Live Tweet Alert: Join #ScarySocial for Open Grave!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  2013’s Open Grave!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Open Grave is available on Prime!

See you there!

JACK FROST – should Frosty the Snowman be worried?


My wife and I have been watching a Christmas movie every night for the last week or so. We’ve already watched DIE HARD 1 and 2, LETHAL WEAPON, HOME ALONE 1 and 2, CHRISTMAS VACATION, YES VIRGINIA THERE IS A SANTA CLAUS, FOUR CHRISTMASES and a Hallmark movie called THE MOST WONDERFUL TIME OF THE YEAR with Fonzi. She’s been wanting me to watch JACK FROST with her for a while now. I’ve been somewhat hesitant because a movie about a talking snowman not named Frosty doesn’t seem that appealing to me. I was explaining this reluctance to a couple of my co-workers at the accounting office, and they both assured me that it’s a good movie. With this newfound confidence that I would enjoy the film, my wife and I settled in to watch JACK FROST a couple of nights ago…

JACK FROST is about a guy named Jack Frost who is having a difficult time with his work life / home life balance. He loves his wife Gabby (Kelly Preston) and his son Charlie (Joseph Cross) very much, but his musical group, The Jack Frost Band, is taking up a lot of his time. He’s one of those dads who says he’ll “for sure” be at his son’s hockey game but then misses it because the band’s recording session runs late. It’s always something like that with Jack Frost. Tragically, before Jack can get this stuff figured out, he dies in a car accident on Christmas Eve. Jump forward a year later where a depressed Charlie decides to build a snowman like he and his dad always did together for Christmas. Just go with me here… through the magic notes of Jack’s old harmonica as played by his son Charlie, Jack’s spirit is transferred to the snowman, and the two have another chance to bond like they always wanted to. Will Jack be the father he should have been now that he’s a magical snowman dad? How long will he be around this time? Will an abnormally warm Colorado winter melt him? Will he get to watch Charlie play one more hockey game? These are just a few questions to be answered over the course of the film’s 100-minute running time.

I have always been drawn to movies that focus on the relationships between fathers and their sons. For example, FIELD OF DREAMS and FREQUENCY are two of my very favorite films. The reason I love both films is that dads and their boys are able to reconnect and experience each other in a way that resolves pain or regret from the past. The movies may not be realistic in how that happens, but I think each of the films tap into a universal truth about the connections between kids and their parents. If you want to see me cry, just watch either of those movies with me. JACK FROST seems to have this noble intention of magically re-connecting a father and his son for a second chance, and I give it credit for that. Only the most cold-hearted cynic would blow off the scene where Jack’s wife and son get to see him in his human form just one last time. It was touching. I also enjoy some of the songs on the soundtrack. I was able to take my wife to see Stevie Nicks in concert here in Little Rock earlier this year. I enjoyed when her “Landslide” played as Charlie made a snowman for the first time after his dad passed away. I thought that was a strong scene. With that said though, for me, JACK FROST doesn’t come together in a way that packs much of an emotional punch even though it’s clearly going for the heart. Part of that could be the fact that Michael Keaton turns into a snowman, and statements like “snow-dad is better than no-dad” are made. When I think of the other films, sure there are supernatural elements at play, but they’re still set in the real world, even if that place is in Iowa! In the case of JACK FROST, neither the comedy nor the drama worked well enough for me to get emotionally invested. The filmmakers overestimated the comedic nature of a snowman in general, and they seemed to dwell on that one note way too long, and to the film’s detriment. I did think a scene where Charlie’s hockey coach, played by Henry Rollins, refuses to allow the word “snowman” to be spoken in his presence was funny, but that was the exception and not the norm. 

After watching JACK FROST, I do understand why Frosty has retained his place as the world’s favorite talking snowman even after this film’s 1998 release. I think the idea of a talking snowman works much better in Frosty’s context. As a matter of fact, I think I’ll go ahead and watch Frosty the Snowman again when I’m done here. But you never know, JACK FROST just may grow on me. Since my wife loves it, I know we’ll be watching it this same time next year! 

