Manchester By The Sea Wins Almost Everything In Vancouver!


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The Vancouver Film Critics have spoken!  Check out their nominees here and their winners below!

BEST FILM
Manchester by the Sea
 
BEST ACTOR
Casey Affleck, Manchester by the Sea
 
BEST ACTRESS
Isabelle Huppert, Elle
 
BEST SUPPORTING ACTOR
Mahershala Ali, Moonlight
 
BEST SUPPORTING ACTRESS
Michelle Williams, Manchester by the Sea
 
BEST DIRECTOR
Kenneth Lonergan, Manchester by the Sea
 
BEST SCREENPLAY
Kenneth Lonergan, Manchester by the Sea
 
BEST FOREIGN LANGUAGE FILM
Toni Erdmann
 
BEST DOCUMENTARY
Cameraperson

Love you, Canada!

Christmas Surprise: IT HAPPENED ON 5TH AVENUE (Allied Artists 1947)


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I’d never heard of IT HAPPENED ON 5TH AVENUE until it’s recent broadcast on TCM. This unsung little holiday gem was a TV staple for decades before being pulled from viewing in 1990, only resurfacing in 2009 when a small but dedicated band of classic film fans put the pressure on to see it aired once again. And I’m glad they did, for this charming, unpretensious comedy boasts a marvelous cast, an Oscar-nominated screenplay, and a Frank Capra-esque feel without a lot of the Capra-corn.

Capra himself was scheduled to direct it back in 1945, but instead he chose to make another Christmas film you may have heard of, IT’S A WONDERFUL LIFE. Veteran Roy Del Ruth obtained the rights, and IT HAPPENED ON 5TH AVENUE became the first release of Allied Artists, the larger budgeted, more prestigious arm of Monogram Pictures (and you know how much I love Monogram movies!)…

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4 Shots From 4 Holidays Films: Santa Claus, Babes in Toyland, Santa Claus Conquers The Martians, Scrooge


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Holiday Films

Santa Claus (1959, dir by Rene Cardona)

Santa Claus (1959, dir by Rene Cardona)

Babes in Toyland (1961, dir by Jack Donohue)

Babes in Toyland (1961, dir by Jack Donohue)

Santa Claus Conquers The Martians (1964, dir by Nicholas Webster)

Santa Claus Conquers The Martians (1964, dir by Nicholas Webster)

Scrooge (1970, dir by Ronald Neame)

Scrooge (1970, dir by Ronald Neame)

4 Shots From 4 Holiday Films: Holiday Inn, It’s A Wonderful Life, Miracle on 34th Street, White Christmas


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Holiday Films

Holiday Inn (1942, dir by Mark Sandrich)

Holiday Inn (1942, dir by Mark Sandrich)

It's A Wonderful Life (1946, dir by Frank Capra)

It’s A Wonderful Life (1946, dir by Frank Capra)

Miracle on 34th Street (1947, dir by George Seaton)

Miracle on 34th Street (1947, dir by George Seaton)

White Christmas (1954, dir by Michael Curtiz)

White Christmas (1954, dir by Michael Curtiz)

It’s A Wonderful Pottersville!


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It’s that time of year where I share with my loyal readers a hidden treasure! For years, we were kept in the dark of parallel dimension! A Better World! A Brighter World! A world where Mr. Potter prevailed against the forces of evil that sought to undermine good itself! After Good prevailed, David Brinkley interviewed the Great Mr. Potter!!

The following is a re-broadcast of the 1955 interview with David Brinkley and Mayor Potter of the eponymous Pottersville.

David Brinkley:  Ladies and Gentlemen this is a portrait of a town that came back.  The best example of which is the bustling Boffo town of Pottersville.   I am interviewing the man who brought this town back after a factory closing and 1920s financial collapse:  Mr… I mean Mayor Potter.

Mayor Potter:  Thank you, David.

David Brinkley:  Mr. Mayor, your town is synonymous with nightlife and culture.  Now, it is hosting it’s fourth International Film Festival.  It seems to stand out among so many New York factory towns.  What happened?

Mayor Potter:  HRHHPFM! It was a near run thing.

David: How so?

Mayor Potter: We had this flirtation with communism in the 19 teens and 20s.

David: *Gasps*

Mayor Potter:  It’s true.  We had this Bolshevik style building and loan.

David: A building and what?

Mayor Potter:  It was a bank … of sorts.  This guy “Pa” Bailey *Uses air quotes with an eye-roll*  would talk rubes into giving him money to build people homes who were too broke to pay their mortgages.

David: Come again?

