Alright, let’s talk about a seriously underrated gem from Aerosmith’s later years: Falling In Love (Is So Hard On The Knees). If you only know the band from their big power ballads, you’re missing out on this side of them. This track is pure, unapologetic fun, and it’s the perfect example of why they’re rock legends. It’s got that classic, bluesy swagger that just makes you want to crank up the volume and strut around the room. Forget the sappy love songs; this is Aerosmith reminding everyone that they are, first and foremost, a rock and roll band that knows how to have a good laugh. The groove alone is so dirty and infectious that you’ll be nodding your head before Steven Tyler even opens his mouth.

And speaking of Tyler, the genius of this song is how it takes the emotional rollercoaster of love and just turns it on its head with a massive dose of humor. He isn’t crooning about a broken heart here; he’s basically throwing his hands up and saying, “This whole love thing is ridiculous!” The title itself is a killer metaphor—love literally brings you to your knees, both physically and emotionally—but the real gold is in the wordplay. Check out the double entendre in lines like “I major in love, but in all minor keys,” which is a clever nod to both musical theory and the melancholy that often comes with romance. And then there’s the absolute classic, “Don’t give me no lip, I’ve got enough of my own,” which works as both a sassy put-down and a sly wink at, well, using your lips for other things in a relationship. It’s self-deprecating, surprisingly clever, and makes light of the universal struggle of romance without ever sounding whiny.

You also have to see the music video, which was directed by none other than Michael Bay, and it is absolutely bonkers in the best way possible. It’s a surreal, chaotic masterpiece of 90s MTV, filled with wild imagery like a man literally chained up, leashed by his tongue, and being tormented by gorgeous women. It’s weird, it’s funny, and it’s a perfect visual match for the song’s chaotic energy. The video won a Moonman for Best Rock Video, and honestly, you watch it once and you’ll never forget it. It takes the playful, masochistic vibe of the lyrics and turns it into a visual feast that amplifies every wink and nudge Tyler throws out in the verses.

Now, set your watch for around the 2:05 mark, because that’s when Joe Perry steps out and absolutely takes over. The solo runs from about 2:05 to 2:25 and honestly, those 25 seconds are worth the price of admission alone. He comes in hot — not showy for the sake of it, but mean and deliberate, like every note has a purpose. There’s this gritty, almost bluesy bite to it that reminds you Perry is not just a rock guitarist, he’s a feel guitarist. He bends notes in ways that sound almost vocal, like he and Tyler are having a conversation, and then he just rips into this run toward the end that’ll make you hit rewind before you even realize you’ve done it. It’s compact, it’s nasty in the best way, and it’s over before you want it to be — which honestly is the mark of a truly great solo.

Look, I’ll be honest—I was late to the Aerosmith party. For the longest time, I only knew them from their Walk This Way collab with Run-DMC, which I loved, but I stupidly figured that was their only trick. It wasn’t until I randomly heard Cryin’ and Amazing on the radio one summer that something clicked, and I dove headfirst into their 90s output. That era—Get a Grip, Nine Lives, Permanent Vacation—absolutely hooked me with its mix of grit, melody, and pure swagger. And once I was in, I never looked back… well, except to go binge Toys in the Attic and Rocks and realize what I’d been missing all those years. So if you’re like me and you’ve slept on this band, do yourself a favor: put Falling In Love (Is So Hard On The Knees) on, pay close attention to the lyrical gymnastics, and just let it put a smile on your face. Trust me, you won’t regret it.

Falling In Love (Is Hard On The Knees)

You’re so bad you’re so bad you’re so
You’re so bad you’re so bad

You think you’re in love
Like it’s a real sure thing
But every time you fall
You get your ass in a sling
You used to be strong
But now it’s ooh baby please
‘Cause falling in love is so hard on the knees

You’re so bad you’re so bad you’re so
You’re so bad you’re so bad

We was making love when you told me that you loved me
I thought ol’ cupid he was taking aim
I was believer when you told me that you loved me
And then you called me someone else’s name

There ain’t gonna be no more beggin’ you please
You know what I want
And it ain’t one of these
You’re bad to the bone
And your girlfriend agrees
That falling in love is so hard on the knees

You’re so bad you’re so bad you’re so
You’re so bad you’re so bad

Chip off the old block
Man you’re so much like your sister
My fantasize it must be out of luck
My old libido has been blowing a transistor
I feel like I have been hit by a fuck

Yeah

I’m Jonesin’ on love
Yeah I got the DT’s
You say that we will
But there ain’t no guarantees

I’m major in love
But in all minor keys
Cause falling in love is so hard on the knees

What are you looking for
It’s got to be hard core
Must be some kind of nouveau riche

Is this your only chance
Or some hypnotic trance
Let’s get you on a tighter leash

Own it own it own it

[guitar solo @2:05]

You’re so bad you’re so bad you’re so
You’re so bad you’re so bad

You ain’t that good
Is what you said down to the letter
But you like the way I hold the microphone
Sometimes I?m good but when I’m bad
I’m even better
Don’t give me no lip
I’ve got enough of my own

There ain’t gonna be no more beggin’ you please
You know what I want
And it ain’t one of these
You’re bad to the bone
And your girlfriend agrees
That falling in love is so hard on the knees

I’m Jonesin’ on love
Yeah I got the DT’s
You say that we will yeah
But there ain’t no guarantees
I’m major in love
But in all minor keys
‘Cause falling in love is so hard on the knees

Great Guitar Solos Series

• Master of Puppets (by Metallica)
• Free Bird (by Lynyrd Skynyrd)
• Hotel California (by The Eagles)
• Stairway to Heaven (by Led Zeppelin)
• Texas Flood (by Stevie Ray Vaughan)
• Comfortably Numb (by Pink Floyd)
• Powerslave (by Iron Maiden)
• Fade to Black (by Metallica)
• Bohemian Rhapsody (by Queen)
• Sweet Child o’ Mine (Guns N’ Roses)
• Mr. Crowley (by Ozzy Osbourne)
• Rainbow in the Dark (by Dio)
• Róisín Dubh (by Thin Lizzy)
• Rock You Like A Hurricane (by Scorpions)
• Whipping Post (by Allman Brothers Band)
• Carry On Wayward Son (by Kansas)
• War Pigs (by Black Sabbath)
• Since I’ve Been Loving You (by Led Zeppelin)
• Satch Boogie (by Joe Satriani)
• Rambin’ Man (by The Allman Brothers Band)
• Sympathy for the Devil (by The Rolling Stones)
• Little Wing (by Jimi Hendrix)
• While My Guitar Gently Weeps (by the Beatles)
• The Rocker (by Thin Lizzy)
• Bulls on Parade (by Rage Against the Machine)
• Eruption (by Van Halen)
• Killer Queen (by Queen)
• Something (by The Beatles)
• Maggot Brain (by Funkadelic)
• Cliffs of Dover (by Eric Johnson)
• Black Magic Woman (by Carlos Santana)
• Layla (by Derek & The Dominoes)
• Dazed and Confused (by Led Zeppelin)
• Blue Sky (by The Allman Brothers Band)
• Southern Man (by Neil Young)
• Know Your Enemy (by Rage Against the Machine)
• Highway Star (by Deep Purple)
• Sharp Dressed Man (by ZZ Top)
• Black Hole Sun (by Soundgarden)
• Aqualung (by Jethro Tull)
• Scuttle Buttin’ (by Stevie Ray Vaughan)
• All Along the Watchtower (by Jimi Hendrix)
• Paranoid (by Black Sabbath)
• Any Way You Want It (by Journey)
• Light My Fire (by The Doors)