Lisa Marie’s Week In Review: 2/2/26 — 2/8/26


Groundhog Day (1993, Dir. by Harold Ramis)

I hope everyone had a good Groundhog Day and a good Super Bowl Sunday.  I’m exhausted.

Here’s what I watched, read, and listened to this week!

Films I Watched:

  1. American Anthem (1986)
  2. The Blues Brothers (1980)
  3. Cherry 2000 (1987)
  4. Choices (1981)
  5. Deadly Cheer Mom (2022)
  6. Ella McCay (2025)
  7. Friday Night Sext Scandal (2024)
  8. Hard Rock Zombies (1985)
  9. Groundhog Day (1993)
  10. Millennium (1989)
  11. Planet of Dinosaurs (1977)
  12. Over the Top (1987)
  13. Rush (1991)
  14. Shoot to Kill (1947)
  15. Webcam Cheerleaders (2021)
  16. The Wrong Stepmother (2019)

Television Shows I Watched:

  1. Bar Rescue
  2. Baywatch
  3. CHiPs
  4. Decoy
  5. Degrassi: The Next Generation
  6. 1st & Ten
  7. Freddy’s Nightmares
  8. Highway to Heaven
  9. Hill Street Blues
  10. Homicide: Life On The Street
  11. King of the Hill
  12. The Love Boat
  13. Miami Vice
  14. Pacific Blue
  15. St. Elsewhere
  16. Saved By The Bell
  17. Saved By The Bell: The New Class
  18. Super Bowl LX
  19. The Winter Olympics

Books I Read:

  1. Backstage Pass: Decades of Sex, Drugs, Tragedy and the Darker Side of Rock & Roll (2025) by JD DeCosta
  2. Last Night at the Viper Room (2013) by Gavin Edwards

Music To Which I Listened:

  1. Above & Beyond
  2. Amy Winehouse
  3. Ashlee Simpson
  4. Avicii
  5. Bad Bunny
  6. Britney Spears
  7. The Chambers Brothers
  8. The Chemical Brothers
  9. Fatboy Slim
  10. Geri Halliwell
  11. Gerry Rafferty
  12. Jennifer Love Hewitt
  13. Kid Rock
  14. O-Town
  15. Ramones
  16. Saint Motel
  17. Spice Girls

Awards Season

  1. Society of Composers of Lyricists
  2. Directors Guild of America

Super Bowl Teasers:

  1. Hoppers
  2. Scream 7
  3. Disclosure Day
  4. The Mandalorian and Grogu
  5. Minions and Monsters
  6. The Adventures of Cliff Booth
  7. Project Hail Mary

Live Tweets:

  1. Millennium
  2. The Wrong Stepmother
  3. Cherry 2000
  4. Planet of Dinosaurs

News and Links From Last Week:

  1. Three Dog Night’s Chuck Negron Dies At 83
  2. 3 Doors Down Singer Brad Arnold Dies at 47
  3. Bassist Fred Smith Dies At 77
  4. So Long To Cheap Books That You Could Fit In Your Pocket
  5. RIP Singer Chuck Negron…His Riveting Memoir Documented A Rock Band’s “Three Dog Nightmare”!
  6. February 2, 2026

Links From The Site:

  1. Arleigh reviewed Send Help, Kate & Leopold, Private Lessons, and Fallout!
  2. Arleigh shared songs from Mint Condition, Keith Sweat, Johnny Gill, Journey, Kenny Rogers, and Jeffrey Osborne!
  3. Brad reviewed You’ve Got Mail and wrote about past Super Bowls!
  4. Jeff shared his Super Bowl predictions, reviewed the Blues Brothers, and congratulated the Seahawks!
  5. Erin shared Against the Clock, Falling In Love, Streets of Sin, Our Love Story, Girls’ Love Stories, My Love, and Groundhog Day!
  6. Erin shared the Covers of Football Stories!
  7. Erin shared scenes from Groundhog Day and You’re A Good Man, Charlie Brown!
  8. Erin reviewed WebCam Cheerleaders and Choices!
  9. I shared music videos from Britney Spears, Avicii, Jennifer Love Hewitt, Above & Beyond, O-Town, Tim Beveridge, and the Ramones!
  10. I shared a song from Sonny and Cher and my favorite Super Commercial!
  11. I paid tribute to King Vidor, Greydon Clark, Francois Truffaut, Michael Mann, George Romero, Michael Cimino, and Bill Murray!
  12. I shared scenes from The Forbidden Dance, Kings Row, Fallen Angel, Dawn of the Dead, and Heaven’s Gate!
  13. I reviewed Degrassi!

Have a great week!

