Halloween Resurrection: ALT Title: Big Brother in Hell, but boring


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Dearest Gentle Readers, we have reached the last installment of the Halloween review series- there have been peaks and there have been subterranean valleys. Halloween Resurrection is a valley that hides under a viaduct that is peed in constantly by drunken hobos; it’s not good.  Sorry to end on a low note, but Resurrection really shit the bed. Halloween H20 was a throwback to suspense and cleverness and Resurrection is a throwback to sitting in the DMV and hoping you’ll have a cardiac event.  It is obvious to me that the writing sunk this film.  The actors in both films were pretty good.  In fact, the second film had Katee Sackhoff of BSG fame, but terrible writing can sink the greatest performances.  In this case, Halloween Resurrection had the unholy mixture of being boring and preachy.  Not a huge shocker that the person who wrote Resurrection was Larry Brand who went on to bore us by writing the script for “Girl on the Train.”  Rick Rosenthal, the Resurrection director, is very talented, but when your script is garbage, you can’t expect miracles, but you can expect a terrible movie.

We begin by learning that JLC didn’t kill her brother; It was a setup.  BLECHHH! JLC is in an asylum and MM comes in, kills her, and gives the knife to a mental patient – framing him.  I’m not writing more than that because it sucked so bad.  This opening pissed me off because it negated the better previous film and did it in a shitty way. RAGE GROWING!!! The opening sequence deserves capital punishment and then to be dug up and shot.  RAGE!

HOW I FEEL ABOUT THIS OVER LONG COLD OPEN:

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*Breathes into paper bag*

Busta Rhymes and Tyra Banks are making an Internet reality show.  Sarah, the heroine, is ambivalent.  Katee Sackhoff plays a fame whore.  There’s a guy from American Pie.  There’s a very attractive Ginger.  A guy who looks like Booger from Revenge of the Nerds.  A guy named Rudy.  Deckar is a 15 year old who is Sarah’s Internet Boyfriend and likely the first Internet catfish who never sees Sarah, but helps her along the way like Al in Quantum Leap (Quantum Leap was a show about how Presidents practiced nude decoupage….PROVE ME WRONG … by watching the show).

Busta and Tyra have set up all of the Internet participants to stay at the Haddonfield home of MM with crazy evil props everywhere – think if Big Brother took a psychopathic, yet boring left turn.

Deckar is convinced by his friend to go to a party and get offline because then they can meet people IRL and get laid.  Deckar’s friend has a point, but it gets belaboured because this movie sucks.  They go to a Halloween party dressed like Pulp Fiction characters because their 14 year old peers would totally get the reference somehow to a movie that came out when they were 4.  Deckar – a fifteen year old boy – sneaks away from the party, goes into a room alone, shuts the door, turns on the homeowner’s computer, gets comfy in swivel chair, goes onto the Internet, and totally does NOT engage in self-abuse….OKAY, that’s his story and he’s sticking to it! He watches the Big Brother from Hell and starts to think that there might be some real murdering going on in the BB From Hell House.

American Pie guy pervs on Katee Sackhoff and nearly gets some where, but is soon killed.

Teens walk in on Deckar, seeing him on the computer alone in the room and the teen boy shouts, PERV!  Finally, some honesty in this film in re: onanism! 

BB From Hell:  Booger tries to convince Ginger to have sex with him.  We learn that she is a”Critical Studies” major.  CRITICAL STUDIES?!!! CAN’T ANYTHING BE REAL?! Seriously movie, fuck off!  You’re not even trying!  Initially, Ginger spurns Booger’s moves, but then out of nowhere, Ginger needs to pork Booger.  FINE. 

Wait…I’m calling the police:

9-1-1: What is your emergency?

Me: I want to report an ongoing theft and assault.

9-1-1: What is being stolen and who is being assaulted?

Me: All viewers of this terrible film are having their valuable time stolen.

9-1-1: Sir, who is being assaulted?

Me: Art Itself!  FIND HIM…LARRY BRAND!

9-1-1:  Oh yeah, he did that terrible train movie thing…We’re inbound.

