“Sex farces” were extremely popular during the late 50’s/early 60’s. They were filled with martinis, smarmy innuendoes, and smutty jokes, though no sex ever really happens. The comedies of director Frank Tashlin and the Doris Day/Rock Hudson teamings helped popularize this rom-com subgenre. A good example is BOYS’ NIGHT OUT, a humorous take on suburban mores starring James Garner and Kim Novak.
The premise is pretty simple: four friends commute every day from suburban Connecticut to New York City. They are divorced Garner and his married buddies Howard Duff , Howard Morris , and the ubiquitous Tony Randall, who made a career appearing in these type of films. When the “boys” catch Garner’s boss out with his mistress, they start to daydream what it would be like to get their own love shack going, away from their wives and equipped with a beautiful blonde to do their bidding. Garner balks…
COMANCHE STATION was the final entry in the Randolph Scott/Budd Boetticher/Burt Kennedy series of Westerns, and in many ways a fitting ending. The loneliness of the Westerner is again a key theme as the film begins with the solitary figure of Scott as Jefferson Cody, riding across that rocky, barren, now mighty familiar Lone Pine terrain. He bargains with hostile Comanches for a captive white woman named Nancy Lowe, wife of a wealthy rancher. Stopping at Comanche Station, Cody and Mrs. Lowe encounter three men being chased by the tribe.
We learn one of these men is Ben Lane, a bounty hunter who shares a dark past with Cody. The two were formerly in the Army together, where then-Major Cody busted Lane out of the service for the slaughter of a village of friendly Indians. We also learn Mrs. Lowe’s husband is offering a five thousand dollar reward for her…
The 1978 film Jaws 2 poses a question that has been asked many times under many different circumstances:
When will people learn?
Seriously, you would think that after everything that happened during the first Jaws, the people of Amity Island would be a little bit smarter when it comes to sharks. I mean, did Ben Gardner, the Kintner Boy, Quint, and Chrissie Watkins all die in vain? If I lived on Amity Island, I would be so paranoid about another shark attack that I would probably move to Manitoba. At the very least, I would demand that the beach be closed if there was even the slightest chance that another great white shark was somewhere out there, eating anyone foolish enough to get back in the water.
It’s just common sense!
But no. In Jaws 2, when another shark shows up and eats two divers and a water skier before blowing up a motor boat, no one is even willing to consider shutting down the beach. Even after Chief Brody (Roy Scheider) insists that another shark has shown up, no one is willing to listen to him. “I know something about sharks!” Brody insists but the town council just shrugs him off. Maybe they think that Quint and Hooper did all the work the last time and that Brody was just along for the ride.
Of course, Brody does bring some of his problems on himself. Brody spends a lot of this film sitting in the dark, brooding about sharks. When he sees a shadow in the ocean, he runs down to the beach and starts shooting at it. “It’s just blue fish!” someone yells while Brody looks a little confused. How shocked can we really be when the town council fires Brody? He was a loose cannon.
Before he gets fired, Brody orders his teenage son, Mike (Mark Gruner) to stay out of the water. Of course, Mike doesn’t listen. He goes sailing with his friends and his younger brother, Sean (Marc Gilpin). That’s a big mistake, of course. As soon as Mike and company are a good distance away from Amity Island, the shark attacks and leaves them all stranded at sea. Mike is knocked unconscious. Sean is trapped on a boat all by himself. One of the teenage girls, Jackie Peters (Donna Wilkes), totally freaks out while her older sister, Brooke (Gigi Voran), suggests that they all play charades to pass the time. Everyone dismisses her idea but you know what? I have it on very good authority that sharks love charades. I think Brooke was on to something…
Jaws 2 is a strange, strange movie. It’s really two films in one. Jaws 2 starts out as an almost by-the-book remake of Jaws. True, Quint’s dead. And Richard Dreyfuss had just won an Oscar so there’s no way Hooper was going to come back. But Brody’s back and he’s once again an island police chief who is afraid of the water and who can’t get anyone to listen to him. Just as Jaws started out as almost a small town comedy, Jaws 2 has an early scene where Brody has to deal with the quirky citizens of Amity Island. (Unfortunately, Harry and his really bad hat don’t make a return appearance.) A scene where a dead killer whale washes up on the beach is shot to remind us of the scene in the first in which Hooper and Brody examine a dead shark.
