4 Shots From 4 Horror Films: The Early 50s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the early 50s!

4 Shots From 4 Horror Films: The Early 50s

The Thing From Another World (1951, dir by Christian Nyby, DP: Russell Harlan)

It Came From Outer Space (1953, dir by Jack Arnold, DP: Clifford Stine)

The War of the Worlds (1953, dir by Byron Haskin, DP: George Barnes)

House of Wax (1953, dir by Andre de Toth, DP: Bert Glennon, J. Peverell Marley, and Lothrop B. Worth)

Horror Film Review: Dark Was The Night (dir by Jack Heller)


The 2014 horror film, Dark Was The Night, takes place in the town of Madison Woods.

Madison Woods is a small, isolated town that is located somewhere up north.  It’s one of those dreary blue collar towns where everyone knows everyone else.  Most of the citizens work in the logging industry, attend the same church, and drink at the same bar.  It’s not a town where much happens.  The police force consists of two guys, Sheriff Paul Shields (Kevin Durand) and his new deputy, Donny Saunders (Lukas Haas).  Donny worked in New York City before moving to Madison Woods.  Shields is currently estranged from his wife.  That’s the type of thing that passes for big news in Madison Woods.

When one of the local farmers complains that one of his horses has disappeared, Shields and Saunders assume that the horse has just run off.  When other animals start to disappear, Shields continues to insist that it’s all just a coincidence.  When the local hunters start to talk about an ancient legend of a monster that lives in the woods, Shields replies that there are no monsters and, for good measure, there’s no God as well.  (In many ways, Shields is a perfect example of the old joke about how the best way to spot an atheist is to wait a few minutes and he’ll tell you.)  Even when weird cloven footsteps start to show up around town and Shields himself spots something in his backyard, the Sheriff continues to insist that there is a rational explanation for all of this.  Meanwhile, Saunders hangs out at the bar and drinks and really, who can blame him?  As far as I can tell, it’s not like Madison Woods has a movie theater or anything like that.  It’s a really boring town.  You can either develop the beginnings of a drinking problem or you can start random fights or you can get ripped apart by the thing in the woods.  Make your choice.

Eventually, Shields and Saunders do discover that there is something lurking out in the woods.  And, despite their attempts to come up with a rational explanation, the creature proves itself to be more than just some animal.  Instead, it’s a true supernatural monster, tracking its prey through the community.  As a group of loggers discover at the start of the movie, the creature is just as quick to attack humans as it is to go after deer and other wild animals.  With the entire town locked away in the church basement (because, as Night of the Living Dead proved, the basement is always the safest place), Saunders and Shields try to figure out how to stop a monster that neither one of them has ever seen before.

Dark Was The Night was loosely inspired by a true story.  In 1885, the citizens of Topsham in the UK were stunned to wake up one cold morning and discover a series of cloven footprints in the snow.  The footprints led through the entire city and it appeared that whatever was responsible for them had stopped in front of every house and place of business.  Some claimed that the footprints belonged to the devil while others said that it was just some sort of animal.  The Devil’s Footprints, as the story became known, serves as a bit of Rorschach test.  Those inclined to believe in the supernatural have little trouble believing that the Devil visited the town of Topsham while the more rational among us assume that the footprints were left by a wild animal and then people saw whatever they wanted.  Dark Was The Night moves the story to the modern day and to America but the question remains the same.  Is there really a monster in the woods or, as Shields initially believes, are people just seeing what they want to see?  Unfortunately, the film reveals the monster’s existence within its opening minutes.  The film would have perhaps been more effective if there had at least been some mystery about whether or not Shields’s initial instincts were correct.

Dark Was The Night is a deliberately paced film, which again would be more effective if there was any mystery at all as to whether or not the monster actually existed.  On the plus side, the film is full of atmosphere and Kevin Durand and Lukas Haas are both effective as the two lawmen who find themselves in over their heads.  Fans of Lost will remember Durand as the evil Martin Keamy, who was one of the most heartless characters to ever appear on that show or any other show.  Durand gets to play the hero in Dark Was The Night and gives a good performance as a man who discovers that not everything has a rational explanation.  That said, while the film has some interesting ideas and performances, it ultimately becomes just another monster-laying-siege film and the ending is one that most viewers will see coming from miles away.  It’s not a bad film but it’s still never quite as good as one might hope.

