In order of quality (from best to not-quite-as-good-as-its-reputation), I watched:
A Charlie Brown Christmas Special (Apple+)
How The Grinch Stole Christmas (NBC)
Frosty the Snowman (NBC)
Rudolph The Red-Nosed Reindeer (NBC)
I have to admit that Rudolph has always left me feeling anxious. I think it’s because Santa kind of comes across as being a jerk in that one. The main message seems to be the Santa is a harsh taskmaster and the other reindeer are all jerks. Poor Rudolph!
That said, I will always be happy to watch Charlie Brown learn the true meaning of Christmas. And the Grinch remains a true classic, thanks to Boris Karloff. Frosty always makes me cry, largely because I’ve lived a life largely bereft of snow. In the end, I enjoy watching all four of those specials because it’s a part of my holiday tradition, just like Santa Claus Conquers The Martians, A Christmas Story,Miracle on 34th Street, and It’s A Wonderful Life!
The other thing that I’ve been watching this week is an 80s miniseries called Amerika, which imagines what our country would be like if it was ruled by communists. It would be pretty bad, what with the combination of oppressive politics, drab clothing, and mandatory struggle sessions. Then again, it’s also really not that much different from America today. Anyway, Amerika is interesting but it’s also 13 hours long and, as of this writing, I’ve got five hours to go. (It’s on YouTube.) So, I guess I’ll write more about it next week!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show can be purchased on Prime.
This week, Washington gets an admirer.
Episode 4.10 “Washington’s Clone”
(Dir by Norman Abbott, originally aired on November 11th, 1978)
Arthur (Ron Dennis) is a nerdy student who worships Freddie and desperately wants to be a Sweathog. When Freddie tells Arthur that he’s too smart and clean-cut to be a Sweathog, Arthur reacts by dressing like Washington and trying to act just like Washington. At first, the Sweathogs are amused and Washington is slightly flattered. But then Washington discovers that Arthur is stealing watches and selling them in the school courtyard. Washington tells Arthur that Sweathogs don’t commit crimes, which is certainly a change from the first season of the show.
After Julie tells Washington that Arthur’s grades are slipping and he’s throwing away his future, Washington goes to Barbarino for advice. The audience goes crazy for Babarino’s cameo but I have to admit that I cringed the whole time. I don’t like the idea of Barbarino working in the hospital. Every time Barbarino makes an appearance, he’s making life difficult for a patient. In this case, he spends so much time thinking about Washington’s problem that he doesn’t realize he’s spilling food all over a hungry man in a hospital bed. It was nerve-wracking to watch and not particularly funny.
(Again, in all fairness, it’s hard for me to see any scene set in a hospital room without thinking about my Dad. So, your mileage may vary as far as Barbarino’s cameo is concerned. For me, it still hits too close to home.)
Eventually, Washington and the other Sweathogs dress up like members of a street gang (which, again, is what the Sweathogs were supposed to be during the first two seasons of the show) and they tell Arthur that he’s going to have to help them attack Mr. Woodman in order to become a Sweathog. (Uhmm …. this seems like a bad idea.) Arthur says he has no problem with that but, in the end, he defends Woodman when the Sweathogs pretend to attack him. Arthur goes back to being himself and somehow the Sweathogs are not expelled. Julie tells them that she “can’t believe I’m saying this,” but she’s mildly impressed with how they handled Arthur. Julie is even bitchier without Gabe around than when he was forcing her to listen to his jokes.
Indeed, Gabe does not appear in this episode and there’s no reference made to where he might be. You would think that, being vice-principal, he would be the one who would be talking to Arthur about his grades. Gabe Kaplan, of course, was not on the show because he was upset that the network and their refusal to allow the Sweathogs to graduate high school. In-universe, one can only guess that Gabe Kotter just doesn’t like to come out of his office.
