Rogue One: A Star Wars Story Makes Its Final Approach



We take a brief break from our current regular scheduled horror programming to bring in the final official trailer for the latest entry in that little space opera called Star Wars.

With just two months left before Rogue One: A Star Wars Story splashes down into theaters everywhere, the film doesn’t seem to be gathering the sort of massive hype and anticipation that last year’s Star Wars: The Force Awakens had leading up to its release.

Rogue One is still predicted to be the biggest film of the year. Yet, the feeling that permeates each trailer release have been one of guarded anticipation.

This latest and final full trailer oils to remedy that situation.

Rogue One: A Star Wars Story is set for a December 16, 2016 release just in time for the holidays.

Rogue One: A Star Wars Story Official Trailer Finally Arrives


Rogue One

The Rogue One official trailer finally came out after weeks of fans waiting for it since last month’s Star Wars celebration over in London.

At first, people thought the trailer would be released during the celebration, but that didn’t come to pass. Then San Diego Comic-Con came and went and still no official trailer. We already seen the teaser, the sizzle reel from London celebration and even a tv spot that aired in the last week or so. Yet, there was still no full trailer. Fans were waiting with extreme patience.

Once news came down that the first official trailer will show during the Olympics the guessing game began on which day it will be. When it was confirmed that it was to be tonight people worldwide began to wait for the trailer to premiere. And waited during each Olympic event. And waited some more. I, myself, decided I needed a nap and left orders to be awoken when it finally did show.

Well, it did show just an hour into my nap and despite being groggy from being woken up that first image of the desert planet with Forest Whitaker and Felicity Jones conversing got my full attention. The wait was long, but it was well worth it and now the wait for the film’s premiere begins.

Rogue One: A Star Wars Story is set for a December 16, 2016 release date.

Convention Report: Kawaii Kon 2016


This is a delayed live report from Kawaii Kon in Honolulu, Hawaii! (As in I’m writing this several days after I’ve returned from said convention, because I don’t get paid to travel to conventions and report live)  This is the first time that I, pantsukudasai56, and by extention Through the Shattered Lens, has been to this convention, so what you’re getting here are my completely initial reactions to this convention.  This is actually a big deal, because first impressions really are everything.  The first time I went to Anime Expo was in 2005, and today I’d probably have to be paid to go back again because it’s too crowded.  My first Anime Boston was in 2006, and again, currently I’d have to be paid to go back because of the hostile environment the city of Boston has fostered towards the convention.  But, in both those cases, I went to their conventions much longer than I normally would have because I had such a great time initially.  Did Kawaii Kon give me the same impression?  Well, I’ll save you a lot of reading and tell you straight up now, yes, yes it did.  Oh sure, I know you’re thinking that after flying myself out from the east coast of the United States that I’d force myself to enjoy my time after spending 13 hours on a plane, and you might not be terribly off course for thinking such.  However, let me tell you something straight up.  Since I was staying in Honolulu, and more accurately a mere mile away from the famous Waikiki Beach, if I wasn’t enjoying myself I’d have had no problem turning my convention vacation into a regular tourist vacation.  The fact is, I never once made it down to the beach, because Kawaii Kon knows what it’s doing, and after 12 years, they’re doing it well.

First, let’s get one thing out of the way.  When I go to conventions, in almost every case, save for a certain semi-local convention, I go to see Japanese guests.  Generally speaking, the larger, and especially the larger west coast conventions are the ones that attract the most Japanese talent.  The king of this is Anime Expo, mainly because they have the money and the attendance figures to drive this.  However, the #2 convention for attracting Japanese guests this year so far has been Kawaii Kon with an astounding 10 out of 24 guests being from the Japanese side.  Why is this so amazing, you might ask?  Well, to put it in perspective, Kawaii Kon had an attendance of 11,597 unique attendees.  Compare this with larger cons like Anime Boston which had 26,975, and Sakura Con, which has yet to announce 2016 numbers, but had 23,419 in 2015, and both those cons only had about the same number of total guests, and less Japanese guests, with over twice the attendance numbers, and you can see that Kawaii Kon makes more of their budget than any other convention out there.  Even big name conventions like Otakon barely surpass the guest list.

But sure, guest lists don’t mean anything if they’re a bunch of no name people, right?  Well, for those who follow anime, there definitely were some Who’s Who type of names coming to this convention.  The biggest name I’d drop is Toshio Maeda.  He’s well known as the Father of Tentacles, what with him being the creator of La Blue Girl, and most famously, Urotsukidoji.  If anyone reading this has ever watched a tentacle porn hentai, then Mr. Maeda is the man you want to thank.  And not only is he awesome for creating one of my most favorite genre, but he’s also super thankful towards his fans, to the point that he’s quite happy to come and take a picture with them, like he did with me.

Let me say that not only was he happy to do that, but I also got a signature for site founder Arleigh, and he wasn’t fine with the rough sketch he made that I bought, but insisted upon taking the time to improve it and make it look nicer.  Plus when I was checking out of the hotel two days after the convention, I noticed he was checking out at the same time and went to thank him, and he remembered me from the first day of the convention!  This man is a legend, and he became one of my personal heroes just from doing small things like that.

But there were many other great Japanese guests at this middle sized convention.  For fans of the Idolmaster franchise, there was the voice of Ami and Mami Futami, as well as the voice of Len and Rin Kagamine, Asami Shimoda (She sure has a proclivity towards voicing twins, doesn’t she?).  Here she is signing an item for me

Thankfully I had the foresight, and the bank account, to sign up for a VIP membership, which allowed me to skip to the front of autograph lines, because she was easily the most popular Japanese voice guest as far as autographs was concerned.  Immediately following her autograph session was a Q&A session, and some poor fools were begging for her autograph, and she had to sadly inform them that all her sessions were done.  I did see her one more time after the convention was over when we shared an elevator down to the lobby, but since my Japanese is extremely limited, I didn’t want to bother her even though her interpreter was standing nearby.  Besides, that would have just been for my own satisfaction, and I never want guests at these conventions to feel like they have to be inconvenienced just for us fans sake, even though I know she would have been extremely polite towards me if I had.

