Music Video of the Day: I Love Rock ‘N’ Roll, covered by Britney Spears (2001, dir by Chris Applebaum)


It’s Britney!

Filmed at Long Island bar, this video is here to welcome us to Super Bowl Sunday!  Pretty soon, some people will be watching the game and some people will be watching the commercials and, here at the Shattered Lens, we’ll be posting any trailers that drop during the big game.  It’s a part of our tradition!

For now, though, let’s love rock and roll.

Enjoy!

Late Night Retro Television Review: Saved By The Bell 1.11 “The Friendship Business”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Prime and Tubi!

This week, Zack and Jessie battle for business supremacy.

Episode 1.11 “The Friendship Business”

(Dir by Don Barnhart, originally aired on November 4th, 1989)

Hey, it’s the Buddy Bands episode!

One of the things about Saved By The Bell is that, if you’re a certain age, all you have to hear is one term — like “Buddy Band” or “I’m so excited” or “Zack Attack” — and you automatically know what episode is being referred to.  If you were in high school or college in the days when Saved By The Bell reruns were playing endlessly in syndication, you know what I’m talking about.

That’s changing, of course.  Saved By The Bell is no longer the ubiquitous cultural touchstone that it once was.  That’s a polite way of saying that those of us who grew up with it on television are getting older and, for the generation replacing us, Saved By The Bell is just one of the many old shows that they probably skip over while looking at whatever’s streaming online.  It’s sad to say but, in another few decades, all of the Saved By The Bell talk will be limited to assisted living facilities and to grandchildren saying, “Was Zack Morris a friend of yours, grandma?”

For now, though, I’m just happy that I can say “Buddy Bands” and everyone remembers that this episode featured Zack and Jessie leading rival companies that both got involved in the cut-throat world of friendship bracelets.  Zack thinks that he has the inside track because he’s got Lisa and the fashion club working for him but he eventually demands too much from her so Lisa defects over to Jessie’s company.  But then Jessie proves to be just as demanding as Zack.  Meanwhile, Zack convinces Belding to wear a Buddy Band.  Belding walks around the school saying, “Hello, fellow Buddy Bander!” and everyone demands their money back.  Jessie asks someone if their Buddy Band is defective.  “Belding’s wearing one!  It doesn’t get more defective than that!”

Among other things, this episode features the classic Buddy Bands commercial:

Seriously, why was everyone fighting over Zack when A.C. Slater — handsome, mysterious, ageless, and a great dancer! — was right there?

Along with the oddly overproduced Buddy Band commercial, this episode featured one of those weird Zack Morris fantasies, where he imagine being so rich that Screech — as Robin Screech — interviews him.  Zack imagines owning the school, being married to Kelly, and forcing Jessie, Slater, Lisa, and Mr. Belding to work for him.  It’s a chilling look inside Zack’s mind.

Indeed, this episode is also a good early example of Zack getting away with essentially being a sociopath.  Given $100 to start a company by teacher Mr. Tuttle (Jack Angeles, making his first welcome appearance on the show), Zack proceeds to steal Lisa’s idea of making friendship bracelets, tries to overthrow Jessie as company president (leading to Jessie forming her own company and going into the Buddy Band business), and then mercilessly exploits Screech and Lisa while doing very little work himself.  After this backfires on him, he sabotages Jessie’s company and drives her out of business.  Then, at the Max, everyone just decides to be friends again.  In fact, Zack doesn’t even flunk his business class because he learned an important lesson.  I mean, as much as I disliked Ms. Bliss, at least she actually got mad (albeit briefly) when Zack stole her money and invested in potatoes!

Anyway, this episode?  Classic!  Buddy Bands!

 

Lisa Marie’s Week In Television: 2/1/26 — 2/7/26


Bar Rescue (Paramount Plus)

On Monday, I turned over to Fave TV so that I could binge Bar Rescue and I discovered that Fave TV no longer exists!  It’s been replaced by Outlaw TV, a western channel.  I was disappointed so I watched the Pirate Bar episode of Bar Rescue online.  I hope One-Eyed Mike was able to find another job about the tavern went out of business.  He was cool.

Baywatch (Tubi)

I wrote about Baywatch here!

CHiPs (Prime)

You can read my thoughts on CHiPs here!

Decoy (Tubi)

I reviewed Decoy here!

Degrassi: The Next Generation (Tubi)

You can read my Degrassi thoughts here!

1st & Ten (Tubi)

I wrote about 1st & Ten here!

Freddy’s Nightmares (Tubi)

I reviewed Freddy’s Nightmares here!

The Grammy Awards (Sunday Night, CBS)

Watching the Grammy Awards on Sunday, I realized just how boring modern music has become.  I can’t wait for someone new to come along and hopefully remind us of what it’s like to be surprised.

Highway to Heaven (Tubi)

I wrote about Highway to Heaven here!

Hill Street Blues (DVD)

This week, I binged the second and third seasons of this classic cop show.  It made for oddly calming background noise.  Poor LaRue, he was always getting in trouble.

