13th, 1985)

During a game against the — oh come on! — Atlanta Confederates, Bob Dorsey is sacked and knocked unconscious.  Ultra-religious backup quarterback Bryce Smith (Jeff East) is sent in to replace him.  Bryce throws an amazing pass across the entire field that is somewhat caught for a touchdown.  The Bulls win!

The defensive players celebrate by grabbing Bryce forcing liquor down his throat.  Bryce is a Mormon and a graduate of BYU.  Bryce gets drunk easily.  After the rest of the players leave the locker room, a barely coherent Bryce is  approached by cheerleader Tammy Baker (Pamela Jean Bryant) who says that she is God’s gift to him.  The scene ends rather abruptly, I assume because this episode was heavily edited for syndication.

A week later, an excited Tammy approaches Bryce at a roast honoring the team.  She tells him that she’s pregnant!  She’s super-excited!  Bryce, however, is shaken and — after a fantasy sequence set in the Garden of Eden — Bryce announces that he is retiring from football and going to Tibet to become a monk.  Why would a Mormon go to Tibet to become a monk?

Well, I guess the team is screwed!  Bob Dorsey still isn’t ready to come back and the third-string quarterback can barely throw the ball.  However, Bryce’s wife comes to the rescue.  She forgives Bryce for cheating and she also invites Tammy to come live with them.  Bryce can continue to play football!

Denardo, however, doubts that Bryce is the one who impregnated Tammy.  He demands that every other player who had sex with Tammy raise their hand.  Nearly every hand in the locker room goes up.  Bryce worries that everyone is going to have to move in with him and his wife….

Okay, then!  It’s hard to review this episode because, again, it’s obvious that the racy, original episode (the one that aired on HBO) was heavily edited for syndication.  The version that I saw featured a lot of abrupt jump cuts.  The story itself was fairly dumb but that’s kind of a given when it comes to this show.  I’ll give some credit to Jeff East.  He was far better than the material he had to work with.

Myself, I’m just amazed that this show featured a team called the Atlanta Confederates.  I’m going to assume that team eventually changed their name.

The History of the World, Part I (1981, directed by Mel Brooks)


Overlong, wildly uneven, gimmicky too a fault, and often laugh out loud funny with a mix of jokes that range from the crude to the sublimely clever to the surprisingly sentimental, The History of the World, Part I is the ultimate Mel Brooks films.

Narrated by Orson Welles and featuring five historical stories and a collection of coming attractions, The History of the World Part I follows man from his caveman origins to the French Revolution and the thread that ties it all together is that humanity always screws up but still finds a way to survive.  Moses (Mel Brooks) might drop and break one of the three tablets listing the 15 Commandments but he’s still able to present the other ten.  Stand-up philosopher Comicus (Mel Brooks) might make the mistake of poking fun at the weight of Emperor Nero (Dom DeLuise) but he still makes his escape with Josephus (Gregory Hines), Swiftus (Ron Carey), and Miriam the Vestal Virgin (Mary-Margaret Humes) and ends up serving as the waiter at the Last Supper.  (“Jesus!”)  The Spanish Inquisition may have been a catastrophe but it also gave Torquemada (Mel Brooks) a chance to show off his performance skills.  The French Revolution may have been a bloodbath but the future still held promise.  Ask for a miracle and he’ll show up as a white horse named Miracle, no matter what era of history you’re living in.

The humor is very Mel Brooks.  During the Roman Empire sequence, Madeline Kahn plays Empress Nympho.  Jackie Mason, Harvey Korman, Cloris Leachman, Spike Milligan, Jan Murray, Sammy Shores, Shecky Greene, Sid Caesar, Henny Youngman, and Hugh Hefner all make cameo appearances.  Carl Reiner is the voice of God.  John Hurt plays Jesus.  The film ends with the promise of a sequel that will feature “Jews in Space.”  Not every joke lands.  The entire caveman sequence feels forced.  But when the film works — like during The Inquisition production number — it’s hard not get caught up in its anything-goes style.  The entire Roman Empire sequence is probably more historically accurate than the typical Hollywood Roman epic.  That’s especially true of Dom DeLuise’s naughty performance as Emperor Nero.

