International Horror Film Review: The Night Digger (dir by Alistair Reid)


The 1971 British film, The Night Digger, revolves around three people.

Maura Prince (Patricia Neal) lives in a dilapidated mansion out of London. She has never married and spends almost all of her time taking care of her blind mother, Edith (Pamela Brown). Edith goes out of her way to make sure that Maura will never have the courage to leave her and find happiness on her own. However, with the mansion falling apart around them, it’s becoming obvious that Maura cannot take care of the entire place on her own. That’s when a mysterious but handsome man named Billy Jarvis (Nichols Clay) rides up on his motorcycle and asks if the women need a handyman.

Billy has a dramatic story about his past, claiming that he lost almost everything that he owned as the result of a fire in a barn, one which also led to the death of his mother. Billy is charming and handsome and he ride a really impressive motorcycle and he looks good in a leather jacket.  He represents youth but he’s also the epitome of the rebel without a cause, the sensitive but inarticulate Marlon Brando of The Wild One or the biker played by Peter Fonda in The Wild Angels.  Some may look at him and only see a somewhat seedy character on a motorcycle but others look at him and see someone who is running from something and needs someone to take care of him.  They see the soul of poet within the body of a drifter, someone who needs to escape from his past and who can also provide a better future.  He’s the rebel without a cause, the one that everyone dreams about, even if some of those dreams are dreamt in secret.  Though one may have rode a bicycle and the other was knight of the round table, there is much Nicholas Clay’s future performance as Lancelot in John Boorman’s Excalibur to be found in his performance in The Night Digger.  Much like a groundkeeper in a D.H. Lawrence novel, he represents the secret and potentially dangerous earthy sensuality of Britain.

As a result, You certainly can not blame Maura for starting to fall in love with him. Nor can you blame Edith for wanting to have an athletic young man around as there have been stories about a madman who stalks the night, killing women. The Traveling Maniac, some have taken to calling him. Complicating the matter, though, is the fact that Billy just happens to be The Traveling Maniac. With Maura falling in love with him, will she discover the truth or will she become his next victim?

The Night Digger took me by surprise. I wasn’t expecting much from this film when I watched it last year but it turned out to be rather clever and suspenseful thriller, one that told its story with a good combination of black humor and emotional honesty. Atmospherically directed by Alistair Reid and featuring a trio of excellent lead performances, The Night Digger was compelling compelling thriller, a gothic horror story with a great ending. This is definitely one to keep an eye out for!

10 Shots From 10 Horror Films: 1981 — 1983


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at 1981, 1982, and 1983!

10 Shots From 10 Horror Films: 1981 — 1983

The Funhouse (1981, dir by Tobe Hooper. DP: Andrew Laszlo)

The Beyond (1981, dir by Lucio Fulci, DP: Sergio Salvati)

The House By The Cemetery (1981, dir by Lucio Fulci, DP: Sergio Salvati)

The Evil Dead (1981, dir by Sam Raimi, DP: Tim Philo)

Creepshow (1982, dir by George Romero, written by Stephen King, DP: Michael Gornick)

Tenebrae (1982, dir by Dario Argento, DP: Luciano Tovoli)

Poltergeist (1982, dir by Tobe Hooper, DP: Matthew F. Leonetti)

The Dead Zone (1983, dir by David Cronenberg, DP: Mark Irwin)

Christine (1983, dir. John Carpenter, DP: Donald M. Morgan)

Halloween III: Season of the Witch (dir by Tommy Lee Wallace, DP: Dean Cundey)

Horror Film Review: I Walked With A Zombie (dir by Jacques Tourneur)


The 1943 horror film I Walked With A Zombie tells a zombie story that would probably seem strange to modern zombie fans. There’s no cannibalism. There’s no feasting on brains. There’s no talk about how the only way to stop a zombie is to shoot them in the head. In fact, the zombies in I Walked With A Zombie may be referred to as being the “living dead” but they’re not actually dead. Instead, if anything, they’ve been cursed. Maybe they’re possessed. Maybe they’ve been brainwashed. Maybe they’re lobotomized. Who can say for sure?

Instead of being the type of zombies that were made famous by George Romero’s Night of the Living Dead, the zombies in I Walked With A Zombie hew closer to the zombies of Haitian legend. These zombies suffer from a sort of mental paralysis. Unable to think for themselves, they wander about in a sort of permanent limbo, trapped between life and death and under control of the voodoo priests who transformed them.