Sarah and the others confront Busta Rhymes about the BB House from Hell.  He admits that it’s all fake.  Soon after, all of the moderately interesting people are killed: Booger, Ginger, Katee Sackhoff, Rudy, and Tyra Banks (she’s killed off screen).

Only Busta and Sarah are left to save the day.  They battle MM and electrocute him, but he opens his eyes at the end, so whatever.

There are times when writers should be failed.

Wait, I just got a letter from Larry Brand. He apologizes for being just awful.

Halloween Havoc!: Bela Lugosi in THE CORPSE VANISHES (Monogram 1943)


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A little over a week ago I wrote about Bela Lugosi’s pairing with The East Side Kids , and mentioned what’s been come to know as “The Monogram Nine”. These Poverty Row horrors were ultra-low-budget schlockfests made quickly for wartime audiences, and though the films weren’t very good, they gave Bela a chance to once again have his name above the titles. From 1941 to 1944, the Hungarian cranked out the rubbish: THE INVISIBLE GHOST, BLACK DRAGONS, THE CORPSE VANISHES, BOWERY AT MIDNIGHT, THE APE MAN, VOODOO MAN, RETURN OF THE APE MAN, and the two East Side Kids entries. Let’s take a look at a typical Lugosi vehicle, 1943’s THE CORPSE VANISHES.

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Our story concerns young, virginal society brides who keep dying at the altar, their corpses hijacked by mysterious Dr. Lorenz (Bela, of course). The brides receive an “unusual orchid” whose “peculiar sweet odor” causes them to go into a…

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Halloween H20; ALT Title: They Stab Baby Boomers, Don’t They?


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Gentle Readers, Is it time for Michael Myers? Oh yeah.  Is it time for Halloween H20? Oh Yeah! You bet your ass it is!

Halloween H20 is a lot of fun and had a deep bench of talent.  Robert Zappia and Matt Greenberg wrote the film and Veteran Horror Director Steve Miner helmed it. Robert Zappia went on to write for Children’s Television and Graphic Novels. Matt Greenberg later wrote “Reign of Fire” and “1408” – both films had good moments of suspense.  I wrote to Robert Zappia and he informed me that the rest stop scene, which I will discuss later was written by Matt Greenberg.  He and director Steve Miner knew what they were doing to jolt us without any jumpscares.  The casting was very well done and, it was, in fact a who’s who of soon to be Stars.  Here we go!!!

Langdon, Illinois.  October 28, 1998.  I just needed to smell the clove cigarettes,  see the flannel, and not see any cell phones to know it.  A simpler time.  For the uninitiated,  the 90s were a time when you met someone that you had attraction for in person. A Nurse is concerned that her office was broken into by a person unknown. We see younger Joseph Gordon Levitt (Pre-Looper).  He was not manly in any way, but a real heart throb in his “3rd Rock” days.  Of course, they have him playing Hockey … somehow.  Nurse asks Levitt to search her home.  He goofs around and steals some beers.  The Nurse realizes that her files were stolen.  Which files? Wait for it…. Laurie Strode’s.  She looks around for Levitt and his friend.  They were not so creatively killed with Hockey Skates to the face.  He kills her too and steals her car.  There is also a bit of continuity trouble with the daylight turning to night abruptly.  Let’s take a moment and think about this: Michael Myers is really good at intelligence gathering, stealing, and killing.  If only we could harness his skills for Uncle Sugar…..

We’re goin back to Haddonfield to Haddonfield to Haddonfield …. Nah, I don’t think so! [sung]

Random California Town:  We see Jamie Lee Curtis fresh off from “True Lies”and the Headmistress of an elite boarding school.   She has a grown son- Josh Hartnett (Josh) who really really wants to go camping in Yosemite.  She won’t let him go.  Sorry Josh, you’re just gonna have to stay home and make out with Michelle Williams.  How will he possibly manage?!  Speaking of the 90s, we’ve got Michelle Williams (MW), Chicago Hope Guy (CHG), Jodi Lynn O’Keefe (Jodi), LL Cool J (LL Cool J), and Ally McBeal (jk on this last one…probably).  Through some not bad showing not telling, we learn:  LL Cool J is an aspiring trashy romance novel writer AKA as a Paaaaaperback Wriiiiiiter, Jamie Lee and CHG are k-i-s-s-i-n-g, Jodi is dating a guy way below her level of hotness, and we can tell Michelle Williams is on financial aid because she works in the kitchen and uses a dumbwaiter.