Monday Live Tweet Alert: Join Us For Black Eagle and The Shootist!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #MondayActionMovie, the film will be 1988’s Black Eagle!  Selected and hosted by SweetEmmyCat, this movie stars Sho Kosugi, his sons, and Jean-Claude Van Damme!  It’s also set in Malta, which I visited after graduating high school.  The movie starts at 8 pm et and can be found on YouTube!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1976’s The Shootist, the classic western that featured both John Wayne and Jimmy Stewart giving it their all.  The Shootist is on Prime.

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start Black Eagle at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, start The Shootist, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.  And reviews of these films will probably end up on this site at some point over the next few weeks. 

 

Horror on the Lens: Robot Monster (dir by Phil Tucker)


Today’s horror film is a true classic of its kind, the 1953 science fiction epic Robot Monster.

Now, I should admit that this is not the first time that I’ve shared Robot Monster in October.  I share it every year and, every year, YouTube seems to pull the video down in November.  That sucks because Robot Monster is one of those weird films that everyone should see.  So, I’m going to share it again.  And, hopefully, YouTube will let the video stay up for a while.

As for what Robot Monster is about…

What happens with the Earth is attacked by aliens?  Well, first off, dinosaurs come back to life.  All of humanity is killed, except for one annoying family.  Finally, the fearsome Ro-Man is sent down to the planet to make sure that it’s ready for colonization.  (Or something like that.  To be honest, Ro-Man’s exact goal remains a bit vague.)

Why is Ro-Man so fearsome?  Well, he lives in a cave for one thing.  He also owns a bubble machine.  And finally, perhaps most horrifically, he’s a gorilla wearing a diver’s helmet.  However, Ro-Man is not just a one-dimensional bad guy.  No, he actually gets to have a monologue about halfway through the film in which he considers the existential issues inherent in being a gorilla wearing a diver’s helmet.

Can humanity defeat Ro-Man?  Will Ro-Man ever get his intergalactic supervisor to appreciate him?  And finally, why are the dinosaurs there?

Despite the film’s reputation for being borderline incoherent, most of those above questions actually are answered if you pay attention to the first few scenes of Robot Monster.  In fact, one could even argue that Robot Monster is maybe a little bit more clever than it’s often given credit for.  Of course, it’s still a zero-budget mess of a film but it’s also undeniably fun and, in some sections, unexpectedly dark.  If you’ve never seen it before, you owe it to yourself to set aside an hour and two minutes in order to watch it.  You’ve never see anything like it before.

Finally, I should note that Robot Monster’s hero was played by George Nader, who actually did go on to appear in several mainstream films.  Despite his good looks and talent (which may not be obvious in this film but which he did have), George Nader struggled to get starring roles in Hollywood, where he was often dismissed as just being a member of Rock Hudson’s entourage.  (It’s been theorized that Nader struggled because the studios feared that giving him too big of a role would lead to the gossip magazines writing about Nader’s relationship with Hudson, though the two were just friends.  Nader was in a relationship with Hudson’s private secretary, Mark Miller, from 1947 until Nader’s death in 2001.)  Nader finally left Hollywood and went on to have a pretty successful career in Europe.  He was perhaps best known for playing secret agent Jerry Cotton in a series of films in the 60s.

Enjoy Robot Monster!

October Positivity: End of the Harvest (dir by Rich Christiano)


This 1995 film takes place on a college campus that is ruled over by the worst possible people …. THE PHILOSOPHY CLUB!

Okay, that might be an exaggeration.  It’s a big campus and undoubtedly, most of the students are just doing their own thing and don’t particularly care about any of the clubs or any of the Greek organizations or any of that stuff.  That said, it does seem like a surprisingly large amount of people are interested in the weekly Philosophy Club debates, despite the fact that the Philosophy Club itself seems to only have three members.