This moody and, at time, rather dream-like film deals with Besty Connell (Frances Dee), a Canadian nurse who has been hired by Paul Holland (Tom Conway), who owns a sugar plantation on a Caribbean island. Paul’s wife, Jessica (Christine Gordon) has apparently been taken ill and, as a result, is behaving strangely. Often, she wanders about with a glazed look in her eyes, almost as if she’s trapped in a sort of dream-state. Paul believes that it’s the result of the severe fever that Jessica previously suffered with. The locals, meanwhile, gossip that, right before Jessica was taken ill, she was having an affair with Paul’s alcoholic half-brother, Wesley (James Ellison). Betsy’s attempts to care for Jessica and understand her condition will lead to Betsy exploring not only the island’s voodoo culture but also …. walking with a zombie!

I Walked With A Zombie is a deliberately paced film, one that focuses more on creating and maintaining an ominous mood than on going for the type of jump scares that we’ve come to expect from most horror movies. I Walked With A Zombie is all about atmosphere and ambiguity. Indeed, it’s never determined for certain whether or not Jessica’s condition is due to a voodoo curse or if perhaps it really is just due to her earlier fever. It’s left to the audience to decide.

Directed by Jacques Tourneur and produced by Val Lewton (the same time team behind the original Cat People), I Walked With A Zombie is an effective and well-acted film, one that also features some gorgeous black-and-white cinematography and an interesting subtext about colonialism. (Upon arriving on the island, Betsy discovers that the Holland family made their fortune through the slave trade and that they still have the figurehead of an old slave ship displayed in their courtyard.) It may not be frightening by today’s standards but it is still a thought-provoking film and one that should be seen by anyone who is a serious zombie fan.

Live Tweet Alert: Watch The Collector with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, ArtAttackNYC will be hosting 2009’s The Collector!

Not to be confused with William Wyler’s classic film, 2009’s The Collector is about a serial killer doing serial killer things.

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Horror On The Lens: Monstroid: It Came From The Lake (dir by Kenneth Hartford)


Monster_aka_-Monstroid,_It_Came_from_the_Lake-_poster_1980

Today, we have a little indie film from 1980.  This film was released under several names, including Monster.  However, I prefer the title under which it has been included in several Mill Creek box sets: Monstroid: It Came From The Lake!

Monstroid tells the story of what happens when a monster emerges from a lake and starts killing people in Columbia.  Superstitious villagers blame a local woman whom they believe to be a witch.  Even though the town priest (and no horror fan should be surprised to discover that the priest is played by John Carradine) claims that he can exorcise the evil spirits that have possessed her, the villagers would rather burn her at the stake.  Meanwhile, the local Big Evil Corporation has sent in Travis (James Mitchum) to take care of the monster!

And what a monster!  Listen, there’s a lot of negative things that I could say about this low-budget film but the monster is simply adorable and must be seen by anyone who appreciates the rubber monsters that populated horror films in the days before CGI.

Plus, how can you resist a film that features not only Robert Mitchum’s son but John Carradine as well?

Enjoy Monstroid: It Came From The Lake!

October Positivity: You & Me, Us, Forever (dir by Dave Christiano)


A 2008 film with an incredibly unwieldy title, Me & You, Us, Forever, tells the story of Dave (Michael Blain-Rozgay).  Dave is an advertising exec.  Originally from New York, he now lives in North Carolina.  He has only recently gotten divorced and he’s still struggling with his feelings.  His ex-wife makes it a point to call him from her new boyfriend’s house so that his name will appear on Dave’s caller ID.  Dave’s teenage daughters only spend a limited amount of time with him and, even if they are surprisingly open to playing Scrabble with him, it’s obvious that they’re growing up without him.  Dave’s business partner says that Dave needs to move on and just put his faith in God.  Dave, however, would rather think about Mary (Sandi Fix).

Mary was the girl that Dave dated during his senior year of high school.  He broke up with her while he was in college and he’s always regretted it.  He starts to think that maybe his life would have been perfect if he had just married Mary.  Dave’s business partners points out that God didn’t want Dave to marry Mary.  (But did God want Dave to marry the woman who cheated on him and now taunts him by calling him from her boyfriend’s house?)  One thing that no one mentions is that neither one of his daughters would exist if he had married Mary.

Even after Dave starts attending a Christian support group for divorced people and meet a single woman named Carla (Stacey J. Aswad), he can’t stop wondering about Mary.  Even after he finds out that she is now married and has a very good life with her husband and her family, Dave cannot stop thinking about Mary.  Even though everyone tells Dave that it’s a bad idea, he is determined to go to New York and see her.