But I did say there were 10 Japanese guests, no?  Let me shoot straight, just because they’re Japanese doesn’t mean I’m gonna be an instant fan, but for most of the guests that does hold true, so next on the list is Yumiri Hanamori.

I do apologize for the side profile shot, but my other pictures didn’t come out as well as this one.  I wish I were a better kameko.  Let me say one thing about Miss Hanamori.  I was a fan of her works prior to meeting her, and I am more of a fan after meeting her because when I got her autograph on Sunday, she remembered me from Saturday, even though I was in cosplay then and looked fairly different.  Honestly, it’s little things like that that make me respect a voice actor all the more and I’ll definitely be looking forward to her future works.

Next on the list of guests that I really wanted to meet was a duo from one of my favorite animation studios.  I got to meet Shigeto Koyama and Hiromi Wakabayashi from Studio Trigger, who were personally involved in several of my favorite anime, including Little Witch Academia, Kill la Kill, and Ninja Slayer.

(Shigeto Koyama is on the left, Hiromi Wakabayashi is on the right)

These two gave probably my favorite panel of the convention, in which they gave a lot of insight towards what happens behind the scenes in an animation studio.  Luckily I had the foresight to take these pictures of them because during their panel they were showing video that hadn’t even been shown in Japan yet, so all recording was forbidden.  All in all I wound up becoming even more of a Studio Trigger fan, if that was even possible!

Speaking of Kill la Kill, another guest that the convention brought in was the musical group Garnidelia, who sang the second opening song to that anime.  In addition to Shimoda-san and the Trigger duo, this was another group that I used my VIP status to jump right to the front of the autograph line, which was good since even though it was a Friday, which is typically the slower of the two major days (Friday and Saturday), there still was a huge line to get their autograph.

But admittedly I am a guy, and so my focus was primarily on Maria, aka Mai Mizuhashi.

In most Japanese pop groups consisting of male and female performers, the females tend to get a lot more attention, largely due to their fans being lonely otaku.  But, hard not to see why when these groups have such lovely ladies in them.

Finally, the last autograph I got was of Natsuko Hara.  She’s definitely a newcomer in the anime scene, one that I haven’t really seen many roles of her, but everyone is a newcomer at some point, and you never know when someone is going to become super famous.  Here’s me getting a picture taken with her

Yes, I look much different from my picture with Maeda-san.  That picture was taken on Friday, this was on Sunday, and on Saturday I cosplayed as King Hippo from Punch Out, hence the shaved head (and shaved chest and stomach.  TMI?)  But honestly, I love getting autographs from lesser known talent like that, because you never know if they’re gonna get that one big role that puts them on the map.  And if they don’t, well who cares, it was fun anyways.  So fun, that my next pic with her winds up looking like I have a Hentai Woody face.  What’s a Hentai Woody Face you might ask?

That’s a Hentai Woody face.  That was totally random, but it just wound up looking bad.  For the record, this is the original Hentai Woody.

See the resemblance?

But enough about me, in addition to the great guests, there’s always an abundance of cosplay.  I myself did some cosplay, as I mentioned before, even though I was censored (Thanks staffer Jacob, for singling me out.  Yeah, funny how it was such an important rule for people to not have topless cosplay, except for all those tanned buff guys that were walking around without shirts.  I get it, I’m not super great to look at without a shirt on, but you didn’t have to be so obvious), so after that bit of complaining, let’s get on to the good cosplay that I saw!

First off, on the first day, within the first couple minutes of me getting to the convention center, I came across this spot on Saitama from One Punch Man.  I alway approve of people who go the extra mile to make their cosplay perfect, and the fact that this guy went and shaved his head makes it all the better. (or maybe he’s naturally bald and he’s just rolling with a cosplay that works with that.  Either way, good for him!)

This is Shinoa Hiragi from Owari no Seraph (Seraph of the End).  A fairly recent show, as it started last fall, I suspect there will be a lot more females doing cosplay of this, since the show is very popular amongst women due to its implied BL (boy’s love) leanings.

This was a really cute Mortal Kombat cosplay that I saw.  You often see plenty of single characters, especially Sub Zero, walking around any given convention, but what make this one special was not only it being a family cosplay, with the mother and her son doing it, but the fact that they made it look like the video game with someone holding the status bar.  Really well done and a great example of cosplay being a good family activity.

This is a Nagisa from Assassination Classroom.  Since this was a medium/small convention, I was more surprised that there was someone doing this cosplay rather than surprised there weren’t more.  I did see a Koro-sensei (someone dressed like the doll she’s holding), but unfortunately I was in a hurry to get to an autograph session, so I couldn’t pause to take their picture too.  Expect to see a lot more of this cosplay during the summer conventions.

This is a cosplay that is no doubt near and dear to both me and Arleigh.  This is an Umaru from the recent anime Himouto Umaru-chan.  This was a very divisive character in the anime community, in that you either loved her, or hated her with the passion of a million burning suns.  There was no middle ground.  Personally me, and I know Arleigh, both adored her, but I can certainly see where her antics would rub people the wrong way.