After seeing his religious friend get totally trampled while trying to debate the existence of God, Scott (Brad Heller) decides that it’s time to take a stand.  Scott used to be a wild frat boy and he even lost his license due to a DUI.  But now, he’s super Christian and he’s totally excited because he found a 50 year-old thesis about when the Bible says the world is going to end.  Scott challenges the Philosophy Club to a debate and soon, flyers are being put up all over campus.

The only problem is that Scott isn’t ready for the debate.  The Philosophy Club has uncovered the secrets of Scott’s dark past and, after they harass him on campus and start calling his ex-girlfriends, Scott starts to feel that he won’t be able to make his case.  He begs Matt (David A.R. White) for help but Matt says that it’s pointless to try to debate anything in front of the Philosophy Club.  The Philosophy Club doesn’t care about anything but Marx and Nietzsche.  Matt not only thinks that the debate will be a waste of time but he also thinks that it will actually drive people away from religion.

Of course, Matt has another reasons for not wanting to talk about the end of the world.  He’s been having odd dreams, in which he’s standing in a wheat field and watching an old farmer using a scythe to bring in the last harvest….

There have been several faith-base films that have been set on campus and they all have the same basic plot.  A religious person goes to college and has their faith tested by people who were raised differently and who insist that science or philosophy can serve as a substitute for religion.  It always seems to lead to a classroom debate and the religious student usually wins because all of the arguments have been slanted to their side.  Of course, it’s not just Christian films that do this.  If there’s one thing that Christians and atheists share in common, it’s an almost total ignorance about how the other side views the world and the questions of existence.  Anti-Christian films always fall back on the stereotype of the fanatical parents who refuse to allow their children to leave the house.  Christian films, on the other hand, always seem to feature an atheist who is angry at God.  End of the Harvest doesn’t go quite as far into those stereotypes as some other Christian films do but it’s still hard not to notice that the bizarrely smug members of the Philosophy Club are left speechless by some pretty basic arguments.  It’s the fantasy that both atheists and Christians tend to indulge in, the one where you come up with the pithy one-liner that no one can refute.  Christians always want to know how you can be angry at a God you don’t believe in.  Atheists always want to know, if God created everything, who created God.  In the real world, both arguments can be easily refuted but, in the movies, they’re always game changers.

End of the Harvest is a fairly standard religion-on-campus film.  It’s not going to convert anyone.  That said, the scenes of Matt standing in that wheat field have a nicely surreal feel to them.  In those scenes, it really does feel like the end is coming.

Lisa Marie’s Week In Review: 9/26/22 — 10/2/22


Happy October!  

Let’s got to it:

Films I Watched:

  1. Dark Was The Night (2014)
  2. Exterminators of the Year 3000 (1983)
  3. The Gabby Petito Story (2022)
  4. Police Academy (1984)
  5. This Island Earth (1955)
  6. Uncommon Valor (1983)
  7. Urban Cowboy (1980)
  8. Vampire in Vegas (2009)
  9. The Werewolf of Washington (1973)

Television Shows I Watched:

  1. Abbott Elementary
  2. The Amazing Race
  3. Atlanta
  4. Beyond the Headlines
  5. Bubblegum Crisis
  6. CHiPs
  7. Concentration
  8. East New York
  9. Ghosts
  10. Hell’s Kitchen
  11. Law & Order
  12. Law & Order: Organized Crime
  13. Law & Order: SVU
  14. Mike
  15. Mike Judge’s Beavis and Butt-Head
  16. Monarch
  17. Night Flight
  18. Password
  19. Saving Grace
  20. So Help Me Todd
  21. Super Password
  22. Survivor

Books I Read:

  1. Bad Dreams (1994) by R.L. Stine
  2. The I-5 Killer (1988) by Ann Rule
  3. The Serial Killer Letters (1998) by Jennifer Furio
  4. The Wrong Number 2 (1995) by R.L. Stine

Music To Which I Listened:

  1. Arctic Monkeys
  2. Ashlee Simpson
  3. Avril Lavigne
  4. Big Data
  5. Bjork
  6. Blondie
  7. The Brady Bunch
  8. Britney Spears
  9. The Chordettes
  10. Christina Aguilera
  11. Ed Sheeran
  12. Fiona Apple
  13. Gary Jules
  14. Goblin
  15. Hilary Duff
  16. Jakalope
  17. Jessica Simpson
  18. John Carpenter
  19. Kim Wilde
  20. Lindsay Lohan
  21. Lorde
  22. Muse
  23. Nine Inch Nails
  24. Saint Motel

