A new month and that roulette wheels keeps on turning!
Such are the ways of fate.
Enjoy!
A new month and that roulette wheels keeps on turning!
Such are the ways of fate.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!
This week, the second season comes to an end.
Episode 2.26 “Coven of Darkness”
(Dir by George Bloomfield, originally aired on June 12th, 1989)
Jack and Ryan have recovered a “witch’s ladder,” and they’ve put it in the vault. However, Lysa Redding (Maria Ricossa) is a witch who wants the ladder back. Lysa (and I do always enjoy hearing my name, even if it is misspelled) is the head of a coven that was connected to evil old Uncle Lewis. Lysa performs a ceremony that causes Ryan to become possessed so Micki has to become a white witch so that she can battle the dark witches.
Now, I should mention that Micki has never had magical powers before. In the past, she’s usually been the down-to-Earth skeptic of the group so Jack suddenly announcing that Micki is actually a powerful witch took me by surprise. But anyway, Micki is able to use her powers to break Lysa’s spell. It’s such a grueling experience that Jack says its possible that she’s used up all of her magic powers. What? Really? I guess …. okay, I don’t know what to say about that. They suddenly gave Micki magic powers and then took them away.
This was a weird episode. Based on this episode and Prisoner, I’m going to guess the production was nearly out of money at the end of season two. Coven of Darkness takes place over three different locations and it’s mostly just continual jump cuts between Lysa spellcasting and Ryan freaking out and Micki looking intense. It all feels very cheap and basic and not at all like a typical episode of Friday the 13th. Instead of using their wits to defeat evil, Chris and Micki use magic. It just doesn’t feel right.
I’m going to guess, though, that this was an attempt to reboot the show for the third season. I’ve seen enough of the third season to know that the reboot didn’t stick around but I can kind of see what they were going for. With John D. LeMay not planning on being a part of the third season, it perhaps seemed like it would be a good idea to turn the show into the Micki Witchcraft Hour. And it probably would have been interesting but it definitely wouldn’t have had the same feel as classic Friday the 13th.
This brings season two to an end. It was, overall, a good season, though I think the show lost its way a little towards the end. The introduction of Johnny Ventura was rather clumsily handled and a few too many episodes seemed to forget that the show was supposed to center on finding Lewis’s cursed antiques. The highlight of the show was the chemistry between the three leads. I’m curious to see how the upcoming season will play without Ryan.
We’ll find out starting next week!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
This week, Dr. Ehrlich faints!
Episode 1.9 “Hearts”
(Dir by Mark Tinker, originally aired on January 11th, 1983)
Ralph, the guy who thinks that he’s a bird, is now running around the hospital and checking in on patients and signing his name as “Dr. Bullfinch.” I guess it says something about how big St. Elgius is that Dr. Chandler spends most of this episode asking people if they’ve ever heard of or met Dr. Bullfinch. The show plays this for humor. There’s only two problems.
First off, we’ve already done the fake doctor thing. Dr. Craig spent three episodes searching for Dr. Barnum, the fictional doctor who Mark thought was interested in buying his car. Since Chandler was a part of that whole practical joke, it surprised me that it didn’t occur to him that maybe Dr. Bullfinch also didn’t exist.
Secondly, Ralph is one of those character who was amusing at first but, after episode-after-episode of him disrupting the hospital and making the patients uncomfortable, I can’t help but feel that it’s time for Ralph to at least try to fly off into the sunset, even if it leads to him crashing to the pavement below. Dr. Westphall tells Dr. Beale to keep Ralph locked up in the psych ward or else Westphall will send Ralph to a mental hospital. I think Westphall should have just gone for it. I mean, does Westphall not realize the legal jeopardy that the hospital is now in because of Ralph’s continued presence?
While that was going on, an overweight woman (Conchata Ferrell) checked into the hospital with stomach pains and was shocked to discover that she was pregnant and going into labor. This was a heartbreaking story, largely due to the wonderful performance of Conchata Ferrell. No one — from her father to the nurses at the hospital — has ever treated her with any sort of compassion. In the end, she checks out of the hospital and abandons her baby in the maternity ward.
A new doctor (Dorothy Fielding) came to work at St. Eligius and — hey! — she has a romantic history with Dr. Samuels. *Yawn* Samuels is the most boring character on the show and I tuned out this storyline as soon as I realized he was going to be at the center of it.
