“Bless me father for I have sinned.” — Matt Murdock
Marvel has pretty much been dominating the big-screen with it’s yearly event offerings. 2015 will not be an exception with Avengers: Age of Ultron set for a summer release expected to rake in the box-office by the money bins. Now, Marvel has set it’s site on the small-screen with it’s first Netflix Original Series that will be the first link in a five series set that will culminate in a team-up series called the Defenders.
This first link will be a new, and hopefully better take, on the street-level superhero Daredevil aka the Man With No Fear. The blind lawyer by day and vigilante by night whose blindness since childhood has helped him developed the rest of his senses beyond human levels. We shall not speak of the film adaptation starring Ben Affleck over ten years ago.
Marvel’s Daredevil will release all 10-episodes on Netflix this April 10, 2015.
And finally, here’s one final Super Bowl preview to share with all of you. Now, I have to be honest. I never watched Heroes. That guy who was always screaming in the commercials got on my nerves. I did however enjoy bugging Dazzling Erin by continually saying, “Save the cheerleader, save the world” during the entirety of the show’s run.
Awwwww …. good memories.
Anyway, in the form of a 13-episode miniseries, Heroes is making a comeback on NBC and a lot of people online are excited about it. Me, I’m still trying to get caught up on Agents of SHIELD…
Here’s a preview for the latest TV show about zombies! iZombie is set to premiere on March 17th on the CW. To be honest, I’m not so sure that Rose McIver looks like a zombie as much as she just looks like me during my senior year of high school. Seriously, I used to really go overboard with the mascara.
On the plus side, this show was developed by Rob Thomas, of Veronica Mars fame.
“When Lucifer fell, he did not fall alone.” — Vanessa Ives
It would be an understatement to say that Showtime’s Penny Dreadful was my favorite new show of 2014. I can honestly say that it was the best new show of 2014.
John Logan was able to create a show that probably sounded like a Victorian gothic version of League of Extraordinary Gentlemen on paper, but once seen ended up being both mesmerizing and hypnotic for those willing to travel down the dark, shadowy twists and turns the series took from beginning to end.
We now have the latest trailer and a release date for the second season premiere of Penny Dreadful and it looks like it’ll continue the storyline about Vanessa Ives’ past of demon-possession and exploring it’s ramifications further. We also get the return of a bit player from season 1, Madame Kali, returning to a much more expanded role and if the trailer was to suggest or hint at her role we might be seeing the series’ version of Countess Bathory (I pray to all the fallen angels that this becomes a reality).
If Penny Dreadful season 1 was just the opening appetizer course then here’s to hoping that season 2 will be a satisfying and meatier course.
Penny Dreadful season 2 will have it’s premiere on Showtime on April 26, 2015.
So, normally, this where I’d make a few disparaging remarks about the nature of celebrity in American society and also a few jokes about how my boobs are the real golden globes. But I’m not going to do that. (Or, at the very least, I’m not going to do that right now.) At this moment, as I think back on the Golden Globes, I am too excited to be snarky.
This was a historic night.
For perhaps the first time in Golden Globe history, both of the winnings films — The Grand Budapest Hotel for comedy and Boyhood for drama — were directed by native Texans. Richard Linklater grew up around Houston and lives in Austin. Meanwhile, Wes Anderson was raised in Dallas and, along with Owen and Luke Wilson, attended St. Mark’s!
That’s right, America.
Two great films won tonight and you have my homestate to thank for both of them.
(Because, God forbid, there should ever be a moment when anyone dares joke about a state north of West Virginia.)
(Love you, mean it.)
It was a good night. Not only were my fellow Texans honored but so were my fellow redheads. Amy Adams won Best Actress (Comedy) for Big Eyes. Julianne Moore won Best Actress (Drama) for Still Alice. I have yet to see either one of those films so I can’t really say much about either performance but, for me, it doesn’t matter. After spending years of having to deal with the rampant anti-redhead prejudice that runs through this society, it was good to finally to see some of my flame-haired sisters getting some recognition.
In other news, Michael Keaton won for Best Actor (Comedy) for Birdman and he gave a speech that nearly made me cry. Patricia Arquette won Best Supporting Actress for Boyhood and gave a speech that did make me cry. And then Amy Adams gave her acceptance speech and it was so heartfelt and eloquent that it should be the speech by which all future speeches are judged. Before any of those three won, J.K. Simmons picked up Best Supporting Actor for his performance in Whiplash and he gave an acceptance speech that left me amazed that such an intimidating actor could also be such a nice guy.
