Film Review: The Weekend Away (dir by Kim Farrant)


“First time in Croatia?” asks handsome taxi driver Zain (Ziad Bakri).

As soon as Beth (Leighton Meester) answers in the affirmative, we know that she’s in trouble.  If you’ve seen enough thrillers, you know that any trip to another country is going to lead to trouble.  Beth may think that she’s just going to be spending a week or two with her wild best friend, Kate (Christina Wolfe), but we know that something bad is going to down.  And the minute that Kate insists that Beth dress up and go to a club with her, we know that someone is going to end up missing.

The next morning, Beth wakes up with a hangover, a cluttered villa, and an absent best friend.  Where is Kate?  Kate and Beth were supposed to go on bicycle tour but now, Kate is nowhere to be found!  More than one person suggests that maybe she didn’t want to do the whole cycling thing.  I don’t blame her.  You go, Kate!  Don’t let your friend guilt you into doing something that lame!

However, Beth starts to have flashbacks to the night at the bar.  It turns out that Beth is almost as much of a lightweight as I am when it comes to drinking because a glass of wine has totally wrecked her memory.  When Kate’s landlord mentions that Kate brought two men back to the villa with them, Beth starts to think that something terrible has happened to Kate!  The police soon agree with her but they think that Beth is the culprit!

Teaming up with Zain, Beth starts to investigate on her own.  Her husband (Luke Norris) is not happy to learn that, while he’s in London with their baby, his wife is running around Croatia with a sensitive and widowed taxi driver,  Needless to say, it soon turns out that just about everyone involved has a secret that they’re trying to hide.

The Weekend Away is the latest Netflix original thriller.  It starts out on a good note, with Kate and Beth catching up on their lives in Croatia.  Leighton Meester and Christina Wolfe are convincing as old friends who have followed different life paths and Croatia itself looks both inviting and ominous at the same time.  Unfortunately, once Kate disappears, the film gets a bit uneven and some of the characters do some things that don’t really make sense and the actors themselves sometimes seem to be struggling to find a way to make their dialogue sound credible.  The film starts with a lot of promise but the mystery itself turn out to not be as interesting as one might hope.  That’s my long-winded way of saying that you’ll figure out what happened long before anyone else in the film does.

Again, it’s an uneven film but I do like to focus on the positive so I will say that the film was nice to look at.  The scenes in the club were well-directed and captured both the chaos and the fun of discovering an exciting city for the first time.  Leighton Meester and Christina Wolfe were convincing as friends and Luke Norris kept you guessing as Beth’s husband.  It’s the Netflix equivalent of fast food.  It’s the type of film that you enjoy for what it is and then you forget about it a few hours later.

Music Video of the Day: King of a Tragedy by Isak Danielson (2022, dir by Kalle Möller)


This is an enjoyably atmospheric music video.  It makes me want to read a paperback epic about intrigue in a royal court.

Enjoy!

I wanna burn in the fire below
I wanna dance with the devil you know
take me to heaven and don’t let me go
I am the king of a tragedy

Waking up to hear the siren
you’re the poison in my blood
I could do without the violence
god knows I’m not that tough

I keep loosing all my virtues ’
i’m a magnet to your pain
Waking up to hear the siren

I wanna burn in the fire below
I wanna dance with the devil you know
take me to heaven and don’t let me go
I am the king of a tragedy
king of a tragedy

I wanna surrender and sacrifice
the fear that I feel when I look in your eyes
Please take me to heaven before I die
I am the king of a tragedy
king of a tragedy

Every word you say is fragile
It’s like a walk on broken glass
I’m like a deer, so scared of your headlights
you got your right foot hard on the gas
can we stay right here forever
you make it hard to run away
Every word you say is fragile

I wanna burn in the fire below
I wanna dance with the devil you know
Take me to heaven and don’t let me go
I am the king of a tragedy
king of a tragedy

I wanna surrender and sacrifice
the fear that I feel when I look in your eyes
Please take me to heaven before I die
I am the king of a tragedy
king of a tragedy

ooohh I wanna see what it feels like
to run into your headlights
oooh you know me I’m craving the spotlight