Mayor Potter: Get this, when you wanted to make a withdrawal you’d either have to wait 60 days or some jackass would use his personal savings to “loan” you money.

David: *Eyes Widen*

Mayor Potter:  Oh yeah Dave, This commie bank was always screwing with people’s money.  The owner hired his brother Billy – he was this unreformed drunkard and he had a menagerie of unvaccinated feral animals in his office. And, when this Building and Loan would really squander their funds and bills would come due, Billy would knock on people’s doors holding a wicker basket begging for donations all over town.

David: Wicker? What kinds of animals? What?!

Mayor Potter:  UGGHH, Bailey had everything in there… crows, squirrels, probably had a damn bobcat for all we knew.  Bailey’s in a mental ward now.  But, he wasn’t even the worst…

David: Come on..

Mayor Potter:  Try getting a prescription filled back in those days. We had a homicidal druggist poisoning people … Bowser or something or other.  He got locked up and’s he’s dead now …. good riddance.

David: Weren’t there two Bailey sons?

Mayor Potter: The younger Brother was a war hero and now works for DuPont and designed some weed killer Agent Purple or something.

David: Not to turn this into a History of the Baileys.

Mayor Potter: No big deal. George went off to college and married a local girl…Mary. He designs pipelines in Venezuela for Shell Oil. He calls me every now and again. He just got back from Europe with Mary- He goes at least once a year. Could you imagine if George had tried to keep his Dad’s commie bank going? He would’ve wished he’d never been born!

David: Back to the town, what changed?

Mayor Potter: Well, Pa Bailey died and then the Crash.

David: How did your recover from the crash?

Mayor Potter: Recover?!  The Crash helped us! I bought up the failing businesses and turned this town around.  We needed new revenue from new sources.

David: About that, after the war, Pottersville was criticized for what some called a seamy downtown.

Mayor Potter:  *Shrugs* You’re a veteran.  After the war, people wanted to blow off some steam and that means dancing, music, and booze.  Our downtown is different now.  Even then, it was still better than the boring Bedford Falls anytown USA….Bleh! We’re the only Right To Work county in New York!  What did that bring? Headquarters and more business than Buffalo or Detroit combined!  We have 12 museums, 200 restaurants, a financial center, a subway, and a Theater district second only to New York City!  Besides, nightlife and culture is what brings people to cities.  “Honey, let’s splurge and visit Des Moines… Said no one ever!”

David: You have a point.  This is truly a magnificent achievement.

Mayor Potter:  Thank you.

David: That’s all.  Good luck and good night.

Pottersville Circa: 1947

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Pottersville: Current Day

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No Ewoks, No Jar Jar: Rogue One: A Star Wars Story (2016, directed by Gareth Edwards)


rogue_one_a_star_wars_story_posterA long time ago in a galaxy far, far away…

The evil Galactic Empire spent what had to be billions of Imperial credits to build the greatest weapon in the universe.  It was known as the Death Star and it housed a laser so powerful that it could blow up a planet with just one shot.  And yet, for all the effort and all the years that were spent building it, the Death Star had one glaring vulnerability, an exposed exhaust valve that the Rebel Alliance twice used to the destroy it.

For years, fanboys debated why the Empire would go to the trouble to build a super weapon with such an obvious design flaw.  I have to admit that I was often one of them.  No one else seemed to care but, to us, this was a huge deal.  If the Empire could figure out how to blow up a planet with one super laser, why couldn’t they figure out how to protect that one valve?

Now, thanks to Rogue One: A Star Wars Story, we have an answer.  We not only know why that valve was there but we also know what was meant in New Hope when the rebel general said that the plans to the Death Star had been stolen at great cost.

Rogue One is a fan’s dream, one that answers questions while expanding on the Star Wars mythology.  Unlike the previous prequels, it adds to the story without cheapening the original films.  In fact, of all the Star Wars films, Rogue One is the first to make the Death Star into a believable weapon of mass destruction.  When it appears over one planet, it blots out the sun.  When it blows up a rebel base, we see the destruction from inside the base instead of observing it from the safety of Death Star.  Director Gareth Evans does for the Death Star what he previously did for Godzilla.

death-star

Unfortunately, like Godzilla, the action and the special effects in Rogue One are usually more interesting than any of the film’s characters.  Felicity Jones, Diego Luna, Donnie Yen, Jiang Wen, Alan Tudyk, and Riz Ahmed are all good actors but they’re all playing underwritten parts.  No one steps up like Harrison Ford did in the original trilogy.  Commander Kennec, played by Ben Mendelsohn, has a little more depth than the typical Imperial villain but, for better or worse, the film’s most memorable performances come from a CGI Peter Cushing and James Earl Jones providing the voice of Darth Vader.