In many ways, it was a great night.
And then, in some other ways, it most definitely was not a great night.
For the most part, Tina Fey and Amy Poehler seemed to just be going through the motions, secure in the knowledge that people would laugh and applaud regardless of what they actually said because, at this point, people feel obligated to do so. However, good for them for calling out Bill Cosby on his bullshit and saying what everyone knows is true.
I was not a fan of Margaret Cho’s North Korean observer. Not only was it offensive but it was a bit hypocritical as well. This is an industry that, up until three weeks ago, was terrified of North Korea, to the extent that they were even willing to shut down movies to avoid offending a dictator who is a legitimate contender for the title of Worst Living Human Being. However, the Alamo Drafthouse — a Texas theater, I might add — had the guts to show The Interview, the world did not end, and now suddenly Hollywood wants credit for standing up to North Korea.
Of course, the main reason that the film industry is willing to make fun of North Korea is because there’s no money to be made there. The people who are patting themselves on the back for “standing up” to North Korea are probably the same people who rationalize doing business with equally oppressive but far more financially lucrative regimes across the world.
Finally, I guess my main problem with the Golden Globes this year is that it just wasn’t the type of train wreck that we’ve come to expect from the Hollywood Foreign Press Association. All of the presenters (except for Ricky Gervais) appeared to be sober. Only one winner had to have his speech censored. (A lot of people on twitter loved Kevin Spacey’s acceptance speech. I thought it came across as being calculating and manipulative — which, I guess, is one reason why Spacey makes for such a convincing Frank Underwood.) Everyone was on their best behavior.
And I can understand that. With the murders in Paris and the worldwide attacks on free speech, this was perhaps the time for everyone to be serious. But, still, I wanted to see just one thoroughly incoherent speech. That’s what we watch the Golden Globes for, isn’t it?
So, ultimately, a mixed review for the Golden Globes. Ultimately, though, it was a good night for Texas filmmakers so I’m happy.
Add to that, it gave me my annual excuse to arch my back and declare, “I’ll show you a pair of golden globes!”
So, I’m sitting here and I’m trying to make out my annual list of good things that I saw on TV over the previous year and I’ve just realized something.
I did not watch as much TV as usual last year.
It wasn’t a conscious decision on my part. Up until this very moment, I was actually thinking that I watched too much TV last year. But, honestly, 2014 was a busy year for me. Between work and dance and family and romance and writing and seeing movies and shopping and being sick and getting well and the manic states and the depressive states, I just didn’t have as much time as usual to devote to television.
In fact, the only shows that I always made it a point to watch were two reality shows and that was mostly because I write about them over at the Big Brother Blog and the Survivor Blog.
That takes me by surprise because I love television. I’ve never made any secret of that fact and I’ve never felt guilty about it. When I’m writing, I find it helps to have the TV on in the background. As well, knowing that a certain show is always going to be on at a certain time tends to help me deal with my Obsessive Compulsive tendencies. I’ve always felt that, in a perfect world, I would have my own TV network. It would be called the Lisa Marie Network (LMN) and I would be in charge of programming every single minute.
But, for whatever reason, in 2014, I didn’t watch as much as usual. So, don’t consider the list below to be a comprehensive list of everything that was good on television last year. Instead, consider it to just be 20 good things that I was lucky enough to see.
So, here’s the list!
1) Too Many Cooks on Adult Swim
You knew that I’d have to start out with this one, especially considering that I still find myself randomly singing the theme song. “When it comes to the future, you can never have too many cooks!”
2) Figure Skating at the 2014 Sochi Winter Olympics
I actually enjoyed watching most of the 2014 Winter Olympics. (Except, of course, when Bob Costas was there with his fucked up eye.) But what I especially loved was watching the figure skating. How couldn’t you love the chemistry between Charlie White and Meryl Davis or the amazing grace of Yulia Lipnitskaya or Ashley Wagner’s refusal to hide her disgust with the judges?
3) Veep
Without a doubt, the funniest show on television. Anyone who idolizes a politician should be forced to watch it.