I wanna burn in the fire below
I wanna dance with the devil you know
Take me to heaven and don’t let me go
I am the king of a tragedy
king of a tragedy

I wanna burn in the fire below
I wanna dance with the devil you know
Take me to heaven and don’t let me go
I am the king of a tragedy
king of a tragedy

I wanna surrender and sacrifice
the fear that I feel when I look in your eyes
Please take me to heaven before I die
I am the king of a tragedy
king of a tragedy

TV Review: Pam & Tommy “Destroyer of Worlds” (dir by Lake Bell)


After two blissfully Rand-free episodes of Pam & Tommy, Rand Gauthier (Seth Rogen) returned to dominate this week’s episode.  As soon as things opened with a close-up of Rand looking like someone had just run over his favorite pet, I groaned very loudly.  Rand is such an unlikable character and the show insists on trying to make us feel sorry for this loser.  Even if Seth Rogen wasn’t both miscast and intent on giving the worst performance of his career in the role, Rand would make Pam & Tommy difficult to watch.

Rand (or Reed or whatever his name is supposed to be) was basically upset because he wasn’t making any money off of the Pam and Tommy sex tape.  Instead, the bootleggers were making all the money.  Rand/Reed also got upset because cocaine addict Uncle Miltie (Nick Offerman) turned out to be a bad business partner.  Meanwhile, Butchie (Andrew “Dice” Clay, acting up a storm with little to show for it) wanted his money and demanded that Reed/Rand turn into a debt collector.  “I AM THE DESTROYER OF WORLDS!” a frustrated Rand declared as he collected a debt and seriously, what the heck?  (Folks, I gave up cursing for Lent.  Just go with me here.)  The episode’s best moment was when Rand tried to blackmail Tommy and Tommy reacted by setting the money on fire while Randy Reed watched.  What made this scene so great was that Tommy called Reedy Rand a loser.  Again, I got the feeling that we were supposed to feel bad for Rand but …. eh.  Who cares?  Rand is a loser and the mullet isn’t making him look any better.

If the highlight of the episode was Tommy setting that money on fire while taunting Rand, the show’s second best moment was Pam appearing on The Tonight Show and having to deal with a series of disrespectful and infuriatingly sexist questions from Jay Leno.  The actor playing Leno essentially played him as being the devil, which was kind of amusing.  Watching the scenes with Leno acting like a member of the Spanish Inquisition, I found myself thinking about how Ken Russell probably could have done something amazing with this material.  The scene ended with Pam having to talk Tommy out of beating up Jay Leno, which again was kind of amusing.  Just imagine if Tommy had stormed onto the Tonight Show set and thrown a punch while Jay was introducing Hugh Grant.  That would have been classic television.

As the Tonight Show debacle indicated, the release of Barb Wire was overshadowed by Pam and Tommy’s court case against Penthouse.  The judge ruled that the 1st Amendment gave Penthouse the right to publish still from the tape.  Tommy was too stupid to realize that the judge had ruled against him.  Pam responded with a monologue about how the judge was actually saying that it was okay to exploit her because she wore a swimsuit on Baywatch and she also previously appeared in Playboy.  Pam had a point but, as so often happens on this show, that point was somewhat negated by the fact that the real-life Pamela Anderson never signed off on having her life dramatized in Pam & Tommy and, as a result, the show is itself a bit exploitive.

The show also continues to feel a bit pointless, despite Lily James’s frequently excellent performance as Pam.  Again, it’s hard not to wonder why exactly this story demands the limited series treatment as opposed to the 90-minute movie treatment.  Indeed, by stretching thing out over 8 hours, Pam & Tommy just reminds us of how superficial this story really is.

One final note: early on in the episode, Butchie is shocked to discover that there’s a new coffee company in Seattle that’s called Starbucks.  I’ve noticed this is a joke that’s popped up in a lot of movies about the 90s and it feels rather lazy.  They should have made an AOL joke instead.

8 Things To Which To Look Forward To In March


It’s March!  March is the 3rd month of the year and it’s always been a favorite of mine, just because it has one of the best names of any month.  March!  It sounds so decisive and forward-looking.  Who doesn’t love that?