This is one of those characters that I’m familiar with, but I haven’t actually watched the anime that she comes from.  She’s one of the most popular girls (and waifu candidates) from the fall and winter seasons of Gate, and her name is Rori.  Since the spring season of anime is looking slow for me, perhaps I’ll give this show a shot.  I would also like to give this girl a lot of credit, because when I was trying to take her picture my camera wasn’t interested in focusing properly, so it took me almost 30 seconds to get the picture.  Thirty seconds might not seem like much to most people, but when you’re posing, it’s an eternity.  It’s amazing she could keep her smile for that long!

This is one of the more famous characters that I took pictures of.  The male is dressed as Spike Spiegel, and the female is of Faye Valentine, both of Cowboy Bebop fame.  This is one of cases where the anime was possibly more popular in the United States than it was in its homeland of Japan.  The best part of this is, I didn’t see Man Faye.  Don’t know who Man Faye is?  Good.  Don’t Google it.  Don’t. Google. It.

Another blast from the past.  Back when I was really starting out as an anime collector, there were very few options.  Unlike today, where there are over 100 new anime released each year, back then we’d be lucky to get 30 anime.  I know, this makes me sound like one of those grumpy old anime fans.  Trust me, I hate them too.  But this really is from a classic, Ranma 1/2.  Here we see Ranma in his female version (for those that don’t know, when Ranma is normal, he’s a boy, when he’s splashed with cold water, he’s a girl and won’t revert until splashed with warm water), and the one holding the giant spatula next to him is the best girl, Ukyo.  See, Ranma 1/2 was also probably the first, or at least the most well know among western anime fans, of the harem genre.  This is where one guy has multiple girls who are vying for his attention.  In Ranma’s case, he had 4 girls actively going after him, with a couple others that had passing interests as the story required.  Good times.

This is another blast from the past, and probably the first yuri (lesbian) series that most anime fans are familiar with.  This is Utena and Anthy from Revolutionary Girl Utena. When I say it’s a lesbian series, I’m not talking super overt and very explicit, but it’s very obvious as the series goes on.  There’s a ton I could say about this particular show, especially how it was pretty revolutionary (no pun intended) in how it stretched a paper thin budget that could barely support 13 episodes out to a 39 episode series.  I don’t use the term classic lightly, but this is definitely an anime classic.

This is from a show that I’m frankly surprised hasn’t inspired more cosplay.  This young lady is cosplaying as Erza Scarlett from Fairy Tail.  To be more specific, she’s cosplaying as Erza equipped with her Heaven’s Wheel armor.  Of Erza’s many many armors, this is one of the more complex ones, so I give her a lot of props for pulling it off.  Really, you can go to many conventions, and you just plain don’t see much Fairy Tail cosplay.  There also was a Gray Fullbuster walking around too, but I’m not a huge fan of taking pictures of guys, and I saw him walking around shirtless after I had been told to cover up, so I was feeling kinda bitter.  Sorry Gray, you came at the wrong time.

This one should be very familiar to anyone that was even passively interested in anime and watched it on broadcast TV.  This is the Dark Magician Girl from the anime Yu-Gi-Oh, and for a lot of newer anime fans, she was the first waifu they ever had.  I probably should explain that a waifu is an anime character that people have strong feelings of attraction towards, the literal meaning being that they want to marry that character, hence the term waifu, which is I suppose a bit of an insulting way of saying you want said character to be your wife.  (kind of mocking the way Japanese say a lot of English terms, waifu is the way the Japanese would say “wife” in English since Japanese words always end in a vowel sound, except for words ending in -n)  Surprisingly, this is probably the first Dark Magician Girl I’ve ever seen at any convention.  At the very least, she’s the only one that I’ve felt was worth taking a picture of.

Now, anime conventions aren’t solely about anime.  I myself dressed up as a video game character, and here we see a group that has dressed up as Star Wars: The Force Awakens characters.  I especially love cosplay like this, where the whole family gets involved.  Trust me, there were a ton of Kylo Ren cosplayers walking around.  There were the usual ton of Stormtrooper cosplay.  There were several Rey Skywalker Mysteriousgirlwedontknowwhoherdadis cosplayers too.  But this was the only group who actually was coordinating their costume.  Plus the little girl was towing the BB8 unit around, and it was way too cute.

Told you there were cosplayers walking around without shirts on that weren’t being molested by Jacob.  But, naturally he has a six pack, and not a keg.  Really though, I didn’t take this picture to make a point, I took it because he’s cosplaying as someone from Shimoneta, a particularly hilarious, yet sad anime from this summer.  Hilarious because the content is just plain funny.  Sad, because one of the lead voice actresses in the show died at the young age of 38.

Sometimes I just see a costume that even when I don’t know where it’s from, it’s just so well done that I need to take a picture of it.  This is one of those.

And this is another.  Did they make them themselves?  If so, great.  Did they commission someone else to make them?  If so, who cares?  Really nice costumes either way.

So, while this was the second smallest convention I’ve ever attended (Another Anime Convention in New Hampshire was the smallest at around 3000 people) it’s probably the one that’s been the most fun in recent times.  Many other conventions could learn from their example that you can have a really fun show and don’t need 30,000 or more attendees.

I’ll end this rather lengthy post with one final picture.  This picture wasn’t taken by me, and it wasn’t from this convention, but it was taken OF me, at a previous convention, and it’s the same cosplay I did at this convention of King Hippo of Punch Out fame.

I have no idea why Jacob or anyone else would find that obscene.  Some people have no taste.  (yes, I’m ticked off at Jacob.  Bastard)

Rogue One Wakes Up the Internet with Its First Trailer


Rogue One

The world has been dying to see the first teaser trailer for the next Star Wars. The most recent one came out at the end of last year and already people wondering why this next one hasn’t already come out.