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Despite the underwritten characters, Rogue One is still the best Star Wars film since Empire Strikes Back, a return to the grittiness, the thrilling action, and the awe of discovering new worlds that distinguished the first two movies.  For once, a Star Wars film seems to have more on its mind than just selling toys.  Though we already know what is ultimately going to happen to the Death Star at the end of New Hope, Rogue One is a frequently downbeat film.  There are no Ewoks and, to great relief and rejoicing, Jar Jar is never seen.  The closest that Rogue One gets to comic relief is Alan Tudyk providing the voice of a cynical robot.  The emphasis is on the horrors of war and even the rebels are troubled by some of the things that they have done.  For once, the Rebel Alliance actually feels like a rebellion and the evil of the Empire feels real instead of cartoonish.

Rogue One is projected to be the first of many “Star Wars stories,” stand-alone film that will expand the universe and hopefully clarify some of the points that were left unclear by the original trilogy.  I think it’s going to be very successful very Disney.  I’m just dreading the inevitable Jar Jar origin story.

 

METEOR is a Crashing Bore (AIP 1979)


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American-International Pictures had gotten pretty fancy-schmancy by the late 70’s. The studio was leaving their exploitation roots behind and branching out to bigger budgeted films like FORCE TEN FROM NAVARONE, LOVE AT FIRST BITE, and THE AMITYVILLE HORROR, with bigger name stars for marquee allure. Toward the end of 1979 they released METEOR, a $16 million dollar, star-studded, special-effects laden, sci-fi/ disaster film spectacle that bombed at the box-office and contributed to the company’s demise.

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Coming at the tail end of the disaster cycle, METEOR is formulaic as hell. Take a group of well-known stars (Sean Connery, Natalie Wood , Karl Malden , Brian Keith , Martin Landau, Henry Fonda ), give them a disastrous menace to combat (in this case a five-mile wide meteor hurtling toward Earth), add some conflict (US/USSR Cold War relations), and some scenes of destruction, and voila! instant disaster movie! Unfortunately, by 1979 audiences had already grown tired…

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Here’s What Won In Las Vegas!


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Yesterday, the Las Vegas Critics announced their nominations for the best of 2016!

Today, they announced the winners!

And here they are, in all of their glory:

Best Picture
La La Land

Best Actor
Casey Affleck – Manchester by the Sea

Best Actress
Natalie Portman – Jackie

Best Supporting Actor
Michael Shannon – Nocturnal Animals

Best Supporting Actress
Viola Davis – Fences

Best Director
La La Land

Best Adapted Screenplay
Nocturnal Animals

Best Original Screenplay
La La Land

Best Cinematography
La La Land

Best Film Editing
Moonlight

Best Score
La La Land

Best Song
“City of Stars” – La La Land

Best Action Film
Captain America: Civil War

Best Documentary
O.J.: Made in America

Best Animated Film
Kubo and the Two Strings

Best Foreign Language Film
The Handmaiden

Best Costumes
The Witch

Best Art Direction
La La Land

Best Visual Effects
The Jungle Book

Best Comedy
The Nice Guys

Best Horror/Sci-Fi
The Witch

Best Family Film
The Hunt for the Wilderpeople

Best Ensemble
Hidden Figures

Breakout Filmmaker
Barry Jenkins, Moonlight

Youth in Film
Lucas Hedges – Manchester by the Sea

William Holden Lifetime Achievement Award
Kirk Douglas

The Chicago Film Critics Love Moonlight!


Here’s what the Chicago Film Critics picked as being the best of 2016!

Best Picture
“Moonlight”

Best Director
Barry Jenkins – “Moonlight”

Best Actor
Casey Affleck – “Manchester By The Sea”

Best Actress
Natalie Portman – “Jackie”

Best Supporting Actor
Mahershala Ali – “Moonlight”

Best Supporting Actress
Michelle Williams – “Manchester By The Sea”

Best Original Screenplay
“Manchester By The Sea”

Best Adapted Screenplay
“The Handmaiden”

Best Animated Film
“Kubo & The Two Strings”

Best Foreign Language Film
“The Handmaiden”

Best Documentary Film
“OJ: Made In America”

Best Cinematography
“La La Land”

Best Editing
“La La Land”

Best Art Direction
“The Handmaiden”

Best Original Score
“Jackie”

Most Promising Filmmaker
Robert Eggers – “The Witch”

Most Promising Performer
Lucas Hedges – “Manchester By The Sea”