Here’s what I’m looking forward to in March:

  1. The Batman

Okay, honestly, I don’t know that I’m so much looking forward to The Batman as much as I’m just happy for everyone who I know can’t wait to see this movie tomorrow.  I will say that I support anything that brings Paul Dano to the public eye.  And I’m happy for Robert Pattinson, though I hope he will continue to also make challenging films like Good Time and Cosmopolis.  The Batman seems guaranteed to become the first really big hit of the year.  With Pattinson starring in this and Kristen Stewart having a decent chance to win an Oscar, it may be time to seriously reconsider the legacy of Twilight.

Critically, The Batman has been receiving the best reviews of the year so far.  If I have any doubts about the film, that’s due to the fact that it’s a 3-hour film and Twitter, which is where I’ve seen the most enthusiasm for The Batman, tends to be an echo chamber when it comes to evaluating the box office potential of comic book films.  If I’ve learned anything over the past year, it’s that you really can’t use Film Twitter as a way to gauge how enthusiastic the general public may or may not be for a movie.  If The Batman somehow does fail at the box office and we get yet another reboot, I guess they’re going to have to call it “A Batman.”  It’s hard not to feel that we’re running out of titles here.

2. The Oscars

The Oscars will finally be handed out on the 27th and, as always, we’ve got a lot planned for that day here at the Shattered Lens.  With all the controversy surrounding the show and the decision to do stuff like give out “Fan Favorite” awards, this year seems primed to be an even bigger fiasco than last year’s show.  Every “fix” that’s been announced for the show feels like a “threat.”  I mean, when you announce that the show is going to be hosted by Amy Schumer and Wanda Sykes, that also makes the promise of “time for more comedy bits” seem rather ominous.  (You’ll notice that I didn’t mention Regina Hall because she’s the best and really, she’s the only host the show needs.)  The Academy and ABC are so desperate to not go over that three-hour running time that I’m personally rooting for a four-hour show.  I want people to ramble on interminably in their speeches.  I want technical difficulties to slow things down.  I want the ABC execs to freak out as the clock strikes ten and the show is nowhere near being over.

Of course, the only question that really matters is whether the ratings will improve or not.  To be honest, I’m kind of hoping the ratings don’t improve because I don’t want the Academy thinking that “Fan Favorite” and less categories is the way to go.  My hope is that less than 100,000 people watch and the Oscars move to a streaming platform.  Next year, I want to see the Oscars on Peacock, with Mario Lopez and Elizabeth Berkley hosting.  Hmmm….maybe I shouldn’t watch this year….

3. A New Season of Survivor

Admittedly, the most recent season of Survivor was weird.  Jeff Probts kept trying to be nice and every member of the cast had some big, dramatic story to tell about their life back home.  There were a lot of emotional tribal councils.  There was a lot of hugging.  That’s not what we watch Survivor for.  Survivor is not meant to be a show that makes you feel better about humanity.  Survivor is supposed to be a show that celebrates betrayal and ruthlessness.  Survivor is about great villains, not sob stories.  Fortunately, a new season of my second-favorite (after The Amazing Race) reality show is starting in March and I hope it will be a return to the Survivor of old.

4. Deep Water

Finally, this Ben Affleck/Ana de Armas film will be getting its release!  Earlier this year, it went from being a theatrical release to a movie that’s going to premiere on Hulu.  Some people may think that’s a bad sign but personally, I think that indicates that the film will be enjoyably trashy.  We’ll find out this month!

5. A Day To Die

Another Bruce Willis film?  This will be Willis’s third film of the year and it’s only March!  I’ve made it my goal to watch every Bruce Willis appears in this year.  I still haven’t gotten started so I guess I’ll have to do an American Siege/Gasoline Alley/Day to Die marathon sometime this month.  My hope is that, at some point this year, we’ll get the Nicolas Cage/Bruce Willis/Frank Grillo collaboration that VOD fans have been waiting for.  (For the record, Frank Grillo is in A Day To Die but Nic Cage apparently is not.)