Well, it will come out this December when the public is flush with money to spend on the holidays (though we all know it’s probably to buy Rogue One: A Star Wars Story tickets as holiday gifts for themselves).

This teaser trailer shows us stuff that happened between Episode 3 and Episode 4. It also focuses on a new hero character which has raised the ire of the most vocal minority (very tiny) of the Star Wars fandom. We’re introduced to Jyn Erso played by English-actress Felicity Jones who we learn is not just a criminal of sorts, but one ready with a smartass quip.

Star Wars has another woman in the lead role! First it was Rey in Star Wars: The Force Awakens. Then just the last couple weeks, one of the few redeeming things about Batman v. Superman was the appearance of Wonder Woman. We can’t forget how last year’s Mad Max: Fury Road was being called Mad Max Furiosa Road.

The MRA mouthbreaters and Mary Sue labelers have had it up to their neckbeards of having their beloved franchises being invaded by the opposite sex. They’re already calling for boycotts and petitions to get Rogue One from being released as is. They want their fictional heroes to return to the good ol’ days of privileged, white men who rescued and kissed damsels (even if they to be their sister) in distress.

Their shouts and cries of impotent rage has been drowned out by the massive majority of even more vocal supporters of another female heroine in a fictional universe which dares to posit that dangerous question: can women be heroes? It looks like after Rey and now, with this upcoming film’s Jyn Erso the answer may be a collective and very loud “Yes, Yes, Yes.”

Rogue One: A Star Wars Story is set for a December 16, 2016 release date or be on hold indefinitely if the MRA neckbeard mouthbreaters get their court injuction to delay its release.

Star Wars: The Force Awakens (dir. by J.J. Abrams) Is the Sequel the Fandom Has Been Waiting For


Star Wars - The Force Awakens

[some minor, very minor spoilers]

When I first began this site on Christmas Eve of 2009 I had to thank the excitement I had for event films after seeing and experiencing James Cameron’s Avatar. It was an experience I hadn’t felt since the days of the Lord of the Rings trilogy and, even earlier than that, the original Star Wars trilogy. These were films that fired up one’s imagination, appreciation and love for film as entertainment and art. Some of these films would linger on longer in one’s mind than others, but that first viewing in their initial release would always imprint their effect on each viewer.

When George Lucas announced that he would be returning to that galaxy, far, far away with a trilogy of prequels almost 15 years since the world last saw Return of the Jedi premiere first the first time, the Star Wars fandom were giddy, excited and hyped beyond belief. The Star Wars films and the many spin-offs (novels, comic books, video games, etc.) which came about because of it only whetted the appetites of long-time Star Wars fans for more films detailing the adventures in the scifi universe created by George Lucas.

Yet, the prequels’ effect on these long-time fans would be the direct opposite of the effect the original trilogy had on the fandom. These three prequels (all directed and written by George Lucas himself) would do more than disappoint the fandom. It would create a schism between those who saw the original trilogy as the gateway to their fandom and those younger generation who never saw the original trilogy and had the prequels become their gateway to the fandom. Even to this day there would be some of the younger generation who truly believe that the prequels trump the original three films which began the franchise.

When news came down that Disney had bought Lucasfilm and everything which George Lucas had built and cultivated there was no chance in hell that there wouldn’t be another series of Star Wars despite the disaster which were the prequels. Lo and behold, it didn’t take long for Disney to greenlight the sequel to Return of the Jedi and have it set decades after the events of that film.

So, it is with Star Wars: The Force Awakens that the Star Wars fandom get to see whether their continued faith in the franchise was worth it or if they have been Charlie Brown’d once again and had the ball taken away at the very last second. It’s easy to say that Star Wars: The Force Awakens was great or it was awful. The true answer to whether this film succeeded in what it intended do was a bit more complicated.

Yet, if one was to look for an easy and simple answer then I’m happy to say that Star Wars: The Force Awakens was great. It had it’s moments of logic gap and plot holes, but as an overall finished product the film succeeded in course-correcting the franchise from the nadir it was at with the culmination of the prequels. It wouldn’t have taken much to surpass the very low bar set by those prequels, but The Force Awakens leapfrogged that bar and went even higher.

The film does begin thirty years after the events of Return of the Jedi and we find out with the now familiar episode intro crawl that Luke Skywalker has disappeared since those events and the galaxy has remained in turmoil with his absence. The Galactic Empire has been defeated, but in its place a new danger in the form of the genocidal First Order has arisen from the Empire’s remains. Opposing the First Order is a sort of galactic force supported in secret by the New Republic and led by General (not Princess) Leia Organa calling themselves the Resistance. It’s the conflict between these two factions and the search for Luke that forms the narrative base for The Force Awakens.

The film doesn’t linger too long in explaining the events which occurred in that 30-year gap between Return of the Jedi and The Force Awakens. It doesn’t need it as we’re quickly introduced to the series’ new characters in the form of Poe Dameron, the best pilot in the galaxy, who has been sent on a secret mission by Leia to find the clues as to her brother’s whereabouts. Next in line was Kylo Ren who becomes this film’s analogue to the Darth Vader figure of the original trilogy. Yet, the bulk of the film was told through the eyes of Finn and Rey.  The former is First Order stormtrooper who has seen first-hand what the First Order truly stands for and not for the betterment of the galaxy. The latter is a young woman living life on the desert planet Jakku scavenging the graveyard of starship wreckage from a battle thirty year’s prior.