Live Tweets:

  1. Exterminators of the Year 3000
  2. Police Academy
  3. Uncommon Valor
  4. Dark Was The Night

Trailers:

  1. The Last of Us
  2. Smile
  3. 6 Trailers for October 2nd, 2022

Horror on the Lens:

  1. The Horror at 37,000 Feet
  2. The Giant Spider Invasion

Horror on Television:

  1. Ghost Story 1.1
  2. Ghost Story 1.2

4 Shots From Horror History:

  1. 1930s
  2. 1940s

News From Last Week:

  1. Rapper and actor Coolio dead at 59
  2. Actress Venetia Stevenson dead at 84
  3. Jim Root has issues with the new Slipknot album, takes a shot at Rage Against The Machine
  4. Trevor Noah to Exit ‘Daily Show’ After Seven Years
  5. ‘Community’ Movie Is Finally Happening, at Peacock, Fulfilling the Show’s Prophecy

Links From Last Week:

  1. Welcome To “Shocktober” 2022! Here Are Some Classic Horror Films To Get You Screaming!
  2. The World’s Common Tater’s Week in Books, Movies, and TV 10/1/22

Links From The Site:

  1. Erin shared Casper, Ghost, Trio, Park, Haunted Rock, Portal, and Margarita Ranch!
  2. Erin shared The Covers of Tales of Magic and Mystery, The Covers of La Paree, and the Adventures of Masked Detective!
  3. Erin reviewed Facing Nolan and The Furnace!
  4. Erin welcomed you to October!
  5. Erin shared a baseball moment that she loved!
  6. Case reviewed Waffle, Moon and Killer Pizza!
  7. Case wished you a Happy Horrorthon!
  8. Leonard shared the trailer for The Last of Us!
  9. Jeff shared music videos from The Dickies, Ozzy Osbourne, Winger, Deep Purple, Huey Lewis and the News, Meat Loaf, and Olivia Newton-John!
  10. Jeff reviewed Downdraft, Evil Toons, Death Kiss, Friend of the Family II, City of Bad Men, Revolver, and Vigilante!
  11. Jeff played Deathtrap and Deep In the Spooky, Scary Woods!
  12. Jeff shared a great moment in comic book history and a great moment in television history!
  13. I reviewed The Astrologer, A Little Game, Light Blast, The Gabby Petito Story, Texas Chainsaw Massacre 2, Second Glance, Exterminators of the Year 3000, Embrace of the Vampire, Bloody Moon, Await Further Instructions, Nightmare Alley, Father Stu, Urban Cowboy, Honk for Jesus Save Your Soul, Corrective Measures, Vendetta, Mike, and I Came By!
  14. I reviewed California Dreams, One World, City Guys, Love Boat, Fantasy Island, and Hang Time!
  15. I read Wrong Number 2, The Serial Killer Letters, Capital Crimes, Blood Sweat & Chrome, Night of Camp David, Altamont, Chiefs, The Nashville Chronicles, and The KGB Candidate!
  16. I shared my week in television, an amv of the day, and an anti-smoking commercialI shared ten things I’m looking forward to in October!
  17. I took a look at the casting of Frankenstein!
  18. I paid tribute to Michael Powell and Nicholas Winding Refn!
  19. I shared a scene from The Wolfman, Frankenstein and The Passenger!
  20. I shared my Oscar predictions for September!
  21. I wrote about a boy named Zac!