CUT TO: A Mom pulls into a rest stop.  We see the stolen car in the BG. This scene is pretty goddamn suspenseful! Well done, Robert Zappia.  MM isn’t there to kill, just steal the mom’s car.  Damn, MM is a great car thief!

Josh is all in lurve with Michelle Williams, sending her flowers in the dumbwaiter.  JLC and CHG make out again. These are the horniest baby boomers ever! Josh wants to go into town.  JLC says no. He convinces LL Cool J to let him sneak out. LL, I get it – Josh is dreamy, but you have a job responsibilities.  Plus, I don’t think he’s the supermarket romance novel kind of guy; Josh’s more of the porking Michelle Williams kind of guy. JLC is out with CHG and snakes a drink when he goes to the bathroom.  Good showing! She catches Josh off the compound…I mean school grounds.  He lets her have it.

Back to the school:  JLC releases the kids to Yosemite and her son so she believes so that the victims ….I mean residents….can be a …killable number.  JLC gets home and boozes up.  Josh has totally Dawson’s Creeked the make out basement area.  I’m with Josh on this one. I’ve been to Yosemite and Yellowstone and thye’ve got Old Faithful, but if Michelle Williams is your other option …I don’t even want to write choice because Old Faithful could get its feelings hurt.  I’m not saying that Josh isn’t planning on some regularly scheduled eruptions coupled with amateur photography, but it’s likely not at a national park.

JLC and CHG are making out … again. She tells him all about her brother being a murdering sociopath to set the mood and give herself an excuse to polish off more vodka.

This story has been pretty compelling, but it’s stabbing time.  MM finds the way too ugly to date Jodi O’Keefe guy, cuts his throat, and puts him in the dumbwaiter.  MM really likes things in their place; it makes you wonder if psychopathic murderers are OCD people gone to a terrible extreme. I knew a girl in college who would check her car doors to see if they were locked over and over.  Maybe she murdered people too?   Jodi looks for her BF and gets stalked by MM.  She flees to the dumbwaiter and is next to her dead BF.  She gets to the basement, but as she exits, MM cuts the dumbwaiter cord, the dumbwaiter lands on her leg, and her leg breaks horribly.  Josh and Michelle find their friends all dead.   They run to JLC.  She sees her brother – Yikes.  They must have the most awkward Thanksgivings! Seriously, it must be much worse than the year my girls and I wore Bernie Sanders shirts and my mom started quoting Ayn Rand over stuffing.  

They all run and CHG accidentally shoots LL J.  Bummer.  CHG gets stabbed for his trouble.  JLC ,MW, and Josh run, but he gets wounded and MW hits MM with a rock.  Michelle Williams might be perfect: smart, can cook, gorgeous, can fight … Call Me.  JLC badasses and sends MW and Josh off to safety as she gets an axe to deal with her brother. You go girl!   They confront each other in the dining hall.  It’s a pretty amazingly suspenseful scene.  Seriously, the writer and director really kicked ass with this and many other scenes.  Well done.  JLC gets the upper hand and stabs MM.  She’s ready to cut him up into bits when LL shows up, telling her he’s dead.  Word?  If only LL had been reading our reviews, he would know that this is not the end.

The Coroners show up, but JLC isn’t having it! She grabs the van and proceeds to drive MM out to the woods and chop his head off.  Pretty awesome ending! I have to be honest this film is not really dated, it has terrific suspense, great writing, edgy directing.  I would recommend making this a staple of Halloween season viewing.

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Horror on the Lens: Panic at Lakewood Manor (dir by Robert Scheerer)


Today’s horror on the lens is a made-for-TV movie from 1977.  This movie has many different names: Panic at Lakewood Manor, It Happened At Lakewood Manor, and Ants.