But then, halfway through, Jaws 2 turns into a totally different movie. Suddenly, the teenagers are trapped out in the middle of the ocean and the shark is circling them and Brody is searching from them and the whole movie just goes insane. Roy Scheider abandons any attempt at subtlety as he becomes as obsessed with shark as Donald Pleasence was with Michael Myers in Halloween. The shark turns out to be incredibly sneaky. He’s never around until you stick your hand in the water and then suddenly — SHARK!
How powerful is this shark? He’s so powerful that he eats a freaking a helicopter! Seriously, a coast guard helicopter tries to rescue the kids and ends up getting eaten by the shark! That scene alone is worth whatever’s led up to it. (I think Jaws 2 might be the first film to feature a shark eating a helicopter.) The film only gets crazier from there, with Brody eventually reduced to verbally taunting the shark while clutching onto a power cable.
Now, admittedly, those stranded teenagers aren’t the most developed characters in the world. There’s a lot of them and it’s sometimes difficult to keep track of who is who. Fortunately, this is a 70s films and that means that Jaws 2 is all about the hair. You may not know their names but you’ll never forget their hair:
Check out some of the members of the Jaws 2 hair club:
Jaws, come out to play…
(Okay, Luther wasn’t actually in the movie but just imagine if he had been!)
Anyway, Jaws 2 cannot begin to hold a candle to the original Jaws but it’s still a lot of fun. Admittedly, there are a few parts, especially during the first hour, that drag in a way that Spielberg, the consummate story teller, would not have allowed. I could have done without some of the lengthy scenes where Brody tries to convince the city council that there’s another shark in the water, if just because we already know that the shark’s there and we can guess that the beach isn’t going to be closed. (After all, if the beach was closed, there wouldn’t be a movie…)
But once the teenagers are stranded in the ocean and the shark is eating the helicopter and Brody is calling it a bastard while hanging onto a power cable, there’s no way that you can resist the charms of this sequel. Jaws 2 isn’t exactly good but it’s just so entertaining!
Jaws 2 frequently shows up on AMC so keep an eye out for it!
Randolph Scott and director Budd Boetticher teamed again for RIDE LONESOME, their sixth of seven Westerns and fourth with writer Burt Kennedy. Scott’s a hard case bounty hunter bringing in a killer, joined in his trek by an old “acquaintance” with an agenda of his own. Everyone’s playing things close to the vest here, and the stark naked desert of Lone Pine’s Alabama Hills, with its vast emptiness, plays as big a part as the fine acting ensemble.
Ben Brigade (Scott) has captured the murderous Billy John and intends to bring him to justice in Santa Cruz. Coming to a waystation, he finds Sam Boone and his lanky young companion Whit, known outlaws who’ve heard the territorial governor is granting amnesty to whoever brings in Billy. Also at the station is Mrs. Crane, whose husband has been murdered by marauding Mescaleros. Sam’s interested in forming a partnership and taking Billy…
In this time of division and conflict, can we all agree that Game Night is a damn funny movie?
The film tells the story of three couples who regularly get together for, as the title suggests, a game night. Ryan (Billy Magnussen) and Sharon (Sharon Horgan) are quirky and a little bit daffy. Kevin (Lamorne Morris) and his wife, Michelle (Kylie Bunbury) are generally dependable and Michelle has a really interesting story about the time that she met a man who may have been Denzel Washington but probably wasn’t. Meanwhile, Annie (Rachel McAdams) and Max (Jason Bateman) are an ultracompetitive married couple, frustrated in their attempts to conceive a child but always confident in their ability to win any game that they play. At one time, Gary (Jesse Plemons) and his wife used to be a part of the group but, after they got divorced, Max and Annie stopped inviting him. You really can’t blame them. Gary’s seriously creepy.
And then there’s Brooks Davis (Kyle Chandler).
Brooks is Max’s brother and, at first glance, he would appear to be everything that Max isn’t. Brooks appears to have a lot of money. He claims to have a successful career, even if no one’s quite sure what he does for a living. He drives a nice car. When he comes to town to visit his brother, he rents out a mansion. Brooks is the type of older sibling who always has an embarrassing story or two to share about his younger brother. In fact, Max feels so inadequate when compared to Brooks that it’s even interfering with Max and Annie’s efforts to have a child. When Brooks invites everyone to come to his house for a very special game night, Annie and Max are determined to beat Brooks at whatever game he’s planning on having them play.