Mel Brooks is 99 years old today and he says that he has at least one more film to give us, a sequel to Spaceballs.  I’m looking forward to it!  I’m also looking forward to rewatching and enjoying all of the films that he’s already given us.  The History of the World, Part I may not have initially enjoyed the critical acclaim of his earlier films but, in all of its anarchistic glory, it’s still pure Mel Brooks.

Late Night Retro Television Review: CHiPs 2.3 “Family Crisis”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, a Partridge leads a Brady into a life of crime!

Episode 2.3 “Family Crisis”

(Dir by Phil Bondelli, originally aired on September 30th, 1978)

Tired of being confined to a police car, Officer Sindy Cahill (Brianne Leary) cannot wait to graduate from motor school so that she can become the Highway Patrol’s first female bike cop.  She’s so eager for the job that, when she’s off-duty, she rides around Los Angeles on a motor scooter and occasionally even makes an arrest.  Most of the other motorcycle cops are skeptical about Sindy …. because she’s a woman.  But Ponch is supportive of Sindy’s ambition …. because she’s a woman who he likes to look at.  Ponch spends the majority of this episode standing behind Sindy and leering.

A fancy black Trans Am has been stolen from a movie set and it is being used in a series of robberies.  The thieves have made no effort to disguise the car.  They didn’t even bother to paint over the very noticeable green racing stripe that, in theory, would make impossible for them to drive around without being spotted.  However, it doesn’t matter because the car is so fast and it can do so many fun movie tricks (like covering the street in smoke and oil) that no one can stop it.  Sindy has come up with a plan to catch the thieves but Getraer doesn’t want to hear it and we all know why.  In fact, when Sindy crashes her car while chasing the thieves, Getraer tells her that she needs to get checked out by the doctors before she goes back on duty.  “If I was a man, you’d let me right back out on the street!” Sindy snaps.  Sindy knows that Getraer is treating her differently …. because she’s a woman!

Fortunately, Getraer’s boss somehow finds a copy of Sindy’s plan and he decides that it’s brilliant.  With both the LAPD and the Highway Patrol working together, they manage to ambush and corner the Trans Am on the Los Angeles docks.  The two thieves push the wrong button in the car and they end up getting ejected from their seats and landing in the ocean.  Baker and Ponch share a laugh while the two men probably drown.

The two nameless thieves are not the only ones stealing cars.  Fred (Danny Bonaduce), a high school senior, is also stealing cars and — oh no! — he’s convinced his friend Wes (Christopher Knight) to go joyriding with him.  What Fred didn’t count on was Wes being the nephew of Officer Jon Baker.  Baker isn’t going to let anyone corrupt his nephew.  When Ponch and Baker eventually catch Fred and Wes and their girlfriends in a stolen car, they put the handcuffs on everyone, even though only Fred is going to be charged with a felony.  Baker tells Wes that he put the handcuffs on him to show him where his life is heading.  Wes thanks his Uncle Jon and hopefully, he’s learned an important lesson about why the Bradys didn’t hang out with the Partridges.

Finally, Ponch has finally moved out of his RV and into a swinging new apartment!  He’s got a view of the pool, so he’s happy.  Good for him.

This episode …. actually, this episode wasn’t that bad.  I liked Sindy because, if i was waiting to find out if I was going to be a motorcycle cop, I would probably ride around on a motor scooter too.  And having Danny Bonaduce leading Christopher Knight astray appealed to me as a student of pop culture.  There were some nice chase scenes.  The Trans Am was cool.  The California scenery was lovely.  It was a fun episode.

Retro Television Review: Fantasy Island 4.18 “The Searcher/The Way We Weren’t”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion.

Oh my God, this week’s episode….