As for A Day to Die, I wonder how many people will accidentally watch it because they think it’s a Die Hard sequel.  You have to admire the hustle, that’s all I’m saying.

6. American Song Contest

Wow, that’s a bland title!  Anyway, this is America’s version of Eurovision.  Singers from all 50 states will be competing and I’m sure our media will not use this as a way to push this whole Blue State vs. Red State narrative that they are so proud of.  I’m looking forward to this because I can’t wait to hear how bad the songs are.  Vermont’s song will probably be some sort old folkie nonsense and I can’t wait to ridicule it on Twitter.  I know that’s kind of a negative way to look at things but fug it.  It happens.

7. Lent

I gave up cursing for Lent!

8. After Yang

I’ve heard very good things about this film, which will be premiering this Friday on Showtime.  I look forward to seeing it!

What are you looking forward to in March?

Music Video of the Day: Lost Track by HAIM (2022, dir by Paul Thomas Anderson)


At some point, in the future, it will be realized that Paul Thomas Anderson’s Haim videos constitute some of the best short films of the decade.  It’s the perfect collaboration between a group of artists.  This is their latest and video and you better enjoy!

[Verse 1]
Tryin’ to get on top
But it’s never easy
Mastered my own luck
But it wasn’t easy
I’m tryin’ to feel alright
Around all these people
I try, but I’m just numb
This time

[Chorus]
Deepest cut that I can’t feel
Found a grip on the steering wheel
I know a piece’s stuck
You can sit down if you don’t mind me standin’ up (Mind me standin’ up)
I know I was too good to pass (Too good to pass)
So me and you caused a chain reaction (Chain reaction)
I’ll take the smallest crumb
But I’ll never get back what I lost track of

[Verse 2]
Laugh when I’m still cryin’
Yeah, you know the deal
Burn but it’s still fine (Huh)
Yeah, you know the deal
Can’t redeem my love
That’s such a steal
But you can’t say I’m not tryin’
This time

[Chorus]
Deepest cut that I can’t feel
Found a grip on the steering wheel
I know a piece’s stuck
You can sit down if you don’t mind me standin’ up (Mind me standin’ up)
I know I was too good to pass (Too good to pass)
So me and you caused a chain reaction (Chain reaction)
I’ll take the smallest crumb
But I’ll never get back what I lost track of
Oh, I’ll never get back what I lost track of
I’ll never get back what I lost track of
I’ll never get back what I lost track of

[Outro]
I’ll never get back what I lost track
I’ll never get back what I lost track
I’ll never get back what I lost track
I’ll never get back but I’ve lost track

Scenes That I Love: Mardi Gras in Easy Rider


Happy March 1st!

Today is not only the 1st of March.  It’s not only Texas Independence Day.  It’s not only Zack Snyder’s birthday.  It’s not only the day of Texas primaries.  It’s not only the day when the State of the Union address is scheduled to be given (yawn!).  It’s also Mardi Gras!

What a busy day!

For today’s scene that I love, here is the Mardi Gras/Cemetery sequence from 1969’s Easy Rider.  Featuring Peter Fonda, Dennis Hopper, Karen Black, and Toni Basil walking through the streets of New Orleans, this scene was actually filmed during Mardi Gras.  Those are real Mardi Gras floats and real Mardi Gras participants staring at the camera.  That’s an actual citizen of New Orleans with whom Dennis Hopper appears to have nearly gotten into a fight.  And, in the cemetery scene, that was real acid that Peter Fonda took.

Here is today’s scene.  The scene is age-restricted so you’ll actually have to click on “watch on YouTube” to see it.

If you don’t want to click on “watch on YouTube,” here is a shorter version that just features the parade without the admittedly disturbing cemetery stuff.

I like how Toni Basil can’t help but dance, no matter what.

4 Shots From 4 Films: Special Zack Snyder Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

As I already mentioned, today is Zack Snyder’s birthday!  It’s taken a while but critics are finally starting to appreciate Zack Snyder.  All it took was seeing the Joss Whedon version of Justice League for some viewers to realize that, whether you always agree with his directorial choices or not, Zack Snyder is one of the most consistently interesting filmmakers working today.