More From Us:

  1. At SyFy Designs, I shared My Favorite Time of Year, Happy Tuesday, It’s Wednesday, October Dreams, Be Sure To Answer, Happy October, and Relax!
  2. At Reality TV Chat Blog, I wrote about the finale of Big Brother, the latest episode of Survivor, and the latest episode of The Amazing Race!
  3. I wrote about Big Brother for the Big Brother Blog!
  4. At my music site, I shared songs from Gary Jules, John Carpenter, The Chordettes, Muse, Hilary Duff, Ashlee Simpson, and Lindsay Lohan!
  5. At my dream journal, I shared Last Night’s Fragment of Vaccine Booster Dream, Last Night’s Talking To Mom In The Rain Dream, Last Night’s Skipping High School Dream, Last Night’s Long Dream About A Dead Actor, Last Night’s Disney World Dream, Last Night’s Chess Playing Dream, and Last Night’s Cemetery Dream!
  6. For Horror Critic, I reviewed Attack of the Puppet People, This Island Earth, and The Giant Spider Invasion!
  7. At Pop Politics, Jeff shared 62 Years Ago Today, Mad Magazine on Top Gun, The Cure For The Political Blues, 83 Years Ago Today, Fordham Defeated Waynesburg, Fredric Wertham Prepares For October, The Thrilla in Manila, and Adam Kinzinger Loses it!
  8. At her photography site, Erin shared Branches, Alleyway, Fences, Stop, The Sun Through A Window, I Am With U, and The Tracks!

Want to check out last week?  Click here!

Horror on TV: Ghost Story 1.2 “The Concrete Captain” (dir by Richard Donner)


In the 2nd episode of Ghost Story, an important lesson is learned.  If you’re going to bury a sea captain, do not bury him in concrete because his spirit belongs to the ocean.  Upset his spirit and he’ll basically ruin whatever hopes you have of bringing tourists to the seashore!

This episode stars Gena Rowlands and Stuart Whitman and it was directed by none other than Richard Donner.  Donner, of course, would go on to direct such films as The Omen, Superman, and Lethal Weapon.

Enjoy!

(Despite the weird thumbnail, this video should work if you click play.)

The TSL’s Horror Grindhouse: The Astrologer (dir by James Glickenhaus)


Quite possibly one of the most boring film ever made, 1975’s The Astrologer tells the story of …. well, I’m not really sure what the point of it all is.

Basically, an astrologer named Alexi Abarnel (Bob Byrd) has figured how to combine the zodiac with 70s technology and, as a result, everyone’s potential for good and evil can be determined simply by typing their birthdate into a computer.  The U.S. government funds his agency, which is known as Interzod.  And let’s be honest, that does sound like the type of dumbass thing that the government would fund, especially when the Democrats are in power.

According to the stars, the second coming of Christ is only a few days away.  Alexi is convinced that he has married the woman who is destined to give birth to the Savior.  Because of this, he refuses to consummate his marriage because it’s very important that she remain a virgin.  However, he hasn’t bothered to inform her of any of this so poor Kate (Monica Tidwell) spends all of her time wondering why her husband hasn’t touched her in five years of marriage and why it’s also so important to him that she never tell anyone the actual date of her birth.

Meanwhile, a group of gypsies are traveling the country and, under the leadership of Kajerste (Mark Buntzman), they are both murdering people and also compelling people to commit suicide.  Interzod is concerned about Kajerste because of his “zodiacal” potential but Alexei is also concerned that he doesn’t have Kajerste’s exact birthdate.  But the fact that Kajerste is commanding his followers to kill people should be enough to clue Interzod into the fact that Kajerste is bad guy, regardless of whether he’s a Capricorn or an Aquarius.  Fortunately, Interzod has come up with a plan on how to kill Kajerste, one that involves implanting thoughts in his head via electrodes and tranquilizer dots.  A young congressman (Al Narcisse) wants to help because he’s so interested in Interzod’s work.  However, it turns out that the ludicrously complicated plan to take out Kajerste is …. well, ludicrously complicated.  If my tax money is going to fund Interzod, I would hope they would make better use of it.

The film’s plot definitely has the potential to be interesting but, unfortunately, The Astrologer is a very, very talky film.  It only has a 78-minute running time and the majority of the film is made up people having very long and very dry conversations about how Interzod works and why its work is important.  The problem is that there’s not really any need to convince the viewers that Interzod is important or to show us how it works.  No watching this film is going to be interested in an in-depth examination of a fictional government agency.  Everyone knows that this isn’t 60 Minutes and it’s not like the NSA has hand-picked the correspondent who is going to be reporting on them.  This is a film about spies, astrology, and a killer cult.  It should be a lot of fun but instead it’s incredibly boring.