For a fourth season episode, Washington’s Clone wasn’t bad. Ron Dennis’s performance as Arthur made me smile. The fact that he was dramatically shorter than Washington made his attempts to imitate Washington a lot more humorous than they would have been otherwise. Lawrence Hilton-Jacobs gave a good performance as Washington, even if his sudden concern about following the law went against everything that the show had previously established about the character. This episode was amusing (with the exception of Barbarino’s cameo) and Horshack didn’t say much. You can’t complain about that.
Yesterday, the San Diego Film Critics Society announced their nominations for the best of 2024! The winners will be announced on December 9th …. hey, that’s right around the corner!
Here are the nominees:
Best Picture
ANORA
CHALLENGERS
CONCLAVE
DUNE: PART TWO
SING SING
Best Director
Brady Corbet – THE BRUTALIST
Coralie Fargeat – THE SUBSTANCE
Denis Villeneuve – DUNE: PART TWO
Edward Berger – CONCLAVE
Greg Kwedar – SING SING
Best Actor
Adrien Brody – THE BRUTALIST
Colman Domingo – SING SING
Daniel Craig – QUEER
Ralph Fiennes – CONCLAVE
Timothée Chalamet – A COMPLETE UNKNOWN
Best Actress
Amy Adams – NIGHTBITCH
Cynthia Erivo – WICKED
Demi Moore – THE SUBSTANCE
Marianne Jean-Baptiste – HARD TRUTHS
Mikey Madison – ANORA
Best Supporting Actor
Clarence Maclin – SING SING
Denzel Washington – GLADIATOR II
Guy Pearce – THE BRUTALIST
Kieran Culkin – A REAL PAIN
Stanley Tucci – CONCLAVE
Best Supporting Actress
Ariana Grande-Butera – WICKED
Danielle Deadwyler – THE PIANO LESSON
Jessie Buckley – WICKED LITTLE LETTERS
Joan Chen – DÌDI
Natasha Lyonne – HIS THREE DAUGHTERS
Best Comedic Performance
Aubrey Plaza – MY OLD ASS
Channing Tatum – DEADPOOL & WOLVERINE
June Squibb – THELMA
Michael Keaton – BEETLEJUICE BEETLEJUICE
Ryan Gosling – THE FALL GUY
Best Youth Performance (For a performer under the age of 18) Alisha Weir – ABIGAIL
Alix West Lefler – SPEAK NO EVIL
Elliott Heffernan – BLITZ
Izaac Wang – DÌDI
Katherine Mallen Kupferer – GHOSTLIGHT
Best Original Screenplay
Coralie Fargeat – THE SUBSTANCE
Jesse Eisenberg – A REAL PAIN
Justin Kuritzkes – CHALLENGERS
Rose Glass and Weronika Tofilska – LOVE LIES BLEEDING
Sean Baker – ANORA
Best Adapted Screenplay
Chris Sanders – THE WILD ROBOT
Craig Bentley, Greg Kwedar – SING SING
Denis Villeneuve, Jon Spaihts – DUNE: PART TWO
Malcolm Washington, Virgil Williams – THE PIANO LESSON
Peter Straughan – CONCLAVE
Best First Feature (Director)
Anna Kendrick – WOMAN OF THE HOUR
Dev Patel – MONKEY MAN
Rachel Morrison – THE FIRE INSIDE
Sean Wang – DÌDI
Zoë Kravitz – BLINK TWICE
Best Documentary
DAUGHTERS
MUSIC BY JOHN WILLIAMS
SUGARCANE
SUPER/MAN: THE CHRISTOPHER REEVE STORY
WILL & HARPER
Best Animated Film
FLOW
MEMOIR OF A SNAIL
TRANSFORMERS ONE
WALLACE & GROMIT: VENGEANCE MOST FOWL
THE WILD ROBOT
Best Foreign Language Film
ALL WE IMAGINE AS LIGHT
THE GIRL WITH THE NEEDLE
NO OTHER LAND
THE SEED OF THE SACRED FIG
VERMIGLIO
Best Editing
Hansjörg Weißbrich – SEPTEMBER 5
Joe Walker – DUNE: PART TWO
Kathryn J. Schubert – BLINK TWICE
Marco Costa – CHALLENGERS
Sean Baker – ANORA
Best Cinematography
Alice Brooks – WICKED
Greig Fraser – DUNE: PART TWO
Jarin Blaschke – NOSFERATU
Pat Scola – SING SING
Stéphane Fontaine – CONCLAVE
Best Production Design
Craig Lathrop, Beatrice Brentnerova – NOSFERATU
Judy Becker – THE BRUTALIST
Nathan Crowley – WICKED