4) Community ended its network run on a decent note
After a rough fourth season, Community made a comeback of sort during the fifth season. Unfortunately, it wasn’t enough to keep NBC from canceling the show but still, it was good to see a few more decent episodes of Community before the show moved over to Yahoo.
5) True Detective
True Detective has been praised so much that I really don’t have much more to say about it, beyond the fact that I found it to be endlessly fascinating.
6) Sharknado 2!
So, I wasn’t necessarily a huge fan of the first Sharknado. (I was even less of a fan of the way the media seemed to believe that Mia Farrow was the first person to ever live tweet a movie, especially considering how lame most of Mia’s Sharknado tweets were.) But I loved Sharknado 2! Sharknado 2 was everything that the first Sharknado was supposed to be and more!
7) The Old People TV Networks
This is the year that I really made an effort to explore all of the channels that I have available to me. What I discovered is that there are a lot of stations that are apparently dedicated to exclusively showing shows that were made long before I was even born! For a history nerd like me, coming across these networks is a bit like accidentally digging up a time capsule. Add to that, I’ve discovered that old TV shows make for perfect background noise. I call these networks the Old People TV networks but I do so with affection.
8) Seeing my friend and fellow movie blogging Irish gal Kellee Pratt in the audience whenever TCM rebroadcasts that interview with Maureen O’Hara.
9) Opposite Worlds on SyFy
Opposite Worlds was a reality show that was broadcast on the SyFy Network. Contestants were divided into two tribes. One tribe lived in the luxurious future, complete with a fully automated house. The other tribe lived in the past, which basically meant wearing furs and staying in a cave. The two tribes competed every week. Many contestants were seriously injured. I was hoping that Samm would win, mostly because I share her struggle. But I was okay with Frank eventually winning. He turned out to be a nice guy.
(By the way, SyFy, I’m still waiting for a second season…)
10) Bates Motel
Bates Motel got better and better during its second season. I still think Olivia Cooke needs a spin-off where she solves crimes.
11) True Blood ended before it totally went the way of Dexter.
To be honest, True Blood was definitely showing signs of its age. I wasn’t really happy with the final season but I was relieved to see that it still ended on a better note than Dexter did.
12) Flowers in the Attic
2014 got off to a great start with Flowers in the Attic, one of the best movies to ever show up on Lifetime.
13) Lizzie Borden Took An Axe
In fact, the only that kept Flowers in the Attic from being the best Lifetime movie was the fact that Lizzie Borden premiered a week later.
14) The Way The Saved By The Bell and Aaliyah Movies Brought Us Together As A Nation
For two nights, our often troubled country was united by the power of mass snarkiness.
15) Coverage Of The Fact That Paul Rosalie Was Not Eaten Alive
There was something greatly satisfying about how, after spending weeks promising that he would be, Paul Rosalie failed to be eaten alive by an anaconda. I think one reason I especially enjoyed this fact that I didn’t actually watch the special. I thought the whole thing sounded stupid and crass. That made the subsequent ridicule all the more satisfying.
16) Key and Peele
Without a doubt, the funniest sketch comedy program on TV today.
17) Talking Dead
To be honest, the only reason I watch The Walking Dead is so I’ll be able to understand what they’re talking about on The Talking Dead.
18) Daft Punk At The Grammys
It was great to see the Robots enjoying themselves.
19) Weather On The Local News
“Folks, we’ve got a storm system approaching but don’t worry. Channel 4 will keep your 4warned…” Some things never change. I’ve reached the point where I can find the humor in watching our local meteorologists panic every time that it starts to rain. This past year, whenever I was stuck inside while a light drizzle fell outside, I knew that Pete Delkus, Larry Mowery, and David Finfrock would be there to amuse me with their dire warnings of a weather apocalypse.
“A storm’s coming!”
20) Degrassi!
Degrassi endures. And we’re all the better for it.
On one final note: GetGlue, R.I.P. For five years, I enjoyed checking into tvs, movies, books, and emotions on GetGlue. Sadly, GetGlue (or TV Tag as it came to be known) went offline on January 1st. Goodbye, GetGlue. It was fun while it lasted and I’ll always remember that week when me and that guy from Indonesia were violently fighting over who would get to be the guru of pepper spray. (GGers will understand.)
Tomorrow, my look back at 2014 continues with my ten favorite novels of the year!
