Captain America: Brave New World (dir. by Julius Onah)


Walk into a comic store, and you’ll sometimes find whole collections of comics in one large binder or book. The book that was The Infinity Saga ended with 2019’s Avengers: Endgame and that really should have been the hard stop for Marvel Studios for a while. Still, the Marvel Engine continues to run. Sometimes, we get hits, like 2021’s Shang-Chi and the Legend of the Ten Rings and 2023’s Guardians of the Galaxy, Vol. 3. On occasion, we’ve had that rare film that knocks it out of the park in 2021’s Spider-Man: No Way Home. Mostly, however, we’ve had “okay” stories, like that comic in a pile that you enjoyed reading, but wouldn’t really remember much about it after 15 minutes. These are the ones like Black Widow and Doctor Strange in the Multiverse of Madness (the latter of which I personally hated, despite it being a Raimi film).

I enjoyed Captain America: Brave New World, but the story didn’t feel as expansive as I thought it could be. It still is grounded in the political intrigue of Captain America: The Winter Soldier and Captain America: Civil War, but I felt like it lacked the same kind of weight those previous films did. There are some good fight scenes and even better flight scene thoughout.

Brave New World finds Sam Wilson (Anthony Mackie) doing very well since taking on the mantle of Captain America. Despite not having any powers, he can still handle his own, somewhat. With a suit and new Vibranium wings, compliments of Wakanda, Wilson’s quite a force to be reckoned with, though he still tends to approach certain situations with de-escalation in mind instead of brute force. He also has some help in the form of Joaquin Torres (Danny Ramirez), who has worked with Sam even before using the shield. Mackie carries this easily with the occassional joke or two. It’s also amazing to watch when you know the character isn’t enhanced and is really just one or two good punches away from a broken limb. I see in Sam Wilson a pre-super serum Steve Rogers, fending off enhanced bullies with nothing but a garbage can lid and lots of heart. That’s heroic and perhaps even Worthy, an underdog still fighting the fight (at least to me, anyway). Ramirez’ Torres is the plucky comic relief in all this. Serious when needed, but playful otherwise. His character reminded me a bit of Pablo Schreiber’s one in Michael Bay’s 13 Hours.

The political landscape has also changed since the days of Iron Man 3’s Matthew Ellis (played by William Sadler). General Thaddeus “Thunderbolt” Ross has risen through the ranks to become the President of the United States. Harrison Ford (Clear and Present Danger) takes over the role of Ross from William Hurt (Altered States), who passed away in 2022. At this stage in his career, Ford doesn’t have to do much to be effective in a scene. He’s played political characters in his Tom Clancy / Jack Ryan era, so this isn’t really new to him. His version of Ross still carries the gruff nature that Hurt had, though personally, I don’t feel either performance was as good as Sam Elliot’s in Ang Lee’s Hulk. Ford’s Ross is a man haunted by the disconnection from his family and a reputation he’d rather put behind him. The same can be said for Carl Lumbly’s Isaiah Bradley. As the forgotten Super Soldier, his character is still slowly integrating into public life after a past that left him cautious and weary.

After a successful mission, Wilson, Torres, and Bradley are invited to the White House for a special announcement. The announcement involves the discovery of the “Celestial Island”, the Continent sized remains of Tiamat from The Eternals. Even better, the entire island is made of a material that appears to be stronger than even Vibranium. The metal, dubbed “Adamantium”, causes a race between the Superpowers to acquire it. Thankfully, a treaty formed by Ross helps to keep conflict at bay.

As exciting as it sounds to hear that this particular Universe suddenly (finally!) has Adamantium in it, the announcement is as far as anyone will get to seeing it. Put away any thoughts of seeing Weapon-X plans in Canada. Japan won’t produce a Silver Samurai, and Russia won’t have Omega Red any time soon. That is not this story, and it’s an outright shame that none of that is even hinted to because the only Marvel solid references we have on Mutants to date are from Ms. Marvel at this point. At best, the Adamantium angle serves as a reason to finally include the aftermath of The Eternals into the story and possibly set up something for future films. Why is Marvel so hesitant on touching the X-Men? Ugh, that’s an argument for a different story.

