Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
Hi, everyone! I sprained my wrist yesterday and today, it still hurts to type so today’s review is going to be a quick one. You might even call it a mini-review!
Episode 3.10 “Silent Witness”
(Dir by Alan Simmonds, originally aired on March 10th, 1990)
When a bank is robbed, a young deaf boy named Vito (Daniel DeSanto) is the only witness to catch sight of one of the robbers without his mask on. The police bring in T.S. to keep an eye on the kid until it is time to testify.
This was a sweet episode. Mr. T, who has occasionally seemed a bit bored with the third season of this show, really brightened up when he was acting opposite DeSanto. One gets the feeling that both T.S. and Mr. T are naturally protective of kids. It was nice to see Mr. T being warm-hearted instead of grumpy and annoyed. It felt like a flashback to the first season, when T.S. Turner was still an earnest idealist.
Proving that everyone has to start somewhere, the great character actor Henry Czerny shows up here as a corrupt cop.
This episode suffered a bit due to its short running time. Stuffing an hour’s worth of plot led to things occasionally feeling a bit rushed.
The episode ended with Vito watching Turner argue with a detective (Richard Fitzpatrick) and finally speaking, for the first time in the episode. “Stop!” Vito says. It was a nice note to end on. Stop arguing and just be happy that the case has been solved.
And that seems like a good place to stop this review.
Holy Cow! On Twitter, Christopher McQuarrie dropped the teaser trailer for Mission: Impossible – Dead Reckoning – Part One and there’s just so much to unpack here. Lorne Balfe reunites with McQuarrie on the score and I’m loving the piece that plays in this trailer. It looks like almost everyone from Mission: Impossible Fallout are back, and some new faces are present with Haley Atwell joining the fray. It’s also interesting to see Henry Czerny back in the mix. If the Fast and Furious movies have taught us anything, it’s that you can always find a use for a character you thought you shelved. Wow, it’s just a teaser, and it’s only Part One! I’m pretty excited for this.
The will to survive is a strange thing. Why do some people give up their wallet or purse to a mugger freely and others snap and fight to the death? Back in the days when I could jog, I was in Central Park early on a Sunday and a mugger tried to take my little POS MP3 player. I could’ve done the smart thing and given it up, but something just clicked and I started punching and punching. His face was total shock and he wandered off. He wasn’t threatening my life, but it didn’t matter if he were, I would’ve acted the same. And Yes, my 93 tracks ranging from Springsteen to Modest Mouse remain safe to this day. Ready or Not tests whether Grace (Samara Weaving) has the will to survive and she didn’t even have an ipod to protect.
The people hunting people is almost a sub-genre, but this movie had style. It’s got horrible and quasi-incompetent murderers, a tough but vulnerable heroine, and lots and lots of BLOOD!
Grace is set to marry into a family of rich asshats who treat her like garbage. Well, except for Daniel (Adam Brody) the brother of Alex – the groom to be. Daniel thinks she should leave because she’s too good for his worthless family. Daniel has a point. The aunt is a mean spirited jerk and all of the people who enter the family are pretty desperate in one way or the other, making them agreeable to participate in their lethal affairs.
Grace decides to marry Alex anyway even though the family’s shitty personalities are on full-display. The honeymoon begins and Grace must choose a card because she is entering the family. A creepy box has a playing card and determines which card; sometimes the game is Chess, Checkers, or Hide and Seek. If Hide and Seek is chosen, the family will hunt the new entrant to the family and sacrifice him or her to Satan- In-Laws … Am I Right?!!!
Grace picks hide and seek and the game is a foot….dun dun dun! This kicks off a lot of suspense and humor as Grace fights her in-laws to the death. Grace asks her new husband Daniel why he didn’t warn her that his family is a bunch psycho killers? His response: You would’ve left me. Daniel, you suck! We all hate you Daniel…A LOT!
The family hunts Grace all over the estate and she gets hurt and screams….and Screams…AND SCREAMS! Samara Weaving’s screams are THE BEST EVER. They are a mixture of gutteral staccato and high pitched terror and they are legit real. All other scream queens before her must hail the new Queen. Here is an example of Samara’s amazing scream queen skills:
RIGHT?!!!! She’s is legit awesome – a throwback and beyond to the glory days of horror. She’s a mix of vulnerable and badass, cunning and funny, basically she rocks this entire movie! Everyone should go see this movie tonight!