It’s through Rey and Finn that the audience learns through their adventures upon meeting up with each other on Jakku what has transpired since the Rebellion destroyed the second Death Star and killed Emperor Palpatine. To these two characters, the events from the original trilogy seem to have passed beyond the realm of history and become more like legends and myths to the younger generation. Through a combination of fear and awe, Ren and Finn get introduced to some of the original trilogies main characters (Leia, Han Solo, Chewbacca and even Admiral Ackbar). These are the stories they’ve been told of growing up come to life right in front of their eyes and their reaction mirrors those of the audience who haven’t seen these characters in anything new and relevant since the end of Return of the Jedi. The reaction alone to seeing Han Solo and Chewbacca alone seemed like the fandom’s collective cheer for the good that has been missing with the franchise for over 30 years now.

The Force Awakens is not a perfect by any stretch of the imagination. Like mentioned earlier, the film does suffer from some gaps in story logic and plot holes. As with most J.J. Abrams directed films he had a hand in writing the script and one could see where he sacrificed coherent storytelling beats for something that just pushed the story along the path he wanted the film to take. For those who have been steeped in Star Wars lore and backstory, this would be easily explained as the Force nudging, guiding and, if all else fails, pushing the characters onto the right path, but for the casual viewers it would come off as story beats of convenience.

As a story to bring back the faithful and lure in those still uninitiated to the franchise The Force Awakens straddles the line between nostalgia and trying to bring in something new to the proceedings.

Let’s begin with the former and just say it now that The Force Awakens does follow some major story beats directly from A New Hope (to a smaller effect from Empire Strikes Back and Return of the Jedi). One could almost say that this film was a sort of soft reboot of the original trilogy with how it lifted ideas from them and through some writing and directing recombination come up with something new, but still very familiar for hardcore and non-fans alike.

Does this decision to lean heavily on the original trilogy for ideas hurt the film? For some it might be a bit too distracting to recognize too many callbacks to those earlier films, but for most it’s a reminder of what the prequels lacked and that’s the sense of adventure and fun. There was never anything fun about the prequels. The Force Awakens brings it all back and for most viewers this is the course-correction the series has needed since the last images from Revenge of the Sith faded away from the silver-screen.

Even the new characters introduced in this latest film were an amalgamation of the main characters from the original trilogy. Where Abrams and Kasdan changed this up a bit was to go beyond just creating new analogues for the classic characters of Leia, Han, Luke, Chewie and R2D2. They opted to take all the qualities fans loved about those characters and mixed them all up to be used in the roles of Rey, Finn, Poe, Kylo Ren and BB8.

As the standout character in the film, Rey (played by find of the year Daisy Ridley) would bring back memories of not just the young and hopeful Luke from the original trilogy, but also some personal traits of Leia and Han. The same goes for Finn who at times reminded us of Han’s roguish charm to Luke’s naivete of his role in the larger world he has finally witnessed for the very first time. For the half-empty crowd this might look as lazy character development, but those who see the film with the half-full mindset would easily latch onto these new characters. Characters who now take on the responsibility of moving the franchise beyond the nostalgia of the original trilogy and erasure of the disappointment of the prequels to new adventures with the next two films.

So, is Star Wars: The Force Awakens worth returning back to the franchise after the prequels or is it too much of a rehash of the original three films? The answer to that is a definite yes despite some of it’s flaws. For some the very flaws some have pointed out (too many callbacks, sort of a reboot, etc.) was what made the film a fun time to be had. It’s a return to the comfort zone the fandom missed with the prequels.

Will the next two films in this new trilogy follow suit and just rely too much on nostalgia to continue trying to satisfy it’s massive audience? Or will Rian Johnson and Colin Trevorrow (director of Episode VIII and Episode IX, respectively) move into new territory with minimal callbacks to those earlier films? We as an audience will have to wait til 2017 and 2019 to find out. Until then enjoy what Abrams and Lucasfilm has accomplished with The Force Awakens. A film which has reinvigorated a film franchise that has seem some major lows, but one which also happens to be one hell of a fun ride from start to finish on it’s own merits.

P.S.: Some controversy has arisen since the film’s release concerning the character played by Daisy Ridley. Some have been very vocal about calling her Rey character as a sort of knee-jerk reaction to the accusation that the Star Wars films have lacked for a strong female lead. An argument that’s as misguided and misinformed as that of the films being whitewashed. The films in the franchise have always had strong female characters. The accusation that Rey as a character in The Force Awakens is such a “Mary Sue” (a female character written and created to be the best at everything, no flaws) ignore the details in the character’s development.

What’s sadder is that some of the very people (film critics and writers) who in the past have complained that major films (especially blockbusters) have been lacking in very strong female characters have been the very same who see Rey as a negative and a character too good. This despite the character following in the very same footsteps in how her predecessors have been written (Luke, Han, Anakin). It’s an argument that is sure to bring heated debate among fans and detractors, but one that takes away from the performance of Daisy Ridley who should be one of the many breakout stars to come out of Star Wars: The Force Awakens.

If Ed Wood Directed STAR WARS…


…it’d probably look a lot like HARDWARE WARS, the 1978 short spoof by Ernie Fosselius. Set to Wagner’s “Ride of the Valkyrie”, this trailer-styled parody features Mad Magazine type character names like Princess Anne Droid, Augie Ben Dogie, Ham Salad, and 4Q2. Narrated by none other than Paul Frees, even George Lucas is said to like it! “You’ll laugh, you’ll cry, you’ll kiss three bucks goodbye” but mostly you’ll laugh at the hilarious HARDWARE WARS:

May the Fan Art Be With You…


In honor of this weekend’s release of Star Wars: The Force Awakens, here is some of the best Star Wars fan art that I’ve come across online.