The main problem with Me & You, Us, Forever (other than that really long title) is the fact that Dave’s dilemma is presented as being a crisis of faith when, in reality, he’s just an immature and selfish man who is having a midlife crisis.  Everyone keeps telling Dave that God doesn’t want him to try to get back together with Mary but really, you don’t have to be a Christian to realize that Dave’s plan isn’t a good one.  You just need common sense!  I’m sure that a Muslim would have been just as quick to tell Dave that seeing Mary was a bad idea as Dave’s Christian business partner was.  For that matter, I imagine many atheists would have had the same opinion.  Dave’s a jerk, regardless of his religious beliefs.

This is a Dave Christiano film so, not surprisingly, there’s some talk about how divorce is the work of the devil.  In reality, it’s sometimes best for people to get divorced.  Good people get divorced for a lot of reasons and it’s not always as simplistic as one person screwing up while the other essentially remains blameless.  (For instance, Dave never considers that his wife may have left him because she could tell he was still obsessed with an old high school girlfriend.)  My parents got divorced and it wasn’t necessarily easy for me and it led to me acting out in a lot of ways when I was younger but, all these years later, I’m now mature enough to understand that it was exactly what they needed to do.

This film is a long 91 minutes.  There are conversations that just seem to go on forever.  That said, I do think that  Christiano did an okay job with the scene in which Mary and Dave finally talk about their past and their present.  That scene was handled with a sensitivity that’s missing from most of the movie.  As well, I think Stacey J. Aswad gave a good performance as Carla.  She made Carla into a sympathetic character.  I couldn’t help but feel that she deserved a better friend than Dave.

Horror On TV: Circle of Fear 1.14 “Death’s Head” (dir by James Nielson)


Circle of Fear!?

What happened to Ghost Story!?

Fear not, they’re the same show.  Apparently, Ghost Story was struggling in the ratings so William Castle changed up both the show’s format and the title.  Ghost Story became Circle of Fear and, sadly, Sebastian Cabot was dumped as the show’s host.

The first episode of the new Circle of Fear era featured Janet Leigh as the wife of a man who loves insects.  Unfortunately for him, Leigh hates insects.  This, along with an adulterous affair, can only lead to murder and that, of course, can only lead to the moths coming for revenge.

That may sounds silly but let me tell you, I totally agree with Janet Leigh when it comes to moths.  If you want to see me run out of a room, just point out that there’s a moth flying around.  Agck!

This episode originally aired on January 5th, 1973.

The TSL’s Horror Grindhouse: Planet of the Dinosaurs (dir by James Shea)


This 1977 film begins with a bunch of goofy-looking astronauts crash-landing on a desert planet. After their spaceship slowly sinks into a lake, the astronauts try to set up camp so that they can wait to be rescued. Unfortunately for them, there’s some dinosaurs living on the planet and the astronauts soon find themselves being stalked by prehistoric predators!

Now, it’s true that I said that this was unfortunate for the astronauts. However, it’s very fortunate for us the viewers because the dinosaurs are a hundred times more adorable than the astronauts.  Indeed, the astronauts tend to be out-of-shape and the men have made some truly unfortunate hair decisions.  The female astronauts, meanwhile, all seems as if they should be posing in front of a car at an auto show.  Everyone delivers their lines with a good deal of forced drama, destroying the myth of the calm and cool astronaut.  Sorry, Tom Wolfe, but there’s no right stuff to be found amongst this crew. Again, we are fortunate that this is one of those low-budget sci-fi films that made use of model dinosaurs and stop motion animation.  There’s something just undeniably fun about watching a bunch of hammy, unknown actors pretend to be terrified of what appears to be a child’s toy. (The most menacing of the dinosaurs is a dead ringer for the dinosaur from the Toy Story films.) Planet of the Dinosaurs is a deeply silly movie but, if you’re a fan of dinosaurs and old timey special effects, you’ll find a lot to enjoy. Just don’t make the mistake of taking anything about it seriously. Of course, the fact that the majority of the astronauts look like they should be dancing under a disco ball instead of exploring space will probably ensure that you stop taking the film seriously long before even the first dinosaur shows up.

In fact, my only real complaint about this film is that there simply aren’t enough dinosaurs. Yes, there’s a T-Rex. And yes, there’s that one-horned dinosaur that looks like a really dangerous armadillo. There’s a few other dinosaurs as well but, to be honest, I feel like a Planet of the Dinosaurs should just be crawling with them. Instead, it appears that there were only six or seven dinosaurs on this planet.  I guess it’s possible that there could have been more dinosaurs on the other side of the planet but still, the planet seemed to be pretty sparsely populated.  Maybe the other dinosaurs were hibernating.