Late Night Retro Television Review: Friday the 13th: The Series 2.20 “Mesmer’s Bauble”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, things get dark.

Episode 2.20 “Mesmer’s Bauble”

(Dir by Armand Mastroianni, originally aired by May 1st, 1989)

Howard Moore (Martin Neufeld) is the latest in a long line of nerdy Friday the 13th villains.  With his long hair, unwashed appearance, and crazy eyes, Howard is an easy target for some of the less compassionate citizens of Canada.  Of course, Howard doesn’t help things by having a totally creepy personality.  He works in a vinyl record store, where he offers up unsolicited music advice to the teenage customers, the majority of whom giggle awkwardly whenever he’s nearby.  Howard is obsessed with a singer named Angelica (Vanity) but there’s no way Howard could ever actually meet her.

Or at least, that’s the case until he finds Mesmer’s Bauble.  Having once belonged to the inventor of hypnotism, this crystal pendant grants Howard anything that he asks for, as long as he first uses it to hypnotize people and then kill them.  (It turns out that merely looking at the pendant is enough to send someone into a hypnotic trance.)  As with so many Friday the 13th villains, Howard quickly comes to love having the power to kill people.  I’ve always felt that the majority of this show’s villains are basically addicts.  Instead of being addicted to drugs, they’re addicted to the rush of power that comes with using a cursed antique to get what they want.  That’s certainly the case with Howard.

At first, Howard thinks that he wants Angelia to love him.  He kills both her publicist and her manager in order to get closer to her.  But, once he’s finally close to her, Howard apparently realizes that he actually wants to be Angelica.  In an effectively nightmarish sequence, Howard and Angelica’s body appear to merge into one.  Howard literally turns into Angelia while Angelica presumably withers away into nothingness.  Howard is now Angelica, which will undoubtedly upset Ryan, who has bought two tickets for Angelica’s latest show.

It’s up to Micki and Ryan to recover the pendant and they manage to do so in the most anticlimactic way possible.  They go to Angelica/Howard’s concert and Micki grabs the pendant while Angelica/Howard is singing.  Without the pendant, Angelica dissolves into Howard and then a panicked Howard is promptly electrocuted on stage.

Howard’s dead but so are a lot of other people.  At the shop, Micki and Ryan confess to Jack that they feel that they failed because so many people died before they got the pendant.  Jack shrugs and basically tells them “that’s life.”  What a dark ending!  Actually, it was rare that Friday the 13th didn’t end on a dark note.

This was an effectively creepy episode, one that worked because of just how dark it allowed things to get.  Even Jack pointed out that the pendant’s powers didn’t always make sense, which made it even more dangerous in the hands of someone like Howard.  There were a few loose ends.  I found it a bit odd that there wasn’t a bigger public reaction to a famous black woman turning into an ugly white guy and then dying in front of a crowded club.  In fact, the show left it a bit unclear as to what actually happened to Angelica after Howard transformed into her but I’m going to guess it was nothing good.  In the end, though, this episode was effectively macabre.

Retro Television Review: St. Elsewhere 1.4 “Cora and Arnie”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu!

This week’s episode made me cry.

Episode 1.4 “Cora and Arnie”

(Dir by Mark Tinker, originally aired on November 23rd, 1982)

While orderly Luther (Eric Laneuville) practices his karate moves in the hallway and anesthesiologist Vijay (Kavi Raz) composes a letter to his family in India and Dr. Fiscus continues his sex-only relationship with Kathy Martin, four patients learn about life and death at St. Eligius.