Episode 4.18 “The Searcher/The Way We Weren’t”

(Dir by Leslie H. Martinson, originally aired on March 7th, 1981)

This week’s episode was just silly and it’s going to be a struggle to even come up with the usual 500 words to say about it.

Fred Cooper (Jerry Van Dyke) is worried that married life is losing its spark so he wants to relive the early days of his marriage to Dottie (Laraine Stephens).  After going through a magic time travel cloud, Fred and Dottie find themselves living in their old house, which they share with Fred’s aunt.  Their neighbors are Vic (Jack Carter) and Myra Fletcher (Dawn Wells).  Vic is Fred’s boss.  He and Myra are also swingers!  Apparently, Fred forgot about that but I have to wonder how anyone would forget that?  Anyway, Vic offers Fred a promotion but only if Fred will allow Vic to sleep with Dottie.  Fred responds by punching Vic out while Vic is hosting a Swingers Convention on Fantasy Island.  (Tattoo must have been very happy this week.)  Vic realizes that he was in the wrong and Fred still gets his promotion.  But is it a real promotion or just a fantasy promotion?  Seriously, what the Hell is going on here?

Meanwhile, young heiress Karen Saunders-Holmes (Laurette Spang) comes to the island with her husband, Brian (James Darren).  Brian thinks that they’re just on their honeymoon but Karen actually has a fantasy.  She wants to be reunited with her father, a man named Noah who supposedly abandoned her when she was an infant and whom she has never met.  Mr. Roarke arranges for Noah (Paul Burke) to be released from prison for the weekend and….

PRISON!?  Yep, Noah is a convicted murderer and has spent the last two decades in a prison camp.  Noah claims that he was innocent of the crime.  Anyway, Mr. Roarke introduces Noah to Karen and Brian and says that Noah will be their guide on the Island….

Brian freaks out!  It turns out that Brian is actually the man who Noah was framed for murdering.  Brian went off and got plastic surgery after faking his own murder, which is why Noah doesn’t recognize him.  But Noah soon learns the truth when Brian tricks him into entering a bog of quicksand!

Does Noah survive the quicksand?  He does but we’re never told how.  Does Brian then freak out and run into the quicksand as well?  Of course.  Fantasy Island is such a dangerous place!

This was a silly episode.  Brian apparently not only had plastic surgery to change his face but also to reduce his age because there was no way he was old enough to a contemporary of Noah’s.  And for the swinger’s convention on Fantasy Island …. I mean, what?  Mr. Roarke is suddenly okay with a big key party on his Island?  How do you forget that you used to live next door to a swinging couple?  Like I said, this was just silly.  One fantasy features Jerry Van Dyke being way too goofy and the other features James Darren being way to obviously sinister.  Neither worked.

So far, the fourth season has really been a mixed bag, hasn’t it?  Hopefully, things will improve next week.

Retro Television Reviews: Fantasy Island 4.3 “The Skater’s Edge/Concerto of Death/The Last Great Race”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

This week, Fantasy Island loses a fantasy.  Read on to find out the details and remember, “Smiles, everyone!  Smiles!”

Episode 4.3 “The Skater’s Edge/Concerto of Death/The Last Great Race”

(Dir by Cliff Bole and Vince Edwards, originally aired on November 8th, 1980)

When this episode originally aired, it was a special two-hour episode of Fantasy Island, one that featured three fantasies as opposed to the usual two.

In Skater’s Edge, Charlie Johnson (Charlene Tilton) is a farm girl from Missouri who dreams of being a world class figure skater.  She comes to the Island to compete in the Fantasy Island Skating Competition.  Mr. Roarke gives Charlie a pair of magic skates that he claims belonged to figure skater Sonja Henie.  As long as Charlie is wearing the skates, she is the greatest skater in the world.  She takes the competition by storm and she also wins the heart of coach Mike O’Brien (Dack Rambo).  Unfortunately, in doing so, Charlie upsets Mike’s protégé, Laura Henderson (Peggy Fleming).  Laura steals Charlie’s skates but, after Mr. Roarke talks to her about the importance of friendship and fair play, Laura returns the skates to Charlie. Charlie gets a perfect score from the judges but, even more importantly, she learns a lesson in humility and she’s happy when Laura is named the winner of the competition.  Laura has the Fantasy Island championship but Charlie has got Mike.