An incident occurs that finds Sam and Joaquin having to exonerate Isaiah Bradley, while at the same time, trying to unravel the mystery involving a terrorist known only as Sidewinder (Giancarlo Esposito, Abigail) that puts both The President and possibly the entire nation in danger. Can Sam and Joaquin take down the Sidewinder and save the day? That is mostly the gist behind Captain America: Brave New World.

Outside of the performances, From a production standpoint, the film had 5 separate screenplay writers and a number of reshoots. It’s not terrible, but the film does feel a little like the writers were unsure of what they wanted to do from scene to scene. There was one shot involving a prison ward that made me wonder why more guards weren’t present. It’s more a nitpick than anything else. I compare it more to Nolan’s editing mistake with The Dark Knight, where the Joker crashes a party, but we never actually see him leave or learn the fates of the people there after Batman saves Rachel. There were also a number of cuts made to the film that removed scenes by actors such as Wrestling’s Seth Rollins and Alita Battle Angel’s Rosa Salazar. You won’t even notice those unless you’re actively expecting to see them in the film (I didn’t know either actor was involved, honestly).

The big showdown that all of the posters couldn’t seem to hide does happen, and the sequence itself is good, given the weaknesses of our heroes and strengths of our villains. It felt a little shorter to me than I expected it to be though it could be on par with the now classic Battle of Harlem in The Incredible Hulk. There was a time where Marvel was able to keep things like this under wraps, but given the state of the MCU and Hollywood in general, I can understand the marketing team’s fight to pull more people into cinemas.

Overall, Captain America: Brave New World is a good popcorn flick. Will you rave about it? Perhaps. Was it fun? Sure. Was it memorable? I’m not totally sure. I enjoyed where the story took me, but my expectations maybe veered to levels that the story couldn’t reach for me. That’s more a “me” problem than a movie problem. Also note that the film does have a Marvel Post-Credit moment. It doesn’t reveal much or anything specific of where the overall arc is reaching. It’s more of a “Captain America Will Return” than anything else, but of course, we all knew that.

I celebrate Henry Czerny’s birthday with two of my favorite scenes!


Today is the 66th birthday of the excellent Canadian character actor Henry Czerny. My admiration and appreciation for the man stems primarily from two performances in big movies. The first time I really remember seeing him is when he played the ethically challenged Deputy Director of the CIA Robert Ritter in CLEAR AND PRESENT DANGER (1994). He goes toe to toe with Harrison Ford at times in an incredible performance. Check out the scene below:

A couple of years later Czerny would play IMF Director Kittredge in MISSION: IMPOSSIBLE (1996) with Tom Cruise. Once again, his performance adds greatly to the film and this scene with Tom Cruise may be the best of the movie!

Actors like Henry Czerny are a treasure and I always look forward to seeing them pop up in movies and TV shows. It made me so happy when he showed back up a couple of years ago in MISSION: IMPOSSIBLE – DEAD RECKONING (2023). Happy Birthday, Henry! 🎊🎂🎉

Scenes That I Love: Meet Rick Deckard in Blade Runner


Continuing our theme of dystopian noir, today’s scene of the day comes from 1982’s Blade Runner.  In this scene, we not only meet Rick Deckard (Harrison Ford) but we also get a look at the future of Los Angeles, from both the sky and the ground.

(Of course, the film takes place in 2019 so its future is our past!)

This is one of the best world-building scenes that I’ve ever seen, one that works because it takes place in a world we can recognize but which has obviously developed and changed over the years.  Plus, I just like Harrison Ford wearing a trench coat and looking grumpy.  He should have done more noirs.

Uneasy alliances and surprises unfold in the Captain America: Brave New World teaser!


I stumbled onto this while going through my music playlist on YouTube, and I had to figure out if this was an official teaser or was just a fan-made one. Sure enough, it appears the official teaser for Marvel Studios Captain America: Brave New World is available.

Picking up after the events of The Falcon and The Winter Soldier (or Captain America and The Winter Soldier), the film shows there are numerous changes & surprises afoot. Our long time Hulk adversary, Thaddeus Ross, shaved his mustache and changed his look with Harrison Ford taking over the role from the late William Hurt. It also looks like Isiah Bradley (Carl Lumbly) and Joaquin Torres (Danny Ramirez) have appearances.

Can the New Captain America handle these new threats? What is going on with Isiah? And will we finally get some information on that defeated celestial from The Eternals?