Panic at Lakewood Manor is a mix of different genres.  It’s a disaster film, a soap opera, and ultimately a revenge-of-nature horror film.  The film begins with our cast gathering at Lakewood Manor, a luxury hotel that’s only partially finished.  In fact, the owners are so determined to complete construction that they ignore the threat posed by …. KILLER ANTS!

Anyway, this is a made-for-TV movie from the 70s so it’s never as graphic as what we’d expect to see today.  That said, I once accidentally stepped on a fire ant mound while I was barefoot and OH MY GOD DID THAT EVER HURT!  AGCK!

If you’re a fan of old movies, you’ll enjoy seeing a lot of familiar faces in this one.  Even Myrna Loy shows up!

(Incidentally, this film was written by Guerdon Trueblood, who directed the brilliant The Candy Snatchers.)

The TSL’s Daily Horror Grindhouse: Bleed (dir by Tripp Rahme)


What happens when you take a little Paranormal Activity and mix it in with a little Rosemary’s Baby and then toss in Devil’s Due and then top it all off with a sprinkle of Deliverance and The Chernobyl Diaries and just a hint of the remake of I Spit On Your Grave?

You end up with a big ol’ mess of a movie.  I just watched Bleed on Netflix and the plot is so convoluted that I’m still trying to figure out what exactly I just watched.

But, before I try to figure this all out, let’s take a look at the trailer:

Sarah (Chelsey Crisp) is a newlywed who appears to have it all.  She’s got a wonderful husband, Matt (Michael Steger), they’ve got a beautiful house out in the country, and even more importantly, they’ve got a baby on the way!  So what if the nearby town seems to be a little bit creepy and is full of country-accented men with beards?  And so what if there’s a deserted prison nearby, one that is rumored to be haunted by the spirit of a preacher-turned-serial killer who died when a fire broke out at the prison?  And what about that mysterious woman who keeps showing up in the nearby field and screaming like a banshee?  That’s just local color!  Anyone who thinks that’s unusual has obviously never lived in Oklahoma or visited Hot Springs, Arkansas.

In order to celebrate their new home, Sarah and Matt decide to invite their best friends out to the house.  Dave (Elimu Nelson) and Bree (Brittany Ishibashi) are a likable couple, especially now that Bree is regularly taking her medication.  Bree is schizophrenic and hears voices when she doesn’t take her meds.  To the film’s credit, it portrays Bree as a positive character and never goes down the path that I feared it would follow.

Suddenly, Sarah’s good-for-nothing brother, Eric (Riley Smith) shows up.  His girlfriend, Skye (Lyndon Smith) is with him.  The first thing that Eric does is ask for money.  The second thing that Eric does is get high.  The third thing that Eric does is talk about how he and Skye have spent the past few months driving across America and searching for ghosts.  And hey, isn’t there a haunted prison somewhere nearby?

Meanwhile, Skye takes a bath.  While she’s in the bathtub, she suddenly see an evil-looking apparition standing over her.  She screams for help and Matt responds.  The apparition has vanished.  Sarah glares at Matt and the towel-clad Skye.  “I didn’t know she’d be half-naked!”  Matt protests.  Of course not!  Why would someone get undressed before taking a bath?

Anyway, Eric convinces everyone but Sarah to search for ghosts with them.  Sarah drops them off at the ruins of the prison, promises to come back for them in a few hours, and then starts back home.  Unfortunately, she has an accident on the way back and ends up getting a ride with a creepy deputy.  And it quickly becomes clear that the deputy isn’t in any hurry to get her back home…

Meanwhile, at the prison, all Hell breaks loose.  Skye sees another evil spirit.  Eric’s throat gets slashed but oddly, it stops bleeding after a few seconds.  Voices are heard.  Objects move.  So many Paranormal Activity-type things occur that I’m actually surprised (and relieved) that Bleed wasn’t a found footage film…

One thing that Bleed does is that it keeps you guessing.  At first, I assumed it would be another city folk vs. hillbillies type of film but then it turned into a ghost story.  And, for a long while, I thought it was just another ghost story but then it turned out to be something different all together.  Admittedly, the film sometimes struggles to handle the constant shift in tone but, oddly, that kinda works.  It definitely keeps the viewer off-balance.

