Mark Gruner | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1971’s A Little Game. It can be viewed on YouTube!

Twelve year-old Robert Mueller (played by 13 year-old Mark Gruner, who would later go on to play one of Chief Brody’s kids in Jaws) just hasn’t been the same since his father died. Robert idolized his father, who was an architect who built bridges and reportedly pushed his workers to take a lot of dangerous risks to get the job done. Perhaps that explains why Robert is not getting along with his new stepfather, Paul Hamilton (Ed Nelson). Robert’s mother, Elaine (Diane Baker), is convinced that Robert will eventually come to accept Paul but Paul isn’t so sure.

Robert is a student at a private military academy. When he comes home for the holidays, he brings his “best friend” with him. Stu Parker (Christopher Shea) is friendly and polite but he’s also easily led and has a difficult time standing up for himself. Paul immediately sees that Robert is bullying Stu. Elaine, however, thinks that Paul is being too critical. That’s just the way boys are!

In his diary, Robert has written that he killed someone and that he’s sure that he got away with it. When Paul comes across the entry, he worries that Robert might be telling the truth. Paul goes as far as to hire a private detective (Howard Duff) to investigate whether there’s been any mysterious deaths at Robert’s school. Stu, meanwhile, explains that he and Robert sometimes play “a little game” where they imagine that best way to murder someone and get away with it. But Stu assures Paul that it’s just a game. They don’t actually kill anyone.

Is Stu telling the truth or is Robert just as dangerous as his deceased father, a man who Paul claims was a psychopath? Or is Paul himself the one who has become delusional with jealousy of his stepson?

The answer to those questions is pretty obvious from the minute that Robert and Stu show up at the house. In fact, it’s so obvious that it kind of leaves the viewer wondering how everyone else in the film could be so clueless. On the one hand, it’s understandable that Elaine would not want to admit that there is something seriously wrong with her son. On the other hand, how many times can anyone close their eyes to a very obvious truth? From the minute that Robert shows up, wearing his uniform and curtly ordering around the family’s maid (played by High Noon‘s Katy Jurado, who deserved a better role), he might as well have psychopath tattooed on his forehead.

That said, evil children movies are always somewhat effective, even the ones that are a bit too obvious in their approach. Psychologically, we’ve been conditioned to always associate children with innocence, optimism, and hope. Children are the future, so the saying goes. As such, it does carry some impact when they’re portrayed as being a force of danger. As I watched this film, I did find myself wondering if there was any hope for Robert. With all that he had done, could someone still reach him and turn him around? Or was he destined to go from being an evil child to an evil adult? It really does get to the question of whether evil is a real, almost supernatural force or if it’s something that’s created by a combination of environment and social taboos. Was Robert born evil or did he become evil? A Little Game doesn’t answer that question but I doubt that anyone could. Some questions are destined to be forever unanswered.

The 1978 film Jaws 2 poses a question that has been asked many times under many different circumstances:

When will people learn?

Seriously, you would think that after everything that happened during the first Jaws, the people of Amity Island would be a little bit smarter when it comes to sharks. I mean, did Ben Gardner, the Kintner Boy, Quint, and Chrissie Watkins all die in vain? If I lived on Amity Island, I would be so paranoid about another shark attack that I would probably move to Manitoba. At the very least, I would demand that the beach be closed if there was even the slightest chance that another great white shark was somewhere out there, eating anyone foolish enough to get back in the water.

It’s just common sense!

But no. In Jaws 2, when another shark shows up and eats two divers and a water skier before blowing up a motor boat, no one is even willing to consider shutting down the beach. Even after Chief Brody (Roy Scheider) insists that another shark has shown up, no one is willing to listen to him. “I know something about sharks!” Brody insists but the town council just shrugs him off. Maybe they think that Quint and Hooper did all the work the last time and that Brody was just along for the ride.

Of course, Brody does bring some of his problems on himself. Brody spends a lot of this film sitting in the dark, brooding about sharks. When he sees a shadow in the ocean, he runs down to the beach and starts shooting at it. “It’s just blue fish!” someone yells while Brody looks a little confused. How shocked can we really be when the town council fires Brody? He was a loose cannon.

Before he gets fired, Brody orders his teenage son, Mike (Mark Gruner) to stay out of the water. Of course, Mike doesn’t listen. He goes sailing with his friends and his younger brother, Sean (Marc Gilpin). That’s a big mistake, of course. As soon as Mike and company are a good distance away from Amity Island, the shark attacks and leaves them all stranded at sea. Mike is knocked unconscious. Sean is trapped on a boat all by himself. One of the teenage girls, Jackie Peters (Donna Wilkes), totally freaks out while her older sister, Brooke (Gigi Voran), suggests that they all play charades to pass the time. Everyone dismisses her idea but you know what? I have it on very good authority that sharks love charades. I think Brooke was on to something…

Jaws 2 is a strange, strange movie. It’s really two films in one. Jaws 2 starts out as an almost by-the-book remake of Jaws. True, Quint’s dead. And Richard Dreyfuss had just won an Oscar so there’s no way Hooper was going to come back. But Brody’s back and he’s once again an island police chief who is afraid of the water and who can’t get anyone to listen to him. Just as Jaws started out as almost a small town comedy, Jaws 2 has an early scene where Brody has to deal with the quirky citizens of Amity Island. (Unfortunately, Harry and his really bad hat don’t make a return appearance.) A scene where a dead killer whale washes up on the beach is shot to remind us of the scene in the first in which Hooper and Brody examine a dead shark.

But then, halfway through, Jaws 2 turns into a totally different movie. Suddenly, the teenagers are trapped out in the middle of the ocean and the shark is circling them and Brody is searching from them and the whole movie just goes insane. Roy Scheider abandons any attempt at subtlety as he becomes as obsessed with shark as Donald Pleasence was with Michael Myers in Halloween. The shark turns out to be incredibly sneaky. He’s never around until you stick your hand in the water and then suddenly — SHARK!

How powerful is this shark? He’s so powerful that he eats a freaking a helicopter! Seriously, a coast guard helicopter tries to rescue the kids and ends up getting eaten by the shark! That scene alone is worth whatever’s led up to it. (I think Jaws 2 might be the first film to feature a shark eating a helicopter.) The film only gets crazier from there, with Brody eventually reduced to verbally taunting the shark while clutching onto a power cable.

Now, admittedly, those stranded teenagers aren’t the most developed characters in the world. There’s a lot of them and it’s sometimes difficult to keep track of who is who. Fortunately, this is a 70s films and that means that Jaws 2 is all about the hair. You may not know their names but you’ll never forget their hair:

Check out some of the members of the Jaws 2 hair club:

Jaws, come out to play…

(Okay, Luther wasn’t actually in the movie but just imagine if he had been!)

Anyway, Jaws 2 cannot begin to hold a candle to the original Jaws but it’s still a lot of fun. Admittedly, there are a few parts, especially during the first hour, that drag in a way that Spielberg, the consummate story teller, would not have allowed. I could have done without some of the lengthy scenes where Brody tries to convince the city council that there’s another shark in the water, if just because we already know that the shark’s there and we can guess that the beach isn’t going to be closed. (After all, if the beach was closed, there wouldn’t be a movie…)

But once the teenagers are stranded in the ocean and the shark is eating the helicopter and Brody is calling it a bastard while hanging onto a power cable, there’s no way that you can resist the charms of this sequel. Jaws 2 isn’t exactly good but it’s just so entertaining!