MOTION PICTURE Outstanding Motion Picture
• “Belle” (Fox Searchlight Pictures/ DJ Films)
• “Beyond The Lights” (Relativity Media)
• “Dear White People” (Lionsgate and Roadside Attractions)
• “Get On Up” (Universal Pictures)
• “Selma” (Paramount Pictures)
Outstanding Actor in a Motion Picture
• Chadwick Boseman – “Get On Up” (Universal Pictures)
• David Oyelowo – “Selma” (Paramount Pictures)
• Denzel Washington – “The Equalizer” (Columbia Pictures)
• Idris Elba – “No Good Deed” (Screen Gems)
• Nate Parker – “Beyond The Lights” (Relativity Media)
Outstanding Actress in a Motion Picture
• Gugu Mbatha-Raw – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Quvenzhané Wallis – “Annie” (Columbia Pictures)
• Taraji P. Henson – “No Good Deed” (Screen Gems)
• Tessa Thompson – “Dear White People” (Lionsgate and Roadside Attractions)
• Viola Davis – “The Disappearance of Eleanor Rigby” (The Weinstein Company)
Outstanding Supporting Actor in a Motion Picture
• André Holland – “Selma” (Paramount Pictures)
• Cedric the Entertainer – “Top Five” (Paramount Pictures)
• Common – “Selma” (Paramount Pictures)
• Danny Glover – “Beyond The Lights” (Relativity Media)
• Wendell Pierce – “Selma” (Paramount Pictures)
Outstanding Supporting Actress in a Motion Picture
• Carmen Ejogo – “Selma” (Paramount Pictures)
• Jill Scott – “Get On Up” (Universal Pictures)
• Octavia Spencer – “Get On Up” (Universal Pictures)
• Oprah Winfrey – “Selma” (Paramount Pictures)
• Viola Davis – “Get On Up” (Universal Pictures)
Outstanding Independent Motion Picture
• “Belle” (Fox Searchlight Pictures/ DJ Films)
• “Dear White People” (Lionsgate and Roadside Attractions)
• “Half of a Yellow Sun” (monterey media inc.)
• “JIMI: All Is By My Side” (XLrator Media)
• “Life of a King” (Animus Films/Serena Films)
Outstanding Writing in a Motion Picture
• Chris Rock – “Top Five” (Paramount Pictures)
• Justin Simien – “Dear White People” (Roadside Attractions and Lionsgate)
• Margaret Nagle – “The Good Lie” (Alcon Entertainment)
• Misan Sagay – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Richard Wenk – “The Equalizer” (Columbia Pictures)
Outstanding Directing in a Motion Picture
• Amma Asante – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Antoine Fuqua – “The Equalizer” (Columbia Pictures)
• Ava DuVernay – “Selma” (Paramount Pictures)
• Gina Prince-Bythewood – “Beyond The Lights” (Relativity Media)
• John Ridley – “JIMI: All Is By My Side” (XLrator Media)
TELEVISION Outstanding Comedy Series
• “Black-ish” (ABC)
• “House of Lies” (Showtime)
• “Key & Peele” (Comedy Central)
• “Orange is the New Black” (Netflix)
• “Real Husbands of Hollywood” (BET)
Outstanding Actor in a Comedy Series
• Andre Braugher – “Brooklyn Nine-Nine” (FOX)
• Anthony Anderson – “‘Black-ish” (ABC)
• Don Cheadle – “House of Lies” (Showtime)
• Keegan-Michael Key – “Key & Peele” (Comedy Central)
• Kevin Hart – “Real Husbands of Hollywood” (BET)
Outstanding Actress in a Comedy Series
• Mindy Kaling – “The Mindy Project” (FOX)
• Niecy Nash – “The Soul Man” (TV Land)
• Tracee Ellis Ross – “Black-ish” (ABC)
• Uzo Aduba – “Orange is the New Black” (Netflix)
• Wendy Raquel Robinson – “The Game” (BET)
Outstanding Supporting Actor in a Comedy Series
• Boris Kodjoe – “Real Husbands of Hollywood” (BET)
• Glynn Turman – “House of Lies” (Showtime)
• Laurence Fishburne – “Black-ish” (ABC)