As you might expect from a film that’s constantly changing tone, Bleed is a bit uneven but it’s definitely a watchable and intriguing horror film and the film makes good use of that atmospheric prison.  For a lot of viewers, Bleed will probably be a love-it-or-hate-it type of film.  It’s well-directed but the story is just almost unnecessarily complicated.  My recommendation is that you watch it and judge for yourself.

 

 

Even Ant-Man Had To Start Somewhere: Halloween: The Curse of Michael Myers (1995, directed by Joe Chappelle)


halloween6coverLong before he was either Ant-Man or Judd Apatow’s favorite leading man, Paul Rudd was just another young actor looking for his first break.  He got it in 1995 when he was cast in the latest entry in the Halloween franchise.  Though Clueless was released first, the man who would be Brian Fantana got his introducing credit for Halloween: The Curse of Michael Myers.  (He’s credited as Paul Stephen Rudd.)

Halloween: The Curse of Michael Myers was Miramax’s attempt to reboot the franchise by ignoring everything that made the first Halloween such a success in the first place.  John Carpenter’s Halloween was the epitome of simplicity, with Michael Myers portrayed as being an almost entirely motiveless killing machine.  One reason why Michael was scary was because he didn’t have any reason for killing other than he was evil.  (It was not until Halloween II that Laurie was discovered to be Michael’s sister and Samhain came into play.)

In Halloween 6, Michael (played by stuntman George P. Wilbur) is suddenly revealed to be afflicted with the Curse of the Thorn.  Because of the curse, he is required to serve as some sort of indestructible hit man for a cult of Druids (!) who are operating out of the basement of Smith Grove’s Sanitarium (!!), the same mental hospital that Michael escaped from at the start of the first film.  The head of the cult is Dr. Wynn (Mitchell Ryan), who was Sam Loomis’s boss in the first movie.

963589_032Donald Pleasence is back as Dr. Sam Loomis but it is not a happy return.  This was Pleasence’s final film and, in his few scenes, it is obvious that he was not in good health and his famous voice had been reduced to a hoarse rasp.  Pleasence died shortly after filming his scenes, which meant that he wasn’t available for the reshoots that Miramax demanded after the first cut of the film tested badly.  Add that to the fact that director Joe Chapelle reportedly had not seen any of the previous Halloweens, did not find the Loomis character to be interesting, and cut him out of several scenes and Dr. Loomis is barely in The Curse of Michael Myers.

Instead, most of the film is centered around Tommy Doyle (Rudd).  Yes, the same Tommy Doyle for whom Laurie babysat in the first Halloween.  Tommy has figured out that, because of the curse, Michael has to kill his next of kin every Halloween.  How did Tommy figure that out?  I don’t know and the film doesn’t know.  It’s like trying to figure out how Sean Connery knew where the Holy Grail was in Indiana Jones and The Last Crusade.

Michael’s next of kin was Jamie Lloyd but, at the end of Halloween 5, she was kidnapped by the Cult of Thorn and held prisoner for six years.  For some reason, Michael did not kill her while she was being held captive.  Instead, Jamie was impregnated, gave birth to a baby boy named Stephen, and then escaped.  Though she was eventually killed by Michael, Tommy found the baby and has to protect the baby from Michael and the Cult.

list12Why does the Cult want the baby?  Why do birds suddenly appear whenever you are near?  There is no explanation, it’s just something that happens.

 

Michael comes back to Haddonfield to track down his grandnephew.  He also finds time to kill more members of the dysfunctional Strode family.  Luckily, Kara Stroe (Marianne Hagan) and her son, Danny, survive.  Danny is having dreams about killing people which would seem to suggest that he has inherited the Curse of the Thorn, except that the Strodes are not actually related to the Myers family so it doesn’t make any damn sense.