By Andrea Meloni

By Andrea Meloni

By Darren Tan

By Darren Tan

By Dave Dorman

By Dave Dorman

By Esther Wagner

By Esther Wagner

By John Gallager

By John Gallager

By Josh Lang

By Josh Lang

By Livio Ramondelli

By Livio Ramondelli

By Manuel Morgada

By Manuel Morgada

By Rommel Bas

By Rommel Bas

By Wotjek Fus

By Wotjek Fus

By Wotjek Fus

By Wotjek Fus

By Wotjek Fus

By Wotjek Fus

 

Sci-Fi Film Review: Return of the Jedi (dir by Richard Marquand)


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As you’ve probably noticed, we’ve devoted this month to science fiction here at the Shattered Lens.  Gary Loggins reviewed THX-1138.  Valerie took a look at everything from The Star Wars Holiday Special to Turkish Star Wars to Return of the Ewok.  Ryan the Trashfilm Guru reviewed such Italian classics as Cosmos: War of Planets and War of the Robots.  Patrick Smith reviewed a terrifying Christmas movie about Santa. Myself, I’ve taken a look at such films as Contamination and 2019: After the Fall of New York.  

We’ve reviewed a lot of science fiction and we’ve got a lot more left to go.  (Keep an eye out for my reviews of Starcrash and The Humanoid over the upcoming few days.)  However, from the beginning, this month has always been centered around Star Wars.  You may have heard that there’s a little movie called Star Wars: The Force Awakens and it’s opening this week.  Apparently, a few people are excited about it.  Since we love reviewing little known art films here at the Shattered Lens, we decided why not review all of the previous Star Wars films during the week leading up to the release of The Force Awakens?  Jeff (a.k.a. the blogger known as Jedadiah Leland) started us off by reviewing The Phantom Menace.  Then Alexandre Rothier took a look at Attack of the Clones, followed by Jeff’s look at Revenge of the Sith.  Leonard Wilson was the next to step up to the plate, reviewing both A New Hope and The Empire Strike Back.

And now, it’s my turn to add my thoughts to this project.  It’s time to review the 1983 film, Return of the Jedi.  And I have to admit that, when I first thought about what I wanted to say in this review, I was totally intimidated.  Unlike my fellow writers here at the Shattered Lens, I’m hardly an expert when it comes to Star Wars.  Don’t get me wrong — I know the basics.  I know that Darth Vader is Luke’s father.  I know that Han Solo flies the Millennium Falcon and that Princess Leia is in love with him.  I know there’s an evil Empire and I know that there are rebels.  I’m not a virgin when it comes to Star Wars but, at the same time, I’m definitely not as experienced (with Star Wars) as most of my friends and fellow movie bloggers.

"Dang, Lisa, get over it!"

“Dang, Lisa, get over it!”

So, late this afternoon, when I sat down to watch Return of the Jedi, it was with more than a little trepidation.  My obvious panic and welling tears convinced Jeff to watch the movie with me and I was happy for that.  He loves Star Wars so I knew he could explain to me what was going on.

Finally, we watched Return of the Jedi and I discovered that I was panicking over nothing.  Return of the Jedi may be the third part of trilogy and I may not be an expert on the films that came before it.  But, even with all that in mind, Return of the Jedi is not a difficult film to figure out.  As opposed to the finales of Harry Potter, The Hobbit, and The Hunger Games, Return of the Jedi keeps things simple.  A good guy has been kidnapped by a bad guy.  The other good guys come to the rescue and then go to another planet so that they can fight an even bigger bad guy.  It’s not complicated.

As I watched Return of the Jedi and realized that I was having absolutely no problem following the film’s plot, I also realized that the Star Wars films are such a huge part of our culture that, regardless of how many of them we’ve actually sat through, everyone has absorbed them by osmosis.  Bits and pieces of it are everywhere, showing up in everything from TV sitcoms to political commentary.  (Remember how everyone used to compare Dick Cheney to Darth Vader?)  The Star Wars franchise is almost biblical in that respect.  At the same time, the fact that everyone knows about these movies makes them a little difficult to review.  You don’t so much watch a Star Wars film as you join in a universal experience.  As a reviewer, you definitely find yourself wondering what you can add to a conversation that everyone else has already had.

As a stand alone movie, Return of the Jedi is actually three separate films mixed together.  The first film deals with Luke Skywalker (Mark Hamill) showing up at Jabba the Hutt’s palace and rescuing Han Solo (Harrison Ford), Princess Leia (Carrie Fisher), Chewbacca (Peter Mayhew), and two robots from being tossed into a creature called the Sarlacc, which is basically a giant vagina out in the middle of the desert.  The second film deals with the rebels teaming up with a bunch of teddy bears and fighting the Empire on a jungle planet.  And the third film features Luke and Darth Vader (body of David Prowse, voice of James Earl Jones, face of either Sebastian Shaw and Hayden Christensen, depending on which version of the film you’re watching) dealing with their family issues while the Emperor (Ian McDiarmid) cackles in the background.  Some parts of the film work better than others.  The end result is entertaining but definitely uneven.

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Jedi‘s heart belongs to that third film, the one dealing with Luke and Darth Vader.  I’ve read some pretty negative online comments about Mark Hamill’s performance in New Hope and Empire Strikes Back but, in Return of the Jedi, he brings an almost haunted intensity to the role of Luke.  In theory, it’s easy to be snarky about all the talk about the “Dark Side of the Force,” but, when you look in Hamill’s eyes, you totally understand what everyone’s going on about.  You see the fire and the anger but, even more importantly, you see the struggle between good and evil.  There’s a very poignant sadness to the scenes where he and his father prepare to meet the Emperor.

And speaking of the Emperor, he is pure nightmare fuel!  AGCK!