• Marcus Scribner – “Black-ish” (ABC)
• Terry Crews – “Brooklyn Nine-Nine” (FOX)
Outstanding Supporting Actress in a Comedy Series
• Adrienne C. Moore – “Orange is the New Black” (Netflix)
• Laverne Cox – “Orange is the New Black” (Netflix)
• Lorraine Toussaint – “Orange is the New Black” (Netflix)
• Sofia Vergara – “Modern Family” (ABC)
• Yara Shahidi – “black-ish” (ABC)
Outstanding Drama Series
• “Being Mary Jane” (BET)
• “Grey’s Anatomy” (ABC)
• “House of Cards” (Netflix)
• “How to Get Away with Murder” (ABC)
• “Scandal” (ABC)
Outstanding Actor in a Drama Series
• LL Cool J – “NCIS: LA” (CBS)
• Omar Epps – “Resurrection” (ABC)
• Omari Hardwick – “Being Mary Jane” (BET)
• Shemar Moore – “Criminal Minds” (CBS)
• Taye Diggs – “Murder in the First” (TNT)
Outstanding Actress in a Drama Series
• Gabrielle Union – “Being Mary Jane” (BET)
• Kerry Washington – “Scandal” (ABC)
• Nicole Beharie – “Sleepy Hollow” (FOX)
• Octavia Spencer – “Red Band Society” (FOX)
• Viola Davis – “How to Get Away with Murder” (ABC)
Outstanding Supporting Actor in a Drama Series
• Alfred Enoch – “How to Get Away with Murder” (ABC)
• Courtney B. Vance – “Masters of Sex” (Showtime)
• Guillermo Diaz – “Scandal” (ABC)
• Jeffrey Wright – “Boardwalk Empire” (HBO)
• Joe Morton – “Scandal” (ABC)
Outstanding Supporting Actress in a Drama Series
• Aja Naomi King – “How to Get Away with Murder” (ABC)
• Alfre Woodard – “State of Affairs” (NBC)
• Chandra Wilson – “Grey’s Anatomy” (ABC)
• Jada Pinkett Smith – “Gotham” (FOX)
• Khandi Alexander – “Scandal” (ABC)
Outstanding Writing in a Comedy Series
• Aisha Muharrar – “Parks and Recreation” – Ann & Chris (NBC)
• Brigette Munoz-Liebowitz – “Brooklyn Nine-Nine” – Road Trip (FOX)
• Mindy Kaling – “The Mindy Project” – Danny and Mindy (FOX)
• Regina Hicks – “Instant Mom” – A Kids’s Choice (Nickelodeon and Nick@Nite)
• Sara Hess – “Orange is the New Black” – It Was the Change (Netflix)
Outstanding Writing in a Drama Series
• Erika Green Swafford – “How to Get Away with Murder” – Let’s Get To Scooping
(ABC)
• Mara Brock Akil – “Being Mary Jane” – Uber Love (BET)
• Warren Leight, Julie Martin – “Law & Order: SVU” – American Disgrace (NBC)
• Zahir McGhee – “Scandal” – Mama Said Knock You Out (ABC)
• Zoanne Clack – “Grey’s Anatomy” – You Be Illin’ (ABC)
Outstanding Television Movie, Mini-Series or Dramatic Special
• “A Day Late and a Dollar Short” (Lifetime Networks)
• “American Horror Story: Freak Show” (FX)
• “Drumline: A New Beat” (VH1)
• “The Gabby Douglas Story” (Lifetime Networks)
• “The Trip to Bountiful” (Lifetime Networks)
Outstanding Actor in a Television Movie, Mini-Series or Dramatic Special
• Blair Underwood – “The Trip to Bountiful” (Lifetime Networks)
• Charles S. Dutton – “Comeback Dad” (UP Entertainment)
• Larenz Tate – “Gun Hill” (BET)
• Mekhi Phifer – “A Day Late and a Dollar Short” (Lifetime Networks)
• Ving Rhames – “A Day Late and a Dollar Short” (Lifetime Networks)
Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special
• Angela Bassett – “American Horror Story: Freak Show” (FX)
• Cicely Tyson – “The Trip to Bountiful” (Lifetime Networks)
• Keke Palmer – “The Trip to Bountiful” (Lifetime Networks)
• Regina King – “The Gabby Douglas Story” (Lifetime Networks)
• Vanessa Williams – “The Trip to Bountiful” (Lifetime Networks)
“Bless me father for I have sinned.” — Matt Murdock
Through the Shattered Lens 