One of them is an unnamed man (Lionel Mark Smith) who comes in with a complaint of backpain.  Fiscus examines him and discovers that the man has been shot in the back.  The man announces that he’s on parole and he doesn’t feel like going back to prison.  Fiscus offers to admit him under an assumed name but the man says he already gave his real name to the front desk.  The man tries to leave the hospital but collapses from pain and blood loss.  Later, when the man wakes up, Fiscus tells him that the bullet has been removed and he’ll be fine.  The man says he won’t be fine because he’s going to go back to prison as soon as he leaves the hospital.

Meanwhile, Kathleen McAllister, who has been in a coma ever since Andrew Reinhardt set off a bomb at a bank, finally dies.  Reinhardt, when he’s informed of the news, sneers.  He doesn’t care that she died.  He’s all about the class struggle.  (If this show was made today, he’d have thousands of followers on Bluesky.)  When Dr. Beale tries to examine him to determine if he’s mentally ill, Reinhardt spits in his face.  Reinhardt is convinced that nothing will ever happen to him but, after Kathleen dies, he’s informed that he’s being taken to prison.  As Reinhardt is rolled out of his hospital room, Kathleen’s husband (Jack Bannon) appears in the hallway and shoots him dead.

George (Bernard Behrens) and Lillian Rogers (Anne Gerety) are tourists who are visiting Boston.  When Lillian faints in her hotel room, George rushes her to the hospital.  Lillian says she’s feeling fine but she still goes through a series of tests to determine why she fainted.  In the end, the tests are inconclusive.  No one can figure out why she fainted so she’s told to just see her family doctor when she returns home.  When George and Lillian check out of the hospital, they are presented with the bill for all the tests.  George freaks out when he sees that he’s being charged …. $1,380.90!

Now, admittedly, that is $1,380.90 in 1982 money.  If George received the same bill today, it would be for $4,517.10.  Still, considering all the tests that Lillian had done, that seems remarkable cheap, even by today’s standards.  My father died in August and the majority of his medical costs were covered by insurance but his estate is still receiving bills from various hospitals, specialists, and ambulance services.  I’ve been told that the same thing happened when my mom passed away in 2008.  (Personally, I think if someone dies while in your care, you’ve forfeited your right to be paid.)  By today’s standards, having to pay less that $5,000 feels like a bargain!

Finally, and most heart-breakingly, Dr. Morrison takes care of a homeless woman named Cora (Doris Roberts), who comes into the hospital with her companion, Arnie (James Coco).  Due to a head injury, Arnie is almost childlike.  While Cora learns that a case of gangrene is going to kill her unless she gets her foot amputated, Arnie repeatedly asks, “Can we go now?”  In the end, Cora chooses not to have the surgery, leaving the hospital with Arnie.  As she explains to Dr. Morrison, someone has to take care of Arnie and she can’t do that with just one foot.  When Morrison tells Cora that she’s probably going to die in a year, Cora shrugs and says it won’t be any great loss.

OH MY GOD!  Seriously, I was in tears at the end of this episode.  The Cora and Arnie story had the potential to be a bit too schmaltzy for its own but Doris Roberts and James Coco both gave such incredibly moving performances that I couldn’t help but get emotionally involved in their plight.  And I understood why Cora made the decision that she did.  Having been rejected by both her family and society, Cora knew that there wouldn’t be anyone around to take care of her after the operation.  So, she decided to accept things the way that they were and spend her last year with the one person who didn’t judge her, Arnie.  (I’m getting teary-eyed just writing about it.)  Playing out against all the other petty dramas going on at the hospital, this storyline was emotionally devastating.

This was a powerful episode.  Watching it, I understood why St. Elsewhere is so often described as being one of the best medical shows of all time.

 

Here Are The 2024 Nominations of the Michigan Movie Critics Guild!


The Michigan Movie Critics Guild have announced their nominations for the best of 2024.  The winners will be announced on December 9th!