Patrice Vermette – DUNE: PART TWO
Suzie Davies – CONCLAVE
Best Visual Effects
ALIEN: ROMULUS
DUNE: PART TWO
KINGDOM OF THE PLANET OF THE APES
NOSFERATU
THE SUBSTANCE
Best Costume Design
Colleen Atwood – BEETLEJUICE BEETLEJUICE
Jacqueline Getty, Rainy Jacobs – THE LAST SHOWGIRL
Jacqueline West – DUNE: PART TWO
Lisy Christl – CONCLAVE
Paul Tazewell – WICKED
Best Sound Design
A QUIET PLACE: DAY ONE
ALIEN: ROMULUS
CIVIL WAR
DUNE: PART TWO
WICKED
Best Use of Music
A COMPLETE UNKNOWN
CHALLENGERS
DUNE: PART TWO
SING SING
WICKED
Best Stunt Choreography
ALIEN: ROMULUS
DUNE: PART TWO
THE FALL GUY
GLADIATOR II
MONKEY MAN
Best Ensemble
CONCLAVE
DUNE: PART TWO
SEPTEMBER 5
SING SING
WICKED
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial! The movie? 2013’s Open Grave!
If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!
This week, things get dark.
Episode 2.20 “Mesmer’s Bauble”
(Dir by Armand Mastroianni, originally aired by May 1st, 1989)
Howard Moore (Martin Neufeld) is the latest in a long line of nerdy Friday the 13th villains. With his long hair, unwashed appearance, and crazy eyes, Howard is an easy target for some of the less compassionate citizens of Canada. Of course, Howard doesn’t help things by having a totally creepy personality. He works in a vinyl record store, where he offers up unsolicited music advice to the teenage customers, the majority of whom giggle awkwardly whenever he’s nearby. Howard is obsessed with a singer named Angelica (Vanity) but there’s no way Howard could ever actually meet her.
Or at least, that’s the case until he finds Mesmer’s Bauble. Having once belonged to the inventor of hypnotism, this crystal pendant grants Howard anything that he asks for, as long as he first uses it to hypnotize people and then kill them. (It turns out that merely looking at the pendant is enough to send someone into a hypnotic trance.) As with so many Friday the 13th villains, Howard quickly comes to love having the power to kill people. I’ve always felt that the majority of this show’s villains are basically addicts. Instead of being addicted to drugs, they’re addicted to the rush of power that comes with using a cursed antique to get what they want. That’s certainly the case with Howard.
At first, Howard thinks that he wants Angelia to love him. He kills both her publicist and her manager in order to get closer to her. But, once he’s finally close to her, Howard apparently realizes that he actually wants to be Angelica. In an effectively nightmarish sequence, Howard and Angelica’s body appear to merge into one. Howard literally turns into Angelia while Angelica presumably withers away into nothingness. Howard is now Angelica, which will undoubtedly upset Ryan, who has bought two tickets for Angelica’s latest show.
It’s up to Micki and Ryan to recover the pendant and they manage to do so in the most anticlimactic way possible. They go to Angelica/Howard’s concert and Micki grabs the pendant while Angelica/Howard is singing. Without the pendant, Angelica dissolves into Howard and then a panicked Howard is promptly electrocuted on stage.
Howard’s dead but so are a lot of other people. At the shop, Micki and Ryan confess to Jack that they feel that they failed because so many people died before they got the pendant. Jack shrugs and basically tells them “that’s life.” What a dark ending! Actually, it was rare that Friday the 13th didn’t end on a dark note.