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As for the other two films to found within Return of the Jedi, the jungles of Endor didn’t do much for me.  Don’t get me wrong.  I thought the action scenes were handled well and, unlike apparently everyone else in the world, I was not annoyed by the inclusion of the Ewoks, the killer teddy bears who helped to the Rebels to take down the Empire.  I thought the Ewoks were cute and I actually got pretty upset when one of them was killed in battle.  If I had been alive when Return of the Jedi had been released, I probably would have wanted a stuffed Ewok and, I imagine, that was the main reason they were included in the film.  (I also imagine that’s the main reason why a lot of people can’t stand them.)

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So, no, the Ewoks did not bother me.  What did bother me was that under-construction Death Star floating out in the middle of space.  It bothered me because I really couldn’t imagine any reason why — after the first Death Star was apparently such a colossal failure — the Empire would insist on trying to do the exact same thing all over again.  This, along with the fact that they were rather easily defeated by a bunch of teddy bears, leads me to wonder whether the effectiveness of the Empire was just a little overrated.  I mean, the Emperor was scary but otherwise, everyone involved with the Empire was pretty incompetent.

Far more impressive, as far as villains go, was Jabba the Hut.  In fact, Jabba and his decadent entourage were so memorable and colorful and evil and icky that they pretty much overshadowed almost everything else in the film.  I mean, Jabba even had a blue elephant playing music for him!  And I know that I’m supposed to be critical of the film for putting Leia in that gold bikini but you know what?  Leia may have been forced to wear a gold bikini but she never gave up her dignity or her defiance.  And when it came time to take out Jabba, Leia used the tools of her oppression to do so, strangling him with his own chains.  In that one scene, Leia proved herself to be a true rebel.

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There’s a lot that’s good about Return of the Jedi but, as I said earlier, it’s definitely an uneven film.  Richard Marquand’s direction is perhaps the epitome of workmanlike.  It’s efficient and it’s dependable and there’s absolutely nothing surprising or particularly challenging about it.

It’s interesting to note that, before Richard Marquand was selected as director, the job was offered to both David Lynch and David Cronenberg, two directors who are all about surprising and challenging the audience.  What would David Lynch’s Return of the Jedi been like?  Well, here’s one possibility:

As for David Cronenberg’s Return of the Jedi, it might have looked something like this:

For better or worse, the world got Richard Marquand’s Return of the Jedi, which I imagine was pretty close to what George Lucas wanted the film to be.

As I sit here finishing up this review and wondering just why exactly I was so intimidated earlier (seriously, this turned out to be one the easiest reviews that I’ve ever written), I estimate that 75% of the people that I know are currently sitting in a theater and watching The Force Awakens.  Keep an eye out for Arleigh’s review in the next few days!

And in closing, here’s that blue elephant that I mentioned earlier.  Dance!

Maxrebo

Sci-Fi Review: The Empire Strikes Back (dir. by Irvin Kershner)


empire_strikes_back_style_aThe Year was 1980.

Though three years had passed since A New Hope’s release, it was never truly gone. In the time between A New Hope and The Empire Strikes Back, there was a huge jump in Science Fiction. Films like Alien, Star Trek: The Motion Picture and  The Black Hole jumped on the sci-fi wave and kept audiences busy. If you didn’t want to go to the movies, you could always watch the original Battlestar Galactica.

My father was always a stickler for presentation when it came to movies. It had to be the biggest screen and the best sound available, if possible. My parents took my brother and I on what felt like one of the longest road trips to see the movie. Like Close Encounters of the Third Kind, some films were presented in a 70MM format. In the early 80’s, saying “Panavision” was like saying “IMAX” today. The only problem with this was that Dad decided we should sit like 3 rows from the screen. It remains one of my favorite Star Wars related experiences.

There was a bit of a scare before the film was made. Sometime before production, Mark Hamill was involved in a car accident that broke his nose and part of his cheek. The reconstructive surgery required part of his ear to fix his nose, and anyone watching the film could tell that he looked pretty different from A New Hope. It was like watching Nicole Kidman in Moulin Rouge and then following that with The Stepford Wives. Still, the accident didn’t get in the way of production and it’s believed that Hamill’s damaged look may have actually helped add some authenticity to the Wampa scene, where he’s attacked by a Yeti-looking creature.

If A New Hope was the feel good movie of the year, with heroes winning the day, then The Empire Strikes Back was a downer of a film. Everyone you rooted for in the first film is made to face a challenge that completely knocks them down a peg. It’s almost a perfect middle part to any trilogy. There’s an improvement in nearly every part of the process in the movie, despite the fact that George Lucas didn’t have the directorial duties. It’s as if most of the money earned from A New Hope was moved to ILM’s R&D department. The sound and visual effects have improved, thanks to better blue screen work and recording equipment and the rotoscoping for the lightsabers is sharper. John Williams was brought back to score the film, which features a new theme both for the Empire, Yoda and Han & Leia’s love story.

https://www.youtube.com/watch?v=KvJDItC6tE0

From a writing standpoint, The Empire Strikes Back serves as the best example of Lucas getting out of the way. Though the story is his, the screenplay was written by both Leigh Brackett and Lawrence Kasdan. Between the two of them and director Irwin Kershner’s input, Empire has the tightest characterization of all the films (in my opinion). We’re given a love story that’s both subtle and believable, a villain worth hating without being overly campy, and a hero who discovers that as good as he believes himself to be, he still has much to learn. There’s also an element of comedy peppered throughout, with James Earl Jones and Harrison Ford getting some of the best lines and/or moments. New characters are introduced in the form of Jedi Master Yoda (Frank Oz), Lando Calrissian (Billy Dee Williams), Emperor Palpatine (Ian McDiarmid) and Boba Fett (Played by Jeremy Bulloch and voiced by Jason Wingreen. On a trivia side note, Frank Oz and George Lucas would reunite some years later in Jim Henson’s Labyrinth, produced by Lucas.