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After six films, it not always easy to keep track of how everyone is related.  Let’s see if I can do it:

Laurie Myers is the younger sister of Michael Myers and Judith Myers.  In 1963, when Michael is 6 and Laurie is 2, Michael murders Judith.  Michael goes to Smith’s Grove Sanitarium, where he is treated by Dr. Loomis and secretly raised by the Cult of the Thorn.  Mr. and Mrs. Myers die in 1965 and Laurie is adopted by the Strodes.  Laurie has no memory of being a Myers.

jamie-lee-curtis-mar-5-2011-2-600In 1978, Michael “escapes” from Smith’s Grove and tries to kill Laurie.  Both he and Dr. Loomis get blown up at the hospital.

Between 1978 and 1988, Laurie marries someone named Lloyd and they have a daughter named Jamie.  But then Laurie and her husband die in a traffic accident and Jamie is raised by her foster family, the Carruthers.  Except Laurie didn’t really die but instead faked her death and abandoned her daughter which seems like a shitty thing to do.

In 1988, it turns out that both Michael and Dr. Loomis survived being blown up and consumed by a raging inferno.  Michael again escapes from custody and goes to Haddonfield.  He tries to kill Jamie but instead ends up falling down a mine shaft.  Jamie goes home and tries to kill her foster mother.

In 1989, Michael turns out to be alive again and tries to kill Jamie for a second time.  The Man In Black, who is somehow connected to the the Cult of Thorn, shows up and breaks Michael out of jail and kidnaps Jamie.

Then, six years later, Jamie has a son named Stephen and is finally killed by Michael.  Meanwhile, Laurie’s uncle, John Strode (Bradford English), has moved into the old Myers house because why not live in the house formerly inhabited by a serial killer who tried to murder your family?  Living with them is Laurie’s cousins, Kara and Tim (Kieth Bogart) and Kara’s son, Danny.

Meanwhile, Laurie is in the witness protection program and teaching school but you don’t have to worry about that until Halloween: H20.

Got all that?

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I haven’t even gotten to the sleazy radio DJ who wants to do a live Halloween broadcast from inside the old Myers House.  There’s not much to say about him beyond noting that the role was originally offered to Howard Stern.

There are two versions of The Curse of Michael Myers floating around.  There’s the producer’s cut, which goes into more detail about the druids and attempts to fill some of the continuity gaps in the franchise.  Then there’s the theatrical edition, which was what Miramax released into theaters.  I have only seen the theatrical cut, which is a confusing mess.

While the producer’s cut features Michael being defeated by Celtic magic (which sounds stupid but would actually go with what’s already been established in the movie), the theatrical cut ends with Michael, who has previously survived being shot six times by Dr. Loomis, falling down a mine shaft, and literally blowing up, somehow being beaten into submission by Paul Rudd and a lead pipe.  Is there nothing that Paul Rudd cannot do?

Mr. Rudd, the town of Haddonfield owes you a debt of gratitude.

You stay classy, Haddonfield.

You stay classy, Haddonfield.

 

Halloween Havoc!: DONOVAN’S BRAIN (United Artists 1953)


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No, this is not a movie about the mind of the 60’s Scottish folk singer responsible for “Sunshine Superman” and “Mellow Yellow”. DONOVAN’S BRAIN is a sci-fi/horror hybrid based on the 1942 novel by Curt Siodmak, responsible for THE WOLF MAN and other Universal monster hits. It was first made as a 1944  Republic Pictures effort titled THE LADY AND THE MONSTER with Erich Von Stroheim (why Universal didn’t buy the rights is a mystery to me). This is one of those rare cases where the remake is better than the original!

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The story concerns Dr. Pat Cory, a scientist experimenting with keeping the brain of a monkey alive without a body. After several failures, Cory and his assistant, alcoholic Dr. Frank Schratt, have finally succeeded. A nearby plane crash leaves three dead, and multi-millionaire Warren H. Donovan in critical condition. Donovan dies on the table, but his brain is still registering…

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Horror on the Lens: The House That Would Not Die (dir by John Llewellyn Moxey)


Today’s horror on the lens is a 1970 made-for-TV movie called The House That Would Not Die!