This was an effectively creepy episode, one that worked because of just how dark it allowed things to get. Even Jack pointed out that the pendant’s powers didn’t always make sense, which made it even more dangerous in the hands of someone like Howard. There were a few loose ends. I found it a bit odd that there wasn’t a bigger public reaction to a famous black woman turning into an ugly white guy and then dying in front of a crowded club. In fact, the show left it a bit unclear as to what actually happened to Angelica after Howard transformed into her but I’m going to guess it was nothing good. In the end, though, this episode was effectively macabre.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu!
This week’s episode made me cry.
Episode 1.4 “Cora and Arnie”
(Dir by Mark Tinker, originally aired on November 23rd, 1982)
While orderly Luther (Eric Laneuville) practices his karate moves in the hallway and anesthesiologist Vijay (Kavi Raz) composes a letter to his family in India and Dr. Fiscus continues his sex-only relationship with Kathy Martin, four patients learn about life and death at St. Eligius.
One of them is an unnamed man (Lionel Mark Smith) who comes in with a complaint of backpain. Fiscus examines him and discovers that the man has been shot in the back. The man announces that he’s on parole and he doesn’t feel like going back to prison. Fiscus offers to admit him under an assumed name but the man says he already gave his real name to the front desk. The man tries to leave the hospital but collapses from pain and blood loss. Later, when the man wakes up, Fiscus tells him that the bullet has been removed and he’ll be fine. The man says he won’t be fine because he’s going to go back to prison as soon as he leaves the hospital.
Meanwhile, Kathleen McAllister, who has been in a coma ever since Andrew Reinhardt set off a bomb at a bank, finally dies. Reinhardt, when he’s informed of the news, sneers. He doesn’t care that she died. He’s all about the class struggle. (If this show was made today, he’d have thousands of followers on Bluesky.) When Dr. Beale tries to examine him to determine if he’s mentally ill, Reinhardt spits in his face. Reinhardt is convinced that nothing will ever happen to him but, after Kathleen dies, he’s informed that he’s being taken to prison. As Reinhardt is rolled out of his hospital room, Kathleen’s husband (Jack Bannon) appears in the hallway and shoots him dead.
George (Bernard Behrens) and Lillian Rogers (Anne Gerety) are tourists who are visiting Boston. When Lillian faints in her hotel room, George rushes her to the hospital. Lillian says she’s feeling fine but she still goes through a series of tests to determine why she fainted. In the end, the tests are inconclusive. No one can figure out why she fainted so she’s told to just see her family doctor when she returns home. When George and Lillian check out of the hospital, they are presented with the bill for all the tests. George freaks out when he sees that he’s being charged …. $1,380.90!
Now, admittedly, that is $1,380.90 in 1982 money. If George received the same bill today, it would be for $4,517.10. Still, considering all the tests that Lillian had done, that seems remarkable cheap, even by today’s standards. My father died in August and the majority of his medical costs were covered by insurance but his estate is still receiving bills from various hospitals, specialists, and ambulance services. I’ve been told that the same thing happened when my mom passed away in 2008. (Personally, I think if someone dies while in your care, you’ve forfeited your right to be paid.) By today’s standards, having to pay less that $5,000 feels like a bargain!
Finally, and most heart-breakingly, Dr. Morrison takes care of a homeless woman named Cora (Doris Roberts), who comes into the hospital with her companion, Arnie (James Coco). Due to a head injury, Arnie is almost childlike. While Cora learns that a case of gangrene is going to kill her unless she gets her foot amputated, Arnie repeatedly asks, “Can we go now?” In the end, Cora chooses not to have the surgery, leaving the hospital with Arnie. As she explains to Dr. Morrison, someone has to take care of Arnie and she can’t do that with just one foot. When Morrison tells Cora that she’s probably going to die in a year, Cora shrugs and says it won’t be any great loss.
OH MY GOD! Seriously, I was in tears at the end of this episode. The Cora and Arnie story had the potential to be a bit too schmaltzy for its own but Doris Roberts and James Coco both gave such incredibly moving performances that I couldn’t help but get emotionally involved in their plight. And I understood why Cora made the decision that she did. Having been rejected by both her family and society, Cora knew that there wouldn’t be anyone around to take care of her after the operation. So, she decided to accept things the way that they were and spend her last year with the one person who didn’t judge her, Arnie. (I’m getting teary-eyed just writing about it.) Playing out against all the other petty dramas going on at the hospital, this storyline was emotionally devastating.