Personally, so as not to be a hypocrite about this, I will admit that I’ve been pretty critical of Snyder’s DC films.  I make no apologies for that.  I’ll continue to make jokes about the excessive destruction of Metropolis and the “Why did you say Martha?” scene.  That said, Watchmen was a well-done film that continues to be influential.  People are finally starting to admit that Sucker Punch was pretty damn good.  Dawn of the Dead is one of the few horror remakes that pay homage to its source material while also establishing a worthwhile identity of its own.  And, even if I haven’t worked up the courage to sit through all four hours of it, Zack Snyder’s Justice League has inspired an enthusiasm that I rarely see amongst film fans.  “Release the Snyder Cut!” was one of the few twitter campaigns to actually get results.  Even the Snyder films that I dislike are unlike any other film.  Snyder has a unique artistic vision and that’s what we need more of.

So, in honor of the man’s birthday, here are….

4 Shots From 4 Zack Snyder Films

Dawn of the Dead (2004, dir by Zack Snyder, DP; Matthew F. Leonetti)

Watchmen (2009, dir by Zack Snyder, DP: Larry Fong)

Sucker Punch (2011, dir by Zack Snyder, DP; Larry Fong)

Army of the Dead (2021, dir by Zack Snyder, DP: Zack Snyder)

Happy Birthday, Zack Snyder!


Today is Zack Snyder’s 56th birthday! Happy birthday, Mr. Snyder!

Down here in Texas, today is also primary day. Voters will be selecting the candidates who will run in the November general election. I already know who I am voting for and, more importantly, I know who I hope doesn’t win his primary because there’s no way I want to spend 8 months watching his commercials every time I turn on TV or try to watch a YouTube video. Seriously, the dude is freaking annoying….

Anyway, with all that in mind, this advice from 2011’s Sucker Punch seems appropriate for today, both as an election day message and a reminder of the uniquely weird vision of Zack Snyder!

TV Review: The Walking Dead 11.10 “New Haunts” (dir by Jon Amiel)


Wow, life sure is fun as a member of The Commonwealth!

I just hope those Alexandrians don’t screw everything up!

Actually, we already know that life is not as perfect in The Commonwealth as the community’s leaders claim.  And we know that eventually, there will be a conflict between the Alexandrians and The Commonwealth, with Daryl apparently on the side of The Commonwealth.  We know all of that but, at the same time, it’s hard not to be impressed by the effort the Commonwealth put into giving everyone a happy Halloween.

Costumes?  You bet.

Haunted houses full of real walkers?  Okay, that seems hella dangerous but then again, it’s still better than anything Rick ever did for Halloween.

A masquerade ball?  Oh Hell yes!

The Commonwealth understand that importance of tradition as a way to tie a community together.  By putting on a traditional holiday, the Commonwealth allows its citizens to feel as if everything can somehow be normal once again.  There’s something to be said for that.  When the whole world is collapsing around you, it’s important to have some sliver of normalcy to hang onto.  That’s one thing that I don’t think Rick Grimes every truly understood and I’m not sure that Maggie gets it either.  It is, however, something that I think that Daryl understands.

Daryl obviously enjoyed Halloween with the Commonwealth.  He also enjoyed training with Mercer, even if he did disagree with some of Mercer’s decisions.  Mercer and Daryl are kindred souls and watching the two of them together, one could see how Daryl could potentially be drawn to choose the Commonwealth over the Alexandrians.  At the same time, Mercer’s attempts to keep Daryl and Rosita separated showed that Mercer understood that the best way to win Daryl’s loyalty was to isolate him.  In many ways, Daryl is still looking for a replacement for Merle and Mercer seems to fit the bill.

Meanwhile, Carol discovered that Elijah is closer to death than he’s admitted and that he probably won’t live long enough to receive the operation that he’s been promised.  Whether or not Carol is going to keep that a secret is an open question.  I have a hard time imagining that Carol won’t tell Elijah.  Knowing Carol, there’s always a chance she might take every doctor in the Commonwealth hostage and kill one every hour until they operate on Elijah.  I could see the idea forming in Carol’s head as the Commonwealth doctor explained to her that Elijah was too far down on the list.  I imagine that, at some point, Carol will discover that the Commonwealth leaders get preferential treatment under the Commonwealth medical system and that will probably drive her over the edge.  That’s just my prediction.

