Eric Fleeks – Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!

A man’s got to know his limitations.

Episode 1.9 “Magnum Farce”

(Dir by Charles Braverman, originally aired on November 22nd, 1986)

Someone is executing the criminals that the justice system fails to convict. The new district attorney, Ms. Collins (Janice Lynde), demands that the police discover who is acting as judge, jury, and executioner. Sledge Hammer is not happy about his new assignment. Not only is he having to go after people who hate criminals almost as much as he does but he’s also having to work for a woman.

When the latest victim holds up two fingers before dying, Sledge Hammer assumes that he’s saying he was shot by hippies. However, when the shell casings turn out to be from police-issued ammunition, Sledge realizes that the victim was actually signing that he had been shot by two cops. “I’m really bad at Charades,” Hammer explains.

Hammer and Trunk stage a fight so that the vigilantes will attempt to recruit Sledge Hammer. It works, even though Hammer accidentally knocks out Trunk. However, it turns out that the head of the vigilantes is none other than the liberal district attorney, Ms. Collins!

If this sounds familiars, that because this episode borrows a lot from the classic Dirty Harry sequel, Magnum Force. The vigilantes are even motorcycle cops, just like in the earlier film. Whereas Magnum Force was a rather grim film, this episode is silly even by the standards of Sledge Hammer. The two murders are largely bloodless, the dialogue is full of non-sequiturs, and the whole thing ends with Ms. Collins firing her gun at Sledge Hammer while Sledge calmly stands still because, according to him, women are terrible shots. The humor is nonstop and bizarre and the end result is the funniest episode since the pilot.

My favorite moment cames towards the end, when Captain Trunk burst into Ms. Collins’s mansion with several other police officers. When Hammer asks Trunk to explain to Collins the careful police work that went into uncovering her role as the head of the vigilantes, Tunk replies, “I live next door.”

For once, Sledge Hammer makes the city safe for criminals and it’s absolutely hilarious. He knows what he’s doing.

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

Oh my, this epiosde.

Episode 4.8 “Injustice For All”

(Dir by Stan Lathan, originally aired on November 23rd, 1988)

The Bulls narrowly win a game against Texas’s team when Coach Denardo decides to give the ball not to usual running back but instead to Bubba Kincaid. Bubba is pronounced the hero of the game, which makes Jethro jealous. During the next game, when Denardo tries to pull off the same play, Bubba insists that the ball should be given to Jethro. Jethro fumbles the ball and Bubba falls on it, scoring once again for the Bulls. Afterwards, Bubba assures the press that Jethro was supposed to fumble and that Jethro is actually the hero of the game. That’s nice!

Less nice is what happens when the press talks to Coach Denardo. When asked whether or not he thought Texas lost because they had a black quarterback, he shrugs and says, “Maybe. Blacks have excelled at every other position in the game. Eventually, they’ll excel as quarterbacks.” Denardo is branded a racist. He insists that his words were taken out of context.

Personally …. I don’t know, it all sounds pretty racist to me. The question was definitely racist. Denardo wasn’t asked if he felt Texas lost because their quarterback didn’t play well. Instead, he was specifically asked if Texas lost because their quarterback was black. Then, Denardo’s answer is that apparently blacks are not good quarterbacks right now but they will be someday. How is that not racist? Denardo (and the reporter) are taking an individual player, considering nothing about him beyond his race, and then saying that’s why his team lost. All Denardo had to say was that the quarterback struggled, just as many white quarterbacks have struggled. Denardo could have just said, “Race doesn’t have anything to do with it.” Instead …. well, you get the idea.

The Dobbs Corporation, which now owns the Bulls, has recently had to settle a lawsuit about their discriminatory employment practices. Executive Michal Westwood (Paul Tuerpe) wants Denardo fired and really, Denardo probably should be fired. But TD Parker (OJ Simpson) tries to play peacemaker. He tells Denardo that it would help if he apologized.

“TD,” Denardo says, “I’ve got white friends and I’ve got black friends. But if you don’t drop this, I might have one less black friend.”

And then, presumably, Denardo complimented TD for being articulate.

Meanwhile, Dr. Death’s attempt to have a one night stand with a biker chick (Beth Broderick …. wait a minute, Aunt Zelda!?) comes to an end when he meets her son and discovers that the kid is being abused by his mother’s other boyfriend. Dr. Death takes the kid under his wing and then beats up the abuser. Yay! Seriously, this whole episode should have just been Dr. Death beating up that guy.

And Denardo really should have been fired.