Newly separated from his wife, Dr. White is having a nervous breakdown and has to abandon a patient so that he can cry in the stairwell. Dr. Westphall offers him some heartfelt advice but you can tell that Westphall thinks that White doesn’t have what it takes to be a doctor. I think Westphall is right.
Finally, an ill Dr. Erhlich tries to get out of assisting Dr. Craig with an operation. Craig tells Erhlich to man up. Erhlich faints during the operation. Surprisingly, Dr. Craig is not angry with Ehrlich because, as he explains it, the important thing is that the operation was a success. Seeing how sick Ehrlich has become, Craig tells Ehrlich to go home and get some rest.
“Do you have a car?” Dr. Craig asks.
“No, I usually ride the bus,” Ehrlich replies.
“Good,” Craig says, “you shouldn’t be driving in your condition.”
And I have to admit that exchange made me laugh. William Daniels gives such a good performance as the arrogant yet talented Dr. Craig that you can’t help but love the guy, no matter how much of a jerk he is. After knowing him best as the always compassionate Mr. Feeney on Boy Meets World, it’s been interesting to watch William Daniels play a character as thoroughly self-centered and vain as Dr. Craig. On the drama St. Elsewhere, William Daniels often provides some much-needed comedic relief. On the (very silly) sitcom Boy Meets World, Daniels was the dramatic relief. It’s a strange world.
This episode had a few too many plotlines that I either didn’t care about or which felt a bit played out (like Ralph the Birdman). It wasn’t St. Elsewhere at its best but William Daniels and Conchata Ferrell still saved the episode.
Today’s song of the day comes to us, like our music video of the day, from the late Marianne Faithfull.
Co-written with Keith Richards and Mick Jagger, Sister Morphine was originally recorded by Faithfull in 1969 but her recording was initially banned in the United Kingdom due to the song’s drug-related content. The Rolling Stones would go on to release a version of the song in 1971 and Faithfull would record and release the song a second time in 1979.
Here I lie in my hospital bed
Tell me, Sister Morphine
When are you coming around again?
Oh I don’t think I can wait that long
Oh you see that my pain is so strong
All the other patients say
They’ve never seen a man with such pain
Tell me, Sister Morphine
When are you coming round again?
Oh I don’t think I can wait that long
Oh you see that I’m not that strong
The scream of the ambulance
Is sounding in my ear
So tell me, Sister Morphine
How long have I been lying here?
What am I doing in this place?
Why does the doctor have no face?
Oh I can’t crawl across the floor
Can’t you see, Sister Morphine?
Just tryin’ to score
Well the actions go to show
Things are not what they seem
Please, Sister Morphine
Turn my nightmare into dream
Oh can’t you see that I’m fading fast?
And this shot will be the last
Please, cousin Cocaine
Lay your cool hands on my head
Hey, Sister Morphine
You better make up the black bed
‘Cause you know and I know
That you want me, I’ll be dead
You sit around and watch
The clean white sheets stained red
songwriters: Marianne Faithfull/Mick Jagger/Keith Richards
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix presents one of my Arleigh’s favorite movies, The Sword and the Sorcerer!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
The Sword and the Sorcerer is available on Prime! See you there!
Norman Mailer was better-known as a writer than a filmmaker but, over the course of his limited directorial career, he did come up with one scene that will never be forgotten. That scene is a scene that I love from 1987’s Tough Guys Don’t Dance.
Take it away, O’Neal!
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Norman Mailer wasn’t just a writer and symbol of New York City. He was also an aspiring filmmaker, a director who made three experimental films in the 60s and one studio film in the 80s. And while none of his films could really be described as being a hit with either audiences or critics, they do — to a certain extent — epitomize an era. Plus, the story of Rip Torn hitting Mailer with a hammer during the filming of Maidstone will live forever.
In honor of Norman Mailer the director, here are….
4 Shots From 4 Norma Mailer Films
Marianne Faithfull, RIP.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
This week, Jonathan invades the Senate.