Homicide: Life On The Street (Peacock TV)

You can read my thoughts on Homicide here.

King of the Hill (Hulu)

“I don’t know you.  That’s my purse!”  I was depressed on Monday but watching a classic episode of King of the Hill cheered me up!

The Love Boat (Paramount Plus)

I reviewed The Love Boat here!

Miami Vice (Prime)

You can read my thoughts on Miami Vice here.

Pacific Blue (Tubi)

I reviewed Pacific Blue here!

St. Elsewhere (Daily Motion)

I wrote about St. Elsewhere here!

Saved By The Bell (Tubi)

My thoughts on Saved By The Bell will be dropping 30 minutes after this post.

Saved By The Bell: The New Class (Prime)

I reviewed The New Class here!

The Winter Olympics (NBC & Peacock)

I’ve been enjoying curling!  Go Korey and Corey!  I also enjoyed watching the Parade of Nations.  I had the volume down so I didn’t hear the booing that people have been talking about.  If I had heard the booing, I would have shrugged it off.  Other countries will always hate America, for the same reason that some people are still resentful towards the rich kids from high school.  When you consider what certain countries are on the record as supporting, it’s almost an honor to be booed by them.

Retro Television Review: Baywatch 1.2 “Armored Car”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week …. it’s times for volleyball!

Episode 1.12 “Armored Car”

(Dir by Michael Ray Rhoades, originally aired on January 5th, 1990)

Another pier on the verge of collapse!

(Seriously, what was the deal with California in the 90s?  Why were all the piers on the verge of collapse?  Was California just not investing in infrastructure?)

A local businessman is holding a carnival to raise funds to save the pier!  Yay!  He’s also decided that it would be a smart idea to park an extremely heavy armored car on the edge of the pier so that people can see all the money sitting inside of it.  Hey, wait a minute.  That seems kind of dumb.  Why would anyone be that stupid?  The businessman says that the armored car is sitting on the pier so that people can have their picture taken with the money.  (It’s five dollars per picture.)  That seems like a pretty stupid promotion but, beyond that, is there a reason why it has to be done on a pier that’s on the verge of collapsing?

Needless to say, the pier does start to collapse, which leaves the armored car teetering right on the edge.  A little girl is trapped in the car so Eddie and Shauni — despite it being their off-day — jump into the back of the car and save the little girl.  But then the door slams shut and the armored car falls into the ocean below.  Eddie cracks several ribs.  Shauni declares her love for him as they wait to be rescued.

Have no fear, they are rescued.  This is one of those Baywatch episodes where the emphasis is on a bunch of people working together as a team to save not only two lives but also all the money in the armored car.  This episode celebrates first responders, many of whom seem to be playing themselves.  Most of the heroes in this episode have never been seen on the show before and will probably never be seen again but they still come together to accomplish the impossible.  If you ask David Hasselhoff, episodes like this are what Baywatch was all about.  The Hoff may have a point, though I think the red swimsuits probably had more to do with the show’s eventual popularity than the earnest initial intentions.

One person who is not working to rescue Eddie and Shauni is Jill.  Jill is on the other side of the beach, taking part in a volleyball tournament.  Her partner is Trevor, the arrogant Australian lifeguard and her motivation for playing is to defeat her ex-boyfriend Chris Barron (Jon Lindstrom).  Jill aggravates an old shoulder injury while playing but she refuses to withdraw from the tournament because defeating an ex is totally worth a serious injury that could cause her to lose her job as a lifeguard.  Needless to say, Jill and Trevor win the tournament.  There’s a lot of slow motion volley ball scenes, which would probably have been more effective if not for the weird faces that Jill made whenever she had to spike the ball.  Still, seeing as how Jill is going to get eaten by a shark in just a few more episodes, we should probably be happy that she got to have a moment of triumph.

This was an average Baywatch episode.  If I cared about Jill and Trevor, their storyline would have perhaps been more effective.  As for the armored car stuff, it would have been more effective if the reason for the car being on the pier wasn’t so dumb to begin with.

Forget it, it’s Baywatch.

Live Tweet Alert: Watch The Planet of Dinosaurs With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1977’s Planet of Dinosaurs!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

Planet of the Dinosaurs (1978, dir by James Shea, DP: Henning Schellerup)

 

Scenes I Love: Lambada Is The Forbidden Dance


Today’s scene that I love comes from my favorite Greydon Clark movie, 1990’s The Forbidden Dance!

And remember — this film is dedicated to the preservation of the rain forest.

4 Shots From 4 Films: Special Greydon Clark Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, Through the Shattered Lens wishes a happy 83rd birthday to the one-of-a-kind director, Greydon Clark!  And that means that it’s time for….

4 Shots From 4 Greydon Clark Films

Angels Brigade (1979, dir by Greydon Clark, DP: Dean Cundey)

Without Warning (1980, dir by Greydon Clark, DP: Dean Cundey)

Final Justice (1985, dir by Greydon Clark, DP: Nicholas Josef von Sternberg)

The Forbidden Dance Is Lambada (1990, dir by Greydon Clark, DP: R. Michael Stringer)

Late Night Retro Television Review: Freddy’s Nightmares 2.1 “Dream Come True”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, we begin the second season!  Welcome back to Springwood!