It turns out that Brooks has hired a company to put on an interactive role-playing game. While listening to a fake FBI agent (Geoffrey Wright) explain the background of the mystery that they’re about to solve, the couples are shocked when several masked men burst into the house. Everyone’s impressed as the men beat the fake FBI agent unconscious. When the men start beating up Brooks, everyone praises Brooks for the realism of his game. After Brooks is dragged out of the house, the couples set out to solve the mystery of who is behind this kidnapping. As for the fake FBI agent, he lies on the floor motionless. Even when Ryan kicks his body, the agent doesn’t move. Everyone agrees that the agent is a really good and committed actor.
Of course, the joke is that Brooks really has been kidnapped but nobody realizes it. It’s a good joke but, to the film’s credit, it’s not the only joke. In fact, Game Night actually get funnier after everyone eventually realizes that they’re no longer playing a game. Ever after they realize that Brooks actually has been kidnapped, Annie and Max are so competitive that they still keep trying to outdo everyone else.
Annie and Max also discover that they have no choice but to involve their creepy neighbor and former friend, Gary. Jesse Plemons doesn’t have a lot of screentime but he gives a performance that is so exquisitely strange and awkward that he ends up stealing the entire movie. Watching Plemons, you both feel sorry for Gary and understand why no one wants to play with him. His desperation to be apart of the group is both exasperating and somewhat touching.
In fact, the entire cast does a good job, bringing their often clueless characters to life. Max and Annie are a likable couple and Bateman and McAdams have a natural chemistry that makes them a lot of fun to watch. There’s a great scene where Max and Annie, still thinking that they’re just playing a game, subdue a group of criminals in a bar. Max and Annie’s clueless joy is intoxicating. They’re having fun playing at being tough and we’re having fun watching them. Of course, it eventually turns out that the gun that Annie thought was a toy is real and loaded and … well, things get a little bit messy. While the scene where Annie and Max try to figure out how to dig a bullet out of a man’s arm may have made me cringe a little, it also made me laugh. That’s a credit to both Bateman and McAdams, who made the scene both real and funny at the same time.
Anyway, I really enjoyed Game Night. Clocking in at 100 minutes, it’s a briskly paced and good-natured comedy that never makes the mistake of lingering for too long over its own cleverness. Director Jonathan Goldstein and John Francis Daley both redeem themselves for 2015’s Vacation. If, earlier this year, you missed this one when it was in theaters, see it now and have a good time.
I’ve told you Dear Readers before that Randolph Scott stands behind only John Wayne in my personal pantheon of great Western stars. Scott cut his cowboy teeth in a series of Zane Grey oaters at Paramount during the 1930’s, and rode tall in the saddle throughout the 40’s. By the mid-50’s, Scott and his producing partner Harry Joe Brown teamed with director Budd Boetticher and writer Burt Kennedy for seven outdoor sagas that were a notch above the average Westerns, beginning with SEVEN MEN FROM NOW. The second of these, THE TALL T, remains the best, featuring an outstanding supporting cast and breathtaking location cinematography by Charles Lang, Jr.
Scott plays Pat Brennen, a friendly sort trying to make a go of his own ranch. Pat, who comically lost his horse to his old boss in a wager over riding a bucking bull, hitches a ride with his pal Rintoon’s…
On Sunday night, I watched the third chapter in the Stalked By My Doctor franchise, Patient’s Revenge!
Why Was I Watching It?
The obvious answer is that I was watching it because it was on Lifetime. This summer, Lifetime is going to be premiering a new movie every Sunday. Given my obsession with Lifetime movies, it shouldn’t be hard to guess what I’ll be doing on most Sunday nights.
And finally, there’s the Eric Roberts factor. Quite a few of us here at the TSL Bunker are fascinated by the always interesting, often downright bizarre career of Eric Roberts. He’s a talented and always quirky actor who apparently really likes to work. The appeal of Eric Roberts is you never know where he’s going to turn up. You can find him in theaters. You can find him on Lifetime. You can find in him in blockbusters and you can find him in short students films. You can even find him in music videos. Eric Roberts is everywhere! And, even more importantly, he’s always willing to throw himself into every role that he plays, no matter how bizarre that role may be.