Captain America: Brave New World is set to hit theatres in February 2025.

Robert Englund as Han Solo? A Little May 4th Trivia


Can you imagine how things might have played out if Robert Englund had played Han Solo?

It’s not as far-fetched as it might sound.  In his autobiography, Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams, Englund mentions that he was one of the many actor who, in 1975, auditioned for a role in the first Star Wars film.  It’s often forgotten that, before he became famous as Freddy Krueger in A Nightmare In Elm Street, Englund was a busy character actor who had roles in several big studio productions in the 70s.  He was definitely a part of the “new Hollywood” that included people like George Lucas, Steven Spielberg, and Jon Milius.

Though Englund doesn’t go into much detail, he does say that he read for the roles of both Han Solo and Luke Skywalker.  At the time, Englund didn’t feel that he was right for either role and he went back to his apartment under the correct impression that he would not be cast.  However, he did feel that his friend and then-roommate Mark Hamill would be a good pick for Luke Skywalker and Englund writes that he encouraged Hamill to try out for the role.

Would Mark Hamill have been cast if Robert Englund hadn’t told him about the audition?  Probably.  Given that Star Wars was Lucas’s follow-up to the very popular American Graffiti, it’s probable that every struggling young actor in Hollywood was hoping to audition.  As well, Hamill was not totally unknown to George Lucas, having early read for a role in American Graffiti.  Still, it’s nice to think that, long before he was cast as Freddy Krueger, Robert Englund may have played a role in casting one of the most successful films of all time.

What would Robert Englund have been like as Han Solo?  He definitely would not have been as grouchy as Harrison Ford’s Han.  Indeed, one of the striking things out about Englund’s pre-Nightmare career was how he was usually cast as friendly characters who were almost shy.  Englund would have been friendlier and rather eccentric Han Solo but I think he would have been entertaining in his way.

Because of the film’s success, it can be a bit difficult to know who was actually considered for a role in Star Wars.  Lucas has said that he originally wanted to cast Black actor Glynn Turman as Han Solo but he feared audiences would not accept the possibility of an interracial romance between him and Leia, even in a galaxy far away.  (Lucas’s regret over that decision is one of the things that led to the casting of Billy Dee Williams as Lando Calrissian.)  The film’s IMDb trivia page insists that everyone from Al Pacino to Bill Murray to Marlon Brando to Chevy Chase was considered for the role of Han Solo and I have to say that this is a case where I doubt the accuracy of the IMDb.  Harrison Ford, who had originally been hired only to read with people at the auditions, eventually got the role despite telling Lucas, about the script, “You can type this shit but you can’t say it.”

In several interviews, Christopher Lee expressed regret at having turned down the role of Grand Moff Tarkin, which was instead played by Lee’s best friend Peter Cushing.  Interestingly enough, Cushing was also one of Lucas’s choices for Obi-Wan Kenobi so it’s easy to imagine a universe in which Star Wars reunited two Hammer films legends, along with setting box office records.

Famously, Lucas held joint-auditions with his friend Brian De Palma.  De Palma was casting Carrie and just about everyone who read for one of the films also read for the other.  Reportedly, William Katt came close to getting the role of Luke before instead being cast as Carrie’s doomed prom date.  Amy Irving was also a strong contender for Leia, before instead ending up as Sue Snell in De Palma’s film.  Some source that that Sissy Spacek also read for Leia, though I’ve also read that Spacek was not a part of the joint-auditions.  That’s one thing about collecting trivia about classic films.  It’s often hard to know what’s true and what’s just wishful thinking.

I should mention that another strong contender for Han Solo (and reportedly Luke as well) was Kurt Russell.  It’s actually easy to imagine Kurt Russell as Han and, just as with Englund, it leads to an intriguing game of what if.  Would Kurt Russell have gone on to have Harrison Ford’s career if he had been cast in Star Wars?  Would Russell have gone to play Indiana Jones and Jack Ryan if he had been cast as Han Solo and would Harrison Ford have ended up helping the President to Escape from New York?  Or is it just as possible that Star Wars have not worked without the chemistry of Harrison Ford, Carrie Fisher, and Mark Hamill?  Would a Kurt Russell, Amy Irving, and William Katt version of Star Wars captured the imagination of audiences?