My Favorite 2026 Super Bowl Commercial


The commercials were pretty dull this year, largely because we don’t have any universally beloved celebrities anymore.  Getting someone famous and likable to do something cute used to be the easiest way to create a great Super Bowl commercials but now, hardly anyone is likable and even most celebrities are only famous with a niche audience.  Humor, which used to be a key part of most good Super Bowl commercials, fell out of fashion in 2017 and, even though most people have moved on from that weird time, the advertising world still hasn’t quite recovered.  The use of AI isn’t helping.  For instance, this year, Dunkin Doughnuts tried to do a commercial with a bunch of old sitcom stars.  Usually, you would think that would work but the de-aging technology made the entire thing feel like a zombie movie.

Really, there’s only one non-movie commercial that really struck my fancy this year and it’s from Budweiser.  I don’t even drink but I do love horses, I love majestic birds, and I love classic Lynard Skynard.  Also, it should be noted that the eagle at the end of the commercial was not AI.  He’s an actual eagle by the name of Lincoln.  This commercial is called “American Idols” and it definitely deserves the title.

The Super Bowl was bland this year and I have a feeling that’s going to be the state of things for a while.  But this commercial definitely brought tears to my eyes.  This is what Super Bowl commercials are supposed to be all about.

Here’s the Super Bowl Spot For Disclosure Day


Disclosure Day is Steven Spielberg’s latest film.  We really don’t know much about it, beyond the fact that it appears to be science fiction and it stars Emily Blunt.

The Super Bowl spot is certainly intriguing.  I’m looking forward to unraveling this film’s mysteries.

Retro Television Review: Homicide: Life On The Street 4.21 “Scene of the Crime”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, it’s another night in Baltimore.

Episode 4.21 “Scene of the Crime”

(Dir by Kathy Bates, originally aired on April 12th, 1996)

This week, three murders are committed in the projects of Baltimore.

The first murder occurs when a drug dealer is tossed off the roof of an apartment complex, “the towers.”  Making the Lewis and Kellerman’s investigation difficult is the fact that the city has given a security contract to the Black Muslims.  The Muslims have been patrolling the Towers for a year and, in that time, they’ve chased out most of the drug dealers that once terrorized the building’s residents.  Kellerman feels that the Muslims are racists.  Giardello says that the Muslims just caused the dealers to go to another block.  Lewis, however, is a bit more conflicted.  As he explains it to Kellerman, why should white neighborhoods by the only ones allowed to have their own private security force?

The second and third murders occur at another set of towers.  This time, two teenage drug dealers ended up shooting each other.  When Munch and Russert arrive at the scene, they are met by patrolman Stu Gharty (Peter Gerety).  Gharty walks them through the scene, shows how the two dealers ended up killing each other, and then excuses himself to wait for the medical examiner.  Munch is impressed with Gharty but Russert can’t help but note the thirty-minute time gap between when Gharty got the call about the shooting and when he called for homicide.  Gharty confesses that, when he first arrived, he didn’t immediately enter the building, despite hearing the gunshots.  Gharty was concerned for his safety.  Munch understands and, even more importantly, he doesn’t believe in getting other cops in trouble.  Russert, however, is angered, especially after it turns out that one of the teenagers bled to death while Gharty was waiting outside.

This was an excellent episode of Homicide, one that was smart enough to paint anyone as being all good or all bad.  Ishmael Al-Hadj (Victor Williams), the head of the Muslim security force, is an anti-white fanatic but Lewis has a point when he says that Ishmael and his men have largely kept peace in the Towers in a way that the police have not been able to do so.  In the end, Ishmael turns over the name of the murderer but only after he knows that the man is no longer in Baltimore.

As for Stu Gharty, Russert is absolutely correct when she says that he failed to do his duty but, largely due to Peter Gerety’s empathetic performance, it’s hard not to sympathize with Gharty.  As Russert herself admits, Gharty has been a good cop for years but, that one night, he allowed his fear to get the better of him.  Russert, who is still thinking like a captain despite being demoted, feels that one moment of weakness cannot be overlooked.  Just about everyone else disagrees.  Whereas Russert and Kay Howard sees someone who failed to do his job, a detective like Munch looks at Gharty and sees a 54 year-old cop who is just a few years away from getting reassigned a desk job on account of his age and who made one mistake because he didn’t want his family to get a call telling them that he was dead.  At one point, Gharty says he’s thinking of just taking retirement.  Of course, he didn’t.  Instead, he returned a few seasons later as a regular.

This episode also featured Munch preparing for the return of Bolander.  After calling Bolander multiple times, Munch finally got him to agree to drop by the Waterfront Bar.  Of course, Bolander never showed up.  And it makes sense, really.  After getting shot and nearly dying during the previous season, Bolander was obviously done with being a cop.  (And, of course, Ned Beatty was no longer on the show.)  Still, there was something rather poignant about Munch’s growing realization that his partner and his hero was no longer going to be around.

Next week, the season comes to an end!