What Was It About?
Following the events of the second Stalked By My Doctor film, Dr. Albert Beck (Eric Roberts) was put on trial for kidnapping Sophie Green (Brianna Joy Chomer). Despite all of the evidence against him, Dr. Beck was acquitted. (Perhaps it had something to do with the way he smiled and waved at one certain juror during the trial…) Now, Dr. Beck is teaching at a college in Arizona. To most people, Dr. Beck appears to be perfectly normal, if understandably anxious. However, it doesn’t take long to discover that Dr. Beck still has plenty of issues.
For instance, the first time he steps into a classroom, he immediately imagine all of his students undressing in front of him. Whenever Beck talks to himself, he imagines that he sees another Dr. Beck sitting in front of him. The imaginary Dr. Beck wears a Hawaiian shirt and always seems to disagree with whatever the real Dr. Beck wants to do.
Following Beck’s acquittal, Sophie has started dressing in all black. She’s also secretly transferred to Dr. Beck’s school, where she immediately starts to circulate a petition to get him fired. However, Dr. Beck apparently has a new girlfriend. Her name is Melissa (Anna Marie Dobbins) and she appears to be just as obsessed with Dr. Beck as Dr. Beck once was with Sophie. When Melissa says that she’ll do anything to protect Dr. Beck, she’s not exaggerating. Soon, Melissa is taking things further than even Dr. Beck could have predicted…
What Worked?
Three words: Dancing Eric Roberts. At one point, out of nowhere, Dr. Beck starts to sing to Sophie. He takes her hand and the two of them start to dance by the side of the road. Of course, it’s another one of Dr. Beck’s fantasies but who cares? It’s a brilliantly strange and unexpected moment and it’s also a perfect example of what makes the Stalked By My Doctor films so much fun. Dr. Beck is such a flamboyantly unhinged character that literally anything can happen.
Just as in the previous two films, Eric Roberts appears to be having the time of his life in the role of Dr. Beck. He’s just so weaselly and desperate to be viewed as normal that it becomes fascinating to watch him try to fool everyone. Each Stalked By My Doctor film starts with the question of just how far Dr. Beck is going to go this time and, thanks to Roberts, it’s always a lot of fun to discover the answer. Rather brilliantly, in this installment, Roberts plays up Beck’s befuddlement. Often times, not even Dr. Beck can believe how crazy he is!
(“Did I do that?” Beck sincerely asks himself at one point.)
Brianna Joy Chomer and Anna Marie Dobbins also did good work in their roles. Dobbins, especially, seemed to be having a lot of fun outcrazying Dr. Beck.
There’s a twist towards the end of the movie, of course. You might see the twist coming but it’s still entertaining. In fact, the whole film is entertaining. This is a fun and over-the-top Lifetime melodrama, one that knows better than to take itself too seriously. With each wink at the audience, it invites us to relax and enjoy.
What Didn’t Work?
It all worked!
“Oh my God! Just like me!” Moments
Much like Sophie, I used to always wear black. And, much like Melissa, I’ve learned that pretending to faint is a good way to become the center of attention.
I pride myself on having seem almost every horror film made during the 1930’s, though once in a while an obscure title comes along whose attention has escaped me. But how on Earth did I miss THIRTEEN WOMEN, especially with a cast headlined by Irene Dunne (of all people!) and Myrna Loy ? This fast-paced thriller involving hypnosis, astrology, and serial murder is downright nasty, and has been cited as a precursor to the “slasher” genre… not to mention a whole lot of fun!
We begin with circus performer June Raskob receiving a letter from the mysterious Swami Yogadashi with her horoscope attached, predicting impending doom in the stars for her. But it’s her sister who dies, plunging to her death during their trapeze act (shown in gruesome detail), and poor June goes hopelessly insane. The scene shifts to exotic half-caste Ursula Georgi, who has the Swami under her hypnotic…
Frank McHugh got a rare starring role in the comedy THREE MEN ON A HORSE, based on the hit Broadway play by George Abbott and John Cecil Holmes. McHugh was usually cast as the funny friend of fellow members of “Hollywood’s Irish Mafia “ James Cagney and Pat O’Brien, but here he takes center stage as a meek, hen-pecked type who has an uncanny knack for picking winning horses – as long as he doesn’t bet on them!