It’s a question to which there is no real answer, a bit like wondering if The Godfather would have been as big a hit if it had starred George C. Scott, Martin Sheen, and Burt Reynolds.  Still, it’s interesting to consider.

Scenes That I Love: Harrison Ford Briefs Martin Sheen In Apocalypse Now


Happy birthday, Harrison Ford!

Today’s scene that I love features Harrison Ford in one of his more unexpected roles.  In Francis Ford Coppola’s Apocalypse Now, he played one of the three men who ordered Martin Sheen to go upriver and assassinate Marlon Brando.  It’s a small role, especially when one considers that Ford had appeared as Han Solo just two years before.  Given the lengthy shooting of Apocalypse Now, there’s some debate as to whether Ford was actually cast in the role before he was selected for Star Wars.  Giving credence to that theory is that Ford played a similar role for director Francis Ford Coppola in The Conversation.  However, it’s hard not to notice that Ford plays Col. G. Lucas, which would suggest that his casting was a bit of an inside joke.  Speaking of inside jokes, G.D. Spradlin plays General R. Corman, no doubt named for the man who gave Coppola his start in the business.

(Interesting enough, both Spradlin and Corman played U.S. Senators in The Godfather Part II.)

In this scene, Ford shows off the nerdy intensity that was actually kind of his acting trademark before Star Wars changed his screen persona.  This scene, along with his work in The Conversation, serves as a reminder that Harrison Ford is a pretty good character actor along with being one of the last great movie stars.

Film Review: Heroes (dir by Jeremy Kagan)


The 1977 film, Heroes, tells the story of Jack Dunne (a young Henry Winkler).

Jack spent four years fighting in Vietnam.  Since returning to America, he has struggled to adjust to civilian life.  Though he’s mentally blocked out much of what happened in Vietnam, he’s haunted by nightmares,  When we first meet him, he’s a patient at a mental health facility in New York City.  He has big plans, though.  He wants to open up a worm farm in Eureka, California.  He’s convinced that he can make a ton of money selling worms to fisherman and he wants all of the old members of his unit to join him in the venture.  After Jack escapes from the hospital, he boards a bus heading for California.

He also meets Carol (Sally Field), who is supposed to be getting married in four days but who has decided to board a bus and take an impromptu vacation instead.  When Carol is told that the bus is already full and she’ll have to wait for the next one, Jack bribes the ticket agent to get Carol on the bus.  Once on the bus, Jack makes himself into a nuisance, continually bothering the driver (Val Avery) and embarrassing Carol.  (In the film’s defense, it’s later established that Jack isn’t just being a jerk for fun.  The driver’s uniform makes Jack nervous.  That said, it’s hard not to feel bad for the driver, who is just doing his stressful job to the best of his ability.)  Carol and Jack do eventually strike a tentative friendship.  They’re linked by the fact that they’re both trying to escape from something.

At a diner, Jack tells her that he served in Vietnam.

“I protested the war,” Carol says.

“I fought it,” he replies.

Carol eventually joins with Jack in his quest to track down the three people who he expects to go into business with.  One of them is missing.  One of them never returned home from the war.  And the third, Ken (Harrison Ford), is living in a trailer and raising rabbits for a living.  Ken is also a stock car racer, though he eventually admits that he rarely wins.  In fact, he seems to spend most of his time drinking and shooting off the M16 that he keeps in his car’s trunk.  Meeting Ken sends Jack spiraling into depression but, with Carol’s help, Jack is finally starts to come to terms with the reality of what happened to him and his friends in Vietnam.

Heroes was one of the first films to sympathetically portray the plight of Vietnam veterans struggling to adjust to life back in the United States and it certainly deserves a lot of credit for its good intentions.  (Indeed, it’s implied that a part of Carol’s concern from Jack comes from her own guilt over how the anti-war movement treated the returning soldiers.)  That said, the film itself is an awkward mix of drama and comedy.  The first half of the film, in which Henry Winkler comes across like he’s doing a manic Al Pacino impersonation, is especially uneven.  Winkler and Field are both naturally likable enough that the film remains watchable but, during the first half of the film, most viewers will never buy their relationship for a second.  It’s hard to believe that the driver wouldn’t have kicked Jack off the bus as soon as he started to cause trouble and the other passengers often seem to be unrealistically charmed by Jack’s behavior.  If I’m on a crowded bus and some dude insists on walking up and down the aisle and taunting the driver, I’m probably going to get off at the first stop and refuse to get back on.  Traveling with a bunch of strangers is already nerve-wracking enough without having to deal with all of that.