In Concerto of Death, Dennis Cole plays Jeremy Hale, who comes to the island with his wife (Mary Ann Mobley).  Jeremy’s brother was a talented concert pianist who was murdered.  Jeremy wants to play as well as his brother but he also wants to solve his murder.  Roarke gives Jeremy an emerald ring that glows a deep green when Jeremy plays his piano.  Roarke warns Jeremy that his brother’s ghost might try to possess him and seek violent revenge against those who he blames for his death.  The scenes involving Jeremy being possessed feature Jeremy being suffused by a green glow and yes, it’s kind of silly but it’s still fun in the way that cheap special effects often are.  Eventually, Jeremy realizes that his brother was killed by Carla Marco (Erin Gray) and it ends with the police taking away Carla and Jeremy’s guest cabin burning to the ground.  That cabin burned down to the ground at least once per season.

Finally, in The Last Great Race, Dick Shawn and Juliet Mills play a couple who are divorcing.  They go on a race with the winner getting the majority of their possessions.

You may notice that I don’t have much to say about The Last Great Race.  This is because the Race fantasy was edited out of this episode when it went into syndication.  Unfortunately, all of the versions that I’ve found of this episode online are of the syndicated version.  So, I guess The Last Great Race is just going to be the lost fantasy of Fantasy Island.

It’s hard to judge this episode because, in the syndicated version, it’s very obvious that a lot has been removed.  It makes things feel a bit disjointed with the scene transitions often coming abruptly.  Charlie and Mike seem to fall in love in record time and Laura declaring herself to be Charlie’s friend seems odd because we haven’t really seen them interact before Laura steals her skates.  Meanwhile, the story with Jeremy also feels rushed with the final confrontation between Jeremy and the murderer seeming to come out of nowhere.

That said, it’s kind of a fun episode.  The skating scenes feature an obvious stunt double for Charlene Tilton and it’s hard not to be kind of charmed by how obvious it all is.  (You can get dizzy as the scene cuts from close-ups of Tilton’s face and close-ups of the stunt double’s legs.)  The supernatural story makes no sense but the silly special effects made me smile.  The episode ends with Mr. Roarke causing snow to fall on Fantasy Island but, in typical Roarke fashion, he makes sure that it only falls on Tattoo.  Roarke has a good laugh while Tattoo screams in terror.  Seriously, those two hate each other so much.

Retro Television Reviews: Fantasy Island 3.19 “The Swinger/Terrors of the Mind”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

This week, Fantasy Island swings!

Episode 3.19 “The Swinger/Terrors of the Mind”

(Dir by Cliff Bole, originally aired on February 9th, 1980)

This week, we have one fun fantasy and one fantasy that’s a bit less interesting.

The less interesting fantasy features Herman Dodge (Howard Morris), a middle-aged man who is upset because he feels that he was too old to take part in the sexual revolution of the 60s and 70s.  Having just gotten a divorce from Maxine (Anne Francis), Herman comes to the Island with his best friend, Stan (Jack Carter).  Herman wants to be a swinger so Mr. Roarke makes him look a few years younger and then he takes him to the “Fantasy Island Mariana, where all the swingers hang out.”

Looks like a happening place!

Herman is soon the most popular guy at the marina and he even has a new girlfriend named Peggy (Judy Landers).  Unfortunately, Duke (Lou Richards) and his friend, Hot Dog (Ed Ruffalo), are threatened by Herman’s sudden popularity.  Herman is challenged to various “water sports,” (yes, I snickered) and Herman manages to hold his own but he’s not sure if he’ll be able to jump over a speedboat while on skis.  Fortunately, Maxine shows up on the Island and Herman realizes that he not only loves her but he also enjoys being a part of the older, more conservative generation.

