In Reagan, Dennis Quaid stars at the 40th President of the United States.

Framed as a story being told by a former KGB agent (Jon Voight) who is attempting to make a younger politician understand why Russia lost the Cold War, Reagan starts with Reagan’s childhood, includes his time as an actor and as the anti-communist head of the SAG, and then gets into his political career.  Along the way, several familiar faces pop up.  Robert Davi plays a thuggish Russian leader.  Mena Suvari plays Reagan’s first wife while Penelope Ann Miller plays his second.  Xander Berekely plays George Schultz (who was just previously played by Sam Waterston in The Dropout miniseries.)  C. Thomas Howell, Kevin Dillon, Dan Lauria, and Lesley-Anne Down all have small but important roles.  And the usual suspects when it comes to conservative filmmaking — Nick Searcy, Kevin Sorbo, and Pat Boone — are there to compliment Voight and Davi.  I was a little surprised to see that Dean Cain was not present.

As usually happens to films that feature sympathetic Republicans, Reagan was slammed by critic but better-appreciated by the audience for which the film was made.  I wasn’t particularly surprised.  Movie critics tend to be liberal and Reagan is very much not that.  For a professional film critic, a film like Reagan must be met with snark and derision because otherwise, one would risk cancellation.  Don’t get me wrong.  I’m not saying that there aren’t things to criticize about Reagan the film.  I’m just saying that one should always keep in mind that critics have their own individual biases.  One reason why the Rotten Tomatoes score is such an unfortunate development is because it ignores the fact that most films have things that work and things that don’t work and that quality is often in the eye of the beholder.  Instead, it just tells us that a film is either a 90% or a 10%.

As for Reagan, it’s definitely a bit on the heavy-handed side but, then again, I think the same can be said for just about every political film that’s come out over the last few decades.  For those who claim Reagan is somehow more heavy-handed than most, I invite them to sit through Rob Reiner’s LBJ.  Indeed, the only director who has really shown a willingness to admit that a President can be both good and bad was Oliver Stone and when was the last time anyone watched Nixon?  Reagan is at its weakness when it tries to recreate Reagan’s time as an actor.  Dennis Quaid gives a good and charming performance throughout the film but he’s also 70 years old and, in the scenes where he plays the youngish Ronald Reagan, all of the soft-lighting and Vaseline on the lens ends up making him look like a wax figure.  Once Reagan gets older, Quaid is allowed to act his age and both he and the film become much more convincing.  I enjoyed the film once Reagan became President, though you should understand that I have biases of my own.  I’m a fan of low taxes and individual freedom, which is why I’m also not a fan of communism or, for that matter, any extreme ideology that attempts to tell people how to live or think.  “Tear down this wall!” Regan says while standing in front of the Berlin Wall and it’s a rousing moment, both in reality and on film.

In the end, Reagan is a film that will be best appreciated by people who already like Ronald Reagan.  Yes, the film is heavy-handed and the framing device is a bit awkward.  But Dennis Quaid’s heartfelt (and, towards the end, heartbreaking) performance carries the film.  The film is not at all subtle but you know what?  I’ve seen a countless number of mediocre films that have portrayed Reagan negatively, often with as little nuance and just as heavy-handed an approach as Reagan uses in its positive portrayal of the man.  I sat through The Butler, for God’s sake.  There’s nothing wrong with having a film that looks at the man from the other side.  Those who like Ronald Reagan will feel vindicated.  Those who don’t will say, “What was up with that Pat Boone scene?”