Greeting card writer Erwin Trowbridge is beset by a whiney wife, obnoxious brother-in-law, and bullying boss. After a row with wifey brought on by meddling bro-in-law, Erwin leaves his humble Ozone Park, Queens abode and decides to skip work and get sloshed. Stumbling into a seedy hotel bar frequented by Runyonesque gamblers, Erwin gives them a winning pony – then passes out. The three mugs, Patsy, Charlie, and Frankie, bring him up…
What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!
Last night, if you happened to be awake at 2:30 in the morning, you could have turned over to Starz and watched the 1997 film, Donnie Brasco.
Benjamin “Lefty” Ruggiero (Al Pacino) has spent his entire life as a loyal Mafia soldier. It’s the only life that he knows and he can tell you some stories. He remembers the early days, back when men like Lucky Luciano, Frank Costello, and Meyer Lansky were in charge of things. Lefty is proud to say that, over the years, he’s successfully carried out over 20 hits. Lefty is lucky enough to be an associate of an up-and-comer nicknamed Sonny Black (Michael Madsen). While Sonny was in prison, Lefty kept an eye on Sonny’s family. Lefty feels that Sonny owes him. Whether Sonny feels the same way isn’t always quite clear.
Lefty’s problem is that everyone loves him but few people respect him. The aging Lefty is viewed as being a relic and, at most, they merely tolerate his constant bragging. Lefty may fantasize about the big bosses knowing who he is but, when he tries to greet one of them at a party, it becomes clear that he doesn’t have the slightest idea who Lefty is. Lefty spends his time worrying that he’s dying and dreaming of one last opportunity to make a name for himself.
In fact, perhaps the only really good thing that Lefty has going for him is his friendship with Donnie Brasco (Johnny Depp). Donnie is a jewel thief, a tough and volatile orphan who Lefty introduces to Sonny. Sonny is immediately impressed with Donnie. In fact, Sonny thinks so highly of Donnie that he assigns Donnie to look over his operations in Florida. Lefty can only watch as his protegé’s star starts to eclipse his own. But that’s not necessarily a bad thing. As Lefty explains it, Donnie’s success is also Lefty’s success because Lefty is the one who brought Donnie into the crew. Of course, if Donnie ever fails, the failure will be on Lefty as well.
As for Donnie … well, his name isn’t actually Donnie. His real name is Joe Pistone and he’s a FBI agent. When he first agreed to work undercover, he was told that the assignment would only last for a few months. Instead, the months turn into years and, piece by piece, Joe vanishes as he transforms into Donnie. The formerly soft-spoken college graduate is soon beating up waiters and chopping up bodies in basements. His wife (Anne Heche) fears that her husband may no longer exist. “I am not becoming like them,” Joe/Donnie says at one point, “I am them.”
Donnie Brasco is hardly the first film to examine life in the Mafia. It’s not even the first movie about an undercover FBI agent who manages to worm his way into the mob’s hierarchy. What sets Donnie Brasco apart are the performances of Pacino, Depp, Heche, Madsen, and, as a talkative mob associate, Bruno Kirby. As played by Pacino, Lefty may be a hardened killer but he’s also just a working class guy who wishes that his boss would just show him a little appreciation. Lefty may be capable of casually shooting a guy in the back of the head but, at the same time, there’s something heartbreakingly sad about the sight of him tearing up a greeting card that he hoped to personally deliver to the big boss. As for Johnny Depp, he gives a surprisingly restrained performance, rarely raising his voice except when he’s yelling at his family. Donnie may appear outwardly calm but the stress of losing his identity is always present in his eyes.
Interestingly, for a mob movie, there’s little violence to be found in Donnie Brasco. It’s not until 90 minutes in that we get the expected scene of rival mobsters getting ambushed and gunned down. Donnie Brasco isn’t about violence. Instead, the film’s heart is to be found in the story of Lefty and Donnie’s odd friendship. Instead of being about who is going to kill who, this film is about Lefty’s desire to be something more than he is and Joe’s struggle to remember who he used to be before he became Donnie. It’s a touching and effective gangster film and one to keep an eye out for.
Through the Shattered Lens