In this film, Barbara Stanwyck and Kitty Winn move into a colonial house that is rumored to be haunted!  Seances, possession, and scandal follows!  There’s time travel, slow mo, an exaggerated wind effects!  It’s all kinda silly but kinda fun too.

Enjoy!

The TSL’s Daily Horror Grindhouse: The Sweet House of Horrors (dir by Lucio Fulci)


Mary and Roberto Vivaldi (played by Lubka Lenzi and Pascal Persiano) would appear to have a perfect life, perhaps because they do.  They’re young.  They’re attractive.  They’re in love.  They’re rich.  They have a really nice house and they have two children, a boy and a girl.  What could go wrong, right?

Well, they could come home from a party and discover that their house is being burglarized.  And the burglar could then proceed to graphically and viscously murder them, smashing in Robert’s head and, since this is a Lucio Fulci film, popping out Mary’s eye.  In fact, the opening murder is so graphic and so disturbing that it’s somewhat surprising to learn that this movie was made for television.

Of course, what’s even stranger is that the rest of the film is oddly tame, particularly for a Fulci film.  Perhaps they only had enough money in the budget for one graphic gore scene.

Anyway, the parents are now dead and the children are now orphans.  At the funeral, the children shock everyone by playing and laughing.  However, a few seconds later, they’re standing over the grave and crying.  Some people would call this an inconsistency but I think it’s the most realistic part of the film.  When you lose someone who you love, you do strange things.  There is no one proper way to grieve.  As someone who suffered through his share of personal tragedy, this was something that Fulci probably understood.

The parents may be dead but they’re not gone!  Instead, they’re haunting the house.  The children are overjoyed but their new guardian, Aunt Marcia (Cinzia Monreale, who was Emily in Fulci’s The Beyond) is not.  Marcia freaks out upon realizing that the house is haunted and it certainly doesn’t help that she’s attacked by a gigantic fly in the attic.  Her husband, the incredibly dense Carlo (Jean Christophe Bretigniere), doesn’t think anything strange is happening.  Still, Carlo does agree that it would be a good idea to sell the house and move the children elsewhere.

Nope!  The parents have no intention of letting that happen!  Of course, the dead parents main concern to kill the man who killed them but, once he’s dead (it doesn’t take that long), they’re free to spend their time pushing a real estate agent down a flight of stairs, harassing Marcia and Carlo and eventually causing an exorcist’s hand to melt.

If you’re getting the feeling that both the dead parents and the living children are pretty obnoxious, that’s because they are.  I mean, it’s one thing to not want to be separated.  That’s something we can all relate to.  It’s another thing to melt a man’s hand and then laugh about it.  Add to that, neither Marcia nor Carlo come across as being particularly villainous.  It’s not like they’re planning on murdering the kids for their inheritance or sending them to a Dickensian orphanage or anything like that.  They just want the kids to stop conducting black magic ceremonies and they want to live in a house that isn’t haunted.  No matter how much sympathy you may have for the parents or the kids, it’s hard to deny that Marcia and Carlo aren’t being all that unreasonable.

(It also doesn’t help that the film ends with the suggestion that the dead parents can stay with the kids regardless of whether the house is sold or not.)

And yet, I can’t help but like The Sweet House of Horrors.  Even though it doesn’t make much sense and it’s hampered by a low-budget (just check out the floating flames that represent the dead parents), there’s a sincerity to The Sweet House of Horrors.  The parents really do seem to love their obnoxious children and the film actually does provide some insight regarding the way that children use imagination to deal with grief.  Like many of his later film, The Sweet House of Horrors is hit-and-miss but Lucio Fulci still comes up with a few good visuals, suggesting that his heart may have been in this film in a way that it wasn’t in some of the other films he made during the final years of his storied career.  Just the fact that The Sweet House of Horrors tells such an openly sentimental story makes it unique in Fulci’s filmography.

The Sweet House of Horrors cannot be compared to such Fulci classics as The Beyond, The House By The Cemetery, The Black Cat, or Zombi 2.  But still, it’s an interesting little film and provides a hint that, even during his decline, Fulci still possessed some of the talent that made his earlier films so iconic.