Best Picture
Anora
The Brutalist
Dune: Part Two
The Substance
Wicked

Best Director
Sean Baker – Anora
Jon M. Chu – Wicked
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance

Best Actress
Amy Adams – Nightbitch
Cynthia Erivo – Wicked
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance

Best Actor
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Hugh Grant – Heretic

Best Supporting Actress
Ariana Grande-Butera – Wicked
Felicity Jones – The Brutalist
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
Zoe Saldaña – Emilia Pérez

Best Supporting Actor
Yura Burisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man
Denzel Washington – Gladiator II

Best Animated Film
Flow
Inside Out 2
Piece By Piece
Transformers One
The Wild Robot

Best Documentary
Daughters
Music By John Williams
No Other Land
Piece By Piece
Super/Man: The Christopher Reeve Story
Will & Harper

Best Ensemble
Conclave
Dune: Part Two
Nosferatu
Saturday Night
Wicked

Best Screenplay (Adapted or Original)
Anora
The Brutalist
Challengers
Nosferatu
The Substance
Wicked

Breakthrough Award
Mikey Madison – Actress for Anora
Giovanni Ribisi – Cinematographer for Strange Darling
Jane Schoenbrun – Director for I Saw the TV Glow
Maisy Stella – Actress for My Old Ass
Zelda Williams – Director for Lisa Frankenstein

Stunts
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man
Road House

The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member, etc., who has Michigan ties or to a film made or set in Michigan)
The Fire Inside (Set in Flint, and lead actress Ryan Destiny is a Detroit native)
Francis Ford Coppola (Writer/Director of Megalopolis)
Hundreds of Beavers (Partially filmed in Michigan)
Keegan-Michael Key (Actor in IF, Transformers One & Dear Santa)
J.K. Simmons (Actor in Saturday Night, Red One and Juror #2)

The Seattle Film Critics Society Announced Their Nominees For The Best of 2024


The Seattle Film Critics Society has announced their nominations for the best of 2024!  The winners will be announced on December 16th!

BEST PICTURE
Anora – Sean Baker
The Beast – Bertrand Bonello
The Brutalist – Brady Corbet
Challengers – Luca Guadagnino
Conclave – Edward Berger
Dune: Part Two – Denis Villeneuve
Furiosa: A Mad Max Saga – George Miller
I Saw the TV Glow – Jane Schoenbrun
Sing Sing – Greg Kwedar
The Substance – Coralie Fargeat

DIRECTOR
Sean Baker – Anora
Bertrand Bonello – The Beast
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two

LEAD ACTOR
Adrien Brody – The Brutalist
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Keith Kupferer – Ghostlight
George MacKay – The Beast

LEAD ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Léa Seydoux – The Beast

SUPPORTING ACTOR
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Josh O’Connor – Challengers
Guy Pearce – The Brutalist

SUPPORTING ACTRESS
Joan Chen – Dìdi (弟弟)
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

ENSEMBLE
Anora – Sean Baker
Conclave – Nina Gold and Martin Ware
Dune: Part Two – Dixie Chassay and Francine Maisler
His Three Daughters – Nicole Arbusto
Sing Sing – Greg Kwedar

PACIFIC NORTHWEST FILM
All We Carry – Cady Voge
Fish War – Jeff Ostenson, Charles Atkinson, and Skylar Wagner
Gasoline Rainbow – Bill Ross IV and Turner Ross
Rainier: A Beer Odyssey – Isaac Olsen
Strange Darling – J.T. Mollner

INTERNATIONAL FILM
The Beast – Bertrand Bonello
Evil Does Not Exist – Ryûsuke Hamaguchi
Flow – Gints Zilbalodis
Red Rooms – Pascal Plante
The Seed of the Sacred Fig – Mohammad Rasoulof

DOCUMENTARY FILM
Dahomey – Mati Diop
No Other Land – Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Super/Man: The Christopher Reeve Story – Ian Bonhôte and Peter Ettedgui
Will & Harper – Josh Greenbaum

ANIMATED FILM
Flow – Gints Zilbalodis
Inside Out 2 – Kelsey Mann
Transformers One – Josh Cooley
Wallace & Gromit: Vengeance Most Fowl – Merlin Crossingham and Nick Park
The Wild Robot – Chris Sanders

