Song of the Day: Little People Blues by Vincent & Pesci


Today’s song of the day is an instrumental that was recorded and released in 1972.  Frank Vincent is playing the drums.  Joe Pesci is on guitar.  Even if not for the celebrity connection, I would love this song.  It’s really good!

 

4 Shots From 4 Films: Special Dante Spinotti Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to the legendary cinematographer, Dante Spinotti!  It’s time for….

4 Shots From 4 Dante Spinotti Films

Manhunter (1986, dir by Michael Mann, DP: Dante Spinotti)

Heat (1995, dir by Michael Mann, DP: Dante Spinotti)

L.A. Confidential (1997, dir by Curtis Hanson, DP: Dante Spinotti)

Public Enemies (2009, dir by Michael Mann, DP: Dante Spinotti)

Monday Live Tweet Alert: Join Us for Mutant Hunt!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Mutant Hunt!

If you want to join this watch party, just hop onto Mastodon, pull up Mutant Hunt on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Retro Television Review: Homicide: Life On The Street 5.22 “Strangers And Other Partners”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, season 5 comes to a close.

Episode 5.22 “Strangers And Other Partners”

(Dir by Kenneth Fink, originally aired on May 16th, 1997)

It’s all hands on deck as the Homicide squad investigates the murder of Beau Felton.  This episode opens with Giardello announcing that Pembleton will be the primary and that they will all be working with Detective Falsone (Jon Seda) of the auto squad and Detective Gharty (Peter Gerety) of Internal Affairs.

“I ain’t working with anyone from IID!” Falsone snaps.

Hey, Falsone — you’re a guest star.  Shut up and do what you’re told, you prick.

The fifth season finale is a mess.  Some of that is because Beau Felton was never a strong enough a character for his death to have the emotional kick that it’s obviously meant to have.  Felton was not Crosetti.  Felton wasn’t some sort of beloved icon.  Felton was a jerk whose storylines were usually the least interesting of the show’s first three seasons.

An even bigger problem is that the emphasis is not on the detectives who we all know and love but instead on Falsone and Gharty.  Falsone and Gharty go from being at each other’s throats to teaming up to use a shared informant to get the evidence they need to go after Felton’s murderer.  Peter Gerety does a good job as Gharty.  It helps that Gharty has a compelling storyline.  He’s a cop that many people have dismissed as being a coward.  He’s trying to prove himelf.

Falsone, on the other hand …. seriously, what is the deal with this douchebag?  He spends this episodes strutting around in his stupid leather jacket, threatening to beat up people.  I get that he’s supposed to be a tough cop but he just comes across like a jackass with anger management issues.  It doesn’t help that actor Jon Seda gives a one-note performance in the role.

This whole episode is basically an introduction for Gharty and Falsone.  The other Homicide cops are pushed to the side so that these two can grab some legitimacy before becoming regular characters during season 6.  Gharty seems like he’ll be an okay addition to the ensemble.  Falsone, on the other hand, should be allowed nowhere near a show like Homicide.

While all of that is going on, Kellerman and Cox are both struggling with their drinking.  I’m a little bit tired of Kellerman and Cox, to be honest.  Kellerman, at least, has a compelling storyline with the Luther Mahoney shooting.  Dr. Cox, on the other hand, is starting feel superfluous.  No one from the Homicide squad can step into a bar without running into Dr. Cox.

Finally, Pembleton and Mary meet and agree to give their marriage another try.  Good.

This episode (and the season) ends with Felton’s murderer still on the run.  Giardello announces that the Baltimore police department is instituting a new policy in which detectives will rotate from unit to unit.  “In three months,” he tells the detectives, “none of us may be here.”

Season 5 was pretty good so it’s unfortunate that the finale was a mess.  The strength of Homicide has always been its ensemble of quirky, flawed, and heart-breakingly human cops.  Using the final episode of the season to focus on a one-note character like Paul Falsone almost feels insulting to the rest of the cast.

Next week, we start season 6!

Scenes That I Love: “Good Mornin'” from Singin’ In The Rain (Happy Birthday, Gene Kelly!)


In honor of Gene Kelly’s birthday, today’s scene that I love comes from the 1952 classic, Singin’ In The Rain.  In this scene, Debbie Reynolds performs the song Good Mornin’ with Gene Kelly and Donald O’Connor.

4 Shots From 4 Films: Special Gene Kelly Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birth of Gene Kelly!  It’s time for….

4 Shots From 4 Gene Kelly Films

Anchors Aweigh (1945, dir by George Sidney, DP: Charles Boyle and Robert Planck)

An American In Paris (1951, dir by Vincente Minnelli, DP: Alfred Gilks)

Singin’ In The Rain (1952, dir by Gene Kelly and Stanley Donen, DP: Harold Rosson)

Xanadu (1980, dir by Robert Greenwald, DP: Victor J. Kemper)

Late Night Retro Television Review: Saved By The Bell 3.2


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Tubi!

This week, Mr. Belding takes his job too seriously.

Episode 3.2 “Breaking Up is Hard To Undo”

(Dir by Don Barnhart, originally aired on December 16th, 1990)

Slater and Jessie make it official!  They’re now a couple.  Slater wants to celebrate by going to a football game.  Jessie wants to celebrate by going to the ballet.  Suddenly, Slater and Jessie are no longer a couple.

Zack is looking forward to celebrating his anniversary with Kelly.  However, Kelly is planning on having dinner with her ex-boyfriend, Todd.  Todd is rich and “looks like Mel Gibson.”  Zack forbids Kelly to see Todd.  Kelly and Zack break up.

When a student council meeting falls apart due to Jessie and Kelly’s attempts to defund the football team and start a dance department at the school, Mr. Belding ends up breaking his gavel.  (“I broke my gavel” is the funniest line in the episode but nobody laughs.)  When Mr. Belding and his wife get into an argument over her mother-in-law staying with the Beldings and Mr. Belding ends up getting kicked out of his house, Mr. Belding decides to hang out with Zack, Slater, and Screech.  Zack comes home and discovers Belding hanging out in his bedroom….

Uhmm, what?

This is a weird episode.  The break-ups are one thing.  I could believe that part of the episode.  But why are Zack’s parents allowing his principal to live in Zack’s bedroom?  In the real world, principals and teachers get fired and worse for that sort of thing.  Seeing as how this episode also features a moment in which Zack stops time so that he can order some flowers for Mr. Belding “from Mrs. Belding,” I’m going to assume that this is a dream episode.

The dream comes to a conclusion at the Max, in which Slater and Zack before demonstrate how they should have reacted to Jessie and Kelly.  Slater announces that doesn’t care about football, strips down to a skintight leotard, and dances around the Max with Lisa (who is wearing a Jessie wig).  Screech then dressed up like a cheerleader so Zack can tell Screech that he trusts him and it’s okay if Screech wants to have dinner with Todd.

This was a weird episode.  Slater dancing was a great moment but Mr. Belding moving in with Zack asked for a little too much suspension of disbelief, even by the standards of Saved By The Bell.  Couldn’t Mr. Belding have moved in with Rod instead?