Episode 3.11 “Jonathan Smith Goes To Washington”
(Dir by Michael Landon, originally aired on December 3rd, 1986)
Mark’s sister is getting married but her future stepdaughter desperately needs an experimental drug to survive a rare illness. Unfortunately, the Senate is voting on a budget that will cut funding for experimental drugs. So, Jonathan appears to Sen. Fritz McCorkindale (Eddie Albert) and pressures him to rewrite the budget. Senator McCorkindale is reluctant until he learns that his grandson will also need an experimental drug. So, it’s time to redo the end of Mr. Smith Goes To Washington, just with Jonathan providing advice to the Senator in his effort to keep the budget he wrote from being put to a vote. This is one of those episodes where no one else can see Jonathan but they can see the Senator talking to Jonathan and, for some reason, no one wonders why the Senator is talking to himself.
This episode was sincere, earnest, heartfelt, well-intentioned, and ultimately very, very cringey. Michael Landon’s heart was undoubtedly in the right place but, and this might just be my civil libertarian side coming out, I’m not really comfortable with the idea of an angel telling a senator how to vote on legislation. This was kind of like that episode where Mark inspires the President to sign an arms treaty. It was just too naive to be effective.
On another note, Mark refers to his sister as being his only relative but it seems like Mark visits a new relative nearly every episode. That type of sloppy writing didn’t occur often on Highway to Heaven so I’m going to guess this episode was written and filmed quickly, so deeply did Landon believe in the episode’s message. Again, you can’t fault Landon for caring and trying to do good but this episode just felt rushed.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!
This week, season one comes to an end!
Episode 1.26 “The Triathlon”
(Dir by Gary Shimokawa, originally aired on May 23rd, 1999)
Stads wants to enter the Malibu triathlon but training for it is such hard work and, over the past few episodes, Stads has gone from being an athletic and likable go-getter to becoming perhaps the whiniest character to have ever appeared on a Peter Engel-produced teen sitcom. Scott volunteers to help Stads train which freaks out Jason because Jason still has feelings for Stads.
First, Jason tries to train for the triathlon too but it’s too much work for him. So, Jason arranges for Murray to occupy Scott at the restaurant on the night before the triathlon. Murray demands a lot of shrimp. He follows Scott into the walk-in freezer. Murray accidentally locks them in! I guess they’re dead now.
Meanwhile, Jason pulls out his relationship scrapbook and keeps Stads up so late that she oversleeps and misses the triathlon. Stads isn’t too upset about it because at least she got to spend time with Jason. But then, after Murray and Scott are rescued from the freezer, she finds out that Jason arranged for Scott to miss their final training night. Scott and Stads team up to get revenge and somehow, it leads to Jason dressing up in armor and riding a horse across the beach.
This show is so stupid.
Meanwhile, Traycee slips on the restaurant’s wet flood and decides to sue Peter so that she can appear in a commercial for a personal injury lawyer. Peter goes out of his way to be nice to Traycee, leading to Traycee thinking that Peter wants to marry her and….
This show is so stupid!
But let’s give some credit where credit is due. Brandon Brooks (who played Murray) and Priscilla Inga Taylor (who played Traycee) were the best things about the first season, largely because they both so embraced the absurdity of their characters. While the rest of the cast often seemed to be sleepwalking through their roles, Brooks and Taylor totally threw themselves into their roles and they were responsible for what few laughs the show did achieve. And I’ll admit that I laughed at Taylor and Brooks during the finale. (I laughed when Taylor sang her little song about suing Peter. And I laughed at Brooks muttering, “Surfing” over and over again because he wanted to make sure those were his last words.) They deserve a lot of praise for their work.
The season finale ends with Stads and Jason, the two least likable characters on the show, sharing a kiss while the audience goes, “Whoo!” The finale really reminded how much the show changed over the course of the first season. True, Jason remained a sociopath. However, Scott actually become a halfway decent human being. Due to some very bad writing, Stads went from being likable to being whiny. Murray went from being annoying to genuinely funny. Peter went from being cool to being dorky. Traycee went from being a background character to one of the show’s highlights. And Sam went from being the center of the show to someone who was lucky to get any lines whatsoever. The pilot featured Jason and Scott as high school students but now, Scott is a part-time sportscaster and we never hear any talk of homework or anything else involving school. Change can be good but, in the case of this show, it’s just evidence that no one was really sure what Malibu CA was supposed to be about.
Next week, we start the second and final season. Yay.