This was a powerful episode. Watching it, I understood why St. Elsewhere is so often described as being one of the best medical shows of all time.
The Michigan Movie Critics Guild have announced their nominations for the best of 2024. The winners will be announced on December 9th!
Best Picture
Anora
The Brutalist
Dune: Part Two
The Substance
Wicked
Best Director
Sean Baker – Anora
Jon M. Chu – Wicked
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance
Best Actress
Amy Adams – Nightbitch
Cynthia Erivo – Wicked
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance
Best Actor
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Hugh Grant – Heretic
Best Supporting Actress
Ariana Grande-Butera – Wicked
Felicity Jones – The Brutalist
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
Zoe Saldaña – Emilia Pérez
Best Supporting Actor
Yura Burisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man
Denzel Washington – Gladiator II
Best Animated Film
Flow
Inside Out 2
Piece By Piece
Transformers One
The Wild Robot
Best Documentary
Daughters
Music By John Williams
No Other Land
Piece By Piece
Super/Man: The Christopher Reeve Story
Will & Harper
Best Ensemble
Conclave
Dune: Part Two
Nosferatu
Saturday Night
Wicked
Best Screenplay (Adapted or Original)
Anora
The Brutalist
Challengers
Nosferatu
The Substance
Wicked
Breakthrough Award
Mikey Madison – Actress for Anora
Giovanni Ribisi – Cinematographer for Strange Darling
Jane Schoenbrun – Director for I Saw the TV Glow
Maisy Stella – Actress for My Old Ass
Zelda Williams – Director for Lisa Frankenstein
Stunts
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man
Road House
The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member, etc., who has Michigan ties or to a film made or set in Michigan)
The Fire Inside (Set in Flint, and lead actress Ryan Destiny is a Detroit native)
Francis Ford Coppola (Writer/Director of Megalopolis)
Hundreds of Beavers (Partially filmed in Michigan)
Keegan-Michael Key (Actor in IF, Transformers One & Dear Santa)
J.K. Simmons (Actor in Saturday Night, Red One and Juror #2)
The Seattle Film Critics Society has announced their nominations for the best of 2024! The winners will be announced on December 16th!
BEST PICTURE
Anora – Sean Baker
The Beast – Bertrand Bonello
The Brutalist – Brady Corbet
Challengers – Luca Guadagnino
Conclave – Edward Berger
Dune: Part Two – Denis Villeneuve
Furiosa: A Mad Max Saga – George Miller
I Saw the TV Glow – Jane Schoenbrun
Sing Sing – Greg Kwedar
The Substance – Coralie Fargeat
DIRECTOR
Sean Baker – Anora
Bertrand Bonello – The Beast
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two
LEAD ACTOR
Adrien Brody – The Brutalist
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Keith Kupferer – Ghostlight
George MacKay – The Beast
LEAD ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Léa Seydoux – The Beast
SUPPORTING ACTOR
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Josh O’Connor – Challengers
Guy Pearce – The Brutalist
SUPPORTING ACTRESS
Joan Chen – Dìdi (弟弟)
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Isabella Rossellini – Conclave
ENSEMBLE
Anora – Sean Baker
Conclave – Nina Gold and Martin Ware
Dune: Part Two – Dixie Chassay and Francine Maisler
His Three Daughters – Nicole Arbusto
Sing Sing – Greg Kwedar
PACIFIC NORTHWEST FILM
All We Carry – Cady Voge
Fish War – Jeff Ostenson, Charles Atkinson, and Skylar Wagner