Not surprisingly, things improve once Harrison Ford shows up.  This was one of Ford’s last character parts before he was cast as Han Solo in Star Wars.  (Heroes, however, was released after Star Wars, which explains why Ford is mentioned prominently in the trailer despite having a relatively small role.)  Ford gives a strong performance as the amiable but ultimately self-destructive Ken.  Ford plays Ken as someone whose quick smile is a cover for the fact that his entire life is a mess.  Whereas Jack wears his emotions on his sleeve (and Winkler never stops projecting those emotions), Ken is someone who has repressed his anger and his sadness and Ford gives an internalized and controlled performance.  Perhaps not coincidentally, Winkler calms down a bit when he’s acting opposite Ford and, as a result, his own performance starts to improve.

After the meeting with Ken, Jack starts to realize that it’s not going to be as easy to start his business as he thought.  Jack starts to come down from his manic high and, even more importantly, Henry Winkler stops overacting and instead, starts to dig into the sadness at the heart of Jack’s life.  During its second half, the film finally settles on being a drama and Heroes becomes a much stronger story as a result.  Even Jack and Carol’s relationship seems to make more sense during the second half of the film.  Things end on a note of cautious optimism, which also acknowledging that life can never go back to what it was before the war.

Today, if anyone watches Heroes, it’s probably going to be for Harrison Ford.  (I imagine the presence of Harrison Ford is the reason why it’s currently available on Netflix.)  It’s a bit of an uneven film, one that feels as if it should have been stronger than it actually was.  Still, it’s a worthwhile time capsule of 1977 and America’s struggle to come to terms with the Vietnam War.  Today, we’re still struggling to come to terms with what happened in Iraq and with the botched withdrawal from Afghanistan and, again, it seems like the country is too busy trying to move on to take the time to take care of its veterans.  It’s sad that so many people only seem to care about the soldiers who fight in popular wars.  Heroes was a plea to America not to forget its veterans.  It’s a plea that still needs to be heard.

Live Tweet Alert: Join #FridayNightFlix for Raiders of the Lost Ark!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1981’s Raiders of the Lost Ark!

Oh Heck yeah!  It belongs in a museum! 

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Raiders of the Lost Ark is available on Prime and Paramount Plus!  See you there!

 

10 Oscar Snubs From the 1980s


Ah, the 80s! Ronald Reagan was president. America was strong. Russia was weak. The economy was booming. The music was wonderful. Many great movies were released, though most of them were not nominated for any Oscars. This is the decade that tends to drive most Oscar fanatics batty. So many good films that went unnominated. So many good performers that were overlooked.  Let’s dive on in!

1980: The Shining Is Totally Ignored

Admittedly, The Shining was not immediately embraced by critics when it was first released.  Stephen King is still whining about the movie and once he went as far as to joke about being happy that he outlived Stanley Kubrick.  (Not cool, Steve.)  Well, none of that matters.  The Shining should have been nominated across the board.  “Come and play with us, Danny …. AT THE OSCARS!”

1981: Harrison Ford Is Not Nominated For Best Actor For Raiders of the Lost Ark

Raiders received a lot of nominations.  Steven Spielberg was nominated for Best Director.  The film itself was nominated for Best Picture.  (It lost to Chariots of Fire.)  But the man who helped to hold the film together, Harrison Ford, was not nominated for his performance as Indiana Jones.  Despite totally changing the way that people looked at archeologists and also making glasses sexy, Harrison Ford was overlooked.  I think this was yet another case of the Academy taking a reliable actor for granted.

1982: Brian Dennehy Is Not Nominated For Best Supporting Actor For First Blood

First Blood didn’t receive any Oscar nominations, not even in the technical categories.  Personally, I think you could argue that the film, which was much more than just an action film, deserved to be considered for everything from Best Actor to Best Director to Best Picture.  But, in the end, if anyone was truly snubbed, it was Brian Dennehy.  Dennehy turned Will Teasle into a classic villain.  Wisely, neither the film nor Dennehy made the mistake of portraying Sheriff Teasle as being evil.  Instead, he was just a very stubborn man who couldn’t admit that he made a mistake in the way he treated John Rambo.  Dennehy gave an excellent performance that elevated the entire film.