The film opens with the Empire sending out probes to locate the rebel forces. There a focus on the Rebellion, stationed on the icy planet of Hoth. The audience is allowed to catch up on our heroes. Luke Skywalker is slowly learning the ways of the Force and is coming into his own. Han Solo and Chewbacca remain his friends and have stayed behind, rather than choosing to leave. Both gentlemen have an awkward approach towards Princess Leia, who continues to lead the Alliance. When Han and Chewie stumble on one of the Empire’s droids, it’s clear they’re going to have to be ready for battle.

The audience is brought back to the Empire’s viewpoint with a grand introduction to former henchman turned major villian, Lord Darth Vader. Seeing as he survived the attack on the first death star (and no one challenged him) he saw fit to give himself a promotion. With the promotion came some perks, including a super Star Destroyer complete with his own little pod chamber. Vader begins a relentless assault on the rebel troops in his search for Luke, who he’s recognized as having some Force abilities. This turns out to be Vader’s one big mistake. While his attentions are focused on the Millenium Falcon, Luke travels to the planet Dagobah to see out Master Yoda. As this was some time before CGI, the original Yoda was more or less a Muppet. Mind you, this was probably a shock to a many viewers. Obi-Wan was good, but this little green fellow was a Jedi? How did that even happen? Still, he was awesome. Through Yoda, Luke gains more skill with the force, but he leaves before he can finish.

The battle itself is an air to ground one, with giant walking tanks (AT-AT’s) on the Empire’s side and Snowspeeders for the rebels. While it’s a great fight, the Rebels are forced to escape their home, looking more like the Quarian Migrant Fleet in Mass Effect by the end of the film. The scene is a great example of how the technology in the Star Wars universe has grown. New ships such as the Tie Bomber also made an appearance. For each film in the series, you’re introduced to some new vehicle and/or weapon. One can only hope that with The Force Awakens, we’ll see more than just Tie Fighters and X-Wings.

Vader eventually catches up with Solo and the Princess by way of Boba Fett, a Mandalorian Bounty Hunter working for Jabba the Hutt. Cinema audiences still wouldn’t see Jabba until 1983’s Return of the Jedi, but it was a good foreshadowing. Under the impression they’ve escaped the Empire, Han & Leia head over to the Cloud City at Bespin, where Han is reunited with his old friend Lando Calrissian. Here we gain a bit of backstory on how Solo acquired the Falcon. It all seems a little too perfect and safe until we all discover that the bad guys (yet again) have the drop on our heroes.

https://www.youtube.com/watch?v=wxdLYWnSzpI

Solo is tortured, along with the rest of the friends in an effort to lure Luke to Bespin. The Empire uses the Cloud City’s carbonite system on Solo as a test (considering that the process could kill him) for when Skywalker arrives. This results in one of the best one liners in the original trilogy, as well as one of the saddest scenes. Five year old me cried so much, this film was just depressing at every turn.

https://www.youtube.com/watch?v=qND0aIXOLbw

With the stage set for the showdown between Luke and Vader, the Lightsaber battle was cut between the escape of Leia, Chewie and Lando, who takes the place of Han as the Millenium Falcon’s pilot. The fight is slow compared to the prequels, but Vader is his best here, easily besting Luke with one hand at the start while trying to seduce him to the Dark Side of the Force. It’s a beautifully lit sequence by cinematographer Peter Suschitzky that would end with a revelation that would leave audiences questioning the film for the 3 years leading up to Return of the Jedi. Luke is able to escape Vader, but given the knowledge that he could be his father, everything changes for him from a character standpoint. Why did Obi-Wan lie to him about it? Can he, knowing Vader is his father, kill him? Should he, even?  Granted, as anyone who’s seen Pitch Perfect knows (or anyone who’s studied basic German), Vader means Father in German. How he didn’t see that coming is beyond me. Then again, when I first saw the film it was news to me, too.

So, there you have The Empire Strikes Back, easily the best film in the entire Star Wars saga. It’s proof that a Star Wars film can be made without Lucas controlling every aspect of it – though it should be noted that as Executive Producer, he was on hand in just about every other scene. We’ll around out our Star Wars coverage on the Eve of The Force Awakens’ release with Return of the Jedi.

4 Shots From 4 Films: Akira Kurosawa


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

With the latest entry to the Star Wars franchise set to be released in just a few days I thought it was appropriate to share four particular scenes from one filmmaker who has been a huge influence on George Lucas’ vision for Star Wars. This filmmaker also became a huge influence on other master filmmakers such as John Ford, Steven Spielberg, Martin Scorsese, Francis Ford Coppola and Sidney Lumet just to name a few.

Many consider this filmmaker to be one of the greatest filmmakers who ever lived and in this humble individual’s opinion he was the greatest filmmaker who stood above all and whose storytelling and visual techniques would become part of the modern filmmaker’s toll bag.

The man I speak of is Akira Kurosawa.

4 SHOTS FROM 4 FILMS

The Hidden Fortress (dir. by Akira Kurosawa)

The Hidden Fortress (dir. by Akira Kurosawa)

Dersu Uzala (dir. by Akira Kurosawa)

Dersu Uzala (dir. by Akira Kurosawa)

Yojimbo (dir. by Akira Kurosawa)

Yojimbo (dir. by Akira Kurosawa)

Kagemusha (dir. by Akira Kurosawa)

Kagemusha (dir. by Akira Kurosawa)