CINEMATOGRAPHY
The Brutalist – Lol Crawley
Dune: Part Two – Greig Fraser
Furiosa: A Mad Max Saga – Simon Duggan
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

EDITING
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Dune: Part Two – Joe Walker
Furiosa: A Mad Max Saga – Eliot Knapman and Margaret Sixel
The Substance – Coralie Fargeat, Jérôme Eltabet, and Valentin Feron

SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet and Mona Fastvold
Conclave – Peter Straughan
A Real Pain – Jesse Eisenberg
The Substance – Coralie Fargeat

PRODUCTION DESIGN
The Brutalist – Judy Becker (Production Design)
Conclave – Suzie Davies (Production Design) | Cynthia Sleiter (Set Decoration)
Dune: Part Two – Patrice Vermette (Production Design) | Shane Vieau (Set Decoration)
Furiosa: A Mad Max Saga – Colin Gibson (Production Design) | Katie Sharrock (Set Decoration)
Wicked – Nathan Crowley (Production Design) | Lee Sandales (Set Decoration)

COSTUME DESIGN
Conclave – Lisy Christl
Dune: Part Two – Jacqueline West
Furiosa: A Mad Max Saga – Jenny Beavan
Nosferatu – Linda Muir
Wicked – Paul Tazewell

ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor and Atticus Ross
Conclave – Volker Bertelmann
Evil Does Not Exist – Eiko Ishibashi
The Wild Robot – Kris Bowers

ACTION CHOREOGRAPHY
Dune: Part Two – Lee Morrison (Stunt Coordinator) | Roger Yuan (Fight Choreographer)
The Fall Guy – Chris O’Hara and Keir Beck (Stunt Coordinator) | Jonathan Eusebio (Fight Choreographer)
Furiosa: A Mad Max Saga – Tim Wong (Stunt Coordinator) | Richard Norton (Fight Choreographer)
Monkey Man – Udeh Nans (Stunt Coordinator) | Brahim Achabbakhe (Fight Choreographer)
Twilight of the Warriors: Walled In – Kenji Tanigaki (Stunt Coordinator)

VISUAL EFFECTS
Dune: Part Two – Paul Lambert, Stephen James, and Rhys Salcombe
Furiosa: A Mad Max Saga – Andrew Jackson and Dan Bethell
Kingdom of the Planet of the Apes – Erik Winquist and Sean Noel Walker
The Substance – Bryan Jones and Guillaume Le Gouez
Wicked – Anthony Smith, Jonathan Fawkner, Pablo Helman, and Robert Weaver

YOUTH PERFORMANCE
Alyla Browne – Furiosa: A Mad Max Saga
Katherine Mallen Kupferer – Ghostlight
Izaac Wang – Dìdi (弟弟)
Alisha Weir – Abigail
Zoe Ziegler – Janet Planet

VILLAIN OF THE YEAR
Count Orlok – Nosferatu (as portrayed by Bill Skarsgård)
Dementus – Furiosa: A Mad Max Saga (as portrayed by Chris Hemsworth)
Feyd-Rautha Harkonnen – Dune: Part Two (as portrayed by Austin Butler)
Longlegs – Longlegs (as portrayed by Nicolas Cage)
Macrinus – Gladiator II (as portrayed by Denzel Washington)

Live Tweet Alert: Join #FridayNightFlix For After Hours!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix presents Martin Scorsese’s After Hours!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

After Hours is available on Prime!  See you there!

THE DEAD POOL – the 5th and final Dirty Harry adventure!