It’s a typical Fantasy Island fantasy, designed to appeal to the older viewers who weren’t sure what was going on with those wild and crazy kids.  It was okay but it wasn’t particularly interesting.

Far more interesting was the other fantasy, in which Sharon Sanders (Lisa Hartman) comes to the Island from a small town and asks to be given the chance to see the future.  Mr. Roarke gives her a diamond ring.  When she concentrates on the diamond, she gets a vision of the future.  Her first vision is of Martin Ward (Frankie Avalon) getting run over by a drunk driver.  Sharon saves Martin’s life and the two of them fall in love.  The Fantasy Island casino makes one of its rare appearances as Sharon uses the ring to win a lot of money at Roulette.  But then Sharon sees a vision of an older man (Stephen McNally) strangling her and the fantasy is no longer fun.

Sharon wants to leave the Island and end her fantasy.  Mr. Roarke replies that he cannot cancel a fantasy once it has begun, despite the fact that he’s done or offered to do that many times in the past for other guests.  (I sometimes suspect that Mr. Roarke makes things up as he goes along.)

Anyway, the older man turns out to be the owner of the casino.  He wants to murder Sharon because he can’t afford to pay her gambling winnings.  Fortunately, when he does attack Sharon, Martin pops up out of nowhere and saves her life.  Yay!

(So, I guess the casino is going to be closed now?  And I thought Mr. Roarke owned the casino.  Who knows?  The Island is a confusing place.)

Sharon, having learned that the world is a dangerous place, returns to her hometown with Martin.  Martin says they’re going to settle down together.  Mr. Roarke says that he hopes Sharon has learned a lesson about taking fate into her own hands and not worrying about what the future holds, which doesn’t make much sense considering that Sharon’s future would have included being murdered if she hadn’t worried about it.

Though the fantasy becomes less logical the more I think about it, it was still an enjoyable one.  Lisa Hartman and Frankie Avalon had a surprising amount of chemistry and the scene where the killer chased Sharon into a cemetery was well-done.  I’m just happy that Martin was there to save Sharon, as opposed to hanging out at the Fantasy Island Marina.

That’s where all the swingers hang out, you know.

Retro Television Reviews: Fantasy Island 2.22 “The Comic/The Golden Hour”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, Fantasy Island brings us a mix of crime and comedy!

Episode 2.22 “The Comic/The Golden Hour”

(Dir by Earl Bellamy, originally aired May 5th, 1979)

Since this series began, I’ve been wondering what the legal status of Fantasy Island is.  Is it a territory of the United States?  Is it a part of the British Commonwealth?  Is it an independent nation?  Finally, in this episode, the question is answered.  Fantasy Island is an independent nation, though one that appears to be closely aligned to the United States.  And Mr. Roarke is the sole legal authority.  In short, Mr. Roarke is a bit of a dictator and the Island’s laws are pretty much determined by his whims.

This becomes apparent when a plane is forced to make an emergency landing on the island.  The plane is carrying a prisoner named Mike Banning (Michael Parks) to the United States.  When Federal Marshall Victor Grennan (Morgan Woodward) announces that there is no way he’s going to let Mike out of his handcuffs, Mr. Roarke announces that he’s in charge of the Island and, on the Island, no one is handcuffed.  Reluctantly, Grennan sets Mike free.

It also turns out that Mr. Roarke had a specific reason for wanting Mike on the island.  While in prison, he developed a pen pal relationship with a woman named Sandy Larson (Toni Tennille).  Mike’s letters provided a lot of comfort to Sandy after an auto accident left her in a wheelchair.  In fact, Sandy is in love with Mike and she’s on the Island!  Roarke arranges for Mike and Sandy to finally meet face-to-face.  Unfortunately, Sandy is self-conscious about her wheelchair and Mike feels like he’s a loser with no future.  Mike even tries to escape at one point, running through the jungle until he’s eventually captured by the Marshal.  Still, despite all of that, Mike and Sandy realize that they really do love each other.  Mike is willing to finish out his three years in prison if it means that Sandy will be waiting for him on the outside.  Fortunately, a bit Deus ex Machina comes into play as evidence is miraculously found that proves that Mike wrongfully convicted.  Yay!