There is definitely a caste system in the Commonwealth and, as we discovered at the Masquerade Ball, not all of the citizens of The Commonwealth are as happy as they initially seem.  Then again, the same can be said of every community that’s sprung up in the world of The Walking Dead and that includes the Alexandrians.  If anything, the collapse of society has made the world even more hierarchal than it was before.  In many ways, of course, humanity continues to be in denial, even during the apocalypse.  Regardless of class, wealth, or power, everyone’s story reaches the same ending.  Everyone dies and everyone ends up as one of the Walking Dead.

Anyway, New Haunts was a nicely-done episode that allowed us a chance to see a bit more of life in the Commonwealth.  Right now, it looks like a nice way to live but I’m sure that will change over the upcoming few weeks.

Happy Halloween!

Lisa Marie’s Way Too Early Oscar Predictions For February


Is it too early to start talking about next year’s Oscar race?

Of course, it is!  But I’m going to do it anyway.

Below, you’ll find the installment of my monthly list of Oscar predictions, not for what will win at the end of March but instead for what we’ll see nominated next year.  Obviously, there’s a lot that we don’t know about what’s going to happen later this year.  Only a few of the movies listed below have firmly set release dates.  Needless to say, I haven’t seen any of the films below and, as a result, I’m largely going on instinct.  Who knows if the films will be as good as their plot descriptions?  As much as I hate the overused quote from William Goldman, right now, no one knows anything.  Indeed, it’s not really until Festival Season hits that we really start to get even a vaguely clear picture of the Oscar race and we’ve got a long way to go until Cannes.

(And really, it’s debatable how much of a factor Cannes really is.  If the Oscar nominations were determined by Cannes, Red Rocket and The French Dispatch would be battling it out for best picture right now.)

The predictions below are, for the most part, just random guesses.  Most of them involve people who have won Oscars in the past.  The Fabelmans is there because it’s a Spielberg film, just as Killers of the Flower Moon makes the list because it’s directed by Martin Scorsese and it stars Leonard DiCaprio and Robert De Niro.  And, of course, a lot of the predictions are just the result of wishful thinking on my part.  I think it would be kind of fun if David Lynch got an acting nomination for his role in The Fabelmans, whatever that role may be.  I also think it would be nice if Brendan Fraser got a nomination to go along with his recent comeback.  I don’t know much about The Whale, beyond the fact that Fraser plays a 600-pound man trying to reconnect with his daughter.  For now, that’s enough.

So, without further ado, here are my way too early Oscar predictions!  As always, take them with a grain of salt.

Best Picture

Babylon

The Fabelmans

The Holdovers

Killers of the Flower Moon

Kitbag

Maestro

She Said

TAR

White Noise

The Woman King

Best Director

Damien Chazelle for Babylon

Gina Prince-Bythewood for The Woman King

Martin Scorsese for Killers of the Flower Moon

Ridley Scott for Kitbag

Steven Spielberg for The Fabelmans

Best Actor

Bradley Cooper in Maestro

Brendan Fraser in The Whale

Paul Giamatti in The Holdovers

Ryan Gosling in The Actor

Brad Pitt in Babylon

Best Actress

Naomi Ackie in I Wanna Dance With Somebody

Ana de Armas in Blonde

Viola Davis in The Woman King

Cate Blanchett in TAR

Carey Mulligan in Maestro

Best Supporting Actor

Bobby Cannavale in Blonde

Robert De Niro in Killer of the Flower Moon

John Boyega in The Woman King

Tom Hanks in Elvis

David Lynch in The Fabelmans

Best Supporting Actress

Tantoo Cardinal in Killers of the Flower Moon

Laura Dern in The Son

Li Jun Li in Babylon

Da’Vine Joy Randolph in The Holdovers

Michelle Williams in The Fabelmans