Season 2.1 “Dream Come True”

(Dir by George Kaczender, originally aired on October 8th, 1989)

The second season of Freddy’s Nightmares features Freddy getting involved in the action.

The first story features Freddy haunting the nightmares of teenager Randy Jennings (David Kaufman), who has only recently moved to Springwood with his mother, Cathy (Linda Miller).  Randy is having nightmares about Freddy so his mother buys tickets to attend a talk show hosted by Stan Brooks (Jay Thomas).  Stan’s guest is therapist Dr. Brandon Kefler (Scott Marlowe), who has written a book about nightmares.  Cathy begs Brandon to see Randy and, after being pressured by Stan, Brandon agrees.  Stan arranges for cameraman Garry Heath (Gerard Prendergrast) to film the session.

At the Jennings home, Brandon talks to Randy about his nightmares.  Brandon’s therapy seems to work as, afterwards, Randy is able to sleep peacefully and without having any nightmares.  However, it turns out that Freddy just jumped from Randy’s mind to Brandon’s!  (Hey, didn’t almost the same thing happen in a movie, something about an exorcism….)  Soon, Brandon is the one who is having nightmares and being driven mad by visions….

As for the second story, it deals with Garry the cameraman and his belief that Freddy Kruger is real.  One reason why Garry believes that Freddy is real is because Freddy keeps showing up in footage that he’s filmed.  Unfortunately, no one else can see Freddy, certainly not Garry’s boss (Charles Cyphers).  Even more unfortunately, the body of Garry’s girlfriend is found in a dumpster and the police aren’t buying Garry’s story that Freddy did it….

This episode actually wasn’t that bad, especially compared to some of the episodes that aired during the show’s first season.  Perhaps it’s because this episode was the first of the season and the production budget hadn’t gone dry yet but Dream Come True actually features some adequate production values.  The house looks like a real house.  The television studio looks like a place where something would actually be filmed.  The abandoned warehouse with Garry tries to confront Freddy is actually an atmospheric location and the episode even manages to generate a little suspense, even if neither plot is particularly original.  Both Scott Marlowe and Gerard Pendergrast give decent performances in their stories and, as always, Robert Englund is a properly evil Freddy.

(That said, the show did manage to misspell Charles Cyphers’s name in the opening credits, despite the fact that he was this episode’s big guest star.  I did a double take when I saw “Charles Syphers,” on my screen.  Seriously, the man was Sherriff Brackett!)

Despite getting Charles Cypher’s name wrong, this was still a good start to the final season.  It’ll be interesting to see if the remaining episodes live up to it.

The Society of Composers and Lyricists Honors Sinners


The Society of Composers and Lyricists has announced its picks for the best of 2025.  The winners are listed in bold.

Outstanding Original Score for a Studio Film
LUDWIG GÖRANSSON – Sinners
ALEXANDRE DESPLAT – Frankenstein
JONNY GREENWOOD – One Battle After Another
STEPHEN SCHWARTZ & JOHN POWELL – Wicked: For Good
MAX RICHTER – Hamnet
JERSKIN FENDRIX – Bugonia

Outstanding Original Score for an Independent Film
DARA TAYLOR – Straw
BRYCE DESSNER – Train Dreams
DAVID FLEMING – Eternity
FABRIZIO MANCINELLI – Out of the Nest
JÓNSI & ALEX SOMMERS – Rental Family

SARA BARONE & FOREST CHRISTENSON – To Kill a Wolf

Outstanding Original Song for a Dramatic or Documentary Visual Media Production
DIANE WARREN – “Dear Me” from Diane Warren: Relentless
ALICE SMITH, MILES CATON & LUDWIG GÖRANSSON – “Last Time (I Seen the Sun)” from Sinners
RAPHAEL SAADIQ & LUDWIG GÖRANSSON – “I Lied to You” from Sinners
SARA BAREILLES – “Salt Then Sour Then Sweet” from Come See Me in the Good Light
NIKHIL KOPARKAR & RAMMY PARK – “The Hills of Tanchico” from The Wheel of Time
ED SHEERAN, BLAKE SLATKIN & JOHN MAYER – “Drive” from F1

Outstanding Original Song for a Comedy or Musical Visual Media Production
EJAE & MARK SONNENBLICK – “Golden” from KPop Demon Hunters
STEPHEN SCHWARTZ – “No Place Like Home” from Wicked: For Good
STEPHEN SCHWARTZ – “The Girl in the Bubble” from Wicked: For Good
JACK BLACK & JARED HESS – “Steve’s Lava Chicken” from A Minecraft Movie
MARK RONSON, ANDREW WYATT & JACK BLACK – “I Feel Alive” from A Minecraft Movie
BLAKE SLATKIN, SHAKIRA & ED SHEERAN – “Zoo” from Zootopia 2