Yes, this review is a little brief, but I don’t want to spoil too much. Enjoy!
The 1997 film The Ice Storm is kind of a schizophrenic film, which makes sense since it’s set in 1973 and, just from what I’ve seen in the movies, it appears that the early 70s were kind of a schizophrenic time.
It’s a film that deals with two sets of people who all live in an upper class Connecticut community. One part of the film deals with parents who are freaking out about suddenly being adults. The other part of the film deals with the children, most of whom seem destined to make the same mistakes as their parents. It’s a film that is occasionally bracingly realistic and relatable, one that reminds us that being directionless in the 70s isn’t necessarily that different from being directionless in 2016. At other times, the film feels a bit too studied for its own good. This is one of those films that features a Tobey Maguire voice-over and, as good an actor as Maguire has always been, he’s always at his worse when reciting a pseudo-profound voice over. And then there are other times when the film feels a bit too cartoonish for its own good. Elijah Wood’s a stoner. Sigourney Weaver walks around with a bullwhip. David Krumholtz shows up as a character named Francis Davenport.
Fortunately, the film is directed by Ang Lee and Ang Lee is probably one of the few filmmakers who can overcome tonal inconsistency. Lee is so good with actors and is such a good storyteller that even his lesser films are usually worth watching. The Ice Storm would just be another silly sin-in-the-suburbs film if it had been made by any director other than Ang Lee.
The main adult in the film is Ben Hood (Kevin Kline). Ben is married to Elena (Joan Allen) but he’s having an affair with his neighbor, Janey (Sigourney Weaver). Elena may be upset when she finds out about the affair but she’s still willing to accompany her husband to a key party. A key party was a 70s ritual in which husbands would throw their car keys into a big punch bowl and then the wives would randomly pick a key and have sex with the owner. Basically, anytime a TV show or a movie takes place in the suburbs during the 70s, there has to be at least one key party.
And The Ice Storm‘s key party is kind of fun to watch. Kevin Kline and Joan Allen both give really good performances and Ben is such a loser that it’s fun to watch him freak out when Janey gets a key other than this own. Elena, meanwhile, ends up going off with Janey’s husband (Jamey Sheridan, pretty much looking the same in this 1997 film as he did in Spotlight and Sully) and they share a really good scene together, one that reveals that none of the film’s adults are really as mature or liberated as they claim to be.
While the adults attempt to play, their children attempt to find some sort of meaning to their empty existence. Ben and Elena’s daughter, Wendy (Christina Ricci), wears a Richard Nixon mask and enjoys sexually teasing her classmates, especially Janey’s youngest son, Sandy (Adam Hann-Byrd). Ben and Elena’s oldest son, Paul (Tobey Maguire) is in New York, hoping to lose his virginity to Libbits (Katie Holmes) despite the fact that Libbets is far more interested in his boarding school roommate, Francis Davenport (David Krumholtz). Paul also compares his family to the Fantastic Four so, assuming Paul survived both the 70s and 80s, he’s probably still living in Connecticut and telling everyone who disappointed he was with last year’s film.
And, of course, there’s Mickey (Elijah Wood). Mickey is Janey’s oldest son and he’s permanently spaced out. When the ice storm of the title occurs, Mickey is the one who decides to wander around outside and appreciate the beauty of nature’s remorseless wrath.
Needless to say, the ice storm is also a really obvious metaphor for the way all of these very unhappy (but very prosperous) characters tend to view and treat each other. Despite all the attempts to pretend otherwise, everyone has a frozen soul. Nobody’s capable of maintaining any sort of real emotional connection. Of course, someone dies and everyone’s forced to take a look at the sad reality of their lives and the film ends with a sudden and spontaneous display of actual human emotion. It’s one of those ideas that probably works better as a literary conceit than a cinematic one.
That said, The Ice Storm is flawed but very watchable. I enjoyed it, even if it did occasionally seem to be trying way too hard. It’s well-acted and, if nothing else, I enjoyed getting to see all of the amazingly tacky clothes and the interiors of all those big houses. These people love their wide lapels and their shag carpeting. The Ice Storm is not Ang Lee’s best but it’s still good enough.
Through the Shattered Lens 