While all of that’s going on, joke writer Jerry Burton (Fred Grandy) fantasizes about quitting his job working for comedic legend Danny Baker (Jack Carter) and instead pursuing a stand-up career of his own.  Mr. Roarke arranges for Jerry to perform at a bar on the northside of the Island.  Roarke explains that the bar is popular with the workers at the local pineapple plantation.  (See?  We’re learning even more about the Island!)  However, when the bar is shut down due to a brawl, Jerry instead finds himself performing at the big Fantasy Island talent show.  In fact, he’ll even be substituting for Danny, who was scheduled to host but has been held up on another part of the Island.

At first, Jerry bombs.  He has no confidence.  But then Danny joins him on stage and they bring down the house.  Jerry and Danny arrived on the Island as employee and employer but now, they’re leaving a comedy team.  Yay!  Plus. Jerry reconnects with his old high school girlfriend (Pat Klous).  Yay again!

The comedy stuff was fun, largely because Fred Grandy was as likable and goofy here as he was as Gopher on the The Love Boat.  However, what really made this episode memorable was the method intensity that Michael Parks brought to the role of Mike Banning.  While all the other guest stars goof around and enjoy the scenery, Parks plays his role with a seething rage.  It’s unexpected but it works.

All in all, this was a good episode.  The combination of Fred Grandy and Michael Parks turned out to be just what Fantasy Island needed.

Retro Television Review: The Love Boat 1.24 “This Business of Love / Crash Diet Crush / I’ll Never Fall in Love Again”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Let’s set sail for adventure!

Episode 1.24 “This Business of Love / Crash Diet Crush / I’ll Never Fall in Love Again”

(Dir by Roger Duchowny, originally aired on May 13th, 1978)

This week’s episode of The Love Boat is all about dealing with the past.

For instance, Captain Stubing is shocked when his old high school girlfriend, Jocelyn (Jessica Walter), boards the boat.  He’s even more shocked when Jocelyn points out that he’s gained a bit of weight since high school.  I have to admit that I was also shocked that Jocelyn — or anyone for that matter — would react to seeing an old friend by immediately pointing that out.  Even worse, Jocelyn makes a joke about how one of their other friends no longer has his hair.  This, of course, leads to the Captain refusing to take off his hat and going on a crash diet in an effort to lose weight.  This makes the Captain cranky and his beleaguered staff finally rig his scale to make Stubing think that he’s lost more weight than he has.  This gives Stubing the courage to tell Jocelyn that he’s fallen in love with her.

I had two thoughts on this storyline.  First off, Jocelyn’s kind of a bitch and Captain Stubing, while being a bit of a handful himself, still deserves better than someone who greets him by informing him that he’s no longer as impressive as he was in high school.  Secondly, I didn’t really buy that Stubing would be that insecure in the first place.  He’s the captain of the ship!  He’s in charge!  That takes a certain amount of confidence.  In order to be a captain, you have to have the respect of your crew and it’s hard to imagine the crew respecting a captain who literally refuses to take off his hat because his high school girlfriend is on the cruise.

Meanwhile, Nate (Michael Callan) and Roberta (Annette Funicello) are both depressed because, over the past year, they’ve both lost their spouses.  They meet on the boat and it’s obvious to everyone that they’re meant to be together.  Isaac certainly sees it!  But both Nate and Roberta say that they’re through with love.  Fortunately, an obnoxiously happy couple (played by Morey Amsterdam and Rose Marie) are also on the ship as a reminder that love can live forever.  This was a standard Love Boat storyline.  (Even though the show was still only in its first season, this was not the first time The Love Boat featured a depressed widow finding love on the cruise.)  But Funicello and Callen were both sympathetic in their roles and I was happy they found each other.