Gasoline Rainbow – Bill Ross IV and Turner Ross
Rainier: A Beer Odyssey – Isaac Olsen
Strange Darling – J.T. Mollner
INTERNATIONAL FILM
The Beast – Bertrand Bonello
Evil Does Not Exist – Ryûsuke Hamaguchi
Flow – Gints Zilbalodis
Red Rooms – Pascal Plante
The Seed of the Sacred Fig – Mohammad Rasoulof
DOCUMENTARY FILM
Dahomey – Mati Diop
No Other Land – Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Super/Man: The Christopher Reeve Story – Ian Bonhôte and Peter Ettedgui
Will & Harper – Josh Greenbaum
ANIMATED FILM
Flow – Gints Zilbalodis
Inside Out 2 – Kelsey Mann
Transformers One – Josh Cooley
Wallace & Gromit: Vengeance Most Fowl – Merlin Crossingham and Nick Park
The Wild Robot – Chris Sanders
CINEMATOGRAPHY
The Brutalist – Lol Crawley
Dune: Part Two – Greig Fraser
Furiosa: A Mad Max Saga – Simon Duggan
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke
EDITING
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Dune: Part Two – Joe Walker
Furiosa: A Mad Max Saga – Eliot Knapman and Margaret Sixel
The Substance – Coralie Fargeat, Jérôme Eltabet, and Valentin Feron
SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet and Mona Fastvold
Conclave – Peter Straughan
A Real Pain – Jesse Eisenberg
The Substance – Coralie Fargeat
PRODUCTION DESIGN
The Brutalist – Judy Becker (Production Design)
Conclave – Suzie Davies (Production Design) | Cynthia Sleiter (Set Decoration)
Dune: Part Two – Patrice Vermette (Production Design) | Shane Vieau (Set Decoration)
Furiosa: A Mad Max Saga – Colin Gibson (Production Design) | Katie Sharrock (Set Decoration)
Wicked – Nathan Crowley (Production Design) | Lee Sandales (Set Decoration)
COSTUME DESIGN
Conclave – Lisy Christl
Dune: Part Two – Jacqueline West
Furiosa: A Mad Max Saga – Jenny Beavan
Nosferatu – Linda Muir
Wicked – Paul Tazewell
ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor and Atticus Ross
Conclave – Volker Bertelmann
Evil Does Not Exist – Eiko Ishibashi
The Wild Robot – Kris Bowers
ACTION CHOREOGRAPHY
Dune: Part Two – Lee Morrison (Stunt Coordinator) | Roger Yuan (Fight Choreographer)
The Fall Guy – Chris O’Hara and Keir Beck (Stunt Coordinator) | Jonathan Eusebio (Fight Choreographer)
Furiosa: A Mad Max Saga – Tim Wong (Stunt Coordinator) | Richard Norton (Fight Choreographer)
Monkey Man – Udeh Nans (Stunt Coordinator) | Brahim Achabbakhe (Fight Choreographer)
Twilight of the Warriors: Walled In – Kenji Tanigaki (Stunt Coordinator)
VISUAL EFFECTS
Dune: Part Two – Paul Lambert, Stephen James, and Rhys Salcombe
Furiosa: A Mad Max Saga – Andrew Jackson and Dan Bethell
Kingdom of the Planet of the Apes – Erik Winquist and Sean Noel Walker
The Substance – Bryan Jones and Guillaume Le Gouez
Wicked – Anthony Smith, Jonathan Fawkner, Pablo Helman, and Robert Weaver
YOUTH PERFORMANCE
Alyla Browne – Furiosa: A Mad Max Saga
Katherine Mallen Kupferer – Ghostlight
Izaac Wang – Dìdi (弟弟)
Alisha Weir – Abigail
Zoe Ziegler – Janet Planet
VILLAIN OF THE YEAR
Count Orlok – Nosferatu (as portrayed by Bill Skarsgård)
Dementus – Furiosa: A Mad Max Saga (as portrayed by Chris Hemsworth)
Feyd-Rautha Harkonnen – Dune: Part Two (as portrayed by Austin Butler)
Longlegs – Longlegs (as portrayed by Nicolas Cage)
Macrinus – Gladiator II (as portrayed by Denzel Washington)
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix presents Martin Scorsese’s After Hours!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.