Now, you might be wondering how all these dinosaurs showed up on the planet. Early on, one of the astronauts establishes that the planet is on the same “evolutionary track” as Earth, it’s just several years behind. So, apparently, there are dinosaurs on every Earth-like planet. I guess that’s fine but I was hoping for a Planet of the Apes-style reveal, with the Statue of Liberty or some other monument suddenly showing up. A planet where dinosaurs evolved from men? That would have made the movie a true classic!

Even without the Statue of Liberty, Planet of the Dinosaurs is fun. Silly, but fun.

A Blast From The Past: The Vanishing Lady (dir by Georges Méliès)


In this short film from 1896, Georges Méliès shows off not one magic trick but actually four.  He makes a woman disappear.  He makes a skeleton appear.  Then he makes the skeleton disappear and then he brings the vanishing lady back.  Today, of course, we all know how these tricks were done but just imagine how audiences in 1896, many of whom were still amazed that movies could exist at all, would have reacted to this short film.  This film provides a look into a simpler and more innocent time.  Watching this film, I found myself wishing that I could feel the wonder at a movie that someone in 1896 would have.  Sadly, audiences are far more jaded today.

Personally, I liked that both Méliès and the Vanishing Lady stepped back onstage to take a little bow.  Even in those early days of cinema, they understood the importance of connecting with the audience.

Retro Television Review: One World 1.13 “Love Is A Many Splinted Thing” and 2.1 “Love and Foster Kids Aren’t Always Blind”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing One World, which ran on NBC from 1998 to 2001.  The entire show is currently streaming on Tubi!

The Cast of One World

This week, the first season of One World ends with a new couple and the second season begins with a shocking break-up.  Let’s dive right into it …. because we’re living in one world….

Episode 1.13 “Love is a Many Splintered Thing”

(Directed by Chuck Vinson, originally aired on December 12th, 1998)

As the first season comes to a close, Ben and Jane finally go on their first date together.  Unfortunately, because they are both foster kids, they’re not allowed to live under the same roof if they’re dating.  Ben is willing to move out but Jane doesn’t want to be responsible for breaking up the Blake family.  At first, they decide to set aside their feelings for the good of the family but then they decide, “Eh, who cares?”  And good for them!  Nothing should stand in the way of true love.

Meanwhile, Sui tries out for the Olympic soccer team and …. doesn’t make it.  But she gets a pep talk from an older player, who assures Sui that she is the greatest young soccer player in the world and that she’s destined to be a big star.  While discussing knee injuries, the older player says that she’s been to rehab “more times than Robert Downey, Jr.”  Ouch!  Take that, future Iron Man!

Finally, Neal gets the phone number of a girl named — hey! — Lisa but then he loses it when Cray and Marci accidentally donate his pants to charity.  When he sees someone who might be wearing his pants, he enlists Cray to pick the man’s pockets.  Cray ends up getting arrested as a result.  Are these kids ever going to get off probation?

Anyway, as far as season finales go, this one wasn’t bad.  The dialogue got a little bit heavy-handed, as often tended to happen  whenever TNBC tried to get dramatic.  But, after 12 episodes, the cast definitely felt like a real family and the chemistry between everyone was believable.  Jane and Ben seems like they’ll be a great couple!

Or will they?  Viewers in 1998 would have to wait an entire spring and summer to find out!  However, readers today can find out right now.

Episode 2.1 “Love and Foster Kids Aren’t Always Blind”

(Directed by Mary Lou Belli, originally aired on September 11th, 1999)

Two months after he and Jane became a couple, Ben is no longer living with the Blakes.  He’s moved into an apartment so trashy that it floods whenever it rains.  However, he and Jane are now a couple.  Unfortunately, Jane is no longer in love with Ben.  It turns out that, according to Jane, “trust and love aren’t the same thing.”  After Jane and Ben break up, Ben can safely move back into the house.  Yay!

But wait, the Blakes have adopted another teenager, Eddie.  And Eddie’s blind!  Surely they’re not going to kick out a blind kid.  Oh wait, it turns out that Eddie’s just faking to get special treatment.  Once Neal figures out that Eddie can see, it becomes perfectly acceptable to kick Eddie out and back into the system.  Ben moves back in and, like magic, the show is back to where it all started.  Well, that was convenient….

In fact, it’s all a bit too convenient and considering what a good job the show did bringing Ben and Jane together, it’s hard not to be disappointed with how cavalierly it broke them up.  Seriously, if Jane and Ben can’t make it, what hope is there for the rest of the world!?

We’ll find out next week.