Finally, Jill (Caren Kaye) is a former high-priced escort who is setting sail for a new life.  On the Boat, she meets Bill (Christopher George) and they fall in love.  Jill doesn’t want Bill to find out about her past life.  Unfortunately, one of her former clients (Jack Carter) is also on the boat, traveling with his wife (Jayne Meadows).  Again, this was a standard Love Boat story but it worked largely due to the chemistry between Caren Kaye and Christopher George.

This was an okay episode.  The storylines were predictable and a bit forgettable but the guest stars brought a lot of charm to their roles.  It was an pleasant cruise.  I just hope Captain Stubing stops being so hard on himself!

Retro Television Reviews: Fantasy Island 2.3 “The Beachcomber/The Last Whodunit”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week …. Tattoo gets a trumpet!

Episode 2.3 “The Beachcomber/The Last Whodunit”

(Dir by George McCowan, originally aired on September 30th, 1978)

Tattoo is learning how to play the trumpet and Mr. Roarke can barely hide his anger.  That is this week’s Tattoo/Roarke storyline and it rasies a lot of questions about Roarke and Tattoo’s relationship.  Is Roarke upset because Tattoo is a bad trumpet player or does he just dislike Tattoo in general?  Does Tattoo really care about learning how to play the trumpet or is he just looking for an excuse to annoy Mr. Roarke?  I think all of those possibilities may be true at the same time.  If the previous two episodes hinted that Roarke and Tattoo no longer hated each other, this episode seems to confirm that they’re still the frenemies that they’ve always been.  I sympathize with Roarke but it’s hard not to appreciate Tattoo’s determination to be an agent of chaos.

As for the fantasies, Charles Preston (John Astin) is a successful businessman who wants to throw it all ways so that he can spend the rest of his life as a beach bum.  Roarke sets Preston up in a cabin on one of the shabbiest beaches on Fantasy Island.  Seriously, the layout of Fantasy Island is just weird.  A third of the island is a luxury resort.  A third of the island is a magical jungle.  And a third of the island is apparently just a collection of poverty-stricken fishing villages.  Do the people who live on the island know that they could be having a fantasy if they only had the money?  Let’s hope none of them ever pick up a copy of Marx or Piketty. 

Anyway, Preston soon discovers that the life of a beach bum is not as easy as he thought it would be.  For one thing, the chief of the island’s indigenous population demands that Preston marry his daughter.  (The joke is that his daughter is overweight and …. well, it’s all pretty cringey by 2022 standards.)  Meanwhile, a bounty hunter slaps some handcuffs on Preston and threatens to take him back to his family unless Preston pays him $70,000.  “All of you beachcombers have a stash!” the bounty hunter hisses.  Fortunately, Preston’s wife shows up and announces that she’s fine with him being a beach bum, as long as he’s a responsible beach bum who helps to pay the bills.  And that’s the end of that.  What an underwhelming fantasy.

Luckily, the episode’s other fantasy is a bit more entertaining.  Mabel Jarvis (Celeste Holm) loves mystery stories and she wants to spend a weekend as her favorite fictional detective.  Of course, Mabel soon finds herself investigating the real-life murder of Mabel’s favorite writer.  Mr. Roarke explains that the writer was a friend of his and that he hoped Mabel could solve the case.  That seems like a lot of responsibility to put on someone who is just looking for a vacation but, fortunately, Mabel proves to be up to the job.  Anyway, this was a fun little fantasy and, as an avid reader of mysteries, it was one to which I could relate.  Celeste Holm seemed to be having a lot of fun as Mabel and, even more importantly, her cat played a key role in solving the mystery.

This was not a bad episode.  The beach stuff was forgettable but the episode was saved Celeste Holm and Tattoo’s trumpet.