Dirty Harry Callahan has brought so much joy into my life. I remember when I was in 5th Grade in 1983, the hot phrase was “Go ahead. Make my day.” You heard that phrase everywhere. It may have been said by Dirty Harry in the 4th Harry Callahan adventure, SUDDEN IMPACT, but it transcended the movie and became a cultural phenomenon. Somewhere between 1983 and 1988, I was able to watch all of the Dirty Harry films, DIRTY HARRY, MAGNUM FORCE, THE ENFORCER and SUDDEN IMPACT. I just loved Harry. He was always sticking it to his superiors, and then doing whatever it took to take out the bad guys. That was an amazing combination for me. I was 14 years old when the 5th and final Dirty Harry film, THE DEAD POOL, was released into the theaters in July of 1988. This was the first Dirty Harry film to be released after our family got our VCR in the mid 80’s. I couldn’t wait to rent it. 

In THE DEAD POOL, Harry Callahan (Clint Eastwood) finds himself the target of crime boss Lou Janero, as Harry was crucial in his arrest and subsequent conviction. This high profile news story has caught the attention of the horror film director, Peter Swan (Liam Neeson). It’s seems Swan and some of his friends are playing a twisted game called “the dead pool” where they predict the deaths of certain celebrities based on various factors going on in their lives. Harry Callahan is a local celebrity and Swan includes him on his list due to his role in the Janero conviction. This “dead pool” game is leaked to reporter Samantha Walker (Patricia Clarkson) after the murder of Johnny Squares (Jim Carrey), who’s on Peter Swan’s list. As celebrities who are on Swan’s list continue to die, Harry and his partner Al Kwan (Evan C. Kim) try to figure out if Swan is behind the killings, or if someone else is trying to frame him, all while trying to keep themselves alive!

There are so many cool and interesting things about THE DEAD POOL. First, there has never been a character any more awesome than Harry Callahan, as played by Clint Eastwood. He will do whatever it takes to get the bad guys, regardless of what his superiors think. As a rule follower, I absolutely love Harry’s approach to life and live vicariously through him. Only vigilante Paul Kersey, played by Charles Bronson in the DEATH WISH films, rivals Callahan in his willingness to fight for justice, everyone else be damned! Second, future superstar actor Jim Carrey has the role of Johnny Squares, the drug-addicted rocker whose death kicks off the public’s knowledge of the dead pool. In hindsight, it’s fun seeing Carrey as a working actor in 1988, while also knowing that he’d become one of the biggest stars in the world over the next decade. It’s also pretty cool seeing a pre-superstar Liam Neeson as horror director Peter Swan. Third, in the late 80’s, I loved the rock group Guns N Roses. The group members are in this film in two places. They’re in the sequence where a harpoon stunt goes wrong, as well as at the funeral of Johnny Squares. Hell, guitarist Slash gets to fire the harpoon! Their hit song “Welcome to the Jungle” also has a prominent part in the film. I loved their other hits “Sweet Child of Mine,” and “Paradise City,” when I was a teenager. Fourth, I always love Harry’s catchphrases from the films. Each Dirty Harry film has its own catchphrase, including examples like “Do you feel lucky?” and “Go ahead. Make my day.” In THE DEAD POOL, various bad guys get “you’re shit out of luck.” Shit is a favorite curse word of my family, so I like this one. Fifth, THE DEAD POOL has a crazy car chase sequence. In this sequence, Harry and his partner Al Kwan find themselves chased by a remote-controlled car packing a bomb. It makes for some interesting visuals as the tiny car chases them through those familiar streets of San Francisco. It’s not often that filmmakers can come up with a new way to present a car chase, but they do a great job here. Finally, I enjoy seeing the media getting skewered in THE DEAD POOL. Patricia Clarkson’s reporter character has a solid arc as she goes from someone at the beginning of the movie who will do anything to get an exclusive story, to someone who is even willing to forego the exclusive if it’s the “right thing to do.” Our media is a hopeless mess these days where opinion is treated as facts, and actual facts are treated as an option. Where’s Dirty Harry to clean this up in 2024? 

I’m a fan of THE DEAD POOL, and I probably watch it every year or two. If you haven’t ever seen it, or if it’s been a while, I’d definitely recommend it!