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Horror Film Review: Halloween 5: The Revenge of Michael Myers (dir by Dominique Othenin-Girard)


Oh … dammit.

Hi everyone!  We are currently in the process of our annual horrorthon here at the Shattered Lens so I thought it would be a good idea if me and some of my fellow writers reviewed all of the Halloween films!  Arleigh already reviewed the original Halloween back in 2010 and I took a look at the first sequel in 2012.  So, it just made perfect sense to me that we go ahead and take a look at the rest of the films in the series!

Yesterday, Case reviewed Halloween 4 and, later, he’ll be taking a look at Resurrection and H20.  Jedadiah Leland is taking look at Halloween 6 tomorrow.  So, that leaves me with … *sigh* Halloween 5.

BLEH!

Before we dive into the crapfest that was Halloween 5, let’s take a look at the trailer!  It’ll be fun!

The trailer’s actually fairly effective.  I have to wonder how many people, way back in 1989, were fooled into seeing this film as a result of this trailer?  I imagine probably more than who are willing to admit it.  Paying money to see Halloween 5 doesn’t seem like something anyone would want to brag about.

Halloween 5 is the one that has the dumb cops.  Now, I know that every Halloween film seems to feature at least a few dumb cops but the ones in Halloween 5 are really dumb.  And they get their own theme music!  That’s right — whenever these two dumb cops show up on screen, comedic circus music plays.  Needless to say, it’s woefully out of place in a horror movie.  I read that this was apparently meant to be an homage to the dumb cops from the original Last House On the Left.  This despite the fact that … EVERYONE HATED THE DUMB COPS IN LAST HOUSE ON THE LEFT!!!  Even Wes Craven later said that the dumb cops were a mistake!  If you’re going to rip off (or pay homage) to another movie, don’t pay homage to the part that sucked!

Anyway, you may remember that Halloween 4 ended with Jamie (Danielle Harris) attacking her mother and holding a knife.  Uh-oh, looks like Jamie’s going to be a murderer!  Well, no — that would have been too interesting.  Halloween 5 finds Jamie being committed to a mental hospital for a year while Michael Myers (Don Shanks) is in a coma.  Michael eventually comes out of his coma and starts stalking Jamie all over again.

Once again, Dr. Loomis (a depressingly frail Donald Pleasence) is one of the few people who realizes that Michael is still alive and once again, nobody is willing to listen to him.  Here’s the thing: Dr. Loomis may be kinda crazy and yes, all the scars are kinda disturbing but he’s been right every single freaking time in the past.  I understand that the people of Haddonfield are kind of in denial about Michael but this is just getting ridiculous.

Rachel Carrathurs (Ellie Cornell) returns for this movie but she gets killed early on.  Apparently, she was killed so that the audience would know that anyone could be killed and that nobody was safe but Rachel was such a strong character and Ellie Cornell did such a good job playing her in the previous film that you really feel her absence in Halloween 5.  Her death leaves a void that the film fails to adequately fill.  Add to that, if you insist on killing a kickass character like Rachel, at least give her a memorable death scene.  Don’t just have her blithely wandering around the house half-naked until she suddenly gets stabbed, as if she was just some generic slasher victim and not the lead of the previous movie.

With Rachel dead, it now falls to her amazingly annoying best friend, Tina (Wendy Kaplan), to serve as Jamie’s protector.  Tina is hyperactive and talkative and quirky and blah blah blah.  Basically, she’s like that person who is really annoying but since you’ve known her since the third grade, you feel obligated to hang out with her.

It all leads to another big Halloween party and few rather bloodless deaths.  It’s all pretty boring, to be honest.  There is one good scene where Michael chases Jamie in a car (the headlights cutting through the darkness create a wonderfully eerie effect) but, otherwise, it’s depressingly generic.

In the end, Michael is captured and put in a jail cell.  Fortunately, a mysterious man in black shows up and breaks him out.  Gee, I wonder what that’s about?

Halloween 5 is undoubtedly the worst of the Halloween films.

Bleh!

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