1984: Once Upon A Time In America Is Totally Ignored

It’s not a huge shock that Once Upon A Time In America didn’t receive any Oscar nominations.  Warner Bros. took Sergio Leone’s gangster epic and recut it before giving it a wide release in America.  Among other things, scenes were rearranged so that they played out in chronological order, the studio took 90 minutes off of the run time, and the film’s surrealistic and challenging ending was altered.  Leone disowned the Warner Bros. edit of the film.  Unfortunately, in 1984, most people only saw the edited version of Once Upon A Time In America and Leone was so disillusioned by the experience that he would never direct another film.  (That said, even the edited version featured Ennio Morricone’s haunting score, which certainly deserved not just a nomination but also the Oscar.)  The original cut of Once Upon A Time In America is one of the greatest gangster films ever made, though one gets the feeling that it might have still been too violent, thematically dark, and narratively complex for the tastes of the Academy in 1984.  At a time when the Academy was going out of its way to honor good-for-you films like Gandhi, it’s probable that a film featuring Robert De Niro floating through time in an Opium-induced haze might have been a bridge too far.

1985: The Breakfast Club Is Totally Ignored

Not even a nomination for Best Screenplay!  It’s a shame.  I’m going to guess that the Academy assumed that The Breakfast Club was just another teen flick.  Personally, if nothing else, I would have given the film the Oscar for Best Original Song.  Seriously, don’t you forget about me.

1986: Alan Ruck Is Not Nominated For Best Supporting Actor For Ferris Bueller’s Day Off

Poor Cameron!

1986: Blue Velvet Is Not Nominated For Best Picture

Considering the type of films that the Academy typically nominated in the 80s, it’s something of a shock that David Lynch even managed to get a Best Director nomination for a film as surreal and subversive as Blue Velvet.  Unfortunately, that was the only recognition that the Academy was willing to give to the film.  It can also be argued that Kyle MacLachlan, Laura Dern, Isabella Rossellini, and Dean Stockwell were overlooked by the Academy.  Dennis Hopper did receive a Supporting Actor nomination in 1986, though it was for Hoosiers and not Blue Velvet.

1987: R. Lee Ermey Is Not Nominated For Best Supporting Actor For Full Metal Jacket

One of the biggest misconceptions about Full Metal Jacket is that R. Lee Ermey was just playing himself.  While Ermey was a former drill instructor and he did improvise the majority of his lines (which made him unique among actors who have appeared in Kubrick films), Ermey specifically set out to play Sgt. Hartmann as being a bad drill instructor, one who pushed his recruits too hard, forgot the importance of building them back up, and was so busy being a bully that he failed to notice that Pvt. Pyle had gone off the deep end.  Because Ermey was, by most accounts, a good drill instructor, he knew how to portray a bad one and the end result was an award-worthy performance.

1988: Die Hard Is Not Nominated For Best Picture, Actor, Supporting Actor, or Director

Die Hard did receive some technical nominations but, when you consider how influential the film would go on to be, it’s hard not to feel that it deserved more.  Almost every action movie villain owes a debt to Alan Rickman’s performance as Hans Gruber.  And Bruce Willis …. well, all I can say is that people really took Bruce for granted.

1989: Do The Right Thing Is Not Nominated For Best Picture

Indeed, it would take another 30 years for a film directed by Spike Lee to finally be nominated for Best Picture.

Agree?  Disagree?  Do you have an Oscar snub that you think is even worse than the 10 listed here?  Let us know in the comments!

Up next: It’s the 90s!

Monday Live Tweet Alert: Join Us For Light Blast and Patriot Games!


 

As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #MondayActionMovie, the film will be 1985’s Light Blast!  Selected and hosted by me, this Italian film is the perfect combination of horror, science fiction, action, and Erik Estrada!!  The movie starts at 8 pm et!  Here’s the playlist!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1992’s Patriot Games, featuring Harrison Ford as Jack Ryan!  The film is available on Paramount Plus and several other streaming services!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start the Light Blast playlist  at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, start Patriot Games, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   I’ve already reviewed Light Blast for this site and I’ll probably review Patriot Games sometime in the upcoming few weeks!