That’s not to say that it’s a total waste.  This was James Glickenhaus’s first film as a director.  Glickenhaus went to direct some well-regarded action films in the 80s and there are a handful of isolated moments in The Astrologer where it is obvious that the film was made by someone who had a good visual eye.   A cult ceremony scene that is almost totally made up of freeze frames is nicely done.  And, as always, it’s hard not to admire the ambition of someone trying to make a metaphysical thriller and tackle the big questions of existence on a budget.

In the end, though, the most interesting thing about The Astrologer is its insistence on having its characters frequently use the term “zodiacal.”  Take a drink every time that you hear someone say, “zodiacal” but don’t drive afterwards.

Retro Television Review: A Little Game (dir by Paul Wendkos)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s A Little Game.  It  can be viewed on YouTube!

Twelve year-old Robert Mueller (played by 13 year-old Mark Gruner, who would later go on to play one of Chief Brody’s kids in Jaws) just hasn’t been the same since his father died.  Robert idolized his father, who was an architect who built bridges and reportedly pushed his workers to take a lot of dangerous risks to get the job done.  Perhaps that explains why Robert is not getting along with his new stepfather, Paul Hamilton (Ed Nelson).  Robert’s mother, Elaine (Diane Baker), is convinced that Robert will eventually come to accept Paul but Paul isn’t so sure.

Robert is a student at a private military academy.  When he comes home for the holidays, he brings his “best friend” with him.  Stu Parker (Christopher Shea) is friendly and polite but he’s also easily led and has a difficult time standing up for himself.  Paul immediately sees that Robert is bullying Stu.  Elaine, however, thinks that Paul is being too critical.  That’s just the way boys are!

In his diary, Robert has written that he killed someone and that he’s sure that he got away with it.  When Paul comes across the entry, he worries that Robert might be telling the truth.  Paul goes as far as to hire a private detective (Howard Duff) to investigate whether there’s been any mysterious deaths at Robert’s school.  Stu, meanwhile, explains that he and Robert sometimes play “a little game” where they imagine that best way to murder someone and get away with it.  But Stu assures Paul that it’s just a game.  They don’t actually kill anyone.

Is Stu telling the truth or is Robert just as dangerous as his deceased father, a man who Paul claims was a psychopath?  Or is Paul himself the one who has become delusional with jealousy of his stepson?

The answer to those questions is pretty obvious from the minute that Robert and Stu show up at the house.  In fact, it’s so obvious that it kind of leaves the viewer wondering how everyone else in the film could be so clueless.  On the one hand, it’s understandable that Elaine would not want to admit that there is something seriously wrong with her son.  On the other hand, how many times can anyone close their eyes to a very obvious truth?  From the minute that Robert shows up, wearing his uniform and curtly ordering around the family’s maid (played by High Noon‘s Katy Jurado, who deserved a better role), he might as well have psychopath tattooed on his forehead.

That said, evil children movies are always somewhat effective, even the ones that are a bit too obvious in their approach.  Psychologically, we’ve been conditioned to always associate children with innocence, optimism, and hope.  Children are the future, so the saying goes. As such, it does carry some impact when they’re portrayed as being a force of danger.  As I watched this film, I did find myself wondering if there was any hope for Robert.  With all that he had done, could someone still reach him and turn him around?  Or was he destined to go from being an evil child to an evil adult?  It really does get to the question of whether evil is a real, almost supernatural force or if it’s something that’s created by a combination of environment and social taboos.  Was Robert born evil or did he become evil?  A Little Game doesn’t answer that question but I doubt that anyone could.  Some questions are destined to be forever unanswered.

Horror Scenes That I Love: Lon Chaney Transforms Into The Wolfman


Today’s horror scene that I love comes from 1941’s The Wolf Man.  Watch as poor Larry Talbot transforms, for the first time, into The Wolf Man!  I’ll be the first to admit that, in the past, I’ve been pretty critical of Larry as a character and Lon Chaney, Jr.’s performance in the role.  But, in this scene, Chaney does an excellent job of capturing Larry’s helplessness as the curse takes effect for the first time.